Process Photography
When Time Ran Out... (1980)
Directed by: James Goldstone
Cinematography by: Fred J. Koenekamp
Process Photography
The Swarm (1978)
Directed by: Irwin Allen
Cinematography by: Fred J. Koenekamp
Edited by: Harold F. Kress
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Unit Cameraman
Diamonds Are Forever (1971)
Directed by: Guy Hamilton
Cinematography by: Ted Moore
Photographer: Second Unit
Catch-22 (1970)
Directed by: Mike Nichols
Cinematography by: David Watkin
Edited by: Sam O'Steen
Photographer: Second Unit
Butch Cassidy and the Sundance Kid (1969)
Directed by: George Roy Hill
Cinematography by: Conrad L. Hall
Cameras: Panavision Silent Reflex PSR Camera
Second Unit Photography
Mackenna's Gold (1969)
Directed by: J. Lee Thompson
Cinematography by: Joseph MacDonald
Edited by: Bill Lenny
Cameras: Super Panavision-70 Camera
Second Unit Photography
How the West Was Won (1962)
Edited by: Harold F. Kress
Cameras: Cinerama Camera, Ultra Panavision 70 Camera
Lenses: Kodak Ektar 27 mm Lens, Panavision Lenses
Additional Photographer
The Wreck of the Mary Deare (1959)
Directed by: Michael Anderson
Cinematography by: Joseph Ruttenberg
Edited by: Eda Warren
Additional Photography, Camera Operator: Third Unit
Ben-Hur (1959)
Directed by: William Wyler
Cinematography by: Robert Surtees
Cameras: MGM Camera 65 Camera
Camera: Second Unit
The Night of the Hunter (1955)
Directed by: Charles Laughton
Cinematography by: Stanley Cortez
Edited by: Robert Golden
Camera Crew Member: Land Rush Scenes
Cimarron (1931)
Directed by: Wesley Ruggles
Cinematography by: Edward Cronjager
Edited by: William Hamilton
