Re-recording Mixer
Down and Out in Beverly Hills (1986)
Directed by: Paul Mazursky
Cinematography by: Donald McAlpine
Edited by: Richard Halsey
Post-production Sound
Love Is Forever (1983)
Directed by: Hall Bartlett
Cinematography by: Andrew Laszlo
Sound Mixer
Zapped! (1982)
Directed by: Robert J. Rosenthal
Cinematography by: Daniel Pearl
Edited by: Robert A. Ferretti
Cameras: Panavision Cameras
Sound Re-recordist
I, the Jury (1982)
Directed by: Richard T. Heffron
Cinematography by: Andrew Laszlo
Edited by: Garth Craven
Cameras: Panavision Cameras
Re-recording Mixer
I'm Dancing as Fast as I Can (1982)
Directed by: Jack Hofsiss
Cinematography by: Jan de Bont
Edited by: Michael Bradsell
Sound Re-recordist
Don't Look Back: The Story of Leroy 'Satchel' Paige (1981)
Directed by: Richard A. Colla
Cinematography by: Héctor R. Figueroa
Sound Re-recordist
A Gun in the House (1981)
Directed by: Ivan Nagy
Cinematography by: Dennis Dalzell
Edited by: Jerrold L. Ludwig
Re-recording Mixer
Callie & Son (1981)
Directed by: Waris Hussein
Cinematography by: Dennis Dalzell
Edited by: Ronald J. Fagan
Re-recording Mixer
The Big Red One (1980)
Directed by: Samuel Fuller
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX Camera
Re-recording Mixer
Tourist Trap (1979)
Directed by: David Schmoeller
Cinematography by: Nicholas Josef von Sternberg
Edited by: Ted Nicolaou
Sound Re-recordist
The Parallax View (1974)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Edited by: John W. Wheeler
Re-recording Mixer
Chinatown (1974)
Directed by: Roman Polanski
Edited by: Sam O'Steen
Cameras: Panavision Cameras
Sound Mixer
The Last of Sheila (1973)
Directed by: Herbert Ross
Cinematography by: Gerry Turpin
Edited by: Edward Warschilka
Sound
Play It Again, Sam (1972)
Directed by: Herbert Ross
Cinematography by: Owen Roizman
Edited by: Marion Rothman
Sound
John and Mary (1969)
Directed by: Peter Yates
Cinematography by: Gayne Rescher
Edited by: Frank P. Keller
Sound
Butch Cassidy and the Sundance Kid (1969)
Directed by: George Roy Hill
Cinematography by: Conrad L. Hall
Cameras: Panavision Silent Reflex PSR Camera
Sound
The Boston Strangler (1968)
Directed by: Richard Fleischer
Cinematography by: Richard H. Kline
Edited by: Marion Rothman
Sound
Hombre (1967)
Directed by: Martin Ritt
Cinematography by: James Wong Howe
Edited by: Frank Bracht
Sound
Tony Rome (1967)
Directed by: Gordon Douglas
Cinematography by: Joseph F. Biroc
Edited by: Robert L. Simpson
