Thomas Cosolito

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Spider-Man: Across the Spider-Verse | ShotOnWhat?

Lead Lighting: SPI

Spider-Man: Across the Spider-Verse (2023)

Directed by: Joaquim Dos Santos, Kemp Powers, Justin K. Thompson

Edited by: Mike Andrews

Spider-Man: Into the Spider-Verse | ShotOnWhat?

Lighting & Compositing Artist / Lighting And Compositing: SPI

Spider-Man: Into the Spider-Verse (2018)

Directed by: Bob Persichetti, Peter Ramsey, Rodney Rothman

Edited by: Robert Fisher Jr.

The Amazing Spider-Man 2 | ShotOnWhat?

Senior Production Services Technician

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Amazing Spider-Man | ShotOnWhat?

Senior Production Services Technician

The Amazing Spider-Man (2012)

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Priest | ShotOnWhat?

Assistant Visual Effects Coordinator

Priest (2011)

Directed by: Scott Stewart

Cinematography by: Don Burgess

Edited by: Lisa Zeno Churgin, Rebecca Weigold

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Ghost Rider: Spirit of Vengeance | ShotOnWhat?

Visual Effects Data Coordinator

Ghost Rider: Spirit of Vengeance (2011)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Brandon Trost

Edited by: Brian Berdan

Cameras: Red One MX Camera

Easier with Practice | ShotOnWhat?

Set Medic

Easier with Practice (2009)

Directed by: Kyle Patrick Alvarez

Cinematography by: David Rush Morrison

Edited by: Fernando Collins

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