Negative Cutter: 35mm
The Master (2012)
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
Post-production Supervisor
Dinosaurs Alive (2007)
Cinematography by: William Reeve
Edited by: Stephen L. Johnson
Post-production Supervisor
Roar: Lions of the Kalahari (2005)
Directed by: Tim Liversedge
Edited by: Lori Petersen Waite
Post-production Supervisor
Adrenaline Rush: The Science of Risk (2002)
Directed by: Marc Fafard
Edited by: René Caron
Post-production Supervisor
Hearst Castle: Building the Dream (1996)
Directed by: Bruce Neibaur
Cinematography by: Matthew Williams
Edited by: Stephen L. Johnson
Cameras: Iwerks MSM 8870 Camera
Post-production Manager
Grand Canyon (1991)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Cameras: Panavision Panaflex Gold Camera
Positive Cutter
Harley Davidson and the Marlboro Man (1991)
Directed by: Simon Wincer
Cinematography by: David Eggby
Edited by: Corky Ehlers
Cameras: Panavision Cameras
