Dailies Coordinator: Company 3 - Los Angeles Unit / Dailies Producer: Company 3 - Los Angeles Unit, Dailies Producer: Company 3 Los Angeles
Barbie (2023)
Directed by: Greta Gerwig
Cinematography by: Rodrigo Prieto
Edited by: Nick Houy
Cameras: ARRI ALEXA 65 Camera
Dailies Producer: Company 3 Los Angeles
Maestro (2023)
Directed by: Bradley Cooper
Cinematography by: Matthew Libatique
Edited by: Michelle Tesoro
Lenses: Panavision PVintage Prime Lenses
Dailies Producer: Company 3
Killers of the Flower Moon (2023)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses
Editing System: Lightworks Editing System
Dailies Producer: Company 3
Sonic the Hedgehog 2 (2022)
Directed by: Jeff Fowler
Cinematography by: Brandon Trost
Edited by: Jim May
Cameras: ARRI ALEXA Mini LF Camera
Editing System: Avid Editing System
Dailies Producer: Company 3
Babylon (2022)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Dailies Producer
The Matrix Resurrections (2021)
Directed by: Lana Wachowski
Edited by: Joseph Jett Sally
Cameras: Red Komodo Camera
Dailies Producer: Ec3 Dailies
A Beautiful Day in the Neighborhood (2019)
Directed by: Marielle Heller
Cinematography by: Jody Lee Lipes
Edited by: Anne McCabe
Dailies Producer: Company 3
6 Underground (2019)
Directed by: Michael Bay
Cinematography by: Bojan Bazelli
Dailies Producer: EC3 Dailies
Creed II (2018)
Directed by: Steven Caple Jr.
Cinematography by: Kramer Morgenthau
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Dailies Operator: EC3
Transformers: The Last Knight (2017)
Directed by: Michael Bay
Cinematography by: Jonathan Sela
Image Processing Lead: Reliance Mediaworks
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Image Processing: Reliance Mediaworks
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Project Lead: Lowry Digital
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Assistant Property Master
A-List (2006)
Directed by: Shira-Lee Shalit
Cinematography by: John Lazear
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera, Bell & Howell Eyemo Camera, Cineflex Cameras
Lenses: Cooke Lenses
Editing System: Avid Editing System
Production Assistant
Saw (2004)
Directed by: James Wan
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
