Mark Anderson

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The Last Exorcism Part II | ShotOnWhat?

Driver: Set Generator

The Last Exorcism Part II (2013)

Directed by: Ed Gass-Donnelly

Cinematography by: Brendan Steacy

Edited by: Ed Gass-Donnelly

Cameras: ARRI ALEXA Camera

The Campaign | ShotOnWhat?

Driver: Set Generator

The Campaign (2012)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Craig Alpert, Jon Poll

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Year One | ShotOnWhat?

Driver: Honeywagon

Year One (2009)

Directed by: Harold Ramis

Cinematography by: Alar Kivilo

Edited by: Craig Herring, Steve Welch

Cameras: Panavision Cameras

Shooter | ShotOnWhat?

Driver: Honeywagon

Shooter (2007)

Directed by: Antoine Fuqua

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV, Eric A. Sears

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

There Will Be Blood | ShotOnWhat?

Transportation Co-captain

There Will Be Blood (2007)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

Dr. T and the Women | ShotOnWhat?

Driver

Dr. T & the Women (2000)

Directed by: Robert Altman

Cinematography by: Jan Kiesser

Edited by: Geraldine Peroni

Any Given Sunday | ShotOnWhat?

Driver

Any Given Sunday (1999)

Directed by: Oliver Stone

Cinematography by: Salvatore Totino

Edited by: Stuart Levy, Thomas J. Nordberg, Keith Salmon, Stuart Waks

Point Blank | ShotOnWhat?

Driver

Point Blank (1998)

Directed by: Matt Earl Beesley

Cinematography by: Keith L. Smith

Edited by: Edward R. Abroms

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