Boom Operator
West Side Story (2021)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Boom Operator
Joker (2019)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens
Editing System: Avid Editing System
Boom Operator
Second Act (2018)
Directed by: Peter Segal
Cinematography by: Ueli Steiger
Edited by: Jason Gourson
Cameras: ARRI ALEXA Mini Camera
Boom Operator
The Greatest Showman (2017)
Directed by: Michael Gracey
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Boom Operator
Collateral Beauty (2016)
Directed by: David Frankel
Cinematography by: Maryse Alberti
Edited by: Andrew Marcus
Cameras: ARRI ALEXA XT Plus Camera
Boom Operator
'Mr. Robot' eps1.9_zer0-day.avi (2015)
Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: Philip Harrison
Boom Operator
'Mr. Robot' eps1.8_m1rr0r1ng.qt (2015)
Directed by: Tricia Brock
Cinematography by: Tod Campbell
Boom Operator
'Mr. Robot' eps1.7_wh1ter0se.m4v (2015)
Directed by: Christoph Schrewe
Cinematography by: Tod Campbell
Edited by: Franklin Peterson
Boom Operator
'Mr. Robot' eps1.6_v1ew-s0urce.flv (2015)
Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: Philip Harrison
Boom Operator - 4 Episodes, 2015
Mr. Robot (2015)
Directed by: Sam Esmail, Jim McKay, Tricia Brock, Deborah Chow, Nisha Ganatra, Niels Arden Oplev, Christoph Schrewe
Edited by: Franklin Peterson, John Petaja, Justin Krohn, Philip Harrison, Rosanne Tan, Joel T. Pashby, Sam Seig, Sharidan Williams-Sotelo, Joe Bini, Andrew Thompson
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Boom Operator
Bridge of Spies (2015)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Boom Operator
Annie (2014)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony PMW-F55 Camera
Boom Operator
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Boom Operator
Fright Night (2011)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Boom Operator
Tower Heist (2011)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Boom Operator
The Last Airbender (2010)
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Boom Person
Wall Street: Money Never Sleeps (2010)
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Boom Operator
Julie & Julia (2009)
Directed by: Nora Ephron
Cinematography by: Stephen Goldblatt
Edited by: Richard Marks
Boom Operator
The Lovely Bones (2009)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Boom Operator: New York
Made of Honor (2008)
Directed by: Paul Weiland
Cinematography by: Tony Pierce-Roberts
Edited by: Richard Marks
Cameras: Panavision Cameras
Boom Person
The Happening (2008)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Boom Operator
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Boom Operator
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Sound Recordist
Lady in the Water (2006)
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Boom Operator: New York
Lord of War (2005)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Cameras: Panavision Panaflex Platinum Camera
Boom Operator: New York
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Boom Operator
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Boom Person
Kinsey (2004)
Directed by: Bill Condon
Cinematography by: Frederick Elmes
Edited by: Virginia Katz
Cableman
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Boom Operator
Shortcut to Happiness (2003)
Directed by: Alec Baldwin
Cinematography by: Adam Holender
Boom Operator: New York
How to Lose a Guy in 10 Days (2003)
Directed by: Donald Petrie
Cinematography by: John Bailey
Edited by: Debra Neil-Fisher
Boom Operator: New York
Something's Gotta Give (2003)
Directed by: Nancy Meyers
Cinematography by: Michael Ballhaus
Edited by: Joe Hutshing
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Boom Operator
Unfaithful (2002)
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Boom Operator
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Boom Operator
Hearts in Atlantis (2001)
Directed by: Scott Hicks
Cinematography by: Piotr Sobocinski
Edited by: Pip Karmel
Boom Operator: New York
Serendipity (2001)
Directed by: Peter Chelsom
Cinematography by: John de Borman
Edited by: Christopher Greenbury
Boom Operator
Meet the Parents (2000)
Directed by: Jay Roach
Cinematography by: Peter James
Cameras: Panavision Panaflex Platinum Camera
Boom Operator
28 Days (2000)
Directed by: Betty Thomas
Cinematography by: Declan Quinn
Edited by: Peter Teschner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Recordist: New York
Living Out Loud (1998)
Directed by: Richard LaGravenese
Cinematography by: John Bailey
Cameras: Panavision Cameras
Sound Recordist
It All Came True (1998)
Directed by: Peter Yates
Cinematography by: Sven Nykvist
Edited by: Hughes Winborne
Boom Operator
Stepmom (1998)
Directed by: Chris Columbus
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Sound Recordist
The Last Days of Disco (1998)
Directed by: Whit Stillman
Cinematography by: John Thomas
Sound Recordist
The Horse Whisperer (1998)
Directed by: Robert Redford
Cinematography by: Robert Richardson
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Production Assistant, Sound On Set: Assistant
Private Parts (1997)
Directed by: Betty Thomas
Cinematography by: Walt Lloyd
Edited by: Peter Teschner
