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Michael Cooper

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Be Kind Rewind | ShotOnWhat?

Digital Intermediate Senior Manager: EFilm

Be Kind Rewind  (2008)

Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Jeff Buchanan
The Butterfly Effect | ShotOnWhat?

Vice President: Business Development

The Butterfly Effect  (2004)

Directed by: Eric Bress, J. Mackye Gruber
Cinematography by: Matthew F. Leonetti
Edited by: Peter Amundson
Forces of Nature | ShotOnWhat?

Visual Effects Plate Supervisor

Forces of Nature  (1999)

Directed by: Bronwen Hughes
Cinematography by: Elliot Davis, David Stockton
Edited by: Craig Wood
Cameras:
Chill Factor | ShotOnWhat?

Visual Effects Plate Supervisor: Cinesite

Chill Factor  (1999)

Directed by: Hugh Johnson
Cinematography by: David Gribble
Edited by: Pamela Power
Inspector Gadget | ShotOnWhat?

Visual Effects Producer: Post-production

Inspector Gadget  (1999)

Directed by: David Kellogg
Cinematography by: Adam Greenberg
Edited by: Alan Cody, Thom Noble, Gerald B. Greenberg
Cameras: ,
Armageddon | ShotOnWhat?

Digital Effects Producer

Armageddon  (1998)

Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury
Cameras: , ,
Lenses: ,
Fear and Loathing in Las Vegas | ShotOnWhat?

Visual Effects Coordinator: US, Visual Effects Plate Supervisor: Production Coordinator

Fear and Loathing in Las Vegas  (1998)

Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
Cameras: , ,
Lenses:
Last Action Hero | ShotOnWhat?

Optical Supervisor: Boss Film Studio

Last Action Hero  (1993)

Directed by: John McTiernan
Cinematography by: Dean Semler
Edited by: Richard A. Harris, John Wright
Cameras:
Lenses: ,
Cliffhanger | ShotOnWhat?

Optical Supervisor

Cliffhanger  (1993)

Directed by: Renny Harlin
Cinematography by: Alex Thomson
Edited by: Frank J. Urioste
Cameras:
Batman Returns | ShotOnWhat?

Optical Supervisor: Boss Film Studios

Batman Returns  (1992)

Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Edited by: Bob Badami, Chris Lebenzon
Cameras:
Lenses:
Terminator 2: Judgment Day | ShotOnWhat?

Optical Line-up , Scanning Operator: ILM

Terminator 2: Judgment Day  (1991)

Directed by: James Cameron
Cinematography by: Adam Greenberg
Edited by: Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris
Cameras: ,
Lenses: ,
Ghost | ShotOnWhat?

Optical Lineup: ILM

Ghost  (1990)

Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Cameras:
Back to the Future Part III | ShotOnWhat?

Optical Line-up

Back to the Future Part III  (1990)

Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Harry Keramidas, Arthur Schmidt
Cameras: , , ,
Lenses: ,
Akira Kurosawa's Dreams | ShotOnWhat?

Optical Line-up

Dreams  (1990)

Directed by: Akira Kurosawa, Ishirô Honda
Cinematography by: Takao Saitô, Shôji Ueda
Edited by: Tome Minami
Always | ShotOnWhat?

Optical Line-up

Always  (1989)

Directed by: Steven Spielberg
Cinematography by: Mikael Salomon
Edited by: Michael Kahn
Cameras:
Lenses:
Indiana Jones and the Last Crusade | ShotOnWhat?

Optical Lineup: ILM

Indiana Jones and the Last Crusade  (1989)

Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Edited by: Michael Kahn, George Lucas
Cameras:
Lenses:
Back to the Future Part II | ShotOnWhat?

Optical Line-up: ILM

Back to the Future Part II  (1989)

Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Harry Keramidas, Arthur Schmidt
Cameras: , , , ,
Lenses: ,
Who Framed Roger Rabbit | ShotOnWhat?

Optical Processing

Who Framed Roger Rabbit  (1988)

Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Cameras: ,
Lenses:
Caddyshack II | ShotOnWhat?

Additional Contributor: ILM

Caddyshack II  (1988)

Directed by: Allan Arkush
Cinematography by: Harry Stradling Jr.
Edited by: Bernard Gribble
Cameras:
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