Michael Miller

| USA

Directed by: Alfonso Gomez-Rejon

Cinematography by: Frederick Elmes

Edited by: John Petaja

Adr Mixer

'Hunters' At Night, All Birds Are Black (2020)

| USA

Directed by: Dennie Gordon

Cinematography by: Tim Norman

Edited by: Amy E. Duddleston

Adr Mixer

'Hunters' The Great Ole Nazi Cookout of '77 (2020)

| USA

Directed by: Nelson McCormick

Cinematography by: Tim Norman

Edited by: Amy E. Duddleston

Adr Mixer

'Hunters' The Mourner's Kaddish (2020)

| USA

Directed by: Wayne Yip

Cinematography by: William Rexer

Edited by: Amy E. Duddleston

Adr Mixer

'Hunters' (Ruth 1:16) (2020)

| USA

Directed by: Millicent Shelton

Cinematography by: William Rexer

Edited by: Matt Barber

Adr Mixer

'Hunters' Eilu v' Eilu (2020)

| USA

Directed by: Michael Uppendahl

Cinematography by: William Rexer

Edited by: John Petaja

Adr Mixer

'Hunters' While Visions of Safta Danced in His Head (2020)

| USA

Directed by: Wayne Yip

Cinematography by: William Rexer

Edited by: Matt Barber

Adr Mixer

'Hunters' Shalom Motherf***er (2020)

| USA

Directed by: Nelson McCormick

Cinematography by: Tim Norman

Edited by: Andrew Groves

Adr Mixer - 10 Episodes, 2020

Hunters (2020)

| USA

Directed by: Nelson McCormick, Michael Uppendahl, Wayne Yip, Alfonso Gomez-Rejon, Dennie Gordon, Millicent Shelton

Cinematography by: William Rexer, Tim Norman, Frederick Elmes

Edited by: Matt Barber, Amy E. Duddleston, John Petaja, Andrew Groves

Cameras: Red Monstro 8K Camera

Adr Mixer

'Hunters' The Pious Thieves (2020)

| USA

Directed by: Nelson McCormick

Cinematography by: Tim Norman

Edited by: John Petaja

Adr Mixer

'Hunters' The Jewish Question (2020)

| USA

Directed by: Michael Uppendahl

Cinematography by: William Rexer

Edited by: Matt Barber

Adr Mixer

'Luther' Episode #5.1 (2019)

| UK

Directed by: Jamie Payne

Cinematography by: John Pardue

Edited by: Jamie Trevill

Adr Mixer

Five Feet Apart (2019)

| USA

Directed by: Justin Baldoni

Cinematography by: Frank G. DeMarco

Edited by: Angela M. Catanzaro

Cameras: ARRI AMIRA Camera

Lenses: Cooke Lenses, Cooke Spherical Lenses

Adr Mixer

Gemini Man (2019)

| China, USA

Directed by: Ang Lee

Cinematography by: Dion Beebe

Edited by: Tim Squyres

Cameras: ARRI ALEXA XT M Camera, Phantom Flex4K Camera

Lenses: Leica Summilux-C Series Lenses

Adr Mixer

'Vikings' Episode #6.4 (2019)

Cinematography by: Owen McPolin

Edited by: Aaron Marshall

Adr Mixer

'Luther' Episode #5.2 (2019)

| UK

Directed by: Jamie Payne

Cinematography by: John Pardue

Edited by: Jamie Trevill

Adr Mixer

Bombshell (2019)

Movie

| Canada, USA

Directed by: Jay Roach

Cinematography by: Barry Ackroyd

Edited by: Jon Poll

Original Dialogue Mixer

Toy Story 4 (2019)

| USA

Directed by: Josh Cooley

Cinematography by: Jean-Claude Kalache, Patrick Lin

Edited by: Axel Geddes

Adr Mixer

'Vikings' Episode #6.6 (2019)

Directed by: David Frazee

Cinematography by: Owen McPolin

Edited by: Dan Briceno

Adr Mixer

Seberg (2019)

| UK, USA

Directed by: Benedict Andrews

Cinematography by: Rachel Morrison

Edited by: Pamela Martin

Lenses: Panavision C Series Anamorphic Lenses

Adr Mixer

'Luther' Episode #5.3 (2019)

| UK

Directed by: Jamie Payne

Cinematography by: John Pardue

Edited by: Joel Skinner

Adr Mixer

'Vikings' Episode #6.5 (2019)

Directed by: David Frazee

Cinematography by: Owen McPolin

Adr Mixer

Ad Astra (2019)

| USA, China

Directed by: James Gray

Cinematography by: Hoyte Van Hoytema

Edited by: John Axelrad, Lee Haugen

Cameras: Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses: CamTec Lenses, Zeiss Master Prime Lenses

Adr Mixer

'Luther' Episode #5.4 (2019)

| UK

Directed by: Jamie Payne

Cinematography by: John Pardue

Edited by: Jamie Trevill

Adr Mixer

'Vikings' Episode #6.3 (2019)

Directed by: Steve Saint Leger

Cinematography by: Peter Robertson

Edited by: Dan Briceno

Adr Mixer

A Beautiful Day in the Neighborhood (2019)

| China, USA

Directed by: Marielle Heller

Cinematography by: Jody Lee Lipes

Edited by: Anne McCabe

Cameras: ARRI ALEXA Mini Camera, ARRIFLEX 416 Camera, Ikegami Cameras, Ikegami HL-79EAL Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Canon Lenses, Zeiss Master Prime Lenses

Adr Mixer

'The X-Files' The Lost Art of Forehead Sweat (2018)

| USA

Directed by: Darin Morgan

Cinematography by: Craig Wrobleski

Edited by: Eleanor Infante

Adr Mixer

'Billions' The Wrong Maria Gonzalez (2018)

| USA

Directed by: Noah Emmerich

Cinematography by: Jake Polonsky

Edited by: Aaron Kuhn

Adr Mixer

'The X-Files' Familiar (2018)

Directed by: Holly Dale

Cinematography by: Craig Wrobleski

Edited by: J. Kathleen Gibson

Adr Mixer

'The X-Files' My Struggle III (2018)

| USA

Directed by: Chris Carter

Cinematography by: Craig Wrobleski

Edited by: Robert Komatsu

Adr Mixer

'Billions' Icebreaker (2018)

| USA

Directed by: Stacie Passon

Cinematography by: Radium Cheung

Edited by: Marnee Meyer, Martina Nilgitsalanont

Adr Mixer

'Blue Bloods' The Devil You Know (2018)

Directed by: John Behring

Cinematography by: Gene Engels

Edited by: Brice Bishop-Pullan

Adr Mixer

'The X-Files' Ghouli (2018)

| USA

Directed by: James Wong

Cinematography by: Craig Wrobleski

Edited by: Kevin D. Ross

Adr Mixer

'Vikings' Murder Most Foul (2018)

Directed by: Ciaran Donnelly

Cinematography by: Peter Robertson

Edited by: Dan Briceno

Original Dialogue Mixer

Ralph Breaks the Internet (2018)

| USA

Directed by: Phil Johnston, Rich Moore

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

Adr Mixer

'The X-Files' Nothing Lasts Forever (2018)

Directed by: James Wong

Cinematography by: Craig Wrobleski

Edited by: Kevin D. Ross

Adr Mixer

'The X-Files' This (2018)

| USA

Directed by: Glen Morgan

Cinematography by: Craig Wrobleski

Edited by: Eleanor Infante

Adr Mixer

'Billions' Not You, Mr. Dake (2018)

| USA

Directed by: Michael Morris

Cinematography by: Jake Polonsky

Edited by: Marnee Meyer, Shelby Siegel

Adr Mixer / Original Dialogue Mixer

Incredibles 2 (2018)

| USA

Directed by: Brad Bird

Cinematography by: Mahyar Abousaeedi, Erik Smitt

Edited by: Stephen Schaffer

Adr Mixer

Christopher Robin (2018)

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

| UK, USA

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Matt Chesse

Lenses: Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Adr Mixer

'The X-Files' Kitten (2018)

Directed by: Carol Banker

Cinematography by: Craig Wrobleski

Edited by: J. Kathleen Gibson

Adr Mixer

'Vikings' The Revelation (2018)

Directed by: Ciaran Donnelly

Cinematography by: Peter Robertson

Edited by: Michele Conroy

Adr Mixer

'The X-Files' My Struggle IV (2018)

Directed by: Chris Carter

Cinematography by: Craig Wrobleski

Edited by: Eleanor Infante

Adr Mixer

'The X-Files' Plus One (2018)

| USA

Directed by: Kevin Hooks

Cinematography by: Craig Wrobleski

Edited by: J. Kathleen Gibson

Adr Mixer

'Billions' The Third Ortolan (2018)

| USA

Directed by: John Dahl

Cinematography by: Jake Polonsky

Edited by: Marnee Meyer

Adr Mixer

'The X-Files' Rm9sbG93ZXJz (2018)

Directed by: Glen Morgan

Cinematography by: Craig Wrobleski

Edited by: Eleanor Infante

Adr Mixer

'Vikings' Moments of Vision (2018)

Directed by: Daniel Grou

Cinematography by: Peter Robertson

Edited by: Aaron Marshall

Adr Mixer

King Arthur: Legend of the Sword (2017)

| USA, UK

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Adr Mixer

'Game of Thrones' Stormborn (2017)

| USA

Directed by: Mark Mylod

Cinematography by: P.J. Dillon

Edited by: Tim Porter

Adr Mixer

'Vikings' The Fisher King (2017)

Directed by: David Wellington, Joshua Zimmerman, Anthony Karkosza

Cinematography by: P.J. Dillon, Peter Robertson

Edited by: Aaron Marshall

Adr Mixer

'Billions' The Oath (2017)

Directed by: Noah Emmerich

Cinematography by: Radium Cheung

Edited by: Naomi Geraghty

Adr Mixer

Blade Runner 2049 (2017)

| USA, UK, Hungary, Canada, Spain

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joe Walker

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Adr Mixer

'Fargo' Who Rules the Land of Denial? (2017)

| USA

Directed by: Mike Barker

Cinematography by: Craig Wrobleski

Edited by: Andrew Seklir

Adr Mixer

'Game of Thrones' The Queen's Justice (2017)

| USA

Directed by: Mark Mylod

Cinematography by: P.J. Dillon

Edited by: Jesse Parker

Adr Mixer

'Designated Survivor' Outbreak (2017)

| USA

Directed by: Chris Grismer

Cinematography by: Jeffrey C. Mygatt

Edited by: Damien Smith

Adr Mixer

Atomic Blonde (2017)

| Germany, Sweden, USA, Hungary

Directed by: David Leitch

Cinematography by: Jonathan Sela

Edited by: Elísabet Ronaldsdóttir

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses: Hawk V-Lite Vintage´74 Lens

Adr Mixer

'Blue Bloods' Brushed Off (2017)

Directed by: Eric Laneuville

Cinematography by: Gene Engels

Edited by: Brice Bishop-Pullan

Adr Mixer

'Game of Thrones' The Dragon and the Wolf (2017)

Directed by: Jeremy Podeswa

Cinematography by: Gregory Middleton

Edited by: Crispin Green

Adr Mixer

'Ice' Stand Off (2017)

Directed by: Rod Holcomb

Cinematography by: Robert Aschmann

Edited by: Stein Myhrstad

Adr Mixer

Shock and Awe (2017)

Movie

| USA

Directed by: Rob Reiner

Cinematography by: Barry Markowitz

Edited by: Bob Joyce

Adr Mixer

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

| USA

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Adr Mixer

Mudbound (2017)

| USA

Directed by: Dee Rees

Cinematography by: Rachel Morrison

Edited by: Mako Kamitsuna

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses

Adr Mixer

'Game of Thrones' The Spoils of War (2017)

| USA

Directed by: Matt Shakman

Cinematography by: Robert McLachlan

Edited by: Katie Weiland

Adr Mixer

Captain America: Civil War (2016)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

| USA

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Adr Mixer

'Vinyl' Whispered Secrets (2016)

| USA

Directed by: Mark Romanek

Cinematography by: David Franco

Edited by: Kate Sanford

Adr Mixer

'Blue Bloods' Blast from the Past (2016)

Directed by: Eric Laneuville

Cinematography by: Gene Engels

Edited by: Thomas R. Moore

Adr Mixer

LBJ (2016)

| USA

Directed by: Rob Reiner

Cinematography by: Barry Markowitz

Edited by: Bob Joyce

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision PVintage Prime Lenses

Adr Mixer

My Big Fat Greek Wedding 2 (2016)

| USA, Canada

Directed by: Kirk Jones

Cinematography by: Jim Denault

Edited by: Mark Czyzewski

Adr Mixer - 5 Episodes, 2017-2018

Billions (2016)

| USA

Cinematography by: Jake Polonsky, Radium Cheung, Giorgio Scali, Alexander Dynan, Eric Steelberg, Joseph E. Gallagher

Edited by: Marnee Meyer, Naomi Geraghty, Nick Houy, Joe Hobeck, Susan E. Morse, David Ray, Martina Nilgitsalanont, Shelby Siegel, Blake Gingerich, Aaron Kuhn, Joel Plotch, Anthony Muzzatti, Eric Spang

Adr Mixer

'Blue Bloods' Stomping Grounds (2016)

Directed by: Donald E. Thorin Jr.

Cinematography by: Larry McConkey

Edited by: Brice Bishop-Pullan

Adr Mixer

'Vinyl' E.A.B. (2016)

| USA

Directed by: Jon S. Baird

Cinematography by: Reed Morano

Edited by: Perri B. Frank, Tim Streeto

Original Dialogue Mixer

Ice Age: Collision Course (2016)

| USA

Directed by: Mike Thurmeier, Galen T. Chu

Cinematography by: Renato Falcão

Edited by: Erin Crackel, James Palumbo

Adr Mixer

Why Him? (2016)

| USA, Cambodia

Directed by: John Hamburg

Cinematography by: Kris Kachikis

Edited by: William Kerr

Adr Mixer

'Penny Dreadful' The Day Tennyson Died (2016)

Directed by: Damon Thomas

Cinematography by: John Conroy

Edited by: Christopher Donaldson

Adr Mixer - 1 Episode, 2017

Designated Survivor (2016)

| USA

Cinematography by: Jeffrey C. Mygatt, Michael Storey, Adam Suschitzky, Cort Fey, Colin Hoult, Darran Tiernan, M. David Mullen, David A. Harp, Michael McMurray

Edited by: Damien Smith, Charissa Sanjarernsuithikul, Ned Bastille, Pamela Malouf, David Beatty, John L. Roberts, Michael Schweitzer, James Coblentz, Monty DeGraff, Jennifer Van Goethem, Roy C. Poole, Bryan Darling

Cameras: ARRI ALEXA LF

Editing System: Avid Editing System

Adr Mixer

Gods of Egypt (2016)

| USA, Australia, China

Directed by: Alex Proyas

Cinematography by: Peter Menzies Jr.

Edited by: Richard Learoyd

Lenses: Panavision Primo 70 Lenses

Adr Mixer

Live by Night (2016)

| USA

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

Adr Mixer

Rogue One (2016)

| USA

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Adr Mixer

Hail, Caesar! (2016)

| UK, Japan, USA

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Editing System: Adobe Premiere Editing System

Adr Mixer

'Blue Bloods' Town Without Pity (2016)

Directed by: David Barrett

Cinematography by: Gene Engels

Edited by: David Ray

Original Dialogue Mixer

Kung Fu Panda 3 (2016)

| China, USA

Directed by: Alessandro Carloni, Jennifer Yuh Nelson

Edited by: Clare Knight

Adr Mixer

How to Be Single (2016)

| USA

Directed by: Christian Ditter

Cinematography by: Christian Rein

Edited by: Tia Nolan

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Adr Mixer

'Vinyl' The King and I (2016)

| USA

Directed by: Allen Coulter

Cinematography by: David Franco

Edited by: Kate Sanford

Adr Mixer - 1 Episode, 2017

Ice (2016)

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Anamorphic 44-440mm A2S T4.5 Lens, Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 135mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 40mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 60mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens, Zeiss Master Prime Lenses

| USA

Directed by: Guy Norman Bee, Edward Allen Bernero, Ashley Way, Norberto Barba, Thomas Carter, Antoine Fuqua, Jon Amiel, John David Coles, Rod Holcomb, T.J. Scott, Peter Werner, Samira Radsi

Cinematography by: Robert Aschmann, Christos Bitsakos, Maz Makhani

Edited by: Lisa Binkley, Stein Myhrstad, Jamie Alain, Daria Ellerman, Luis Carballar, William Paley, Adina Moore

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Adr Mixer

The Nice Guys (2016)

| USA

Directed by: Shane Black

Cinematography by: Philippe Rousselot

Edited by: Joel Negron

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Adr Mixer

'Vikings' The Last Ship (2016)

Directed by: Jeff Woolnough

Cinematography by: Owen McPolin

Edited by: Don Cassidy

Adr Mixer

London Has Fallen (2016)

| UK, Bulgaria, USA

Directed by: Babak Najafi

Cinematography by: Ed Wild

Edited by: Michael J. Duthie, Paul Martin Smith

Lenses: Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses

Adr Mixer

The Finest Hours (2016)

| USA

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leica Summilux-C Series Lenses

Adr Mixer

'Blue Bloods' Fresh Start (2016)

Directed by: David Barrett

Cinematography by: Donald E. Thorin Jr.

Edited by: Dan Erickson, David Ray

Adr Mixer

'Vinyl' Alibi (2016)

| USA

Directed by: Allen Coulter

Cinematography by: Reed Morano

Edited by: Tim Streeto

Adr Mixer

Jason Bourne (2016)

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

| USA, China

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Adr Mixer

'Royal Pains' Home Sick (2016)

Directed by: Charles McClelland

Cinematography by: Joe Collins

Edited by: Matthew S. Nickelson

Adr Mixer

Barbershop: The Next Cut (2016)

| USA

Directed by: Malcolm D. Lee

Cinematography by: Greg Gardiner

Edited by: Paul Millspaugh

Cameras: Sony PMW-F55 Camera

Adr Mixer

'Vinyl' He in Racist Fire (2016)

| USA

Directed by: Peter Sollett

Cinematography by: David Franco

Edited by: Kate Sanford

Adr Mixer

The Legend of Tarzan (2016)

| UK, Canada, USA

Directed by: David Yates

Cinematography by: Henry Braham

Edited by: Mark Day

Lenses: Angenieux Optimo Zoom Lenses, Leica Summicron-C Series Lenses

Adr Mixer

X-Men: Apocalypse (2016)

| USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leica Summilux-C Series Lenses

Adr Mixer - 6 Episodes, 2016

Vinyl (2016)

| USA

Directed by: Allen Coulter, Jon S. Baird, S.J. Clarkson, Carl Franklin, Nicole Kassell, Mark Romanek, Martin Scorsese, Peter Sollett

Cinematography by: Reed Morano, David Franco, Rodrigo Prieto

Edited by: Tim Streeto, Kate Sanford, David Tedeschi, Perri B. Frank, Eric Lorenz

Cameras: Sony PMW-F55 Camera

Adr Mixer

'Blue Bloods' Cursed (2016)

Directed by: Peter Leto

Cinematography by: Donald E. Thorin Jr.

Edited by: Jackeline Tejada

Adr Mixer

'Vinyl' Rock and Roll Queen (2016)

| USA

Directed by: Carl Franklin

Cinematography by: David Franco

Edited by: Eric Lorenz, Kate Sanford

Original Dialogue Mixer

The Secret Life of Pets (2016)

| Japan, USA, France

Directed by: Chris Renaud, Yarrow Cheney

Edited by: Ken Schretzmann

Original Dialogue Mixer

'Through the Wormhole' What Makes a Terrorist? (2016)

Cinematography by: Kris Denton, Joe Gabriel, David Goulding, Rami Katzav, Jason Longo, Tim Metzger, Kevin O'Brien, Oktay Ortabasi, Steve Robson

Edited by: John Dentlinger, Freddy Harris, De'Shaun Humphrey, Bryan King, David LaMattina, Matt Raffaniello

Adr Mixer

'Royal Pains' The Good News Is... (2016)

Directed by: Michael Rauch

Cinematography by: Joe Collins

Edited by: Charles McClelland

Adr Mixer

Zoolander 2 (2016)

| USA, Italy

Directed by: Ben Stiller

Cinematography by: Dan Mindel

Edited by: Greg Hayden

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Adr Mixer

'Penny Dreadful' Predators Far and Near (2016)

Directed by: Damon Thomas

Cinematography by: John Conroy

Edited by: Christopher Donaldson

Adr Mixer

Risen (2016)

| USA

Directed by: Kevin Reynolds

Cinematography by: Lorenzo Senatore

Edited by: Steve Mirkovich

Cameras: ARRI ALEXA Camera

Adr Mixer

'Game of Thrones' The Broken Man (2016)

| USA

Directed by: Mark Mylod

Cinematography by: P.J. Dillon

Edited by: Jesse Parker

Adr Mixer

'Blue Bloods' Baggage (2015)

Directed by: John Behring

Cinematography by: Craig DiBona

Edited by: Thomas R. Moore

Adr Mixer

'Girls' Daddy Issues (2015)

| USA

Directed by: Jesse Peretz

Cinematography by: Tim Ives

Edited by: Shawn Paper

Adr Mixer

'Fargo' Palindrome (2015)

Directed by: Adam Arkin

Cinematography by: Dana Gonzales

Edited by: Skip Macdonald

Adr Mixer

Sicario (2015)

| USA, Mexico

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joe Walker

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Adr Mixer

'Penny Dreadful' Memento Mori (2015)

Directed by: Kari Skogland

Cinematography by: Nigel Willoughby

Edited by: Christopher Donaldson

Adr Mixer

'Lost Girl' Let Them Burn (2015)

| Canada

Directed by: Mairzee Almas

Cinematography by: Craig Wright

Edited by: Ben Wilkinson

Adr Mixer

'Game of Thrones' The Wars to Come (2015)

Directed by: Michael Slovis

Cinematography by: David Franco

Edited by: Katie Weiland

Adr Mixer

'Vikings' Breaking Point (2015)

Directed by: Ken Girotti

Cinematography by: P.J. Dillon

Edited by: Aaron Marshall

Adr Mixer: Formosa Santa Monica

Joy (2015)

| USA

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Tom Cross, Christopher Tellefsen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Adr Mixer

'Penny Dreadful' Evil Spirits in Heavenly Places (2015)

Directed by: Damon Thomas

Cinematography by: John Conroy

Edited by: Christopher Donaldson

Adr Mixer

'Lost Girl' Like Father, Like Daughter (2015)

Directed by: Paolo Barzman

Cinematography by: Craig Wright

Edited by: Paul G. Day

Adr Mixer

'Game of Thrones' The Dance of Dragons (2015)

Directed by: David Nutter

Cinematography by: Robert McLachlan

Edited by: Katie Weiland

Adr Mixer

'Girls' Tad & Loreen & Avi & Shanaz (2015)

| USA

Directed by: Jamie Babbit

Cinematography by: Tim Ives

Edited by: Myron Kerstein

Adr Mixer

'Fargo' Did You Do This? No, You Did It! (2015)

Directed by: Keith Gordon

Cinematography by: Craig Wrobleski

Edited by: Skip Macdonald, Curtis Thurber

Adr Mixer

The Intern (2015)

| USA

Directed by: Nancy Meyers

Cinematography by: Stephen Goldblatt

Edited by: Robert Leighton

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Adr Mixer

'Penny Dreadful' Little Scorpion (2015)

Directed by: Brian Kirk

Cinematography by: Nigel Willoughby

Edited by: Geoff Ashenhurst

Adr Mixer

'Lost Girl' Rise (2015)

| Canada

Directed by: Paolo Barzman

Cinematography by: Craig Wright

Edited by: Dale Gagne

Adr Mixer

Run All Night (2015)

| USA

Directed by: Jaume Collet-Serra

Cinematography by: Martin Ruhe

Edited by: Dirk Westervelt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

Adr Mixer

'Lost Girl' It's Your Lucky Fae (2015)

| Canada

Directed by: Paolo Barzman

Cinematography by: Craig Wright

Edited by: Ben Wilkinson

Adr Mixer

'Vikings' To the Gates! (2015)

Directed by: Kelly Makin

Cinematography by: P.J. Dillon

Edited by: Tad Seaborn

Adr Mixer

'Blue Bloods' With Friends Like These (2015)

| USA

Directed by: Heather Cappiello

Cinematography by: Donald E. Thorin Jr.

Edited by: Thomas R. Moore

Adr Mixer

The Hunger Games: Mockingjay - Part 2 (2015)

| USA

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Adr Mixer

Inside Out (2015)

| USA

Directed by: Pete Docter, Ronnie Del Carmen

Edited by: Kevin Nolting

Adr Mixer

Spectre (2015)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

| UK, USA

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Editing System: Avid Editing System

Adr Mixer

'Penny Dreadful' And They Were Enemies (2015)

Directed by: Brian Kirk

Cinematography by: P.J. Dillon

Edited by: Aaron Marshall

Adr Mixer

'Lost Girl' Family Portrait (2015)

Directed by: Ron Murphy

Cinematography by: Craig Wright

Edited by: Ben Wilkinson

Adr Mixer

'Game of Thrones' Kill the Boy (2015)

Directed by: Jeremy Podeswa

Cinematography by: Gregory Middleton

Edited by: Crispin Green

Adr Mixer

'Girls' Ask Me My Name (2015)

| USA

Directed by: Tricia Brock

Cinematography by: Tim Ives

Edited by: Peter CabadaHagan, Shawn Paper

Adr Mixer

'Penny Dreadful' Glorious Horrors (2015)

Directed by: James Hawes

Cinematography by: Owen McPolin

Edited by: Michele Conroy

Adr Mixer

Avengers: Age of Ultron (2015)

| USA

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Adr Mixer

'Lost Girl' Clear Eyes, Fae Hearts (2015)

| Canada

Directed by: David Greene

Cinematography by: Craig Wright

Edited by: Paul G. Day

Adr Mixer

'Vikings' Paris (2015)

Directed by: Kelly Makin

Cinematography by: P.J. Dillon

Edited by: Aaron Marshall

Adr Mixer

'Blue Bloods' Love Stories (2015)

| USA

Directed by: Alex Zakrzewski

Cinematography by: Donald E. Thorin Jr.

Edited by: Thomas R. Moore

Adr Mixer

'Fargo' The Castle (2015)

Directed by: Adam Arkin

Cinematography by: Dana Gonzales

Edited by: Bridget Durnford, Regis Kimble

Adr Mixer

'Penny Dreadful' And Hell Itself My Only Foe (2015)

Directed by: Brian Kirk

Cinematography by: P.J. Dillon

Edited by: Geoff Ashenhurst

Adr Mixer

'Lost Girl' Follow the Yellow Trick Road (2015)

Directed by: Paolo Barzman

Cinematography by: Craig Wright

Edited by: Dale Gagne

Adr Mixer

'Game of Thrones' Unbowed, Unbent, Unbroken (2015)

Directed by: Jeremy Podeswa

Cinematography by: Gregory Middleton

Edited by: Crispin Green

Adr Mixer

'Vikings' The Dead (2015)

Directed by: Ken Girotti

Cinematography by: P.J. Dillon

Edited by: Tad Seaborn

Adr Mixer

The Revenant (2015)

Lenses: Leica Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

| USA, Hong Kong, Taiwan

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Adr Mixer

'Penny Dreadful' Above the Vaulted Sky (2015)

Directed by: Damon Thomas

Cinematography by: John Conroy

Edited by: Aaron Marshall

Adr Mixer

'Lost Girl' 44 Minutes to Save the World (2015)

| Canada

Directed by: Gail Harvey

Cinematography by: Craig Wright

Edited by: Ben Wilkinson

Adr Mixer / Original Dialouge Mixer

How to Train Your Dragon 2 (2014)

| USA

Directed by: Dean DeBlois

Cinematography by: Gil Zimmerman

Edited by: John K. Carr

Adr Mixer

Noah (2014)

| USA

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Adr Mixer - 9 Episodes, 2015-2016

Penny Dreadful (2014)

| Ireland, UK, USA

Directed by: Damon Thomas, James Hawes, Brian Kirk, Paco Cabezas, J.A. Bayona, Coky Giedroyc, Dearbhla Walsh, Kari Skogland, Toa Fraser

Cinematography by: John Conroy, Owen McPolin, Nigel Willoughby, P.J. Dillon, Xavi Giménez

Edited by: Michele Conroy, Christopher Donaldson, Geoff Ashenhurst, Aaron Marshall, Jaume Martí, Bernat Vilaplana, Gareth C. Scales

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Lenses, Cooke S4 Lenses

Adr Mixer

The Purge: Anarchy (2014)

| USA, France

Directed by: James DeMonaco

Cinematography by: Jacques Jouffret

Edited by: Vince Filippone, Todd E. Miller

Cameras: ARRI ALEXA XT Camera

Editing System: Avid Editing System

Adr Mixer

'Arctic Air' The Finish Line (2014)

Directed by: Kevin Fair

Cinematography by: Pieter Stathis, Bruce Worrall

Edited by: Lara Mazur, Franco Pante

Adr Mixer

'Lost Girl' Like Hell: Part 1 (2014)

| Canada

Directed by: Paolo Barzman

Cinematography by: Craig Wright

Edited by: Paul G. Day

Adr Mixer, Original Dialogue Mixer

Transformers: Age of Extinction (2014)

| USA, China, Hong Kong

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leica Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Original Dialogue Mixer

The Book of Life (2014)

| USA

Directed by: Jorge R. Gutiérrez

Edited by: Ahren Shaw

Adr Mixer

'Blue Bloods' Manhattan Queens (2014)

Directed by: Donnie Wahlberg

Cinematography by: Craig DiBona

Edited by: Peter C. Frank

Adr Mixer

'Arctic Air' The Fall PT.1 (2014)

Directed by: Gary Harvey

Cinematography by: Michael C. Blundell

Edited by: Dan Krieger, Lara Mazur

Original Dialogue Mixer

Rio 2 (2014)

| USA

Directed by: Carlos Saldanha

Cinematography by: Renato Falcão

Edited by: Harry Hitner, Randy Trager

Adr Mixer

Big Eyes (2014)

| USA, Canada

Directed by: Tim Burton

Cinematography by: Bruno Delbonnel

Edited by: JC Bond

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Editing System: Avid Editing System

Adr Mixer

Non-Stop (2014)

| UK, France, USA, Canada

Directed by: Jaume Collet-Serra

Cinematography by: Flavio Martínez Labiano

Edited by: Jim May

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Adr Mixer

'Californication' Levon (2014)

| USA

Directed by: David Duchovny

Cinematography by: Tim Bellen

Edited by: Michael D. Ornstein

Adr Mixer

Million Dollar Arm (2014)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Cooke S4 Lenses

| USA

Directed by: Craig Gillespie

Cinematography by: Gyula Pados

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Adr Mixer

The Cobbler (2014)

| USA

Directed by: Tom McCarthy

Cinematography by: W. Mott Hupfel III

Edited by: Tom McArdle

Adr Mixer

'Vikings' Unforgiven (2014)

| Ireland, Canada

Directed by: Jeff Woolnough

Cinematography by: P.J. Dillon

Adr Mixer

'Blue Bloods' The Bogeyman (2014)

| USA

Directed by: David Barrett

Cinematography by: Alex Nepomniaschy

Edited by: Charles McClelland, Jackeline Tejada

Adr Mixer

'Arctic Air' The Fugitive (2014)

Directed by: Anthony Atkins

Cinematography by: Michael C. Blundell

Edited by: Lara Mazur

Adr Mixer

'Lost Girl' End of a Line (2014)

| Canada

Directed by: Ron Murphy

Cinematography by: Craig Wright

Edited by: Paul G. Day

Original Dialogue Mixer

Mr. Peabody & Sherman (2014)

| USA

Directed by: Rob Minkoff

Edited by: Mike Andrews

Adr Mixer

'Blue Bloods' Shoot the Messenger (2014)

Directed by: David Barrett

Cinematography by: Donald E. Thorin Jr.

Edited by: Thomas R. Moore

Original Dialogue Mixer

'Years of Living Dangerously' A Dangerous Future (2014)

| USA

Cinematography by: Nick Higgins, Ronan Killeen, David McFarland, Lucian Read, Rick Rowley

Edited by: Alison Amron, Adam Bolt, Paul Frost, Dan Madden, Federico Rosenzvit

Adr Mixer

Sabotage (2014)

| USA

Directed by: David Ayer

Cinematography by: Bruce McCleery

Edited by: Dody Dorn

Adr Mixer

Teenage Mutant Ninja Turtles (2014)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Jonathan Liebesman

Cinematography by: Lula Carvalho

Edited by: Joel Negron, Glen Scantlebury

Cameras: ARRI ALEXA Plus 4:3 Camera

Editing System: Avid Editing System

Adr Mixer

3 Days to Kill (2014)

| USA, France, Serbia

Directed by: McG

Cinematography by: Thierry Arbogast

Edited by: Audrey Simonaud

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses: Technovision Lenses, Zeiss Super Speed Lenses

Adr Mixer

'Arctic Air' The Fling (2014)

Directed by: Kevin Fair

Cinematography by: Pieter Stathis, Bruce Worrall

Edited by: Lara Mazur, Franco Pante

Adr Mixer

Devil's Due (2014)

| USA

Directed by: Matt Bettinelli-Olpin, Tyler Gillett

Cinematography by: Justin Martinez

Edited by: Rod Dean

Cameras: Canon EOS-5D Mark II Camera, Canon VIXIA HF G10 Camera, Sony PMW-EX3 Camera

Adr Mixer: POP Sound

The Homesman (2014)

| USA, France

Directed by: Tommy Lee Jones

Cinematography by: Rodrigo Prieto

Edited by: Roberto Silvi

Cameras: ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses

Adr Mixer

'Blue Bloods' Open Secrets (2014)

Directed by: Eric Laneuville

Cinematography by: Alex Nepomniaschy

Edited by: Charles McClelland, Jackeline Tejada

Adr Mixer

'Arctic Air' Last Drop (2014)

Directed by: Amanda Tapping

Cinematography by: Bruce Worrall

Edited by: Franco Pante

Adr Mixer

Altergeist (2014)

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens

| USA

Directed by: Tedi Sarafian

Cinematography by: Aaron Heck

Edited by: Andrew Coutts, David W. Hagar

Cameras: ARRI ALEXA Plus Camera, Indiecam Cameras, Silicon Imaging SI-2K Mini Camera, Sony PMW-F3 Camera

Editing System: Final Cut Pro Editing System

Adr Mixer

Seventh Son (2014)

| USA, UK, Canada, China

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

Adr Mixer

Maleficent (2014)

| USA

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Adr Mixer

The Giver (2014)

| South Africa, Canada, USA

Directed by: Phillip Noyce

Cinematography by: Ross Emery

Edited by: Barry Alexander Brown

Cameras: ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Adr Mixer

'Vikings' Answers in Blood (2014)

| Ireland, Canada

Directed by: Jeff Woolnough

Cinematography by: P.J. Dillon

Edited by: Aaron Marshall

Adr Mixer

The Hunger Games: Mockingjay - Part 1 (2014)

| USA

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Adr Mixer

'Arctic Air' On the Edge (2014)

Directed by: Martin Wood

Cinematography by: Bruce Worrall

Edited by: Franco Pante

Adr Mixer

'Lost Girl' Origin (2014)

| Canada

Directed by: Steve DiMarco

Cinematography by: Craig Wright

Edited by: Wendy Hallam Martin

Adr Mixer

Night at the Museum: Secret of the Tomb (2014)

| UK, USA

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Dean Zimmerman

Lenses: Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo Zoom Lenses

Editing System: Avid Editing System

Adr Mixer

'Blue Bloods' Forgive and Forget (2014)

Directed by: Eric Laneuville

Cinematography by: Donald E. Thorin Jr.

Edited by: Brice Bishop-Pullan

Original Dialogue Mixer

'Years of Living Dangerously' Revolt, Rebuild, Renew (2014)

| USA

Cinematography by: Maryse Alberti, Wolfgang Held, Ronan Killeen, David McFarland, Lucian Read, Rick Rowley, Jato C. Smith

Edited by: Alison Amron, Adam Bolt, Paul Frost

Adr Mixer

The November Man (2014)

| USA, UK

Directed by: Roger Donaldson

Cinematography by: Romain Lacourbas

Edited by: John Gilbert

Lenses: Hawk V-Lite Vintage´74 Lens

Adr Mixer

'Agents of S.H.I.E.L.D.' The Magical Place (2014)

| USA

Directed by: Kevin Hooks

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

Adr Mixer

'Arctic Air' High Water (2014)

Directed by: Gary Harvey

Cinematography by: Pieter Stathis, Bruce Worrall

Edited by: Franco Pante

Adr Mixer

Top Five (2014)

| USA

Directed by: Chris Rock

Cinematography by: Manuel Alberto Claro

Edited by: Anne McCabe

Adr Mixer

'Blue Bloods' Unfinished Business (2014)

Directed by: Alex Chapple

Cinematography by: Alex Nepomniaschy

Edited by: Brice Bishop-Pullan, Thomas R. Moore

Adr Mixer

'Arctic Air' Rites of Passage (2014)

Directed by: Amanda Tapping

Cinematography by: Bruce Worrall

Edited by: Franco Pante

Adr Mixer

'Lost Girl' Destiny's Child (2014)

| Canada

Directed by: Steve DiMarco

Cinematography by: Craig Wright

Edited by: Dale Gagne

Adr Mixer

Hercules (2014)

| USA

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich, Julia Wong

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Adr Mixer

Foxcatcher (2014)

| USA

Directed by: Bennett Miller

Cinematography by: Greig Fraser

Edited by: Jay Cassidy, Stuart Levy, Conor O'Neill

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Avid Editing System

Original Dialogue Mixer - 2 Episodes, 2014

Years of Living Dangerously (2014)

| USA

Directed by: Tom Casciato, Martha Jeffries, Drew Magratten, Ivy Meeropol, Jon Meyersohn, Jonathan Schienberg, Sydney Trattner, David Gelber

Edited by: Paul Frost, Federico Rosenzvit, Adam Bolt, Dan Madden, Alison Amron, M. Brennan, Tal Ben-David, Cindy Lee, Jennifer McGarrity, Jawad Metni, Ken Eluto, Rebecca Laks, David Marcus, Anna Pivarnik

Cameras: Canon EOS-5D Mark III Camera, Canon EOS-C300 Camera

Lenses: Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens

Adr Mixer

'Arctic Air' The Devils You Know (2014)

Directed by: Martin Wood

Cinematography by: Pieter Stathis, Bruce Worrall

Edited by: Lara Mazur, Franco Pante

Adr Mixer

'Lost Girl' Dark Horse (2014)

| Canada

Directed by: Ron Murphy

Cinematography by: Craig Wright

Edited by: Paul G. Day

Adr Mixer

'Blue Bloods' Insult to Injury (2014)

Directed by: David Barrett

Cinematography by: Craig DiBona

Edited by: Thomas R. Moore

Adr Mixer

'Arctic Air' The Fall PT.2 (2014)

Directed by: Gary Harvey

Cinematography by: Michael C. Blundell

Edited by: Lara Mazur

Adr Mixer

Sin City: A Dame to Kill For (2014)

| USA

Directed by: Frank Miller, Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: ARRI ALEXA M Camera

Lenses: Fujinon Premier Lenses

Editing System: Avid Editing System

Adr Mixer

The Judge (2014)

| USA

Directed by: David Dobkin

Cinematography by: Janusz Kaminski

Edited by: Mark Livolsi

Lenses: Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses

Adr Mixer

'Californication' Julia (2014)

Directed by: Adam Bernstein

Cinematography by: Tim Bellen

Edited by: Shannon Mitchell

Adr Mixer - 4 Episodes, 2015-2017

Fargo (2014)

| USA

Directed by: Michael Uppendahl, Keith Gordon, Randall Einhorn, Adam Bernstein, Colin Bucksey, Matt Shakman, Scott Winant, Noah Hawley, Adam Arkin, Jeffrey Reiner, Mike Barker, Dearbhla Walsh, John Cameron

Cinematography by: Dana Gonzales, Craig Wrobleski, Matthew J. Lloyd

Edited by: Regis Kimble, Skip Macdonald, Bridget Durnford, Curtis Thurber, Henk Van Eeghen, Andrew Seklir

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses, Leica Summilux-C Series Lenses

Editing System: Avid Editing System

Adr Mixer

'Vikings' Blood Eagle (2014)

| Ireland, Canada

Directed by: Kari Skogland

Cinematography by: P.J. Dillon

Edited by: Aaron Marshall

Adr Mixer

The Monuments Men (2014)

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

| USA, Germany

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Editing System: Avid Editing System

Adr Mixer

A Walk Among the Tombstones (2014)

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

| USA

Directed by: Scott Frank

Cinematography by: Mihai Malaimare Jr.

Edited by: Jill Savitt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Adr Mixer

'Arctic Air' Flying Solo (2014)

Directed by: Anthony Atkins

Cinematography by: Michael C. Blundell

Edited by: Lara Mazur

Adr Mixer

'Lost Girl' Waves (2014)

| Canada

Directed by: Director X.

Cinematography by: Craig Wright

Edited by: Ben Wilkinson

Adr Mixer

The Secret Life of Walter Mitty (2013)

| USA, UK

Directed by: Ben Stiller

Cinematography by: Stuart Dryburgh

Edited by: Greg Hayden

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Adr Mixer

'Californication' Blind Faith (2013)

| USA

Directed by: Adam Bernstein

Edited by: Kevin D. Ross

Adr Mixer

'Beauty and the Beast' Tough Love (2013)

| USA

Directed by: Bradley Walsh

Cinematography by: David Greene

Adr Mixer

Riddick (2013)

| Canada, USA

Directed by: David Twohy

Cinematography by: David Eggby

Edited by: Tracy Adams

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Adr Mixer

'Downton Abbey' Episode #4.8 (2013)

| USA

Directed by: Edward Hall

Cinematography by: Nigel Willoughby

Edited by: Justin Krish

Adr Mixer

'Blue Bloods' The Bitter End (2013)

| USA

Directed by: Christine Moore

Cinematography by: Craig DiBona

Edited by: Charles McClelland, Jackeline Tejada

Adr Mixer

'Agents of S.H.I.E.L.D.' Pilot (2013)

| USA

Directed by: Joss Whedon

Cinematography by: David Boyd

Edited by: Joshua Charson, Paul Trejo

Adr Mixer

'Vikings' Sacrifice (2013)

| Ireland, Canada

Directed by: Ken Girotti

Cinematography by: John S. Bartley

Edited by: Michele Conroy

Adr Mixer

Nurse 3D (2013)

| USA

Directed by: Douglas Aarniokoski

Cinematography by: Boris Mojsovski

Edited by: Andrew Coutts

Cameras: ARRI ALEXA Camera

Adr Mixer

Nymphomaniac: Vol. I (2013)

| Denmark, Germany, Belgium, UK, France, Sweden, USA

Directed by: Lars von Trier

Cinematography by: Manuel Alberto Claro

Edited by: Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Lenses

Adr Mixer

'Blue Bloods' Bad Blood (2013)

Directed by: Robert Harmon

Cinematography by: Craig DiBona

Edited by: Charles McClelland

Adr Mixer

'Girls' On All Fours (2013)

| USA

Directed by: Lena Dunham

Cinematography by: Tim Ives

Edited by: Shawn Paper

Adr Mixer

'Californication' Dead Rock Stars (2013)

| USA

Directed by: Adam Bernstein

Cinematography by: Michael Weaver

Edited by: Kevin D. Ross

Adr Mixer

'Beauty and the Beast' Hothead (2013)

| USA

Directed by: Michael Robison

Adr Mixer

The Best Offer (2013)

| Italy

Directed by: Giuseppe Tornatore

Cinematography by: Fabio Zamarion

Edited by: Massimo Quaglia

Cameras: ARRI ALEXA Studio Camera, Red Epic Camera

Adr Mixer

'Beauty and the Beast' Seeing Red (2013)

| USA

Directed by: Rick Bota

Cinematography by: David Greene

Edited by: Juan Carlos Garza

Adr Mixer

Pain & Gain (2013)

| USA

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Adr Mixer

'Blue Bloods' The Truth About Lying (2013)

Directed by: Robert Duncan McNeill

Cinematography by: Alex Nepomniaschy

Edited by: Thomas R. Moore

Adr Mixer

The Hunger Games: Catching Fire (2013)

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

| USA

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRIFLEX 435 Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Editing System: Avid Editing System

Adr Mixer

August: Osage County (2013)

| USA

Directed by: John Wells

Cinematography by: Adriano Goldman

Edited by: Stephen Mirrione

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Adr Mixer - 3 Episodes, 2013-2014

Agents of S.H.I.E.L.D. (2013)

| USA

Cinematography by: Feliks Parnell, Allan Westbrook, Jeffrey C. Mygatt, David Boyd, Kyle Jewell

Edited by: Eric Litman, Kelly Stuyvesant, Joshua Charson, Paul Trejo, Dexter N. Adriano, Debby Germino, David Crabtree, Michael Benni Pierce, Conrad Smart, Jennifer Macfarlane

Adr Mixer

Oldboy (2013)

| USA

Directed by: Spike Lee

Cinematography by: Sean Bobbitt

Edited by: Barry Alexander Brown

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera

Lenses: ARRI / Fujinon Lenses, Cooke 5/i Lenses

Editing System: Avid Editing System

Adr Mixer

'Californication' Mad Dogs and Englishmen (2013)

| USA

Directed by: Adam Bernstein

Edited by: Shannon Mitchell

Adr Mixer

'Beauty and the Beast' Playing with Fire (2013)

| USA

Directed by: Mike Rohl

Cinematography by: D. Gregor Hagey

Edited by: Juan Carlos Garza

Adr Mixer

Machete Kills (2013)

| USA, Russia

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Rebecca Rodriguez, Robert Rodriguez

Adr Mixer

'Downton Abbey' Episode #4.7 (2013)

| UK

Directed by: Edward Hall

Cinematography by: Nigel Willoughby

Edited by: Paul Garrick

Adr Mixer

'Blue Bloods' Loss of Faith (2013)

| USA

Directed by: James Whitmore Jr.

Cinematography by: Dave Insley

Edited by: Charles McClelland

Adr Mixer

'Agents of S.H.I.E.L.D.' Repairs (2013)

| USA

Directed by: Billy Gierhart

Cinematography by: Jeffrey C. Mygatt

Edited by: Joshua Charson

Adr Mixer

'Vikings' All Change (2013)

| Ireland, Canada

Directed by: Ken Girotti

Cinematography by: John S. Bartley

Edited by: Aaron Marshall

Adr Mixer

'Blue Bloods' Drawing Dead (2013)

| USA

Directed by: Ralph Hemecker

Cinematography by: Craig DiBona

Edited by: Thomas R. Moore

Adr Mixer

'Girls' It's Back (2013)

| USA

Directed by: Jesse Peretz

Edited by: Paul Zucker

Adr Mixer

'Lost Girl' Lovers. Apart. (2013)

| Canada

Directed by: Andy Mikita

Cinematography by: Craig Wright

Edited by: Paul G. Day

Adr Mixer

'Californication' Quitters (2013)

| USA

Directed by: John Dahl

Cinematography by: Michael Weaver

Edited by: Michael D. Ornstein

Adr Mixer - 19 Episodes, 2013-2019, Adr Mixer - 19 Episodes, 2013-2020

Vikings (2013)

| Ireland, Canada

Directed by: Ciaran Donnelly, Ken Girotti, Steve Saint Leger, Jeff Woolnough, Daniel Grou, Helen Shaver, David Wellington, Johan Renck, David Frazee, Kari Skogland, Kelly Makin, Sarah Harding, Ben Bolt, Anthony Karkosza, Joshua Zimmerman, Karla Braun, Katheryn Winnick

Cinematography by: P.J. Dillon, Peter Robertson, Owen McPolin, John S. Bartley, Suzie Lavelle

Edited by: Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Adr Mixer

Broken City (2013)

| USA

Directed by: Allen Hughes

Cinematography by: Ben Seresin

Edited by: Cindy Mollo

Cameras: ARRI ALEXA Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Adr Mixer

'Californication' I'll Lay My Monsters Down (2013)

| USA

Directed by: Stephen Hopkins

Cinematography by: Michael Weaver

Edited by: Shannon Mitchell

Adr Mixer

'Beauty and the Beast' On Thin Ice (2013)

| USA

Directed by: Mike Rohl

Cinematography by: D. Gregor Hagey

Edited by: Stan Salfas

Original Dialogue Mixer

Despicable Me 2 (2013)

| USA, France, Japan

Directed by: Pierre Coffin, Chris Renaud

Edited by: Gregory Perler

Adr Mixer

'Blue Bloods' To Protect and Serve (2013)

Directed by: Peter Werner

Cinematography by: Craig DiBona

Edited by: Jackeline Tejada

Adr Mixer

Star Trek Into Darkness (2013)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

| USA

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Adr Mixer

Grand Piano (2013)

| Spain, USA

Directed by: Eugenio Mira

Cinematography by: Unax Mendia

Edited by: José Luis Romeu, Rodrigo Cortés

Lenses: Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Adr Mixer

'Blue Bloods' Mistaken Identity (2013)

Directed by: David Solomon

Cinematography by: Alex Nepomniaschy

Edited by: Thomas R. Moore

Adr Mixer

Il Futuro (2013)

| Italy, Chile, Germany, Spain

Directed by: Alicia Scherson

Cinematography by: Ricardo DeAngelis

Edited by: Soledad Salfate, Ana Álvarez Ossorio

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Lenses

Adr Mixer

The Internship (2013)

| USA

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: Dean Zimmerman

Adr Mixer

42 (2013)

| USA

Directed by: Brian Helgeland

Cinematography by: Don Burgess

Edited by: Peter McNulty, Kevin Stitt

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Adr Mixer

Kaze tachinu (2013)

| Japan

Directed by: Hayao Miyazaki

Cinematography by: Atsushi Okui

Edited by: Takeshi Seyama

Adr Mixer

'Californication' Rock and a Hard Place (2013)

| USA

Directed by: David Von Ancken

Cinematography by: Michael Weaver

Edited by: Michael D. Ornstein

Adr Mixer

'Beauty and the Beast' Who Am I? (2013)

| USA

Directed by: Stuart Gillard

Cinematography by: Bruce Chun

Edited by: Sunny Hodge

Adr Mixer

Elysium (2013)

Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Lee Smith

Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera

Editing System: Avid Editing System

Adr Mixer

'Blue Bloods' No Regrets (2013)

| USA

Directed by: David Barrett

Cinematography by: Craig DiBona

Edited by: Brice Bishop-Pullan, Thomas R. Moore

Adr Mixer

'Blue Bloods' Growing Boys (2013)

Directed by: Eric Laneuville

Cinematography by: Alex Nepomniaschy

Edited by: Brice Bishop-Pullan

Adr Mixer

'Girls' Video Games (2013)

| USA

Directed by: Richard Shepard

Cinematography by: Tim Ives

Edited by: Shawn Paper

Adr Mixer

Homefront (2013)

| USA

Directed by: Gary Fleder

Cinematography by: Theo van de Sande

Edited by: Padraic McKinley

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Adr Mixer

The Butler (2013)

| USA

Directed by: Lee Daniels

Cinematography by: Andrew Dunn

Edited by: Brian A. Kates, Joe Klotz

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Adr Mixer

'Californication' The Abby (2013)

| USA

Directed by: Michael Weaver

Edited by: Michael D. Ornstein

Adr Mixer

'Beauty and the Beast' Trust No One (2013)

| USA, Canada

Directed by: Bobby Roth

Cinematography by: D. Gregor Hagey

Edited by: Juan Carlos Garza

Adr Mixer

Now You See Me (2013)

| USA, France

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Adr Mixer

'Downton Abbey' The London Season (2013)

| UK

Directed by: Jon East

Cinematography by: Nigel Willoughby

Edited by: Al Morrow

Adr Mixer

'Blue Bloods' Unwritten Rules (2013)

| USA

Directed by: David Barrett

Cinematography by: Craig DiBona

Edited by: Thomas R. Moore

Adr Mixer

'Vikings' A King's Ransom (2013)

| Ireland, Canada

Directed by: Ken Girotti

Cinematography by: John S. Bartley

Edited by: Aaron Marshall

Adr Mixer / Original Dialogue Mixer

Monsters University (2013)

| USA

Directed by: Dan Scanlon

Edited by: Greg Snyder

Adr Mixer

Lone Survivor (2013)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90 mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

| USA

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr.

Cameras: Phantom Flex Camera, Red Epic Camera

Adr Mixer

'Blue Bloods' Justice Served (2013)

Directed by: David Barrett

Cinematography by: Alex Nepomniaschy

Edited by: Peter C. Frank

Adr Mixer

The Bling Ring (2013)

| USA, UK, France, Germany, Japan

Directed by: Sofia Coppola

Cinematography by: Christopher Blauvelt, Harris Savides

Edited by: Sarah Flack

Cameras: Red Epic Camera

Adr Mixer

Snowpiercer (2013)

| South Korea, Czech Republic

Directed by: Joon-ho Bong

Cinematography by: Kyung-pyo Hong

Edited by: Steve M. Choe, Changju Kim

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Adr Mixer

'Girls' Together (2013)

| USA

Directed by: Lena Dunham

Edited by: Paul Zucker

Adr Mixer

Begin Again (2013)

| USA

Directed by: John Carney

Cinematography by: Yaron Orbach

Edited by: Andrew Marcus

Cameras: Red Epic Camera

Editing System: Adobe Premiere Editing System

Adr Mixer

'Californication' Hell Bent for Leather (2013)

| USA

Directed by: David Von Ancken

Cinematography by: Michael Weaver

Edited by: Shannon Mitchell

Adr Mixer

'Beauty and the Beast' Liar, Liar (2013)

| USA

Directed by: Bradley Walsh

Cinematography by: Bruce Chun

Edited by: Fred Peterson

Adr Mixer

R.I.P.D. (2013)

| USA

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Adr Mixer

Kick-Ass 2 (2013)

| USA, UK

Directed by: Jeff Wadlow

Cinematography by: Tim Maurice-Jones

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

Adr Mixer

'Blue Bloods' Inside Jobs (2013)

| USA

Directed by: Alex Hall

Cinematography by: Dave Insley

Edited by: Charles McClelland

Adr Mixer

Jack the Giant Slayer (2013)

| USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Adr Mixer

'Blue Bloods' Lost and Found (2013)

Directed by: Alex Chapple

Cinematography by: Craig DiBona

Edited by: Peter C. Frank

Adr Mixer

'Blue Bloods' Ties That Bind (2013)

Directed by: Christine Moore

Cinematography by: Craig DiBona

Edited by: Peter C. Frank

Adr Mixer

'Lost Girl' Groundhog Fae (2013)

| Canada

Directed by: Ron Murphy

Cinematography by: Craig Wright

Edited by: Ben Wilkinson

Adr Mixer

Cosmopolis (2012)

| Canada, France, Portugal, Italy

Directed by: David Cronenberg

Cinematography by: Peter Suschitzky

Edited by: Ronald Sanders

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Cooke S4 Lenses

Adr Mixer

Cloud Atlas (2012)

| Germany, USA, Hong Kong, Singapore, China

Directed by: Tom Tykwer, Lana Wachowski, Lilly Wachowski

Cinematography by: Frank Griebe, John Toll

Edited by: Alexander Berner, Claus Wehlisch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Adr Mixer

'Californication' Here I Go Again (2012)

| USA

Directed by: Michael Weaver

Edited by: Shannon Mitchell

Original Dialogue Mixer

The Lorax (2012)

| USA, France

Directed by: Chris Renaud, Kyle Balda

Edited by: Claire Dodgson, Steven Liu, Ken Schretzmann

Adr Mixer

'Blue Bloods' Parenthood (2012)

| USA

Directed by: John Polson

Cinematography by: Dave Insley

Edited by: Charles McClelland

Adr Mixer

'Beauty and the Beast' Proceed with Caution (2012)

| Canada, USA

Directed by: Rick Bota

Cinematography by: D. Gregor Hagey

Edited by: Padraic McKinley

Adr Mixer

Frankenweenie (2012)

| USA

Directed by: Tim Burton

Cinematography by: Peter Sorg

Edited by: Chris Lebenzon, Mark Solomon

Cameras: Canon EOS-5D Mark II Camera

Editing System: Avid Editing System

Adr Mixer - 11 Episodes, 2014

Arctic Air (2012)

| Canada

Directed by: Gary Harvey, Anthony Atkins, Kevin Fair, Mike Rohl, Amanda Tapping, James Dunnison, Robert Lieberman, Neill Fearnley, Anne Wheeler, Martin Wood, Stacey Stewart Curtis, Paul Shapiro

Cinematography by: Bruce Worrall, Pieter Stathis, Michael C. Blundell

Edited by: Lara Mazur, Franco Pante, Rick Martin, Dan Krieger

Adr Mixer

General Education (2012)

| USA

Directed by: Tom Morris

Cinematography by: Brooks Ludwick

Edited by: Tyler MacIntyre

Adr Mixer

'Californication' Boys & Girls (2012)

| USA

Directed by: Seith Mann

Edited by: Mark Manos

Adr Mixer

'Lost Girl' Into the Dark (2012)

| Canada

Directed by: John Fawcett

Cinematography by: David Greene

Edited by: Ben Wilkinson

Adr Mixer: Twentieth Century Fox Studios

Hitchcock (2012)

| USA, UK

Directed by: Sacha Gervasi

Cinematography by: Jeff Cronenweth

Edited by: Pamela Martin

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses

Adr Mixer

'Blue Bloods' Nightmares (2012)

| USA

Directed by: John Polson

Cinematography by: Dave Insley

Edited by: Alex Hall

Adr Mixer

'Boss' Backflash (2012)

| USA

Directed by: Mario Van Peebles

Cinematography by: Richard Rutkowski

Edited by: Kevin Casey

Adr Mixer

Dredd (2012)

| UK, South Africa, USA, India

Directed by: Pete Travis

Cinematography by: Anthony Dod Mantle

Edited by: Mark Eckersley

Cameras: Phantom Flex Camera, Red One MX Camera, Silicon Imaging SI-2K Camera

Adr Mixer

Men in Black 3 (2012)

| USA, United Arab Emirates

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Adr Mixer

Red Hook Summer (2012)

| USA

Directed by: Spike Lee

Cinematography by: Kerwin DeVonish

Edited by: Hye Mee Na

Cameras: Sony PMW-F3 Camera

Adr Mixer

Liberal Arts (2012)

| USA

Directed by: Josh Radnor

Cinematography by: Seamus Tierney

Edited by: Michael R. Miller

Cameras: Red Epic Camera

Adr Mixer

'Californication' Love Song (2012)

| USA

Directed by: Eric Stoltz

Edited by: Mark Manos

Adr Mixer

American Reunion (2012)

| USA

Directed by: Jon Hurwitz, Hayden Schlossberg

Cinematography by: Daryn Okada

Edited by: Jeff Betancourt

Cameras: Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Adr Mixer

Silent Hill: Revelation (2012)

| Canada, France, USA

Directed by: M.J. Bassett

Cinematography by: Maxime Alexandre

Edited by: Michele Conroy

Cameras: Red Epic Camera, Red One MX Camera

Editing System: Avid Editing System

Adr Mixer - 1 Episode, 2012

World Without End (2012)

Miniseries

| Canada, Germany, UK

Directed by: Michael Caton-Jones

Cinematography by: Denis Crossan

Edited by: István Király, Susan Maggi

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Adr Mixer

What to Expect When You're Expecting (2012)

| USA

Directed by: Kirk Jones

Cinematography by: Xavier Grobet

Edited by: Michael Berenbaum

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Adr Mixer

'Beauty and the Beast' Basic Instinct (2012)

| USA, Canada

Directed by: Bradley Walsh

Cinematography by: D. Gregor Hagey

Edited by: Padraic McKinley

Adr Mixer

Bachelorette (2012)

| USA

Directed by: Leslye Headland

Cinematography by: Doug Emmett

Edited by: Jeffrey Wolf

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Adr Mixer

'Californication' JFK to LAX (2012)

| USA

Directed by: John Dahl

Edited by: Shannon Mitchell

Adr Mixer

'Blue Bloods' Women with Guns (2012)

| USA

Directed by: Martha Mitchell

Cinematography by: Dave Insley

Edited by: Peter C. Frank

Adr Mixer

Why Stop Now? (2012)

| USA

Directed by: Phil Dorling, Ron Nyswaner

Cinematography by: Ben Kutchins

Edited by: Suzy Elmiger, Colleen Sharp

Adr Mixer

The Avengers (2012)

| USA

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Adr Mixer

'Californication' The Ride-Along (2012)

| USA

Directed by: Millicent Shelton

Edited by: Kevin D. Ross

Adr Mixer

Lay the Favorite (2012)

| USA, UK, France

Directed by: Stephen Frears

Cinematography by: Michael McDonough

Edited by: Mick Audsley

Adr Mixer

The Magic of Belle Isle (2012)

| USA

Directed by: Rob Reiner

Cinematography by: Reed Morano

Edited by: Dorian Harris

Cameras: ARRI ALEXA Camera

Adr Mixer

'Beauty and the Beast' Trapped (2012)

| Canada, USA

Directed by: Paul Fox

Cinematography by: D. Gregor Hagey

Adr Mixer - 7 Episodes, 2013-2015

Girls (2012)

| USA

Directed by: Lena Dunham, Jesse Peretz, Richard Shepard, Jamie Babbit, Jody Lee Lipes, Tricia Brock, Jenni Konner, Claudia Weill, Alex Karpovsky, Nisha Ganatra

Cinematography by: Tim Ives, Jody Lee Lipes, Matthew Santo, Hernan Otaño

Edited by: Shawn Paper, Paul Zucker, Myron Kerstein, Nat Sanders, Kate Hickey, Robert Frazen, Catherine Haight, Peter CabadaHagan, Joi McMillon

Cameras: ARRI ALEXA Camera

Adr Mixer

'Californication' Raw (2012)

| USA

Directed by: Bart Freundlich

Cinematography by: Michael Weaver

Edited by: Kevin D. Ross

Adr Mixer

Savages (2012)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Oliver Stone

Cinematography by: Dan Mindel

Edited by: Joe Hutshing, Stuart Levy, Alex Marquez

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Original Dialogue Mixer

Madagascar 3: Europe's Most Wanted (2012)

| USA

Directed by: Eric Darnell, Tom McGrath, Conrad Vernon

Edited by: Nick Fletcher

Editing System: Avid Editing System

Adr Mixer

'Blue Bloods' The Life We Chose (2012)

| USA

Directed by: Félix Enríquez Alcalá

Cinematography by: Craig DiBona

Edited by: Daniel A. Valverde

Adr Mixer

Argo (2012)

| USA, UK

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Adr Mixer - 12 Episodes, 2012-2013

Beauty and the Beast (2012)

| Canada

Cinematography by: David A. Makin, D. Gregor Hagey, Bruce Chun, David Greene, Michael Storey, Theo van de Sande, Manfred Guthe, David Herrington

Edited by: Aaron Rottinghaus, John Peter Bernardo, Jim Towne, Juan Carlos Garza, Sunny Hodge, Padraic McKinley, Monty DeGraff, Fred Peterson, Stan Salfas, Terrell Clegg, John Heath, Robert Ivison, James R. Symons, David Ekstrom, Michelle Choug

Cameras: ARRI ALEXA Camera

Adr Mixer

Being Flynn (2012)

| USA

Directed by: Paul Weitz

Cinematography by: Declan Quinn

Edited by: Joan Sobel

Adr Mixer

Mirror Mirror (2012)

| USA, Canada

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Robert Duffy, Nick Moore

Adr Mixer

'Californication' Waiting for the Miracle (2012)

| USA

Directed by: Bart Freundlich

Edited by: Shannon Mitchell

Adr Mixer

'Lost Girl' Lachlan's Gambit (2012)

| Canada

Directed by: Steve DiMarco

Cinematography by: David Greene

Edited by: Mike Lee

Adr Mixer

'Beauty and the Beast' Bridesmaid Up! (2012)

| USA, Canada

Directed by: Mairzee Almas

Cinematography by: D. Gregor Hagey

Edited by: Jim Towne

Adr Mixer

Extremely Loud & Incredibly Close (2011)

| USA

Directed by: Stephen Daldry

Cinematography by: Chris Menges

Edited by: Claire Simpson

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Adr Mixer

Chalet Girl (2011)

| UK, Germany, Austria

Directed by: Phil Traill

Cinematography by: Ed Wild

Edited by: Robin Sales

Adr Mixer

The Adjustment Bureau (2011)

| USA

Directed by: George Nolfi

Cinematography by: John Toll

Edited by: Jay Rabinowitz

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Adr Mixer - 12 Episodes, 2011-2017

Game of Thrones (2011)

| USA, UK

Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman

Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson

Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles

Cameras: ARRI ALEXA Camera, ARRI ALEXA Mini Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

Editing System: Avid Editing System

Adr Mixer

'Blue Bloods' Dedication (2011)

| USA

Directed by: Jan Eliasberg

Cinematography by: Craig DiBona

Edited by: Thomas R. Moore

Adr Mixer

Win Win (2011)

| USA

Directed by: Tom McCarthy

Cinematography by: Oliver Bokelberg

Edited by: Tom McArdle

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Adr Mixer

'The Mentalist' Strawberries and Cream: Part 1 (2011)

| USA

Directed by: Chris Long

Cinematography by: Geary McLeod

Edited by: Glenn Farr

Adr Mixer

The Big Year (2011)

| USA, Canada

Directed by: David Frankel

Cinematography by: Lawrence Sher

Edited by: Mark Livolsi

Adr Mixer

Larry Crowne (2011)

| USA

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Adr Mixer

I Don't Know How She Does It (2011)

| USA

Directed by: Douglas McGrath

Cinematography by: Stuart Dryburgh

Edited by: Camilla Toniolo

Adr Mixer

'Californication' Suicide Solution (2011)

Directed by: David Duchovny

Cinematography by: Michael Weaver

Edited by: Kevin D. Ross

Adr Mixer

Horrible Bosses (2011)

| USA

Directed by: Seth Gordon

Cinematography by: David Hennings

Edited by: Peter Teschner

Cameras: Panavision Genesis Camera

Adr Mixer

Margin Call (2011)

| USA

Directed by: J.C. Chandor

Cinematography by: Frank G. DeMarco

Edited by: Pete Beaudreau

Cameras: ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Red One MX Camera

Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Zeiss Standard Speed Prime Lenses

Adr Mixer

'Blue Bloods' Lonely Hearts Club (2011)

| USA

Directed by: Félix Enríquez Alcalá

Cinematography by: Dave Insley

Edited by: Peter C. Frank

Adr Mixer - 8 Episodes, 2011

The Kennedys (2011)

Miniseries

| Canada, USA

Directed by: Jon Cassar

Cinematography by: David Moxness

Edited by: David B. Thompson, Don Cassidy

Adr Mixer

Our Idiot Brother (2011)

| USA

Directed by: Jesse Peretz

Cinematography by: Yaron Orbach

Edited by: Jacob Craycroft, Andrew Mondshein

Adr Mixer

Captain America: The First Avenger (2011)

| USA

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Editing System: Avid Editing System

Adr Mixer

'Game of Thrones' The Kingsroad (2011)

| USA, Ireland, UK

Directed by: Timothy Van Patten

Cinematography by: Alik Sakharov

Edited by: Oral Norrie Ottey

Adr Mixer

The Eagle (2011)

| UK, USA

Directed by: Kevin Macdonald

Cinematography by: Anthony Dod Mantle

Edited by: Justine Wright

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Canon EOS-1D Mark IV Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Adr Mixer - 1 Episode, 2012

Boss (2011)

| USA

Directed by: Jean de Segonzac, Mario Van Peebles, Jim McKay, Gus Van Sant, Phil Abraham, Lesli Linka Glatter, Nelson McCormick

Cinematography by: Richard Rutkowski, Kasper Tuxen

Edited by: Kevin Casey, Elba Sanchez-Short, Stephen Mark, Jo Francis, J. Kathleen Gibson, Elliot Graham, Dorian Harris

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Adr Mixer

A Little Bit of Heaven (2011)

| USA

Directed by: Nicole Kassell

Cinematography by: Russell Carpenter

Edited by: Stephen A. Rotter

Original Dialogue Mixer

Kung Fu Panda 2 (2011)

| USA

Directed by: Jennifer Yuh Nelson

Edited by: Maryann Brandon, Clare Knight

Adr Mixer

'The Mentalist' Rhapsody in Red (2011)

| USA

Directed by: David Barrett

Cinematography by: Frank Perl

Edited by: David Ekstrom

Adr Mixer

Abduction (2011)

| USA

Directed by: John Singleton

Cinematography by: Peter Menzies Jr.

Edited by: Bruce Cannon

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Adr

Machine Gun Preacher (2011)

Lenses: Angenieux HR 25-250mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens

| USA

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Spacecam Aerial Cameras

Adr Mixer

The Three Musketeers (2011)

| USA, Germany, France, UK

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Alexander Berner, Claus Wehlisch

Cameras: ARRI ALEXA Camera, Red One MX Camera, Weisscam HS-2 Camera

Lenses: Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens

Adr Mixer

Hall Pass (2011)

| USA

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Adr Mixer

The Mechanic (2011)

| USA

Directed by: Simon West

Cinematography by: Eric Schmidt

Edited by: T.G. Herrington, Todd E. Miller

Adr Mixer

'Lost Girl' Can't See the Fae-Rest (2011)

| Canada

Directed by: Gail Harvey

Cinematography by: David Greene

Edited by: Ben Wilkinson

Adr Mixer

The Iron Lady (2011)

| UK, France

Directed by: Phyllida Lloyd

Cinematography by: Elliot Davis

Edited by: Justine Wright

Lenses: Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Adr Mixer

'Blue Bloods' Mercy (2011)

| USA

Directed by: Michael Pressman

Cinematography by: Craig DiBona

Edited by: Peter C. Frank

Original Dialogue Mixer

The Tree of Life (2011)

| USA

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, Imax Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Adr Mixer

Damsels in Distress (2011)

| USA

Directed by: Whit Stillman

Cinematography by: Doug Emmett

Edited by: Andrew Hafitz

Adr Mixer

'Game of Thrones' Lord Snow (2011)

| USA

Directed by: Brian Kirk

Cinematography by: Marco Pontecorvo

Edited by: Frances Parker

Adr Mixer

Leave It on the Floor (2011)

| Canada, USA

Directed by: Sheldon Larry

Cinematography by: Tom Camarda

Edited by: Charles Bornstein

Adr Mixer

Jin ling shi san chai (2011)

| China, Hong Kong

Directed by: Yimou Zhang

Cinematography by: Xiaoding Zhao

Edited by: Peicong Meng

Cameras: ARRIFLEX 435 Xtreme Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Editing System: Avid Editing System

Adr Mixer

'Californication' Lawyers, Guns and Money (2011)

| USA

Directed by: John Dahl

Edited by: Shannon Mitchell

Adr Mixer

Fright Night (2011)

| USA

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: Red One MX Camera

Original Dialogue Mixer

Puss in Boots (2011)

| USA

Directed by: Chris Miller

Cinematography by: Gil Zimmerman

Edited by: Erika Dapkewicz

Adr Mixer

Transformers: Dark of the Moon (2011)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

| USA

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Editing System: Avid Editing System

Adr Mixer

'Blue Bloods' Cellar Boy (2011)

| USA

Directed by: Karen Gaviola

Cinematography by: Craig DiBona

Edited by: Thomas R. Moore

Adr Mixer

W.E. (2011)

| UK

Directed by: Madonna

Cinematography by: Hagen Bogdanski

Edited by: Danny Tull

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Advanced Camera

Adr Mixer

The Rite (2011)

| USA, Hungary, Italy

Directed by: Mikael Håfström

Cinematography by: Ben Davis

Edited by: David Rosenbloom

Lenses: Panavision G Series Anamorphic Lenses, Panavision G100 100 mm T2.6 Lens

Adr Mixer

'The Mentalist' Strawberries and Cream: Part 2 (2011)

| USA

Directed by: Chris Long

Cinematography by: Geary McLeod

Edited by: Christopher Cibelli, Glenn Farr, James Gadd

Adr Mixer

The Beaver (2011)

| USA, United Arab Emirates

Directed by: Jodie Foster

Cinematography by: Hagen Bogdanski

Edited by: Lynzee Klingman

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision G Series Anamorphic Lenses

Adr Mixer

'Game of Thrones' Winter Is Coming (2011)

| USA

Directed by: Timothy Van Patten

Cinematography by: Alik Sakharov

Edited by: Oral Norrie Ottey

Adr Mixer

The Rum Diary (2011)

| USA, UK

Directed by: Bruce Robinson

Cinematography by: Dariusz Wolski

Edited by: Carol Littleton

Cameras: ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 416 Camera

Adr Mixer

'Californication' Freeze-Frame (2011)

| USA

Directed by: Beth McCarthy-Miller

Edited by: Kevin D. Ross

Adr Mixer

Furry Vengeance (2010)

| USA, United Arab Emirates

Directed by: Roger Kumble

Cinematography by: Peter Lyons Collister

Edited by: Lawrence Jordan

Adr Mixer

'Lost Girl' (Dis)Members Only (2010)

| Canada

Directed by: Steve DiMarco

Cinematography by: David Greene

Edited by: Teresa Hannigan

Adr Mixer

Alice in Wonderland (2010)

| USA

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Editing System: Avid Editing System

Adr Mixer

You Don't Know Jack (2010)

Television Movie

| USA

Directed by: Barry Levinson

Cinematography by: Eigil Bryld

Edited by: Aaron Yanes

Adr Mixer

The Town (2010)

| USA

Directed by: Ben Affleck

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Adr Mixer

Devil (2010)

| USA

Directed by: John Erick Dowdle

Cinematography by: Tak Fujimoto

Edited by: Elliot Greenberg

Cameras: Panavision Cameras

Adr Mixer

Buried (2010)

| Spain, UK, USA, France

Directed by: Rodrigo Cortés

Cinematography by: Eduard Grau

Edited by: Rodrigo Cortés

Adr Mixer - 4 Episodes, 2019

Luther (2010)

| UK

Directed by: Sam Miller, Jamie Payne, Brian Kirk, Stefan Schwartz, Farren Blackburn

Cinematography by: Julian Court, Giulio Biccari, John Conroy, John Pardue, Tim Fleming, Stephan Pehrsson

Edited by: Katie Weiland, Tania Reddin, Jamie Trevill, Victoria Boydell, Sam Williams, Elen Pierce Lewis, Joel Skinner

Cameras: ARRIFLEX D-21 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Adr Mixer

It's a Wonderful Afterlife (2010)

| UK

Directed by: Gurinder Chadha

Cinematography by: Dick Pope

Edited by: Oral Norrie Ottey

Adr Mixer

'Lost Girl' Blood Lines (2010)

| Canada

Directed by: Robert Lieberman

Cinematography by: David Greene

Edited by: Paul G. Day

Adr Mixer

Marmaduke (2010)

| USA

Directed by: Tom Dey

Cinematography by: Greg Gardiner

Edited by: Don Zimmerman

Adr Mixer

Remember Me (2010)

| USA

Directed by: Allen Coulter

Cinematography by: Jonathan Freeman

Edited by: Andrew Mondshein

Adr Mixer

'Blue Bloods' Re-Do (2010)

| USA

Directed by: Rosemary Rodriguez

Cinematography by: Craig DiBona

Edited by: Conrad Smart

Adr Mixer

'Lost Girl' It's a Fae, Fae, Fae, Fae World (2010)

| Canada

Directed by: Erik Canuel

Cinematography by: David Greene

Edited by: Teresa Hannigan

Adr Mixer

A Nightmare on Elm Street (2010)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Samuel Bayer

Cinematography by: Jeff Cutter

Edited by: Glen Scantlebury

Cameras: Panavision Panaflex Millennium XL Camera

Adr Mixer

The Company Men (2010)

| USA

Directed by: John Wells

Cinematography by: Roger Deakins

Edited by: Robert Frazen

Adr Mixer

Hot Tub Time Machine (2010)

| USA

Directed by: Steve Pink

Cinematography by: Jack N. Green

Edited by: George Folsey Jr., James Thomas

Cameras: Panavision Cameras

Original Dialogue Mixer

How to Train Your Dragon (2010)

| USA

Directed by: Dean DeBlois, Chris Sanders

Cinematography by: Gil Zimmerman

Edited by: Maryann Brandon, Darren T. Holmes

Adr Mixer

The Next Three Days (2010)

| USA, France

Directed by: Paul Haggis

Cinematography by: Stéphane Fontaine

Edited by: Jo Francis

Cameras: Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Adr Mixer

The Nutcracker in 3D (2010)

| UK, Hungary

Directed by: Andrey Konchalovskiy

Cinematography by: Mike Southon

Edited by: Mathieu Bélanger, Andrew Glen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Original Dialogue Mixer - 1 Episode, 2016

Through the Wormhole (2010)

| USA

Directed by: Kurt Sayenga, Geoffrey Sharp, Anthony Lund, David LaMattina, Laura Verklan, James Younger, David Isser, Jackson Merrick

Cinematography by: David Baillie, Wes Dorman, Steve Robson, Kris Denton, Joel Schwartzberg, David Goulding, David Zapatka, Dave Sanders, Jason Longo, Mark Trottenberg, Edward Done, Paul Neal, Stephen McCarthy, Gordy Waterman, Kevin O'Brien, Aaron Stecker, Andrew Begg, Rami Katzav, Max Miller, Randall Love, Roelf-Jan Wentholt, Grant Jordan, John Lawrence, Josh Tallo, Jason Newfield, Chris Phillips, Aske Foss, Thomas S. Ciciura, Joe Gabriel, Tim Metzger, Oktay Ortabasi, Mauricio Franco, Shawn Hiatt, Allan Palmer, Jon Shenk, Sandra Chandler, Bryan Gartman, Jerry Hattan, Sid Lubitsch, James Saligari, Joe Tolitano, Koen Wattez, David A. Wolf, Hugo Zavala, Dave Bartlett, Rupert Binsley, Rolf Cutts, Evan Herrick, Brendan Hubbard, Afshin Javadi, Richard Kendrick, Scott Lakey, Sean Maxwell, Bill McMillin, Cory Popp, Robin Probyn, Jon Tichota, Gary Henoch, Stan McMeekin, Paul Huth, Wade Muller, Esther Verkaik, Alexa Ihrt, Tim Knight, Gilberto Nobrega, Rick Siegel, G. Daniel Velazquez, Damon Hennessy, Brandon Kelly, Geordin Zee

Edited by: David Isser, David LaMattina, Lance Larson, Gillian McCarthy, Freddy Harris, De'Shaun Humphrey, Bryan King, Matt Raffaniello, Gina Vecchione, Paul Marengo, Tricia Gorman, Eric Potter, Katie Smith, Clay Zimmerman, John Dentlinger, Michael Mees, Mark C. Baldwin, Adam Cook, Tim Wilsbach

Cameras: Sony PMW-F3 Camera

Adr Mixer

Barney's Version (2010)

| Italy, Canada

Directed by: Richard J. Lewis

Cinematography by: Guy Dufaux

Edited by: Susan Shipton

Cameras: ARRIFLEX Camera

Adr Mixer - 3 Episodes, 2013

Downton Abbey (2010)

| UK

Directed by: Brian Percival, David Evans, Philip John, Andy Goddard, Catherine Morshead, Minkie Spiro, Brian Kelly, Michael Engler, Ben Bolt, Ashley Pearce, James Strong, Jeremy Webb, Edward Hall, Jon East

Cinematography by: Nigel Willoughby, Graham Frake, Gavin Struthers, David Katznelson, David Marsh, Adam Gillham, David Raedeker, Michael McDonough

Edited by: Al Morrow, John Wilson, Paul Garrick, Justin Krish, Alex Mackie, Nick McPhee, Mike Jones, Steve Singleton, Alex Kalmakrian

Cameras: ARRI ALEXA Camera, ARRIFLEX D-21 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Adr Mixer

'Blue Bloods' Chinatown (2010)

| USA

Directed by: Michael Pressman

Cinematography by: Dave Insley

Edited by: Alex Hall

Adr Mixer

'Lost Girl' Faetal Justice (2010)

| Canada

Directed by: Robert Lieberman

Cinematography by: David Greene

Edited by: Paul G. Day

Adr Mixer

Hubble 3D (2010)

| Canada

Directed by: Toni Myers

Cinematography by: James Neihouse

Edited by: Toni Myers

Cameras: Canon Cameras, Imax 3D-15 Solido Camera, Imax 3D-30 Camera

Adr Mixer

Robin Hood (2010)

| USA, UK

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Adr Mixer - 23 Episodes, 2010-2015

Lost Girl (2010)

| Canada

Cinematography by: David Greene, Craig Wright, Joachim Martin, Anton Van Rooyen

Edited by: Paul G. Day, Ben Wilkinson, Teresa Hannigan, Mike Lee, Dale Gagne, Brett Sullivan, Wendy Hallam Martin

Cameras: Panavision Genesis Camera

Lenses: Panavision Lenses

Adr Mixer

The Switch (2010)

| USA

Directed by: Josh Gordon, Will Speck

Cinematography by: Jess Hall

Edited by: John Axelrad

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Adr Mixer

The Fighter (2010)

| USA

Directed by: David O. Russell

Cinematography by: Hoyte Van Hoytema

Edited by: Pamela Martin

Cameras: Aaton Penelope Camera, Sony BVP-900 Camera, Sony BVP-950 Camera

Lenses: Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Master Prime Lenses

Adr Mixer

Skyline (2010)

| USA

Directed by: Colin Strause, Greg Strause

Cinematography by: Michael Watson

Edited by: Nicholas Wayman-Harris

Cameras: Red One MX Camera

Adr Mixer

Nanny McPhee Returns (2010)

| UK, France, USA

Directed by: Susanna White

Cinematography by: Mike Eley

Edited by: Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Editing System: Avid Editing System

Adr Mixer - 41 Episodes, 2010-2018

Blue Bloods (2010)

| USA

Cinematography by: Gene Engels, Craig DiBona, Dave Insley, Donald E. Thorin Jr., Alex Nepomniaschy, Teodoro Maniaci, Jim McConkey, Tim Ives, Larry McConkey

Edited by: Thomas R. Moore, Jackeline Tejada, Brice Bishop-Pullan, Peter C. Frank, Charles McClelland, David Ray, Alex Hall, Noah Amos, Daniel A. Valverde, Dan Erickson, Julian Cornwell, Conrad Smart, Annette Davey, Dawn Rider, Sidney Wolinsky

Cameras: ARRI ALEXA Camera, Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Classic Spherical Lenses

Adr Mixer

Nine (2009)

| UK, USA

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Claire Simpson, Wyatt Smith

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Original Dialogue Mixer

'The Simpsons' Lisa the Drama Queen (2009)

| USA

Directed by: Matthew Nastuk, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer - 2 Episodes, 2016

Royal Pains (2009)

| USA

Cinematography by: Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary

Edited by: Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau

Lenses: Panavision Lenses

Adr Mixer

I Love You Phillip Morris (2009)

| France, USA

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Stéphane Garnier, Thomas J. Nordberg

Adr Mixer

Transformers: Revenge of the Fallen (2009)

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Original Dialogue Mixer

'The Simpsons' Gone Maggie Gone (2009)

| USA

Directed by: Chris Clements, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

Away We Go (2009)

| USA, UK

Directed by: Sam Mendes

Cinematography by: Ellen Kuras

Edited by: Sarah Flack

Adr Mixer

Grey Gardens (2009)

Television Movie

| USA

Directed by: Michael Sucsy

Cinematography by: Mike Eley

Edited by: Alan Heim, Lee Percy

Original Dialogue Mixer

'The Simpsons' Take My Life, Please (2009)

| USA

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

Taking Woodstock (2009)

| USA

Directed by: Ang Lee

Cinematography by: Eric Gautier

Edited by: Tim Squyres

Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera, Bolex Cameras, Eclair Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Original Dialogue Mixer

'The Simpsons' In the Name of the Grandfather (2009)

| USA

Directed by: Ralph Sosa, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge, Kurtis Kunsak

Dialogue Re-recording Engineer / Dialogue Re-recordist

Fantastic Mr. Fox (2009)

| USA

Directed by: Wes Anderson

Cinematography by: Tristan Oliver

Edited by: Ralph Foster, Stephen Perkins, Andrew Weisblum

Cameras: Nikon D3 Camera

Lenses: Cooke Varotal Lenses

Adr Mixer

The Rebound (2009)

| USA

Directed by: Bart Freundlich

Cinematography by: Jonathan Freeman

Edited by: Christopher Tellefsen

Adr Mixer

Amelia (2009)

| USA, Canada

Directed by: Mira Nair

Cinematography by: Stuart Dryburgh

Edited by: Allyson C. Johnson, Lee Percy

Adr Mixer

Saint John of Las Vegas (2009)

| USA

Directed by: Hue Rhodes

Cinematography by: Giles Nuttgens

Edited by: Annette Davey

Original Dialogue Mixer

'The Simpsons' How the Test Was Won (2009)

| USA

Directed by: Lance Kramer, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge, Kurtis Kunsak

Adr Mixer

OceanWorld 3D (2009)

| UK

Directed by: Jean-Jacques Mantello

Cinematography by: Gavin McKinney

Adr Mixer

Bride Wars (2009)

| USA

Directed by: Gary Winick

Cinematography by: Frederick Elmes

Edited by: Susan Littenberg

Cameras: ARRI Cameras

Original Dialogue Mixer

'The Simpsons' Wedding for Disaster (2009)

| USA

Directed by: Chuck Sheetz, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Original Dialogue Mixer

Océans (2009)

| France, Switzerland, Spain, USA, United Arab Emirates

Directed by: Jacques Perrin, Jacques Cluzaud

Cinematography by: Michel Benjamin, Simon Christidis, Luc Drion, Laurent Fleutot, René Heuzey, Valérie Le Gurun, David Reichert, Philippe Ros, Luciano Tovoli

Edited by: Ellen Keneshea, Catherine Mauchain, Gregory F. Plotts, John Damien Ryan, Vincent Schmitt

Adr Mixer

Tenderness (2009)

| USA

Directed by: John Polson

Cinematography by: Tom Stern

Edited by: Lisa Zeno Churgin, Andrew Marcus

Cameras: Panavision Cameras

Adr Mixer

Notorious (2009)

| USA

Directed by: George Tillman Jr.

Cinematography by: Michael Grady

Edited by: Steven Rosenblum, Dirk Westervelt

Adr Mixer

A Perfect Getaway (2009)

| USA

Directed by: David Twohy

Cinematography by: Mark Plummer

Edited by: Tracy Adams

Original Dialogue Mixer

'The Simpsons' No Loan Again, Naturally (2009)

| USA

Directed by: Mark Kirkland, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge, Kurtis Kunsak

Adr Mixer

Under the Sea 3D (2009)

| USA, Canada

Directed by: Howard Hall

Cinematography by: Howard Hall

Edited by: Toni Myers

Cameras: Imax Cameras

Original Dialogue Mixer

'The Simpsons' Eeny Teeny Maya Moe (2009)

| USA

Directed by: Nancy Kruse, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Original Dialogue Mixer

Kung Fu Panda (2008)

| USA

Directed by: Mark Osborne, John Stevenson

Cinematography by: Yong Duk Jhun

Edited by: Clare Knight

Adr Mixer

'The Simpsons' Lost Verizon (2008)

| USA

Directed by: Raymond S. Persi, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge, Jennifer Dolce, Kurtis Kunsak

Adr Mixer

Doomsday (2008)

| UK, USA, South Africa, Germany

Directed by: Neil Marshall

Cinematography by: Sam McCurdy

Edited by: Andrew MacRitchie, Neil Marshall

Adr Mixer

Mamma Mia! (2008)

| USA, UK, Germany

Directed by: Phyllida Lloyd

Cinematography by: Haris Zambarloukos

Edited by: Lesley Walker

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Adr Mixer

Revolutionary Road (2008)

| USA, UK

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Tariq Anwar

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Editing System: Lightworks Editing System

Adr Mixer

'The Simpsons' Homer and Lisa Exchange Cross Words (2008)

| USA

Directed by: Nancy Kruse, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge, Jennifer Dolce

Adr Mixer - 3 Episodes, 2011

The Mentalist (2008)

Lenses: Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

| USA

Cinematography by: Geary McLeod, Tom Camarda, Frank Perl, Christopher Faloona, Michael Goi, Alex Nepomniaschy, Jeffrey Jur, Bill Roe

Edited by: Christopher Cibelli, David Ekstrom, Glenn Farr, James Gadd, Joseph Butler, Anthony J. Rivard, Paul Karasick

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Adr Mixer

'The Simpsons' Mona Leaves-a (2008)

| USA

Directed by: Mike B. Anderson, Ralph Sosa, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

10,000 BC (2008)

| USA, South Africa

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Alexander Berner

Cameras: ARRI Cameras, Moviecam Cameras

Lenses: Angenieux Lenses, Zeiss Lenses

Adr Mixer

'The Simpsons' Double, Double, Boy in Trouble (2008)

| USA

Directed by: Michael Polcino, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge, Jennifer Dolce, Kurtis Kunsak

Adr Mixer

Thomas Kinkade's Christmas Cottage (2008)

| USA, Canada

Directed by: Michael Campus

Cinematography by: Robert Brinkmann

Edited by: Don Brochu

Adr Mixer

Last Chance Harvey (2008)

| USA

Directed by: Joel Hopkins

Cinematography by: John de Borman

Edited by: Robin Sales

Adr Mixer

'The Simpsons' MyPods and Boomsticks (2008)

| USA

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

Soul Men (2008)

| USA

Directed by: Malcolm D. Lee

Cinematography by: Matthew F. Leonetti

Edited by: William Henry, Paul Millspaugh

Adr Mixer

'The Simpsons' All About Lisa (2008)

| USA

Directed by: Steven Dean Moore, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

'Californication' Coke Dick & First Kick (2008)

Directed by: Michael Lehmann

Cinematography by: Michael Weaver

Edited by: Todd Desrosiers

Adr Mixer

'The Simpsons' Treehouse of Horror XIX (2008)

| USA

Directed by: Bob Anderson, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge, Jennifer Dolce

Adr Mixer

'The Simpsons' Apocalypse Cow (2008)

| USA

Directed by: Nancy Kruse, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

The Love Guru (2008)

| UK, Germany, USA

Directed by: Marco Schnabel

Cinematography by: Peter Deming

Edited by: Lee Haxall, Gregory Perler, Billy Weber

Adr Mixer

Killshot (2008)

| USA

Directed by: John Madden

Cinematography by: Caleb Deschanel

Edited by: Mick Audsley, Lisa Gunning

Adr Mixer

'The Simpsons' The Burns and the Bees (2008)

| USA

Directed by: Mark Kirkland, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge

Adr Mixer

Doubt (2008)

| USA

Directed by: John Patrick Shanley

Cinematography by: Roger Deakins

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 535 B Camera

Adr Mixer

'The Simpsons' Sex, Pies and Idiot Scrapes (2008)

| USA

Directed by: Lance Kramer, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge, Jennifer Dolce, Kurtis Kunsak

Adr Mixer

The Edge of Love (2008)

| UK

Directed by: John Maybury

Cinematography by: Jonathan Freeman

Edited by: Emma E. Hickox

Adr Mixer

Recount (2008)

Television Movie

| USA

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten

Adr Mixer

'The Simpsons' Dangerous Curves (2008)

| USA

Directed by: Matthew Faughnan, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge, Jennifer Dolce

Adr Mixer

'The Simpsons' Any Given Sundance (2008)

| USA

Directed by: Chuck Sheetz, Mike B. Anderson

Edited by: Don Barrozo, Michael Bridge, Kurtis Kunsak

Adr Mixer

Gone Baby Gone (2007)

| USA

Directed by: Ben Affleck

Cinematography by: John Toll

Edited by: William Goldenberg

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Adr Mixer

'Californication' Fear and Loathing at the Fundraiser (2007)