Scoring Mixer
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Scoring Mixer
Riddick (2013)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Tracy Adams
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Score Mixer
Act of Valor (2012)
Cinematography by: Shane Hurlbut
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Platinum Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Score Mixer
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Music Scoring Mixer
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Music Scoring Mixer
The Experiment (2010)
Directed by: Paul Scheuring
Cinematography by: Amy Vincent
Edited by: Peter S. Elliot
Score Mixer
My Bloody Valentine (2009)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Score Mixer
A Perfect Getaway (2009)
Directed by: David Twohy
Cinematography by: Mark Plummer
Edited by: Tracy Adams
Music Scoring Mixer
Doghouse (2009)
Directed by: Jake West
Cinematography by: Ali Asad
Edited by: Jake West
Scoring Mixer
Sorority Row (2009)
Directed by: Stewart Hendler
Cinematography by: Ken Seng
Edited by: Elliot Greenberg
Score Mixer
Punisher: War Zone (2008)
Directed by: Lexi Alexander
Cinematography by: Steve Gainer
Edited by: William Yeh
Score Mixer / Score Recordist
Street Kings (2008)
Directed by: David Ayer
Cinematography by: Gabriel Beristain
Edited by: Jeffrey Ford
Score Mixer
Prom Night (2008)
Directed by: Nelson McCormick
Cinematography by: Checco Varese
Edited by: Jason Ballantine
Music Mixer / Music Recordist
The Ruins (2008)
Directed by: Carter Smith
Cinematography by: Darius Khondji
Edited by: Jeff Betancourt
Scoring Mixer
Pineapple Express (2008)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Score Mixer
Shoot 'Em Up (2007)
Directed by: Michael Davis
Cinematography by: Peter Pau
Edited by: Peter Amundson
Music Mixing Engineer
Planet Terror (2007)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Score Mixer
The Condemned (2007)
Directed by: Scott Wiper
Cinematography by: Ross Emery
Edited by: Derek Brechin
Score Mixer
The Sandlot: Heading Home (2007)
Directed by: William Dear
Cinematography by: Pascal Jean Provost
Edited by: Chris Conlee
Scoring Mixer
Vacancy (2007)
Directed by: Nimród Antal
Cinematography by: Andrzej Sekula
Edited by: Armen Minasian
Scoring Mixer
Bordertown (2007)
Directed by: Gregory Nava
Cinematography by: Reynaldo Villalobos
Edited by: Padraic McKinley
Scoring Mixer
Awake (2007)
Directed by: Joby Harold
Cinematography by: Russell Carpenter
Edited by: Craig McKay
Scoring Mixer
Assault on Precinct 13 (2005)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Bill Pankow
Additional Score Engineer
Sin City (2005)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
Scoring Mixer
Harsh Times (2005)
Directed by: David Ayer
Cinematography by: Steve Mason
Edited by: Conrad Buff IV
Music Scoring Mixer
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Score Mixer
Open Water (2003)
Directed by: Chris Kentis
Edited by: Chris Kentis
Cameras: Sony DCR-VX2000 Camera, Sony DSR-PD150 Camera
Editing System: Final Cut Pro Editing System
Score Mixer
Freddy vs. Jason (2003)
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Scoring Mixer
Below (2002)
Directed by: David Twohy
Cinematography by: Ian Wilson
Edited by: Martin Hunter
Music Mixer
The Mothman Prophecies (2002)
Directed by: Mark Pellington
Cinematography by: Fred Murphy
Edited by: Brian Berdan
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision Lenses
Scoring Engineer
Panic Room (2002)
Directed by: David Fincher
Cameras: Panavision Panaflex Platinum Camera
Score Mixer
High Crimes (2002)
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Music Editor / Scoring Mixer
The Man from Elysian Fields (2001)
Directed by: George Hickenlooper
Cinematography by: Kramer Morgenthau
Edited by: Michael Brown
Music Mixer
Lara Croft: Tomb Raider (2001)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Music Mixer
Picture Claire (2001)
Directed by: Bruce McDonald
Cinematography by: Miroslaw Baszak
Edited by: Michael Pacek
Scoring Mixer
15 Minutes (2001)
Directed by: John Herzfeld
Cinematography by: Jean-Yves Escoffier
Edited by: Steven Cohen
Cameras: Panavision Cameras
Music Mixer
Bats (1999)
Directed by: Louis Morneau
Cinematography by: George Mooradian
Edited by: Glenn Garland
Scoring Mixer
The Big Hit (1998)
Directed by: Kirk Wong
Cinematography by: Danny Nowak
Cameras: Panavision Panaflex Platinum Camera
Scoring Mixer
Masterminds (1997)
Directed by: Roger Christian
Cinematography by: Nic Morris
Edited by: Robin Russell
Score Mixer
2 Days in the Valley (1996)
Directed by: John Herzfeld
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Engineer / Music Recordist
Payback (1995)
Directed by: Anthony Hickox
Cinematography by: David Bridges
Edited by: Anita Brandt Burgoyne
Music Mixer / Music Recordist
Young Guns (1988)
Directed by: Christopher Cain
Cinematography by: Dean Semler
Edited by: Jack Hofstra
Music Mixer
Gotham (1988)
Directed by: Lloyd Fonvielle
Cinematography by: Michael Chapman
Edited by: Evan A. Lottman
Music Score Mixer
Stakeout (1987)
Directed by: John Badham
Cinematography by: John Seale
Cameras: Panavision Cameras
Music Recording Engineer
Stand by Me (1986)
Directed by: Rob Reiner
Cinematography by: Thomas Del Ruth
Edited by: Robert Leighton
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Music Transfer
Cheech & Chong's The Corsican Brothers (1984)
Directed by: Tommy Chong
Cinematography by: Harvey Harrison
Edited by: Thomas K. Avildsen