Head Of Di
The Nice Guys (2016)
Directed by: Shane Black
Cinematography by: Philippe Rousselot
Edited by: Joel Negron
Cameras: ARRI ALEXA XT Camera
Head Of Digital Intermediate
Testament of Youth (2014)
Directed by: James Kent
Cinematography by: Rob Hardy
Edited by: Lucia Zucchetti
Cameras: Sony CineAlta F65 Camera
Head Of Di
Calvary (2014)
Directed by: John Michael McDonagh
Cinematography by: Larry Smith
Edited by: Chris Gill
Cameras: ARRI ALEXA Series Cameras
Head Of Di
Mr. Turner (2014)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jon Gregory
Cameras: ARRI ALEXA Plus Camera, Canon EOS-C500 Camera
Lenses: Cooke Speed Panchro Lenses
Digital Intermediate Supervisor
Lay the Favorite (2012)
Directed by: Stephen Frears
Cinematography by: Michael McDonough
Edited by: Mick Audsley
Cameras: Sony CineAlta F35 Camera
Head Of DI
Now Is Good (2012)
Directed by: Ol Parker
Cinematography by: Erik Wilson
Edited by: Peter Lambert
Lenses: Zeiss Master Prime Lenses
Digital Intermediate Supervisor
Shame (2011)
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Digital Intermediate Supervisor
Wild Bill (2011)
Directed by: Dexter Fletcher
Cinematography by: George Richmond
Edited by: Stuart Gazzard
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Digital Intermediate Supervisor: LipSync Post
The Awakening (2011)
Directed by: Nick Murphy
Cinematography by: Eduard Grau
Edited by: Victoria Boydell
Editing System: Avid Editing System
Digital Intermediate Supervisor
Jane Eyre (2011)
Directed by: Cary Joji Fukunaga
Cinematography by: Adriano Goldman
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Digital Lab Supervisor
Coriolanus (2011)
Directed by: Ralph Fiennes
Cinematography by: Barry Ackroyd
Edited by: Nicolas Gaster
Cameras: Aaton Penelope Camera
Lenses: Angenieux Optimo Zoom Lenses
DI Supervisor
The Great Ghost Rescue (2011)
Directed by: Yann Samuell
Cinematography by: Antoine Roch
Digital Intermediate Supervisor
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Digital Intermediate Supervisor
The Deep Blue Sea (2011)
Directed by: Terence Davies
Cinematography by: Florian Hoffmeister
Edited by: David Charap
Digital Intermediate Supervisor
Blitz (2011)
Directed by: Elliott Lester
Cinematography by: Rob Hardy
Edited by: John Gilbert
Digital Intermediate Supervisor: Lipsync Post
We Need to Talk About Kevin (2011)
Directed by: Lynne Ramsay
Cinematography by: Seamus McGarvey
Edited by: Joe Bini
Digital Intermediate Lab Supervisor
The Arbor (2010)
Directed by: Clio Barnard
Cinematography by: Ole Bratt Birkeland
Digital Intermediate Supervisor: LipSync Post
The First Grader (2010)
Directed by: Justin Chadwick
Cinematography by: Rob Hardy
Edited by: Paul Knight
Digital Intermediate Supervisor
Made in Dagenham (2010)
Directed by: Nigel Cole
Cinematography by: John de Borman
Edited by: Michael Parker
Scanning Supervisor
Kick-Ass (2010)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Editing System: Avid Editing System
Visual Effects: DI Supervisor
Red Riding: The Year of Our Lord 1983 (2009)
Directed by: Anand Tucker
Cinematography by: David Higgs
Edited by: Trevor Waite
DI Producer
Solomon Kane (2009)
Directed by: M.J. Bassett
Cinematography by: Dan Laustsen
Edited by: Andrew MacRitchie
Digital Intermediate Supervisor
Nowhere Boy (2009)
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Edited by: Lisa Gunning
Visual Effects: DI Supervisor
Red Riding: The Year of Our Lord 1980 (2009)
Directed by: James Marsh
Cinematography by: Igor Martinovic
Edited by: Jinx Godfrey
Digital Lab Supervisor: Lip Sync Post
Good (2008)
Directed by: Vicente Amorim
Cinematography by: Andrew Dunn
Edited by: John Wilson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
DI Supervisor
Dean Spanley (2008)
Directed by: Toa Fraser
Cinematography by: Leon Narbey
Edited by: Chris Plummer
Digital Lab Supervisor
Mutant Chronicles (2008)
Directed by: Simon Hunter
Cinematography by: Geoff Boyle
Digital Lab Supervisor
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Scanning And Recording Supervisor: LipSync Post
28 Weeks Later (2007)
Directed by: Juan Carlos Fresnadillo
Cinematography by: Enrique Chediak
Edited by: Chris Gill
Scanning And Recording Supervisor: LipSync Post
Hot Fuzz (2007)
Directed by: Edgar Wright
Cinematography by: Jess Hall
Edited by: Chris Dickens
Scanning And Recording Supervisor: LipSync Post
1408 (2007)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Edited by: Peter Boyle
Digital Laboratory Supervisor, Visual Effects
Severance (2006)
Directed by: Christopher Smith
Cinematography by: Ed Wild
Edited by: Stuart Gazzard
Cameras: Sony HDW-F900 Camera
Digital Laboratory Supervisor, Visual Effects
Cashback (2006)
Directed by: Sean Ellis
Cinematography by: Angus Hudson
Cameras: Moviecam Compact Camera
Digital Laboratory Supervisor, Visual Effects
Kidulthood (2006)
Directed by: Menhaj Huda
Cinematography by: Brian Tufano
Edited by: Victoria Boydell
Scanning: Recording And Digital Cleanup: Framestore CFC
The Constant Gardener (2005)
Directed by: Fernando Meirelles
Cinematography by: César Charlone
Edited by: Claire Simpson
Cameras: Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Angenieux HR Zoom Lenses
Scanning: Digital Clean Up And Shoot, Framestore CFC
Sahara (2005)
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey
Edited by: Andrew MacRitchie
Scanning Supervisor: Framestore CFC
Breakfast on Pluto (2005)
Directed by: Neil Jordan
Cinematography by: Declan Quinn
Edited by: Tony Lawson
Deputy Scan Supervisor: Framestore CFC
The League of Gentlemen's Apocalypse (2005)
Directed by: Steve Bendelack
Cinematography by: Rob Kitzmann
Edited by: Tony Cranstoun
Visual Effects
Fateless (2005)
Directed by: Lajos Koltai
Cinematography by: Gyula Pados
Edited by: Hajnal Sellõ
Scanning And Recording & Digital Cleanup: Framestore CFC
The Proposition (2005)
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Jon Gregory
Digital Lab Operator: Framestore CFC
Nanny McPhee (2005)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Visual Effects
The Life and Death of Peter Sellers (2004)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: John Smith
Digital Lab Operator
Thunderbirds (2004)
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh
Scanning: Digital Clean Up And Shoot: Framestore CFC
The Libertine (2004)
Directed by: Laurence Dunmore
Cinematography by: Alexander Melman
Edited by: Jill Bilcock
Visual Effects
Enduring Love (2004)
Directed by: Roger Michell
Cinematography by: Haris Zambarloukos
Edited by: Nicolas Gaster
Scanning: Digital Clean Up And Shoot, Framestore CFC
Bridget Jones: The Edge of Reason (2004)
Directed by: Beeban Kidron
Cinematography by: Adrian Biddle
Edited by: Greg Hayden
Visual Effects
Layer Cake (2004)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Cameras: Moviecam Compact Camera
Lenses: Cooke Xtal Express Lenses
Scanning: Digital Clean Up And Shoot
Beyond the Sea (2004)
Directed by: Kevin Spacey
Cinematography by: Eduardo Serra
Edited by: Trevor Waite
Visual Effects
Bright Young Things (2003)
Directed by: Stephen Fry
Cinematography by: Henry Braham
Edited by: Alex Mackie
Visual Effects
Cold Mountain (2003)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
Digital Lab Operator
Underworld (2003)
Directed by: Len Wiseman
Cinematography by: Tony Pierce-Roberts
Edited by: Martin Hunter
Visual Effects
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Visual Effects
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
