Dolby | 2925 Titles
The Bourne Supremacy (2004)
Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Richard Pearson, Christopher Rouse
Cameras | ARRI Cameras
Pathfinder (2007)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Jay Friedkin, Glen Scantlebury
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Summer (2008)
Directed by | Kenneth Glenaan | Cinematography by | Tony Slater Ling | Editing by | Kristina Hetherington
Cameras | ARRI Cameras
Rounders (1998)
Directed by | John Dahl | Cinematography by | Jean-Yves Escoffier | Editing by | Scott Chestnut
Lenses | Panavision Primo Anamorphic Lenses
Pan Tadeusz (1999)
Directed by | Andrzej Wajda | Cinematography by | Pawel Edelman | Editing by | Wanda Zeman
Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Hawk C-Series Lenses
Trespass (2011)
Directed by | Joel Schumacher | Cinematography by | Andrzej Bartkowiak | Editing by | Bill Pankow
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Camp Nowhere (1994)
Directed by | Jonathan Prince | Cinematography by | Sandi Sissel | Editing by | Jon Poll
Lenses | Panavision Primo Anamorphic Lenses
Vegas Vacation (1997)
Directed by | Stephen Kessler | Cinematography by | William A. Fraker | Editing by | Seth Flaum
Cameras | Panavision Cameras
Bubba Ho-Tep (2002)
Directed by | Don Coscarelli | Cinematography by | Adam Janeiro | Editing by | Scott J. Gill, Donald Milne
Cameras | ARRIFLEX 535 Camera
Miami Blues (1990)
Directed by | George Armitage | Cinematography by | Tak Fujimoto | Editing by | Craig McKay
Cameras | ARRI Cameras
Morvern Callar (2002)
Directed by | Lynne Ramsay | Cinematography by | Alwin H. Küchler | Editing by | Lucia Zucchetti
Cameras | Moviecam Compact Camera
Jiang shi xin zhan shi (2010)
Directed by | Dennis Law | Cinematography by | Herman Yau | Editing by | Chi Wai Yau
Cameras | Moviecam Compact Camera
L: Change the World (2008)
Directed by | Hideo Nakata | Cinematography by | Tokushô Kikumura | Editing by | Nobuyuki Takahashi
Cameras | ARRIFLEX 535 B Camera
The Commitments (1991)
Directed by | Alan Parker | Cinematography by | Gale Tattersall | Editing by | Gerry Hambling
Cameras | Panavision Cameras
Jørgen + Anne = sant (2011)
Directed by | Anne Sewitsky | Cinematography by | Anna Myking
Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera
Secretariat (2010)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Dream a Little Dream (1989)
Directed by | Marc Rocco | Cinematography by | King Baggot | Editing by | Russell Livingstone
Cameras | Panavision Cameras
Frankie and Johnny (1991)
Directed by | Garry Marshall | Cinematography by | Dante Spinotti | Editing by | Jacqueline Cambas, Battle Davis
Cameras | Panavision Cameras
Two Lovers (2008)
Directed by | James Gray | Cinematography by | Joaquín Baca-Asay | Editing by | John Axelrad
Lenses | Cooke S4 Lenses
Resurrection Mary (2007)
Directed by | Sean Michael Beyer | Cinematography by | Seamus Tierney | Editing by | Sean Michael Beyer
Cameras | Sony HDW-F900 Camera
