Dolby | 2925 Titles
Here Comes the Boom (2012)
Directed by | Frank Coraci | Cinematography by | Phil Meheux | Editing by | Scott Hill
Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera
Life of Pi (2012)
Directed by | Ang Lee | Cinematography by | Claudio Miranda | Editing by | Tim Squyres
Cameras | ARRI ALEXA Camera
Hello I Must Be Going (2012)
Directed by | Todd Louiso | Cinematography by | Julie Kirkwood | Editing by | Tom McArdle
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
Hypnotisören (2012)
Directed by | Lasse Hallström | Cinematography by | Mattias Montero | Editing by | Sebastian Amundsen, Thomas Täng
Cameras | ARRI ALEXA Studio Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
This Is 40 (2012)
Directed by | Judd Apatow | Cinematography by | Phedon Papamichael | Editing by | David L. Bertman, Jay Deuby, Brent White
Cameras | ARRI ALEXA Camera
Revenge (2011)
| Cinematography by | Cynthia Pusheck, John Smith, Chris Manley | Editing by | Sue Blainey, John Axness, Conrad Smart, Martin Nicholson, John M. Valerio, Jennifer Barbot, Sunny Hodge, Lauren A. Schaffer, Lynne Willingham, Scott Gamzon, Chris Figler, Lance Luckey
Cameras | ARRI ALEXA Camera, Sony PMW-F3 Camera
Gangster Squad (2013)
Directed by | Ruben Fleischer | Cinematography by | Dion Beebe | Editing by | Alan Baumgarten, James Herbert
Cameras | ARRI ALEXA Studio Camera, Phantom Flex Camera
Gambit (2012)
Directed by | Michael Hoffman | Cinematography by | Florian Ballhaus | Editing by | Paul Tothill
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
Chronicle (2012)
Directed by | Josh Trank | Cinematography by | Matthew Jensen | Editing by | Elliot Greenberg
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
47 Ronin (2013)
Directed by | Carl Rinsch | Cinematography by | John Mathieson | Editing by | Stuart Baird
Cameras | ARRI ALEXA Camera
World War Z (2013)
Directed by | Marc Forster | Cinematography by | Ben Seresin, Robert Richardson | Editing by | Roger Barton, Matt Chesse
R.I.P.D. (2013)
Directed by | Robert Schwentke | Cinematography by | Alwin H. Küchler | Editing by | Mark Helfrich
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Gravity (2013)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Mark Sanger
Cameras | ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses | ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
The Twilight Saga: Eclipse (2010)
Directed by | David Slade | Cinematography by | Javier Aguirresarobe | Editing by | Art Jones, Nancy Richardson
Cameras | Panavision Cameras
Malèna (2000)
Directed by | Giuseppe Tornatore | Cinematography by | Lajos Koltai | Editing by | Massimo Quaglia
Cameras | Panavision Cameras
Lenses | Panavision Primo Anamorphic Lenses
The Phantom of the Opera (2004)
Ray (2004)
The Simpsons Movie (2007)
Happy Feet (2006)
Directed by | George Miller, Warren Coleman, Judy Morris | Cinematography by | David Peers | Editing by | Christian Gazal, Margaret Sixel








































































