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Dolby | 2925 Titles

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Requiem pour une tueuse (2011)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

Directed by | Jérôme Le Gris | Cinematography by | Antoine Monod | Editing by | Claire Fieschi

Starring | Mélanie Laurent, Clovis Cornillac, Tchéky Karyo, Xavier Gallais

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

When Pigs Have Wings (2011)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Sylvain Estibal | Cinematography by | Romain Winding | Editing by | Damien Keyeux

Starring | Sasson Gabai, Baya Belal, Myriam Tekaïa, Gassan Abbas

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Je n’ai rien oublié (2010)

Motion Picture | 2D | Color | 2.39:1 | 93 Minutes

Directed by | Bruno Chiche | Cinematography by | Thomas Hardmeier | Editing by | Marion Monnier

Starring | Gérard Depardieu, Alexandra Maria Lara, Françoise Fabian, Niels Arestrup

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Cooke S4 Lenses

Les hommes libres (2011)

Motion Picture | 2D | Color | 2.39:1 | 99 Minutes

Directed by | Ismaël Ferroukhi | Cinematography by | Jérôme Alméras | Editing by | Annette Dutertre

Starring | Tahar Rahim, Michael Lonsdale, Mahmud Shalaby, Lubna Azabal

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Un baiser papillon (2011)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Karine Silla | Cinematography by | Thomas Hardmeier | Editing by | Anny Danché

Starring | Valeria Golino, Elsa Zylberstein, Vincent Perez, Jalil Lespert

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses

La fille du puisatier (2011)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Daniel Auteuil | Cinematography by | Jean-François Robin | Editing by | Joëlle Hache

Starring | Daniel Auteuil, Astrid Bergès-Frisbey, Nicolas Duvauchelle, Jean-Pierre Darroussin

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens

Le moine (2011)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Dominik Moll | Cinematography by | Patrick Blossier | Editing by | François Gédigier, Sylvie Lager

Starring | Vincent Cassel, Déborah François, Joséphine Japy, Sergi López

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Romans Road (2013)

Direct to Video | 2D | Color | 1.78:1 (16x9) | 103 Minutes

Romans Road | ShotOnWhat?

Directed by | Helen Gibson | Cinematography by | Miguel Gonzalez, Steve Wargo | Editing by | Geoff McClelland

Starring | Tyler Gallant, Ben Edwards, Cassie Self, Arlene Newman-Van Asperen

Cameras | Sony PMW-F3 Camera

Anchorman 2: The Legend Continues (2013)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Melissa Bretherton, Brent White

Starring | Will Ferrell, Christina Applegate, Paul Rudd, Steve Carell

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Her (2013)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Spike Jonze | Cinematography by | Hoyte Van Hoytema | Editing by | Jeff Buchanan, Eric Zumbrunnen

Starring | Joaquin Phoenix, Amy Adams, Scarlett Johansson, Rooney Mara

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, Canon EOS-C300 Camera

Lenses | Canon Lenses, Cooke Lenses, Zeiss Lenses

Skellig: The Owl Man (2009)

Television Movie | 2D | Color | 1.78:1 (16x9) | 102 Minutes

Directed by | Annabel Jankel | Cinematography by | Steve Lawes | Editing by | Peter Christelis

Starring | Tim Roth, Kelly Macdonald, Bill Milner, John Simm

Cameras | ARRIFLEX D-21 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

American Hustle (2013)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 138 Minutes

Directed by | David O. Russell | Cinematography by | Linus Sandgren | Editing by | Alan Baumgarten, Jay Cassidy, Crispin Struthers

Starring | Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Canon K35 Prime Lenses, Zeiss Standard Speed Prime Lenses

Fashion Victim (2009)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Gérard Jugnot | Cinematography by | Gérard Simon | Editing by | Catherine Kelber

Starring | Gérard Jugnot, Bernard Le Coq, Juan Diego, Assaad Bouab

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Series Lenses

The Best Man Holiday (2013)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh

Starring | Monica Calhoun, Morris Chestnut, Melissa De Sousa, Taye Diggs

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Diana (2013)

Motion Picture | 2D | Color | 113 Minutes

Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck

Starring | Naomi Watts, Naveen Andrews, Cas Anvar, Charles Edwards

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Master Prime Lenses

Last Vegas (2013)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Jon Turteltaub | Cinematography by | David Hennings | Editing by | David Rennie

Starring | Robert De Niro, Michael Douglas, Morgan Freeman, Kevin Kline

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Primes Spherical Lenses

Enough Said (2013)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Nicole Holofcener | Cinematography by | Xavier Grobet | Editing by | Robert Frazen

Starring | Julia Louis-Dreyfus, James Gandolfini, Catherine Keener, Toni Collette

Cameras | ARRI ALEXA Studio Camera

Lenses | Leitz Summilux-C Series Lenses

Les salauds (2013)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Annette Dutertre

Starring | Vincent Lindon, Chiara Mastroianni, Julie Bataille, Michel Subor

Cameras | Red Epic Camera

Lenses | Angenieux HEC Zoom Lenses, Angenieux Optimo 28-76 mm T2.6 Lens

Le capital (2012)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Costa-Gavras | Cinematography by | Eric Gautier | Editing by | Yannick Kergoat, Yorgos Lamprinos

Starring | Gad Elmaleh, Gabriel Byrne, Liya Kebede, Natacha Régnier

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Ultra Prime Lenses

All Is Lost (2013)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | J.C. Chandor | Cinematography by | Frank G. DeMarco, Peter Zuccarini | Editing by | Pete Beaudreau

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

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