Dolby | 2925 Titles
Vice (2018)
Directed by | Adam McKay | Cinematography by | Greig Fraser | Editing by | Hank Corwin
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras
End Game (2018)
Directed by | Rob Epstein, Jeffrey Friedman | Cinematography by | Rob Epstein, Rebekah Fergusson | Editing by | Rob Epstein, Jeffrey Friedman
JFK (1991)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Joe Hutshing, Pietro Scalia
Lenses | Panavision E35 35 mm T2.0 Lens
Superman (1978)
Directed by | Richard Donner | Cinematography by | Geoffrey Unsworth | Editing by | Stuart Baird, Michael Ellis
Cameras | Panavision Silent Reflex PSR Camera
Cloud Atlas (2012)
Directed by | Tom Tykwer, Lana Wachowski, Lilly Wachowski | Cinematography by | Frank Griebe, John Toll | Editing by | Alexander Berner, Claus Wehlisch
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
The Ballad of Buster Scruggs (2018)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Bruno Delbonnel | Editing by | Ethan Coen, Joel Coen
Thor (2011)
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Paul Rubell
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses
Out of Sight (1998)
Capernaum (2018)
Directed by | Nadine Labaki | Cinematography by | Christopher Aoun | Editing by | Konstantin Bock, Laure Gardette
Cameras | ARRI ALEXA Camera
Lenses | Hawk C-Series Lenses
Super Size Me (2004)
Directed by | Morgan Spurlock | Cinematography by | Scott Ambrozy | Editing by | Stela Georgieva, Julie Bob Lombardi
Cameras | Sony DSR-PD150 Camera
Spider-Man 3 (2007)
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses
Lawrence of Arabia (1962) 
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Anne V. Coates
Cameras | Super Panavision-70 Camera
Andhadhun (2018)
Directed by | Sriram Raghavan | Cinematography by | K.U. Mohanan | Editing by | Pooja Ladha Surti
Cameras | ARRI ALEXA Camera
Clerks (1994)
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith
Cameras | ARRIFLEX 16SR Camera
The People vs. Larry Flynt (1996)
Directed by | Milos Forman | Cinematography by | Philippe Rousselot | Editing by | Christopher Tellefsen
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Mary Poppins Returns (2018)
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith
Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Afterglow (1997)
Directed by | Alan Rudolph | Cinematography by | Toyomichi Kurita | Editing by | Suzy Elmiger
Cameras | ARRIFLEX Camera
Atomic Blonde (2017)
Directed by | David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir
Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Lenses | Hawk V-Lite Vintage´74 Lens
The Curious Case of Benjamin Button (2008)
Directed by | David Fincher | Cinematography by | Claudio Miranda | Editing by | Kirk Baxter, Angus Wall
Lenses | Zeiss DigiPrime Lenses
Dogs of Berlin (2018)
| Cinematography by | Christoph Krauss, Frank Lamm | Editing by | Marc Hofmeister, Bobby Good
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | ARRI Rental Prime 65 28mm T4.0 Lens, ARRI Rental Prime DNA Lenses, Leitz Summilux-C Series Lenses
