Dolby | 2925 Titles
Super 8 (2011)
Directed by | J.J. Abrams | Cinematography by | Larry Fong | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Paul Blart: Mall Cop (2009)
Directed by | Steve Carr | Cinematography by | Russ T. Alsobrook | Editing by | Jeff Freeman
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Being Julia (2004)
Directed by | István Szabó | Cinematography by | Lajos Koltai | Editing by | Susan Shipton
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke Varotal Lenses
Space Cowboys (2000)
Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Match Point (2005)
A Decade Under the Influence (2003)
Directed by | Ted Demme, Richard LaGravenese | Cinematography by | Tony C. Jannelli, Clyde W. Smith | Editing by | Meg Reticker
Cameras | Sony HDW-F900 Camera
In the Valley of Elah (2007)
Directed by | Paul Haggis | Cinematography by | Roger Deakins | Editing by | Jo Francis
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Braveheart (1995) 
Directed by | Mel Gibson | Cinematography by | John Toll | Editing by | Steven Rosenblum
Cameras | Panavision Panaflex Platinum Camera
Always (1989)
Directed by | Steven Spielberg | Cinematography by | Mikael Salomon | Editing by | Michael Kahn
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Point Break (1991)
Directed by | Kathryn Bigelow | Cinematography by | Donald Peterman | Editing by | Howard E. Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Breaking the Waves (1996)
Directed by | Lars von Trier | Cinematography by | Robby Müller | Editing by | Anders Refn
Cameras | Moviecam Compact Camera
Lenses | Zeiss Lenses
2010 (1984)
Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Mia Goldman, James Mitchell
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Happening (2008)
Directed by | M. Night Shyamalan | Cinematography by | Tak Fujimoto | Editing by | Conrad Buff IV
Cameras | Panavision Cameras
The Godfather: Part II (1974)
Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | Barry Malkin, Richard Marks, Peter Zinner
Cameras | Mitchell BNCR Camera
Lenses | Bausch & Lomb Super Baltar Lenses, Kowa Lenses
Crank: High Voltage (2009)
Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Brandon Trost | Editing by | Marc Jakubowicz, Fernando Villena
A Night in the Life of Jimmy Reardon (1988)
Directed by | William Richert | Cinematography by | John J. Connor | Editing by | Suzanne Fenn
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Three Fugitives (1989)
Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
The Hangover (2009)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
A Slipping-Down Life (1999)
Directed by | Toni Kalem | Cinematography by | Michael F. Barrow | Editing by | Hughes Winborne
Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera
Monster’s Ball (2001)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse
Cameras | ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera
