Directed by | Spike Lee Cinematography by ~ Chayse Irvin Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses |
Search Results: Zeiss super speeds | 119 Titles
BlacKkKlansman (2018)
Monsters. (2019)
Directed by | Marius Olteanu Cinematography by ~ Luchian Ciobanu Cameras | ARRI AMIRA Premium Camera Lenses | Zeiss Super Speeds Mk II Lenses |
Holy Motors (2012)
Directed by | Leos Carax Cinematography by ~ Yves Cape, Caroline Champetier Cameras | Red Epic Camera Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses |
Do Not Disturb (2012)
Directed by | Yvan Attal Cinematography by ~ Thomas Hardmeier Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses, Zeiss Super Speed Lenses |
Wild (2014)
Directed by | Jean-Marc Vallée Cinematography by ~ Yves Bélanger Cameras | ARRI ALEXA XT Camera Lenses | Zeiss Master Prime Lenses, Zeiss Super Speed Lenses |
Sicarivs: the Night and the Silence (2015)
Directed by | Javier Muñoz Cinematography by ~ Javier Cerdá Cameras | Sony PMW-F55 Camera Lenses | Zeiss Super Speeds Mk III Lenses |
The Love Witch (2016)
Directed by | Anna Biller Cinematography by ~ M. David Mullen Cameras | ARRICAM Studio (ST) Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses |
Stay (2005)
Directed by | David Brind Cinematography by ~ Kenneth Wilson II Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses |
The Beach House (2019)
Directed by | Jeffrey A. Brown Cinematography by ~ Owen Levelle Cameras | ARRI ALEXA Mini Camera Lenses | Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses |
Lincoln (2012)
Directed by | Steven Spielberg Cinematography by ~ Janusz Kaminski Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses |
The Last Stand (2013)
Directed by | Jee-woon Kim Cinematography by ~ Ji-yong Kim Cameras | ARRI ALEXA Plus Camera Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses |
Warrior (2011)
Dangerous Liaisons (1988)
Directed by | Stephen Frears Cinematography by ~ Philippe Rousselot Cameras | Moviecam 3N Camera Lenses | Angenieux Lenses, Zeiss Super Speed Lenses |
Bela Kiss: Prologue (2013)
Directed by | Lucien Förstner Cinematography by ~ Sven Latzke Cameras | Bolex Cameras, Canon EOS-7D Camera, Red One Camera Lenses | Zeiss Lenses, Zeiss Super Speed Lenses |
Some Kind of Heaven (2020)
Directed by | Lance Oppenheim Cinematography by ~ David Bolen Cameras | ARRI ALEXA Mini Camera Lenses | Angenieux Optimo Style 16-40 mm T2.8 Lens, Angenieux Optimo Style 30-76 mm T2.8 Lens, Zeiss Super Speed Lenses |
Babylon (2022)
Directed by | Damien Chazelle Cinematography by ~ Linus Sandgren Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses |
Stake Land (2010)
Directed by | Jim Mickle Cinematography by ~ Ryan Samul Cameras | Red One Camera Lenses | Zeiss Super Speed Lenses |
Spotlight (2015)
Directed by | Tom McCarthy Cinematography by ~ Masanobu Takayanagi Cameras | ARRI ALEXA XT Camera Lenses | Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses |