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Directed by | Alberto Rodríguez Cinematography by ~ Alex Catalán Cameras | ARRI ALEXA XT Plus Camera Lenses | Canon CN-E 30-300 mm T2.95 Lens, Zeiss Master Prime Lenses |
Search Results: ARRI ALEXA XT PLUS | 88 Titles
El hombre de las mil caras (2016)
Secuestro (2016)
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Directed by | Mar Targarona Cinematography by ~ Sergi Bartrolí Cameras | ARRI ALEXA XT Plus Camera Lenses | Angenieux Optimo Style 25-250 mm T3.5 Lens, Cooke 5/i Lenses |
The Bookshop (2017)
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Directed by | Isabel Coixet Cinematography by ~ Jean-Claude Larrieu Cameras | ARRI ALEXA XT Plus Camera Lenses | Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke S4/i Lenses, Zeiss Ultra Prime Lenses |
Flock of Four (2017)
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Directed by | Gregory Caruso Cinematography by ~ Gus Bendinelli Cameras | ARRI ALEXA XT Plus Camera Lenses | Panavision B Series Anamorphic Lenses |
The Transporter Refueled (2015)
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Directed by | Camille Delamarre Cinematography by ~ Christophe Collette, Vincent Richard Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens |
Eddie the Eagle (2015)
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Directed by | Dexter Fletcher Cinematography by ~ George Richmond Cameras | ARRI ALEXA XT Camera, IO Industries Flare 2KSDI Camera, Red Epic Dragon Camera Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses |
John Dies at the End (2012)
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Directed by | Don Coscarelli Cinematography by ~ Mike Gioulakis Cameras | Aaton XTR Plus Camera, ARRI ALEXA XT M Camera |
Pride and Prejudice and Zombies (2016)
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Directed by | Burr Steers Cinematography by ~ Remi Adefarasin Lenses | Cooke S4/i Lenses |
