Directed by | Mark Romanek Cinematography by ~ Adam Kimmel Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera Lenses | ARRI / Zeiss Master Anamorphic Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses |
Search Results: Zeiss super speeds | 118 Titles
Never Let Me Go (2010)
Narc (2002)
Directed by | Joe Carnahan Cinematography by ~ Alex Nepomniaschy Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Moviecam Compact Camera Lenses | Zeiss Super Speed Lenses |
Glamour Dolls (2016)
Directed by | John De Luca Cinematography by ~ Graham Martyr Starring |
Cameras |
ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Red One MX Camera Lenses | Zeiss Lenses, Zeiss Super Speed Lenses |
Lost in Translation (2003)
Directed by | Sofia Coppola Cinematography by ~ Lance Acord Cameras | Aaton 35-III Camera, Moviecam Compact Camera Lenses | Angenieux Lenses, Zeiss Super Speed Lenses |
Box of Moon Light (1996)
Directed by | Tom DiCillo Cinematography by ~ Paul Ryan Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses |
Before Night Falls (2000)
Directed by | Julian Schnabel Cinematography by ~ Xavier Grobet, Guillermo Rosas Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera Lenses | Zeiss Super Speed Lenses |
Elizabeth (1998)
Directed by | Shekhar Kapur Cinematography by ~ Remi Adefarasin Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses |
The Squid and the Whale (2005)
Directed by | Noah Baumbach Cinematography by ~ Robert D. Yeoman Cameras | ARRIFLEX 16SR3 Camera Lenses | Zeiss Super Speed Lenses |
Three Fugitives (1989)
Directed by | Francis Veber Cinematography by ~ Haskell Wexler Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera Lenses | Angenieux HP Zoom Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses |
D.O.A. (1988)
Directed by | Annabel Jankel, Rocky Morton Cinematography by ~ Yuri Neyman Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera Lenses | Zeiss Super Speed Lenses |
Elephant (2003)
Directed by | Gus Van Sant Cinematography by ~ Harris Savides Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera Lenses | Zeiss Super Speed Lenses |
$lowdown (2011)
Directed by | Saman Yaghmai-Aledavoud Cinematography by ~ Saman Yaghmai-Aledavoud Cameras | ARRIFLEX 16SR3 Advanced Camera Lenses | Zeiss Super Speed Lenses |
The Ring (2002)
Directed by | Gore Verbinski Cinematography by ~ Bojan Bazelli Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses |
3 Days to Kill (2014)
Directed by | McG Cinematography by ~ Thierry Arbogast Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera Lenses | Technovision Lenses, Zeiss Super Speed Lenses |
Fishing Without Nets (2014)
Directed by | Cutter Hodierne Cinematography by ~ Alex Disenhof Cameras | Red Epic Camera, Red Scarlet Camera Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Super Speed Lenses |
Y Tu Mamá También (2001)
Directed by | Alfonso Cuarón Cinematography by ~ Emmanuel Lubezki Cameras | ARRIFLEX 35 IIC Camera, Moviecam Compact Camera Lenses | Zeiss Super Speed Lenses |
The Man from U.N.C.L.E. (2015)
Directed by | Guy Ritchie Cinematography by ~ John Mathieson Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera Lenses | Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses |
Eternal Sunshine of the Spotless Mind (2004)
Directed by | Michel Gondry Cinematography by ~ Ellen Kuras Cameras | ARRICAM Lite (LT) Camera Lenses | Zeiss ARRI Macro Lenses, Zeiss Super Speed Lenses |
To Save a Life (2009)
Directed by | Brian Baugh Cinematography by ~ C. Clifford Jones Cameras | Red One Camera Lenses | Angenieux Lenses, Zeiss Lenses, Zeiss Super Speed Lenses |
Nymphomaniac: Vol. II (2013)
Directed by | Lars von Trier Cinematography by ~ Manuel Alberto Claro Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses |