Search Results: ALEXA XT | 168 Titles
Paddington (2014)
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Directed by | Paul King Cinematography by ~ Erik Wilson Cameras | ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera Lenses | Cooke S4 Lenses |
On a marché sur Bangkok (2014)
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Directed by | Olivier Baroux Cinematography by ~ Régis Blondeau Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses |
Zoolander 2 (2016)
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Directed by | Ben Stiller Cinematography by ~ Dan Mindel Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses |
Dope (2015)
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Directed by | Rick Famuyiwa Cinematography by ~ Rachel Morrison Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera Lenses | Panavision G Series Anamorphic Lenses |
Ice (2016)
Focus (2015)
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Directed by | Glenn Ficarra, John Requa Cinematography by ~ Xavier Grobet Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses |
Atomic Blonde (2017)
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Directed by | David Leitch Cinematography by ~ Jonathan Sela Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera Lenses | Hawk V-Lite Vintage´74 Lens |
The Ballad of Buster Scruggs (2018)
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Directed by | Ethan Coen, Joel Coen Cinematography by ~ Bruno Delbonnel Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Studio Camera Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses |
Meadowland (2015)
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Directed by | Reed Morano Cinematography by ~ Reed Morano Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera Lenses | Angenieux HR Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses |
The Neon Demon (2016)
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Directed by | Nicolas Winding Refn Cinematography by ~ Natasha Braier Cameras | ARRI ALEXA Series Cameras, ARRI ALEXA XT Camera, ARRI Cameras Lenses | Cooke Lenses, Cooke Xtal Express Lenses |
Hotel Mumbai (2018)
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Directed by | Anthony Maras Cinematography by ~ Nick Remy Matthews Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera Lenses | Panavision G Series Anamorphic Lenses |
John Wick (2014)
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Directed by | Chad Stahelski, David Leitch Cinematography by ~ Jonathan Sela Cameras | ARRI ALEXA XT Camera Lenses | Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens |
The Hunger Games: Mockingjay – Part 1 (2014)
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Directed by | Francis Lawrence Cinematography by ~ Jo Willems Cameras | ARRI ALEXA XT Camera Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses |
22 Jump Street (2014)
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Directed by | Phil Lord, Christopher Miller Cinematography by ~ Barry Peterson Cameras | ARRI ALEXA XT Camera |
The Fault in Our Stars (2014)
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Directed by | Josh Boone Cinematography by ~ Ben Richardson Cameras | ARRI ALEXA XT Camera |
Sex Tape (2014)
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Directed by | Jake Kasdan Cinematography by ~ Tim Suhrstedt Cameras | ARRI ALEXA XT Camera |
Horrible Bosses 2 (2014)
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Directed by | Sean Anders Cinematography by ~ Julio Macat Cameras | ARRI ALEXA XT Camera Lenses | Leitz Summilux-C Series Lenses |
Lucy (2014)
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Directed by | Luc Besson Cinematography by ~ Thierry Arbogast Cameras | ARRI ALEXA XT Camera, Red Epic Camera, Sony CineAlta F65 Camera Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens |
