Directed by | Daniel Barnz Cinematography by ~ Rachel Morrison Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses |
Search Results: ALEXA PLUS 4:3 | 266 Titles
Cake (2014)
Noah (2014)
Directed by | Darren Aronofsky Cinematography by ~ Matthew Libatique Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses |
RoboCop (2014)
Directed by | José Padilha Cinematography by ~ Lula Carvalho Cameras | ARRI ALEXA Camera, Red Epic Camera |
The Wolf of Wall Street (2013)
Wolf Creek 2 (2013)
Directed by | Greg McLean Cinematography by ~ Toby Oliver Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 46-230 mm T4.0 Lens |
Kick-Ass 2 (2013)
Directed by | Jeff Wadlow Cinematography by ~ Tim Maurice-Jones Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera Lenses | Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses |
The Fifth Estate (2013)
Before I Fall (2017)
Into the Storm (2014)
Machete Kills (2013)
Directed by | Robert Rodriguez Cinematography by ~ Robert Rodriguez Cameras | ARRI ALEXA Plus Camera |
Camille redouble (2012)
Directed by | Noémie Lvovsky Cinematography by ~ Jean-Marc Fabre Cameras | ARRI ALEXA Plus Camera Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses |
Kon-Tiki (2012)
Directed by | Joachim Rønning, Espen Sandberg Cinematography by ~ Geir Hartly Andreassen Cameras | ARRI ALEXA Plus Camera, Red One MX Camera, Sony NEX-FS100 Camera Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses |
The Last Stand (2013)
Directed by | Jee-woon Kim Cinematography by ~ Ji-yong Kim Cameras | ARRI ALEXA Plus Camera Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses |
Dead Man Down (2013)
Directed by | Niels Arden Oplev Cinematography by ~ Paul Cameron Cameras | ARRI ALEXA Plus Camera Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Hawk 150-450 mm T2.8 Lens |
Under the Skin (2013)
Directed by | Jonathan Glazer Cinematography by ~ Daniel Landin Cameras | ARRI ALEXA Plus Camera, one-cam Camera Lenses | Kowa Lenses, Schneider Cinegon Lenses, Schneider Xenon FF Prime Lenses, Schneider Xenoplan Lenses, Zeiss Super Speed Lenses |
Pitch Perfect 2 (2015)
Directed by | Elizabeth Banks Cinematography by ~ Jim Denault Cameras | ARRI ALEXA Plus Camera Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses |
The Cobbler (2014)
Directed by | Tom McCarthy Cinematography by ~ W. Mott Hupfel III Cameras | ARRI ALEXA Plus Camera |
Terminator Genisys (2015)
Directed by | Alan Taylor Cinematography by ~ Kramer Morgenthau Cameras | ARRI ALEXA XT Plus Camera Lenses | Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses |
Furious 6 (2013)
Directed by | Justin Lin Cinematography by ~ Stephen F. Windon Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses |
Avengers: Age of Ultron (2015)
Directed by | Joss Whedon Cinematography by ~ Ben Davis Cameras | ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera Lenses | Panavision Primo Anamorphic Lenses |