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Directed by | David Fincher Cinematography by ~ Jeff Cronenweth Cameras | Red One MX Camera |
Search Results: RED SCARLET | 181 Titles
The Social Network (2010)
Gamer (2009)
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Directed by | Mark Neveldine, Brian Taylor Cinematography by ~ Ekkehart Pollack Cameras | ARRIFLEX 435 Camera, Red One Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
Hitchcock (2012)
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Directed by | Sacha Gervasi Cinematography by ~ Jeff Cronenweth Cameras | Red Epic Camera Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses |
Avengers: Infinity War (2018)
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Directed by | Anthony Russo, Joe Russo Cinematography by ~ Trent Opaloch Cameras | ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera Lenses | Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses |
Oz the Great and Powerful (2013)
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Directed by | Sam Raimi Cinematography by ~ Peter Deming Cameras | Red Epic Camera Lenses | Panavision Primo Primes Spherical Lenses |
RED 2 (2013)
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Directed by | Dean Parisot Cinematography by ~ Enrique Chediak Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera Lenses | Hawk V-Lite Lenses |
My Bloody Valentine (2009)
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Directed by | Patrick Lussier Cinematography by ~ Brian Pearson Cameras | Red One Camera, Silicon Imaging SI-2K Camera Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo Zoom Lenses |
Transformers: Dark of the Moon (2011)
Captain America: Civil War (2016)
Star Trek Beyond (2016)
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Directed by | Justin Lin Cinematography by ~ Stephen F. Windon Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses |
Source Code (2011)
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Directed by | Duncan Jones Cinematography by ~ Don Burgess Cameras | Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera Lenses | Panavision Primo Anamorphic Lenses |
Super 8 (2011)
Flight (2012)
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Directed by | Robert Zemeckis Cinematography by ~ Don Burgess Cameras | Red Epic Camera Lenses | Zeiss Master Prime Lenses |
Reach Me (2014)
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Directed by | John Herzfeld Cinematography by ~ Vern Nobles Cameras | Red Epic Camera Lenses | Angenieux Optimo Zoom Lenses, ARRI Lenses, Canon Lenses |
Jack the Giant Slayer (2013)
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Directed by | Bryan Singer Cinematography by ~ Newton Thomas Sigel Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera Lenses | Panavision Primo Primes Spherical Lenses |
42 (2013)
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Directed by | Brian Helgeland Cinematography by ~ Don Burgess Cameras | Red Epic Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
300: Rise of an Empire (2014)
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Directed by | Noam Murro Cinematography by ~ Simon Duggan Cameras | Red Epic Camera Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses |
Underworld: Rise of the Lycans (2009)
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Directed by | Patrick Tatopoulos Cinematography by ~ Ross Emery Cameras | Panavision Genesis Camera, Red One Camera |
The Thin Red Line (1998)
Red Riding Hood (2011)
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Directed by | Catherine Hardwicke Cinematography by ~ Mandy Walker Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses |
