Director Of Photography
The Call (2013)
Directed by: Brad Anderson
Cinematography by: Thomas Yatsko
Edited by: Avi Youabian
Cameras: ARRI ALEXA Camera, Phantom Flex Camera
Lenses: Angenieux Optimo Zoom Lenses
Camera Operator
Hannah Montana and Miley Cyrus: Best of Both Worlds Concert (2008)
Directed by: Bruce Hendricks
Edited by: Michael Tronick
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Director Of Photography
'CSI: Miami' Nothing to Lose (2005)
Directed by: Karen Gaviola
Edited by: Mark C. Baldwin
Director Of Photography
'CSI: Miami' Cop Killer (2005)
Directed by: Jonathan Glassner
Cinematography by: Thomas Yatsko
Edited by: Edward R. Abroms
Director Of Photography
'CSI: Miami' Shootout (2005)
Directed by: Norberto Barba
Cinematography by: Thomas Yatsko
Edited by: Mark C. Baldwin
Director Of Photography
'CSI: Miami' Murder in a Flash (2004)
Directed by: Frederick King Keller
Cinematography by: Thomas Yatsko
Edited by: Christopher Cooke
Director Of Photography
'CSI: Miami' Witness to Murder (2004)
Directed by: Duane Clark
Cinematography by: Thomas Yatsko
Edited by: Scott Lerner
Director Of Photography
'CSI: Miami' Slow Burn (2004)
Directed by: Joe Chappelle
Cinematography by: Thomas Yatsko
Edited by: Mark C. Baldwin
Director Of Photography
'CSI: Miami' Stalkerazzi (2004)
Directed by: Deran Sarafian
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Director Of Photography
'CSI: Miami' Wannabe (2004)
Directed by: Frederick King Keller
Cinematography by: Thomas Yatsko
Edited by: Scott Lerner
Director Of Photography
'CSI: Miami' The Oath (2004)
Directed by: Duane Clark
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Director Of Photography
'CSI: Miami' Rap Sheet (2004)
Directed by: David Grossman
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Director Of Photography
'CSI: Miami' Innocent (2004)
Directed by: Joe Chappelle
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Director Of Photography
'CSI: Miami' Lost Son (2004)
Directed by: Duane Clark
Cinematography by: Thomas Yatsko
Edited by: Mark C. Baldwin
Director Of Photography
'CSI: Miami' Legal (2004)
Directed by: Duane Clark
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Director Of Photography
'CSI: Miami' Speed Kills (2004)
Directed by: Frederick King Keller
Cinematography by: Thomas Yatsko
Edited by: Edward R. Abroms
Director Of Photography
'CSI: Miami' Pirated (2004)
Directed by: Duane Clark
Cinematography by: Thomas Yatsko
Edited by: Mark C. Baldwin
Director Of Photography
'CSI: Miami' After the Fall (2004)
Directed by: Scott Lautanen
Cinematography by: Thomas Yatsko
Edited by: Edward R. Abroms
Director Of Photography: Second Unit
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Director Of Photography
'CSI: Miami' Hurricane Anthony (2003)
Directed by: Joe Chappelle
Edited by: Scott Lerner
Director Of Photography
'CSI: Miami' Extreme (2003)
Directed by: Karen Gaviola
Cinematography by: Thomas Yatsko
Edited by: Mark C. Baldwin
Director Of Photography
'CSI: Miami' Big Brother (2003)
Directed by: Joe Chappelle
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Director Of Photography
'CSI: Miami' The Best Defense (2003)
Directed by: Scott Lautanen
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Director Of Photography
'CSI: Miami' Death Grip (2003)
Directed by: David Grossman
Cinematography by: Thomas Yatsko
Edited by: Scott Lerner
Camera Operator: "b" Camera
Masked and Anonymous (2003)
Directed by: Larry Charles
Cinematography by: Rogier Stoffers
Cinematographer - 22 Episodes, 2003-2005
CSI: Miami (2002)
Directed by: Sam Hill, Joe Chappelle, Scott Lautanen, Karen Gaviola, Matt Earl Beesley, Gina Lamar, Deran Sarafian, Eagle Egilsson, Duane Clark, Carey Meyer, Allison Liddi-Brown, David Grossman, Jonathan Glassner, Larry Detwiler, Marco Black, Don Tardino, Greg Yaitanes, Charles Correll, Frederick King Keller, Norberto Barba, Eric Mirich, Danny Cannon, Adam Rodriguez, Daniel Attias, Scott Brazil, Tucker Gates, Richard Pearce, Bryan Spicer, Artie Mandelberg, Peter Markle, Jeannot Szwarc, Steven DePaul, Félix Enríquez Alcalá, Gloria Muzio, Scott Shiffman, Ernest R. Dickerson, Anthony Hemingway, Christine Moore, Rod Holcomb, Tim Story, Rob Zombie, David Arquette, James Wilcox, Billy Gierhart, Sylvain White
Cinematography by: Charles Mills, Ken Glassing, Eagle Egilsson, Darren Genet, Thomas Yatsko, Dermott Downs, Walt Lloyd, Michael D. O'Shea, Michael Barrett, Garett Griffin, Curtis Wehr, Robert M. Stevens, Joe Meade, Cynthia Pusheck, Donald E. Thorin Jr.
Edited by: Mark C. Baldwin, James Wilcox, John Refoua, Joshua Charson, Tom Costantino, Brian Ray, Edward R. Abroms, Jean Crupper, J. Benjamin Chulay, John M. Vitale, Juan Carlos Garza, Scott Lerner, Lawrence Jordan, Kevin Ward, Jim Page, Dana Devorzon, Christopher Cooke, Sara Mineo, Richmond Riedel
Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Camera Operator
The Banger Sisters (2002)
Directed by: Bob Dolman
Cinematography by: Karl Walter Lindenlaub
Edited by: Aram Nigoghossian
Camera Operator
Rock Star (2001)
Directed by: Stephen Herek
Cinematography by: Ueli Steiger
Edited by: Trudy Ship
Cameras: Panavision Cameras
Camera Operator: "a" Camera, Second Unit
Austin Powers: The Spy Who Shagged Me (1999)
Directed by: Jay Roach
Cinematography by: Ueli Steiger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator
She's All That (1999)
Directed by: Robert Iscove
Cinematography by: Francis Kenny
Edited by: Casey O. Rohrs
Director Of Photography: Second Unit
When the Bough Breaks (1994)
Directed by: Michael Cohn
Cinematography by: Michael Bonvillain
Edited by: Stephen Butler
Additional Camera Operator
The Desperate Trail (1994)
Directed by: P.J. Pesce
Cinematography by: Michael Bonvillain
Edited by: Bill Johnson
Assistant Camera: "b" Camera
One False Move (1992)
Directed by: Carl Franklin
Cinematography by: James L. Carter
Edited by: Carole Kravetz Aykanian
First Assistant Steadicam
Big Girls Don't Cry... They Get Even (1992)
Directed by: Joan Micklin Silver
Cinematography by: Theo van de Sande
Edited by: Janice Hampton
Additional Photographer
To Sleep with Anger (1990)
Directed by: Charles Burnett
Cinematography by: Walt Lloyd
Edited by: Nancy Richardson
First Assistant Camera
Pump Up the Volume (1990)
Directed by: Allan Moyle
Cinematography by: Walt Lloyd
Second Assistant Camera
Halloween 5: The Revenge of Michael Myers (1989)
Directed by: Dominique Othenin-Girard
Cinematography by: Robert Draper
Cameras: ARRI Cameras