Color Assistant
'Hawaii Five-0' Ke iho mai nei ko luna (2019)
Directed by: Karen Gaviola
Cinematography by: Kurt Jones
Edited by: John A. Keris
Color Assistant
'Hawaii Five-0' Ho'okahi no la o ka malihini (2019)
Directed by: Gabriel Beristain
Cinematography by: Kurt Jones
Edited by: Johnathon Pensky
Color Assistant
'Hawaii Five-0' O ke kumu, o ka mana, ho'opuka 'ia (2019)
Directed by: Brad Turner
Cinematography by: Newton TerMeer
Edited by: John A. Keris
Color Assistant
'Hawaii Five-0' He Kama Na Ka Pueo (2019)
Directed by: Jerry Levine
Cinematography by: Kurt Jones
Edited by: Roderick Davis
Color Assistant
'Hawaii Five-0' Ke ala o ka pu (2019)
Directed by: David Straiton
Cinematography by: Newton TerMeer
Edited by: Johnathon Pensky
Color Assistant
'Hawaii Five-0' Pupuhi Ka He'e O Kai Uli (2019)
Directed by: Maja Vrvilo
Cinematography by: Kurt Jones
Edited by: John A. Keris
Color Assistant
'Hawaii Five-0' Ai no i ka 'ape he mane'o no ko ka nuku. (2019)
Directed by: Eagle Egilsson
Cinematography by: Newton TerMeer
Edited by: Douglas Clark
Color Assistant
'Hawaii Five-0' E'ao lu'au a kualima (2019)
Directed by: Alex O'Loughlin
Cinematography by: Kurt Jones
Edited by: Johnathon Pensky
Color Assistant
'Hawaii Five-0' Hapai ke kuko, hanau ka hewa (2019)
Directed by: Jerry Levine
Cinematography by: Newton TerMeer
Edited by: John A. Keris
Color Assistant
'Hawaii Five-0' Ho'opio 'ia e ka noho ali'i a ka ua (2019)
Directed by: Karen Gaviola
Cinematography by: Kurt Jones
Edited by: Roderick Davis
Color Assistant
'Hawaii Five-0' Ikiiki i ka la o Keawalua (2019)
Directed by: Peter Weller
Cinematography by: Newton TerMeer
Edited by: Johnathon Pensky
Color Assistant
'Hawaii Five-0' Ka hauli o ka mea hewa 'ole, he nalowale koke (2019)
Directed by: Roderick Davis
Cinematography by: Newton TerMeer
Edited by: Douglas Clark
Color Assistant
'Hawaii Five-0' Hala I Ke Ala O'i'ole Mai (2019)
Directed by: Carl Weathers
Cinematography by: Newton TerMeer
Edited by: John A. Keris
Color Assistant
'Hawaii Five-0' Pio ke kukui, po'ele ka hale (2018)
Directed by: Gabriel Beristain
Cinematography by: Kurt Jones
Edited by: Johnathon Pensky
Color Assistant
'Hawaii Five-0' Mai ka po mai ka 'oia'i'o (2018)
Directed by: Brad Tanenbaum
Cinematography by: Kurt Jones
Color Assistant
'Hawaii Five-0' Lele pu na manu like (2018)
Directed by: Carlos Bernard
Cinematography by: Newton TerMeer
Edited by: Johnathon Pensky
Color Assistant
'Hawaii Five-0' Pua a'e la ka uwahi o ka moe (2018)
Directed by: Bryan Spicer
Cinematography by: Kurt Jones
Edited by: John A. Keris
Color Assistant
'Hawaii Five-0' Aia i Hi'ikua; i Hi'ialo (2018)
Directed by: Peter Weller
Cinematography by: Newton TerMeer
Edited by: Roderick Davis
Color Assistant
'Hawaii Five-0' A 'ohe mea 'imi a ka maka (2018)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: Newton TerMeer
Edited by: John A. Keris
Color Assist
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Color Assist
Passengers (2016)
Directed by: Morten Tyldum
Cinematography by: Rodrigo Prieto
Edited by: Maryann Brandon
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision Primo 70 Lenses
Color Assist
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Color Assist
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Color Assist
The 5th Wave (2016)
Directed by: J Blakeson
Cinematography by: Enrique Chediak
Edited by: Paul Rubell
Cameras: ARRI ALEXA XT Plus Camera
Color Assist
Miracles from Heaven (2016)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Emma E. Hickox
Cameras: ARRI Cameras
Lenses: ARRI Lenses
Color Assist
The Ridiculous 6 (2015)
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Tom Costain
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Color Assist
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Di Color Assistant
22 Jump Street (2014)
Cinematography by: Barry Peterson
Cameras: ARRI ALEXA XT Camera
Color Assist
The Interview (2014)
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus 4:3 Camera
Digital Colorist Assist
The Equalizer (2014)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Cameras: ARRI ALEXA Plus 4:3 Camera
Color Assist
Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Color Assist
Annie (2014)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony PMW-F55 Camera
Digital Colorist Assist
Sex Tape (2014)
Directed by: Jake Kasdan
Cinematography by: Tim Suhrstedt
Cameras: ARRI ALEXA XT Camera
Digital Colorist Assist
Neighbors (2014)
Directed by: Nicholas Stoller
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: ARRI ALEXA Camera, Red Epic Camera
Color Assist
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Color Assist
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Digital Colorist Assist
This Is the End (2013)
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: Panavision Cameras, Red Epic Camera
Color Assist
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Digital Colorist Assist
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Digital Colorist Assist
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Digital Colorist Assist
The Baytown Outlaws (2012)
Directed by: Barry Battles
Cinematography by: David McFarland
Edited by: Sean Valla
Cameras: Red One Camera
Digital Colorist Assist
21 Jump Street (2012)
Cinematography by: Barry Peterson
Edited by: Joel Negron
Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera
Digital Color Assist
Sparkle (2012)
Directed by: Salim Akil
Cinematography by: Anastas N. Michos
Edited by: Terilyn A. Shropshire
Cameras: ARRI ALEXA Plus Camera
Digital Colorist Assist
That's My Boy (2012)
Directed by: Sean Anders
Cinematography by: Brandon Trost
Edited by: Tom Costain
Digital Colorist Assist
No One Lives (2012)
Directed by: Ryûhei Kitamura
Cinematography by: Daniel Pearl
Edited by: Toby Yates
Cameras: ARRIFLEX 416 Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Colorist Assist
Bad Teacher (2011)
Directed by: Jake Kasdan
Cinematography by: Alar Kivilo
Edited by: Tara Timpone
Cameras: Panavision Panaflex Platinum Camera
Digital Colorist Assist
Just Go with It (2011)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Digital Colorist Assist
Moneyball (2011)
Directed by: Bennett Miller
Cinematography by: Wally Pfister
Edited by: Christopher Tellefsen
Digital Colorist Assist
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Digital Colorist Assist
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Color Assistant - 21 Episodes, 2018-2019
Hawaii Five-0 (2010)
Directed by: Bryan Spicer, Jerry Levine, Maja Vrvilo, Peter Weller, Larry Teng, Joe Dante, Steve Boyum, Eagle Egilsson, Brad Turner, Sylvain White, Jeffrey G. Hunt, Duane Clark, Brad Tanenbaum, Frederick E.O. Toye, Matt Earl Beesley, Eric Laneuville, Stephen Herek, Carlos Bernard, Ron Underwood, Bronwen Hughes, Roderick Davis, Paul A. Edwards, Chris Fisher, Christine Moore, Allison Liddi-Brown, Jeff Cadiente, Bobby Roth, Jennifer Lynch, Jim Jost, Antonio Negret, Krishna Rao, Tara Miele, Gabriel Beristain, Alex O'Loughlin, Karen Gaviola, Elodie Keene, James Whitmore Jr., Len Wiseman, Alex Zakrzewski, Jeff T. Thomas, Kate Woods, Gwyneth Horder-Payton, Steven DePaul, John Terlesky, Hanelle M. Culpepper, Daniel Dae Kim, Joel Surnow, James Wilcox, Ruba Nadda, Elizabeth Allen Rosenbaum, David Straiton, Carl Weathers
Cinematography by: James L. Carter, Krishna Rao, Michael Martinez, Kurt Jones, Alan Caso, Newton TerMeer, Ronald Víctor García, Donald E. Thorin Jr., Gabriel Beristain
Edited by: Roderick Davis, Maja Vrvilo, John A. Keris, James Wilcox, Johnathon Pensky, Scott Powell, Harry B. Miller III, Casey O. Rohrs, Peter Basinski, Scott Gamzon, Andrew Charlton, Paul Fontaine, Roy C. Poole, Douglas Clark, Nicolas De Toth, Elisa Cohen, Felicia Mignon Livingston, Christopher Oakes, John Gilbert
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Digital Colorist Assist
The Karate Kid (2010)
Directed by: Harald Zwart
Cinematography by: Roger Pratt
Edited by: Joel Negron
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Cooke S4 Lenses
Digital Color Assist , Digital Colorist Assist
Easy A (2010)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Susan Littenberg
Cameras: Panavision Genesis Camera
Digital Colorist Assist
The Other Guys (2010)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Digital Colorist Assist
How Do You Know (2010)
Directed by: James L. Brooks
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Digital Colorist Assist
London Boulevard (2010)
Directed by: William Monahan
Cinematography by: Chris Menges
Editing System: Avid Editing System
Digital Colorist Assist
The Time Traveler's Wife (2009)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Digital Colorist Assist
17 Again (2009)
Directed by: Burr Steers
Cinematography by: Tim Suhrstedt
Edited by: Padraic McKinley
Cameras: Panavision Panaflex Platinum Camera
Digital Colorist Assist
Zombieland (2009)
Directed by: Ruben Fleischer
Cinematography by: Michael Bonvillain
Edited by: Alan Baumgarten
Second Digital Colorist Assist
Ice Age: Dawn of the Dinosaurs (2009)
Digital Colorist Assist
Duplicity (2009)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: Panavision Panaflex Platinum Camera
Digital Colorist Assist
Love Happens (2009)
Directed by: Brandon Camp
Cinematography by: Eric Alan Edwards
Edited by: Dana E. Glauberman
Digital Colorist Assist
Jennifer's Body (2009)
Directed by: Karyn Kusama
Cinematography by: M. David Mullen
Edited by: Plummy Tucker
Digital Color Assistant
Bedtime Stories (2008)
Directed by: Adam Shankman
Cinematography by: Michael Barrett
Digital Colorist Assist
Drillbit Taylor (2008)
Directed by: Steven Brill
Cinematography by: Fred Murphy
Digital Colorist Assist
Captivity (2007)
Directed by: Roland Joffé
Cinematography by: Daniel Pearl
Edited by: Richard Nord
Pool Party Girl
Kiss Kiss Bang Bang (2005)
Directed by: Shane Black
Cinematography by: Michael Barrett
Edited by: Jim Page
