Sandy DeCrescent

| USA

Directed by: Josh Cooley

Cinematography by: Jean-Claude Kalache, Patrick Lin

Edited by: Axel Geddes

Orchestrator

Ralph Breaks the Internet (2018)

| USA

Directed by: Phil Johnston, Rich Moore

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

Orchestra Contractor

Ice Age: Collision Course (2016)

| USA

Directed by: Mike Thurmeier, Galen T. Chu

Cinematography by: Renato Falcão

Edited by: Erin Crackel, James Palumbo

Music Contractor

La La Land (2016)

Lenses: Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

| USA, Hong Kong

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Music Contractor

Trumbo (2015)

| USA

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Orchestra Contractor

Star Wars: Episode VII - The Force Awakens (2015)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

| USA

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Editing System: Avid Editing System

Musician Contractor

A Million Ways to Die in the West (2014)

| USA

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Sony PMW-F55 Camera

Editing System: Avid Editing System

Music Contractor

After Earth (2013)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Cooke S4 Lenses

Score Contractor

Monsters University (2013)

| USA

Directed by: Dan Scanlon

Edited by: Greg Snyder

Music Contractor

Oblivion (2013)

| USA

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Editing System: Avid Editing System

Music Contractor

The Book Thief (2013)

| USA, Germany

Directed by: Brian Percival

Cinematography by: Florian Ballhaus

Edited by: John Wilson

Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses

Editing System: Avid Editing System

Music Contractor

We're the Millers (2013)

| USA, UK

Directed by: Rawson Marshall Thurber

Cinematography by: Barry Peterson

Edited by: Michael L. Sale

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Contractor

Snow White and the Huntsman (2012)

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

| USA, UK

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Music Contractor

Flight (2012)

| USA, United Arab Emirates

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Music Contractor

The Campaign (2012)

| USA

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Craig Alpert, Jon Poll

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 45-120mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses

Orchestral Contractor

Diary of a Wimpy Kid: Dog Days (2012)

| USA, Canada

Directed by: David Bowers

Cinematography by: Anthony B. Richmond

Edited by: Troy Takaki

Orchestra Contractor

A Thousand Words (2012)

| USA

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Music Contractor

The Three Stooges (2012)

| USA

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

Music Contractor

The Amazing Spider-Man (2012)

| USA

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Music Contractor

Parental Guidance (2012)

| USA

Directed by: Andy Fickman

Cinematography by: Dean Semler

Edited by: Kent Beyda

Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Music Contractor

Lincoln (2012)

| USA, India

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Orchestra Contractor

'The Cape' Scales (2011)

Directed by: Dennie Gordon

Cinematography by: Michael Negrin

Edited by: Sue Blainey

Music Contractor

Prom (2011)

| USA

Directed by: Joe Nussbaum

Cinematography by: Byron Shah

Edited by: Jeffrey M. Werner

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Orchestra Contractor

'The Cape' The Lich: Part 2 (2011)

Directed by: Roxann Dawson

Cinematography by: John Newby

Edited by: Heather MacDougall

Orchestra Contractor

Red Riding Hood (2011)

| USA, Canada

Directed by: Catherine Hardwicke

Cinematography by: Mandy Walker

Edited by: Nancy Richardson, Julia Wong

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Orchestra Contractor

'The Cape' Kozmo (2011)

| USA

Directed by: David Jackson

Cinematography by: Michael Negrin

Edited by: Michael O'Halloran

Orchestra Contractor

The Green Hornet (2011)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

| USA

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Editing System: Avid Editing System

Orchestra Contractor

'The Cape' Goggles and Hicks (2011)

Directed by: Deran Sarafian

Cinematography by: John Newby

Edited by: Michael O'Halloran

Orchestral Contractor

Water for Elephants (2011)

| USA

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Orchestra Contractor

The Adventures of Tintin (2011)

| USA, New Zealand, UK

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Editing System: Avid Editing System

Music Contractor

The Change-Up (2011)

| USA

Directed by: David Dobkin

Cinematography by: Eric Alan Edwards

Edited by: Lee Haxall, Greg Hayden

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Orchestra Contractor

'The Cape' Tarot (2011)

| USA

Directed by: Deran Sarafian

Cinematography by: John Newby

Edited by: Heather MacDougall

Orchestra Contractor - 9 Episodes, 2011

The Cape (2011)

Television Series

| USA

Directed by: Deran Sarafian, Roxann Dawson, Ernest R. Dickerson, Karen Gaviola, Dennie Gordon, David Jackson, Michael Nankin, David Straiton, Simon West

Cinematography by: John Newby, Michael Negrin, Barry Peterson

Edited by: Casey Brown, Heather MacDougall, Michael O'Halloran, Sue Blainey, Ray Daniels III, John Duffy

Music Contractor

Green Lantern (2011)

| USA

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Orchestra Contractor

'The Cape' Razer (2011)

Directed by: David Straiton

Cinematography by: Michael Negrin

Edited by: Michael O'Halloran

Music Contractor

Diary of a Wimpy Kid: Rodrick Rules (2011)

| USA

Directed by: David Bowers

Cinematography by: Jack N. Green

Edited by: Troy Takaki

Cameras: Panavision Cameras

Music Contractor

Justin Bieber: Never Say Never (2011)

| USA

Directed by: Jon M. Chu

Cinematography by: Reed Smoot

Edited by: Jay Cassidy, Jillian Moul, Avi Youabian

Cameras: ARRI ALEXA Camera, Sony CineAlta F23 Camera, Sony CineAlta F35 Camera

Orchestra Contractor

Pirates of the Caribbean: On Stranger Tides (2011)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

| USA, UK

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Orchestra Contractor

I Am Number Four (2011)

| USA, India

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Music Contractor

30 Minutes or Less (2011)

| USA

Directed by: Ruben Fleischer

Cinematography by: Jess Hall

Edited by: Alan Baumgarten

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Music Contractor

Transformers: Dark of the Moon (2011)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

| USA

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Editing System: Avid Editing System

Orchestra Contractor

'The Cape' Dice (2011)

Directed by: Michael Nankin

Cinematography by: John Newby

Edited by: Casey Brown

Orchestra Contractor

Battle Los Angeles (2011)

| USA

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Christian Wagner

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Music Contractor

War Horse (2011)

| USA, India

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Orchestra Contractor

'The Cape' Pilot (2011)

| USA

Directed by: Simon West

Cinematography by: Barry Peterson

Edited by: Ray Daniels III, John Duffy, Heather MacDougall

Music Contractor

Source Code (2011)

| USA, Canada

Directed by: Duncan Jones

Cinematography by: Don Burgess

Edited by: Paul Hirsch

Cameras: Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera

Orchestra Contractor

'The Cape' The Lich: Part 1 (2011)

Directed by: Karen Gaviola

Cinematography by: Michael Negrin

Edited by: Casey Brown

Orchestra Contractor

The Sorcerer's Apprentice (2010)

| USA

Directed by: Jon Turteltaub

Cinematography by: Bojan Bazelli

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Orchestra Contractor

Harry Potter and the Deathly Hallows: Part 1 (2010)

| UK, USA

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Lenses

Orchestra Contractor

Predators (2010)

| USA

Directed by: Nimród Antal

Cinematography by: Gyula Pados

Edited by: Dan Zimmerman

Cameras: Panavision Genesis Camera

Editing System: Avid Editing System

Orchestra Contractor

Salt (2010)

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

| USA

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Music Contractor

Dear John (2010)

| USA

Directed by: Lasse Hallström

Cinematography by: Terry Stacey

Edited by: Kristina Boden

Orchestra Contractor

Sex and the City 2 (2010)

| USA

Directed by: Michael Patrick King

Cinematography by: John Thomas

Edited by: Michael Berenbaum

Music Contractor

Why Did I Get Married Too? (2010)

| USA

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Score Contractor

The A-Team (2010)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA, UK

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

The Karate Kid (2010)

| USA, China

Directed by: Harald Zwart

Cinematography by: Roger Pratt

Edited by: Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses

Orchestra Contractor

The Last Airbender (2010)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Music Contractor

How Do You Know (2010)

| USA

Directed by: James L. Brooks

Cinematography by: Janusz Kaminski

Edited by: Richard Marks, Tracey Wadmore-Smith

Orchestra Contractor

Dinner for Schmucks (2010)

| USA

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten, Jon Poll

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Music Contractor

Eat Pray Love (2010)

| USA

Directed by: Ryan Murphy

Cinematography by: Robert Richardson

Edited by: Bradley Buecker

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Editing System: Final Cut Pro Editing System

Orchestra Contractor

Toy Story 3 (2010)

| USA

Directed by: Lee Unkrich

Cinematography by: Jeremy Lasky

Edited by: Ken Schretzmann

Orchestra Contractor

Diary of a Wimpy Kid (2010)

| USA, UK

Directed by: Thor Freudenthal

Cinematography by: Jack N. Green

Edited by: Wendy Greene Bricmont

Cameras: Panavision Cameras

Music Contractor

Tangled (2010)

| USA

Directed by: Nathan Greno, Byron Howard

Edited by: Tim Mertens

Orchestra Contractor

For Colored Girls (2010)

| USA

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: Panavision Panaflex Millennium XL2 Camera

Orchestra Contractor

The Wolfman (2010)

| USA

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Music Contractor

12 Rounds (2009)

| USA

Directed by: Renny Harlin

Cinematography by: David Boyd

Edited by: Brian Berdan

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Orchestra Contractor

Drag Me to Hell (2009)

| USA

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System, Final Cut Pro Editing System

Orchestra Contractor

Alvin and the Chipmunks: The Squeakquel (2009)

| USA

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses

Music Contractor

I Love You, Man (2009)

| USA

Directed by: John Hamburg

Cinematography by: Lawrence Sher

Edited by: William Kerr

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Music Contractor

The Soloist (2009)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

| UK, France, USA

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Paul Tothill

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Editing System: Lightworks Editing System

Music Contractor

The Princess and the Frog (2009)

| USA

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Jeff Draheim

Orchestra Contractor

2012 (2009)

| USA

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Music Contractor

Avatar (2009)

| UK, USA

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Music Contractor

The Final Destination (2009)

| USA

Directed by: David R. Ellis

Cinematography by: Glen MacPherson

Edited by: Mark Stevens

Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera

Score Contractor

Night at the Museum: Battle of the Smithsonian (2009)

| USA, Canada

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Orchestra Contractor

G-Force (2009)

| USA

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Orchestra Contractor

G.I. Joe: The Rise of Cobra (2009)

| USA, Czech Republic

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Orchestra Contractor

The Uninvited (2009)

| USA, Canada, Germany

Directed by: Charles Guard, Thomas Guard

Cinematography by: Daniel Landin

Edited by: Jim Page, Christian Wagner

Cameras: Panavision Cameras

Orchestra Contractor

Duplicity (2009)

| USA, Germany

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Orchestra Contractor

Race to Witch Mountain (2009)

| USA

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: David Rennie

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Music Contractor

Knowing (2009)

| USA, UK, Australia

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Cameras: Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Orchestra Contractor

Case 39 (2009)

| USA, Canada

Directed by: Christian Alvart

Cinematography by: Hagen Bogdanski

Edited by: Mark Goldblatt

Orchestra Contractor

A Single Man (2009)

| USA

Directed by: Tom Ford

Cinematography by: Eduard Grau

Edited by: Joan Sobel

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Music Contractor

Couples Retreat (2009)

| USA

Directed by: Peter Billingsley

Cinematography by: Eric Alan Edwards

Edited by: Dan Lebental

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Music Contractor

It's Complicated (2009)

| USA, Japan

Directed by: Nancy Meyers

Cinematography by: John Toll

Edited by: Joe Hutshing, David Moritz

Orchestra Contractor

Drillbit Taylor (2008)

| USA

Directed by: Steven Brill

Cinematography by: Fred Murphy

Edited by: Brady Heck, Thomas J. Nordberg

Orchestra Contractor

Swing Vote (2008)

| USA

Directed by: Joshua Michael Stern

Cinematography by: Shane Hurlbut

Edited by: Jeff McEvoy

Orchestra Contractor

The Spiderwick Chronicles (2008)

| USA

Directed by: Mark Waters

Cinematography by: Caleb Deschanel

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

Miracle at St. Anna (2008)

| USA, Italy

Directed by: Spike Lee

Cinematography by: Matthew Libatique

Edited by: Barry Alexander Brown

Music Contractor

Pride and Glory (2008)

| USA, Germany

Directed by: Gavin O'Connor

Cinematography by: Declan Quinn

Edited by: Lisa Zeno Churgin, John Gilroy

Orchestra Contractor

The Mummy: Tomb of the Dragon Emperor (2008)

| USA, Germany, China, Canada

Directed by: Rob Cohen

Cinematography by: Simon Duggan

Edited by: Kelly Matsumoto, Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Music Contractor

Tropic Thunder (2008)

| USA, UK, Germany

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

Marley & Me (2008)

| USA

Directed by: David Frankel

Cinematography by: Florian Ballhaus

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Orchestra Contractor

Eagle Eye (2008)

| USA, Germany

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

What Happens in Vegas (2008)

| USA

Directed by: Tom Vaughan

Cinematography by: Matthew F. Leonetti

Edited by: Matt Friedman

Cameras: Panavision Cameras

Orchestra Contractor

Leatherheads (2008)

| USA, Germany

Directed by: George Clooney

Cinematography by: Newton Thomas Sigel

Edited by: Stephen Mirrione

Music Contractor

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Orchestra Contractor

Bedtime Stories (2008)

| USA

Directed by: Adam Shankman

Cinematography by: Michael Barrett

Edited by: Tom Costain, Michael Tronick

Cameras: Panavision Genesis Camera, Panavision Panaflex Camera

Music Contractor

The Boy in the Striped Pajamas (2008)

| UK, USA

Directed by: Mark Herman

Cinematography by: Benoît Delhomme

Edited by: Michael Ellis

Score Contractor

Thomas Kinkade's Christmas Cottage (2008)

| USA, Canada

Directed by: Michael Campus

Cinematography by: Robert Brinkmann

Edited by: Don Brochu

Music Contractor

Vantage Point (2008)

| USA

Directed by: Pete Travis

Cinematography by: Amir Mokri

Edited by: Stuart Baird

Orchestra Contractor

Meet the Browns (2008)

| USA

Directed by: Tyler Perry

Cinematography by: Sandi Sissel

Edited by: Maysie Hoy

Music Contractor

Lake City (2008)

| USA

Directed by: Hunter Hill, Perry Moore

Cinematography by: Robert Gantz

Edited by: Jeffrey Wolf

Music Contractor

Sex and the City (2008)

| USA

Directed by: Michael Patrick King

Cinematography by: John Thomas

Edited by: Michael Berenbaum

Orchestra Contractor

The Curious Case of Benjamin Button (2008)

| USA

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Music Contractor

Semi-Pro (2008)

| USA

Directed by: Kent Alterman

Cinematography by: Shane Hurlbut

Edited by: Debra Neil-Fisher, Peter Teschner

Orchestra Contractor

The Happening (2008)

| USA, India

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Orchestra Contractor

Lions for Lambs (2007)

| USA

Directed by: Robert Redford

Cinematography by: Philippe Rousselot

Edited by: Joe Hutshing

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

Gone Baby Gone (2007)

| USA

Directed by: Ben Affleck

Cinematography by: John Toll

Edited by: William Goldenberg

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

Disturbia (2007)

| USA

Directed by: D.J. Caruso

Cinematography by: Rogier Stoffers

Edited by: Jim Page

Orchestra Contractor

Evan Almighty (2007)

| USA

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

Music Contractor

Beowulf (2007)

| USA

Directed by: Robert Zemeckis

Cinematography by: Robert Presley

Edited by: Jeremiah O'Driscoll

Music Contractor

Martian Child (2007)

| USA

Directed by: Menno Meyjes

Cinematography by: Robert D. Yeoman

Edited by: Bruce Green

Orchestra Contractor

Charlie Bartlett (2007)

| USA

Directed by: Jon Poll

Cinematography by: Paul Sarossy

Edited by: Alan Baumgarten

Orchestra Contractor

Underdog (2007)

| USA

Directed by: Frederik Du Chau

Cinematography by: David Eggby

Edited by: Tom Finan

Orchestra Contractor

Shooter (2007)

| USA

Directed by: Antoine Fuqua

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV, Eric A. Sears

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Music Contractor

Are We Done Yet? (2007)

| Canada, USA

Directed by: Steve Carr

Cinematography by: Jack N. Green

Edited by: Craig Herring

Music Contractor

The Simpsons Movie (2007)

| USA

Directed by: David Silverman

Edited by: John Carnochan

Editing System: Final Cut Pro Editing System

Music Contractor

Spider-Man 3 (2007)

| USA

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Music Contractor

Bridge to Terabithia (2007)

| USA

Directed by: Gabor Csupo

Cinematography by: Michael Chapman

Edited by: John Gilbert

Cameras: Panavision Cameras

Music Contractor

Michael Clayton (2007)

| USA

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Orchestra Contractor

Pirates of the Caribbean: At World's End (2007)

| USA

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Editing System: Avid Editing System

Orchestra Contractor

National Treasure: Book of Secrets (2007)

| USA

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

Rendition (2007)

| USA

Directed by: Gavin Hood

Cinematography by: Dion Beebe

Edited by: Megan Gill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Music Contractor

Wild Hogs (2007)

| USA

Directed by: Walt Becker

Cinematography by: Robbie Greenberg

Edited by: Christopher Greenbury, Stuart H. Pappé

Cameras: Panavision Cameras

Orchestra Contractor

Next (2007)

| USA

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Christian Wagner

Music Contractor

Charlie Wilson's War (2007)

| USA, Germany

Directed by: Mike Nichols

Cinematography by: Stephen Goldblatt

Edited by: John Bloom, Antonia Van Drimmelen

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Orchestra Contractor

Enchanted (2007)

| USA

Directed by: Kevin Lima

Cinematography by: Don Burgess

Edited by: Gregory Perler, Stephen A. Rotter

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Music Contractor

The Kite Runner (2007)

| USA, China, UK

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Cooke S4 Lenses

Orchestra Contractor

Blades of Glory (2007)

| USA

Directed by: Josh Gordon, Will Speck

Cinematography by: Stefan Czapsky

Edited by: Richard Pearson

Score Contractor

Mr. Magorium's Wonder Emporium (2007)

| USA, Canada

Directed by: Zach Helm

Cinematography by: Roman Osin

Edited by: Sabrina Plisco, Steven Weisberg

Orchestra Contractor

Hot Rod (2007)

| USA

Directed by: Akiva Schaffer

Cinematography by: Andrew Dunn

Edited by: Malcolm Campbell

Music Contractor

I Now Pronounce You Chuck & Larry (2007)

| USA

Directed by: Dennis Dugan

Cinematography by: Dean Semler

Edited by: Jeff Gourson

Cameras: Panavision Genesis Camera

Music Contractor

Lars and the Real Girl (2007)

| USA, Canada

Directed by: Craig Gillespie

Cinematography by: Adam Kimmel

Edited by: Tatiana S. Riegel

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Music Contractor

Hairspray (2007)

| USA, UK

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Michael Tronick

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Master Prime Lenses

Music Contractor

Freedomland (2006)

| USA

Directed by: Joe Roth

Cinematography by: Anastas N. Michos

Edited by: Nick Moore

Music Contractor

Deja Vu (2006)

| USA, UK

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

Orchestra Contractor

Pirates of the Caribbean: Dead Man's Chest (2006)

| USA

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Music Contractor

You, Me and Dupree (2006)

| USA

Directed by: Anthony Russo, Joe Russo

Cinematography by: Charles Minsky

Edited by: Peter B. Ellis, Debra Neil-Fisher

Orchestra Contractor

Idiocracy (2006)

| USA

Directed by: Mike Judge

Cinematography by: Tim Suhrstedt

Edited by: David Rennie

Music Contractor

The Shaggy Dog (2006)

| USA

Directed by: Brian Robbins

Cinematography by: Gabriel Beristain

Edited by: Ned Bastille

Orchestra Contractor

Garfield: A Tail of Two Kitties (2006)

| UK, USA

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot

Orchestra Contractor

The Devil Wears Prada (2006)

| USA, France

Directed by: David Frankel

Cinematography by: Florian Ballhaus

Edited by: Mark Livolsi

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Music Contractor

The Pink Panther (2006)

| USA, Czech Republic

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: George Folsey Jr., Brad Wilhite

Music Contractor

All the King's Men (2006)

| Germany, USA

Directed by: Steven Zaillian

Cinematography by: Pawel Edelman

Edited by: Wayne Wahrman

Score Contractor

Cars (2006)

| USA

Directed by: John Lasseter, Joe Ranft

Cinematography by: Jeremy Lasky

Edited by: Ken Schretzmann

Orchestra Contractor

Idlewild (2006)

| USA

Directed by: Bryan Barber

Cinematography by: Pascal Rabaud

Edited by: Anne Goursaud

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Music Contractor

Inside Man (2006)

| USA

Directed by: Spike Lee

Cinematography by: Matthew Libatique

Edited by: Barry Alexander Brown

Orchestra Contractor

Eight Below (2006)

| USA

Directed by: Frank Marshall

Cinematography by: Don Burgess

Edited by: Christopher Rouse

Music Contractor

Monster House (2006)

| USA

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Fabienne Rawley, Adam P. Scott

Score Contractor

John Tucker Must Die (2006)

| USA, Canada

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Orchestra Contractor

Bobby (2006)

| USA

Directed by: Emilio Estevez

Cinematography by: Michael Barrett

Edited by: Richard Chew

Music Contractor

The Holiday (2006)

| USA

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Joe Hutshing

Orchestra Contractor

Glory Road (2006)

| USA

Directed by: James Gartner

Cinematography by: Jeffrey L. Kimball, John Toon

Edited by: Jason Hellmann, John Wright

Orchestra Contractor

The Prestige (2006)

| USA, UK

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera, Spacecam Aerial Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Music Contractor

Snakes on a Plane (2006)

| USA, Germany

Directed by: David R. Ellis

Cinematography by: Adam Greenberg

Edited by: Howard E. Smith

Score Contractor

Night at the Museum (2006)

| USA, UK

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

Orchestral Contractor

No Time for Nuts (2006)

Direct to Video

| USA

Directed by: Chris Renaud, Mike Thurmeier

Edited by: James Palumbo

Orchestra Contractor

Sin City (2005)

| USA

Directed by: Frank Miller, Robert Rodriguez, Quentin Tarantino

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: Sony HDC-F950 Camera, Sony Other Camera

Editing System: Avid Editing System

Orchestra Contractor

The Island (2005)

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

| USA

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

Constantine (2005)

| USA, Germany

Directed by: Francis Lawrence

Cinematography by: Philippe Rousselot

Edited by: Wayne Wahrman

Orchestra Contractor

xXx: State of the Union (2005)

| USA

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

Orchestra Contractor

Coach Carter (2005)

| USA, Germany

Directed by: Thomas Carter

Cinematography by: Sharone Meir

Edited by: Peter E. Berger

Music Contractor

Serenity (2005)

| USA

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Music Contractor

Kicking & Screaming (2005)

| USA

Directed by: Jesse Dylan

Cinematography by: Lloyd Ahern II

Edited by: Stuart H. Pappé, Peter Teschner

Music Contractor

The Prize Winner of Defiance, Ohio (2005)

| USA

Directed by: Jane Anderson

Cinematography by: Jonathan Freeman

Edited by: Robert Dalva

Music Contractor

Flightplan (2005)

| USA

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Orchestra Contractor

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

| USA, UK

Directed by: Andrew Adamson

Cinematography by: Donald McAlpine

Edited by: Sim Evan-Jones, Jim May

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Editing System: Avid Editing System

Music Contractor

The Skeleton Key (2005)

| USA, Germany

Directed by: Iain Softley

Cinematography by: Dan Mindel

Edited by: Joe Hutshing

Music Contractor

Venom (2005)

| USA

Directed by: Jim Gillespie

Cinematography by: Steve Mason

Edited by: Paul Martin Smith

Music Contractor

Bad News Bears (2005)

| USA

Directed by: Richard Linklater

Cinematography by: Rogier Stoffers

Edited by: Sandra Adair

Orchestra Contractor

In Her Shoes (2005)

| USA, Germany, UK

Directed by: Curtis Hanson

Cinematography by: Terry Stacey

Edited by: Lisa Zeno Churgin, Craig Kitson

Music Contractor

War of the Worlds (2005)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Music Contractor

Memoirs of a Geisha (2005)

| USA, Japan

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Pietro Scalia

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Orchestra Contractor

Are We There Yet? (2005)

| USA, Canada

Directed by: Brian Levant

Cinematography by: Thomas E. Ackerman

Edited by: Lawrence Jordan

Orchestra Contractor: Additional Music

Four Brothers (2005)

| USA

Directed by: John Singleton

Cinematography by: Peter Menzies Jr.

Edited by: Bruce Cannon, Billy Fox

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Music Contractor

Munich (2005)

Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

| France, Canada, USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Editing System: Moviola Editing System

Orchestra Contractor

The Amityville Horror (2005)

| USA

Directed by: Andrew Douglas

Cinematography by: Peter Lyons Collister

Edited by: Roger Barton, Christian Wagner

Music Contractor

The New World (2005)

| USA, UK

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Music Contractor

The Legend of Zorro (2005)

| USA

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

The Pacifier (2005)

| Canada, USA

Directed by: Adam Shankman

Cinematography by: Peter James

Edited by: Christopher Greenbury

Music Contractor

The Three Burials of Melquiades Estrada (2005)

| France, USA, Mexico

Directed by: Tommy Lee Jones

Cinematography by: Chris Menges

Edited by: Roberto Silvi

Music Contractor

King Kong (2005)

| New Zealand, USA, Germany

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jamie Selkirk

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Music Contractor

Confessions of a Teenage Drama Queen (2004)

| Germany, USA

Directed by: Sara Sugarman

Cinematography by: Stephen H. Burum

Edited by: Anita Brandt Burgoyne

Orchestra Contracted By

Dodgeball: A True Underdog Story (2004)

| USA

Directed by: Rawson Marshall Thurber

Cinematography by: Jerzy Zielinski

Edited by: Alan Baumgarten, Peter Teschner

Cameras: Panavision Cameras

Music Contractor

Flight of the Phoenix (2004)

| USA

Directed by: John Moore

Cinematography by: Brendan Galvin

Edited by: Don Zimmerman

Orchestra Contractor

I, Robot (2004)

| USA, Germany

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

Music Contractor

The Terminal (2004)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Music Contractor

The Village (2004)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Roger Deakins

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Orchestra Contractor

Dawn of the Dead (2004)

| USA, Canada, Japan, France

Directed by: Zack Snyder

Cinematography by: Matthew F. Leonetti

Edited by: Niven Howie

Orchestra Contractor

Garfield (2004)

| USA

Directed by: Peter Hewitt

Cinematography by: Dean Cundey

Edited by: Peter E. Berger, Michael A. Stevenson

Cameras: Panavision Cameras

Music Contractor

The Polar Express (2004)

| USA

Directed by: Robert Zemeckis

Cinematography by: Don Burgess, Robert Presley

Edited by: R. Orlando Duenas, Jeremiah O'Driscoll

Music Contractor

Bobby Jones: Stroke of Genius (2004)

| USA

Directed by: Rowdy Herrington

Cinematography by: Tom Stern

Edited by: Pasquale Buba

Cameras: Panavision Cameras

Orchestra Contractor

Harry Potter and the Prisoner of Azkaban (2004)

| UK, USA

Directed by: Alfonso Cuarón

Cinematography by: Michael Seresin

Edited by: Steven Weisberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Orchestra Contractor

National Treasure (2004)

| USA

Directed by: Jon Turteltaub

Cinematography by: Caleb Deschanel

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Orchestra Contractor

Miracle (2004)

| Canada, USA

Directed by: Gavin O'Connor

Cinematography by: Dan Stoloff

Edited by: John Gilroy, Daric Loo

Cameras: Panavision Cameras

Orchestra Contractor

Christmas with the Kranks (2004)

| USA

Directed by: Joe Roth

Cinematography by: Don Burgess

Edited by: Nick Moore

Orchestra Contractor

The Bourne Supremacy (2004)

| USA, Germany

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Orchestra Contractor

Team America: World Police (2004)

| USA, Germany

Directed by: Trey Parker

Cinematography by: Bill Pope

Edited by: Thomas M. Vogt

Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Orchestra Contractor

Welcome to Mooseport (2004)

| USA, Germany

Directed by: Donald Petrie

Cinematography by: Victor Hammer

Edited by: Debra Neil-Fisher

Orchestra Contractor

Van Helsing (2004)

| USA, Czech Republic, Romania

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Orchestra Contractor

Along Came Polly (2004)

| USA

Directed by: John Hamburg

Cinematography by: Seamus McGarvey

Edited by: William Kerr, Nick Moore

Music Contractor

Raising Helen (2004)

| USA

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Bruce Green, Tara Timpone

Orchestra Contractor

Shrek 2 (2004)

| USA

Directed by: Andrew Adamson, Kelly Asbury, Conrad Vernon

Edited by: Mike Andrews, Sim Evan-Jones

Orchestra Contractor

Man on Fire (2004)

| USA, UK, Mexico, Switzerland

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

Troy (2004)

| USA, Malta, UK

Directed by: Wolfgang Petersen

Cinematography by: Roger Pratt

Edited by: Peter Honess

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Cooke S4 Lenses

Orchestra Contractor

The Incredibles (2004)

| USA

Directed by: Brad Bird

Cinematography by: Andrew Jimenez, Patrick Lin, Janet Lucroy

Edited by: Stephen Schaffer

Orchestra Contractor

Spartan (2004)

| Germany, USA

Directed by: David Mamet

Cinematography by: Juan Ruiz Anchía

Edited by: Barbara Tulliver

Orchestra Contractor

Starsky & Hutch (2004)

| USA

Directed by: Todd Phillips

Cinematography by: Barry Peterson

Edited by: Leslie Jones

Music Contractor

Collateral (2004)

| USA

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

Music Contractor

Dreamcatcher (2003)

| USA, Canada

Directed by: Lawrence Kasdan

Cinematography by: John Seale

Edited by: Raúl Dávalos, Carol Littleton

Orchestra Contractor

Head of State (2003)

| USA

Directed by: Chris Rock

Cinematography by: Donald E. Thorin

Edited by: Stephen A. Rotter

Music Contractor

The Core (2003)

| USA, Germany, Canada, UK

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Orchestra Contractor

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

| USA

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Editing System: Avid Editing System

Orchestra Contractor

The Rundown (2003)

| USA

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Richard Pearson

Orchestra Contractor

Under the Tuscan Sun (2003)

| USA, Italy

Directed by: Audrey Wells

Cinematography by: Geoffrey Simpson

Edited by: Arthur Coburn, Andrew Marcus, Todd E. Miller

Orchestral Contractor

Agent Cody Banks (2003)

| USA, Canada

Directed by: Harald Zwart

Cinematography by: Denis Crossan

Edited by: Jim Miller

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

Peter Pan (2003)

| UK, Australia, USA, New Zealand

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Orchestra Contractor

Looney Tunes: Back in Action (2003)

| Germany, USA

Directed by: Joe Dante

Cinematography by: Dean Cundey

Edited by: Rick Finney, Marshall Harvey

Orchestra Contractor

The Last Samurai (2003)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA, New Zealand, Japan

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Victor Du Bois, Steven Rosenblum

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Orchestra Contractor

Bruce Almighty (2003)

Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

| USA

Directed by: Tom Shadyac

Cinematography by: Dean Semler

Edited by: Scott Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Editing System: Lightworks Editing System

Orchestra Contractor

Ghosts of the Abyss (2003)

| USA

Directed by: James Cameron

Cinematography by: Vince Pace

Edited by: Ed W. Marsh, Sven Pape, John Refoua, David C. Cook

Contractor

Duplex (2003)

| Germany, USA

Directed by: Danny DeVito

Cinematography by: Anastas N. Michos

Edited by: Greg Hayden, Lynzee Klingman

Orchestra Contractor

The Hunted (2003)

| USA

Directed by: William Friedkin

Cinematography by: Caleb Deschanel

Edited by: Augie Hess

Orchestra Contractor

Beyond Borders (2003)

| Germany, USA

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Nicholas Beauman

Orchestra Contractor

Timeline (2003)

| USA

Directed by: Richard Donner

Cinematography by: Caleb Deschanel

Edited by: Richard Marks

Music Contractor

A Guy Thing (2003)

| USA

Directed by: Chris Koch

Cinematography by: Robbie Greenberg

Edited by: David Moritz

Orchestra Contractor

Master and Commander: The Far Side of the World (2003)

| USA

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Music Contractor

Holes (2003)

| USA

Directed by: Andrew Davis

Cinematography by: Stephen St. John

Edited by: Thomas J. Nordberg, Jeffrey Wolf

Orchestra Contractor

Paycheck (2003)

| USA, Canada

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Christopher Rouse, Kevin Stitt

Music Contractor

Seabiscuit (2003)

| USA

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Editing System: Avid Editing System

Orchestra Contractor

The Italian Job (2003)

| USA, France, UK, Italy

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Orchestra Contractor

House of Sand and Fog (2003)

| USA

Directed by: Vadim Perelman

Cinematography by: Roger Deakins

Edited by: Lisa Zeno Churgin

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Score Contractor

Brother Bear (2003)

| USA

Directed by: Aaron Blaise, Robert Walker

Edited by: Tim Mertens

Orchestra Contractor

Identity (2003)

| USA

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: David Brenner

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Orchestra Contractor

The Cooler (2003)

| USA

Directed by: Wayne Kramer

Cinematography by: Jim Whitaker

Edited by: Arthur Coburn

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Avid Editing System

Orchestra Contractor

The Lizzie McGuire Movie (2003)

| USA

Directed by: Jim Fall

Cinematography by: Jerzy Zielinski

Edited by: Margaret Goodspeed

Cameras: Panavision Cameras

Orchestra Contractor

The Cat in the Hat (2003)

| USA

Directed by: Bo Welch

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Music Contractor

Radio (2003)

| USA

Directed by: Michael Tollin

Cinematography by: Don Burgess

Edited by: Chris Lebenzon, Harvey Rosenstock

Cameras: Panavision Cameras

Orchestra Contractor

Down with Love (2003)

| USA, Germany

Directed by: Peyton Reed

Cinematography by: Jeff Cronenweth

Edited by: Larry Bock

Music Contractor

My Boss's Daughter (2003)

| USA

Directed by: David Zucker

Cinematography by: Martin McGrath

Edited by: Samuel Craven, Patrick Lussier

Orchestra Contractor

How to Lose a Guy in 10 Days (2003)

| USA, Germany

Directed by: Donald Petrie

Cinematography by: John Bailey

Edited by: Debra Neil-Fisher

Music Contractor

Terminator 3: Rise of the Machines (2003)

| USA, Germany, UK

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Editing System: Avid Editing System

Music Contractor

Scary Movie 3 (2003)

| USA, Canada

Directed by: David Zucker

Cinematography by: Mark Irwin

Edited by: Malcolm Campbell, Jon Poll

Music Contractor

Something's Gotta Give (2003)

| USA

Directed by: Nancy Meyers

Cinematography by: Michael Ballhaus

Edited by: Joe Hutshing

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Zeiss Lenses

Orchestra Contractor

Matchstick Men (2003)

| USA, UK

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Orchestral Contractor

Final Destination 2 (2003)

| USA, Canada

Directed by: David R. Ellis

Cinematography by: Gary Capo

Edited by: Eric A. Sears

Cameras: Panavision Cameras

Orchestra Contractor

American Wedding (2003)

| USA, Germany

Directed by: Jesse Dylan

Cinematography by: Lloyd Ahern II

Edited by: Stuart H. Pappé

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

Charlie's Angels: Full Throttle (2003)

| USA

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Wayne Wahrman

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium Camera

Orchestra Contractor

Willard (2003)

| Canada, USA

Directed by: Glen Morgan

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Orchestra Contractor

Bad Boys II (2003)

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

| USA

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Music Contractor

Elf (2003)

| USA

Directed by: Jon Favreau

Cinematography by: Greg Gardiner

Edited by: Dan Lebental

Cameras: Panavision Cameras

Lenses: Panavision SL27-M 27 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens

Orchestra Contractor

Good Boy! (2003)

| USA

Directed by: John Hoffman

Cinematography by: James Glennon

Edited by: Craig Herring

Orchestra Contractor

Anger Management (2003)

| USA

Directed by: Peter Segal

Cinematography by: Donald McAlpine

Edited by: Jeff Gourson

Orchestra Contractor

The Sum of All Fears (2002)

| USA, Germany, Canada

Directed by: Phil Alden Robinson

Cinematography by: John Lindley

Edited by: Nicolas De Toth, Neil Travis

Music Contractor

Lilo & Stitch (2002)

| USA

Directed by: Dean DeBlois, Chris Sanders

Edited by: Darren T. Holmes

Music Contractor

Murder by Numbers (2002)

| USA

Directed by: Barbet Schroeder

Cinematography by: Luciano Tovoli

Edited by: Lee Percy

Orchestra Contractor

Showtime (2002)

| USA, Australia

Directed by: Tom Dey

Cinematography by: Thomas Kloss

Edited by: Billy Weber

Orchestra Contractor

Big Fat Liar (2002)

| USA, Germany

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: Stuart H. Pappé, Kimberly Ray

Orchestra Contractor

The Scorpion King (2002)

| USA, Germany, Belgium

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Greg Parsons, Michael Tronick

Orchestra Contractor

Signs (2002)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Barbara Tulliver

Orchestra Contractor

Unconditional Love (2002)

| USA

Directed by: P.J. Hogan

Cinematography by: Remi Adefarasin

Edited by: Robert C. Jones

Cameras: Panavision Cameras

Music Contractor

Eye See You (2002)

| Germany, USA

Directed by: Jim Gillespie

Cinematography by: Dean Semler

Edited by: Timothy Alverson, Steve Mirkovich

Orchestra Contractor

Unfaithful (2002)

| France, Germany, USA

Directed by: Adrian Lyne

Cinematography by: Peter Biziou

Edited by: Anne V. Coates

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Music Contractor

Treasure Planet (2002)

| USA

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Michael Kelly

Music Contractor

Moonlight Mile (2002)

| USA

Directed by: Brad Silberling

Cinematography by: Phedon Papamichael

Edited by: Lisa Zeno Churgin

Cameras: Panavision Panaflex Camera

Orchestra Contractor

Catch Me If You Can (2002)

| USA, Canada

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Orchestra Contractor

Queen of the Damned (2002)

| USA, Australia

Directed by: Michael Rymer

Cinematography by: Ian Baker

Edited by: Dany Cooper

Orchestra Contractor

The Bourne Identity (2002)

| USA, Germany, Czech Republic

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Music Contractor

Maid in Manhattan (2002)

| USA

Directed by: Wayne Wang

Cinematography by: Karl Walter Lindenlaub

Edited by: Craig McKay

Music Contractor , Orchestra Contractor

Dragonfly (2002)

| USA, Germany

Directed by: Tom Shadyac

Cinematography by: Dean Semler

Edited by: Don Zimmerman

Orchestra Contractor

The Tuxedo (2002)

| USA

Directed by: Kevin Donovan

Cinematography by: Stephen F. Windon

Edited by: Craig Herring

Music Contractor

Blade II (2002)

| Germany, USA

Directed by: Guillermo del Toro

Cinematography by: Gabriel Beristain

Edited by: Peter Amundson

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Contractor

Windtalkers (2002)

| USA

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Jeff Gullo, Steven Kemper, Tom Rolf

Music Contractor

The Rookie (2002)

| USA

Directed by: John Lee Hancock

Cinematography by: John Schwartzman

Edited by: Eric L. Beason

Orchestra Contractor

Clockstoppers (2002)

| USA

Directed by: Jonathan Frakes

Cinematography by: Tim Suhrstedt

Edited by: Peter E. Berger, Jeff Canavan

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics Cameras

Orchestra Contractor

Star Trek: Nemesis (2002)

| USA

Directed by: Stuart Baird

Cinematography by: Jeffrey L. Kimball

Edited by: Dallas Puett

Music Contractor

xXx (2002)

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses

| USA

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Joel Negron, Paul Rubell

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Scoring Contractor

Ice Age (2002)

| USA

Directed by: Chris Wedge, Carlos Saldanha

Edited by: John Carnochan

Music Contractor

Minority Report (2002)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Orchestra Contractor

Harry Potter and the Chamber of Secrets (2002)

| UK, USA, Germany

Directed by: Chris Columbus

Cinematography by: Roger Pratt

Edited by: Peter Honess

Music Contractor

Panic Room (2002)

| USA

Directed by: David Fincher

Cinematography by: Conrad W. Hall, Darius Khondji

Edited by: James Haygood, Angus Wall

Orchestra Contractor

The Country Bears (2002)

| USA

Directed by: Peter Hastings

Cinematography by: Mitchell Amundsen

Edited by: George Bowers, Seth Flaum

Orchestra Contractor

Scooby-Doo (2002)

| USA, Australia

Directed by: Raja Gosnell

Cinematography by: David Eggby

Edited by: Kent Beyda

Cameras: Panavision Cameras

Orchestra Contractor

Spy Kids (2001)

| USA

Directed by: Robert Rodriguez

Cinematography by: Guillermo Navarro

Edited by: Robert Rodriguez

Orchestra Contractor

Domestic Disturbance (2001)

| USA

Directed by: Harold Becker

Cinematography by: Michael Seresin

Edited by: Peter Honess

Music Contractor

Bandits (2001)

| USA

Directed by: Barry Levinson

Cinematography by: Dante Spinotti

Edited by: Stu Linder

Orchestra Contractor

The One (2001)

| USA

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Music Contractor

The Affair of the Necklace (2001)

| USA

Directed by: Charles Shyer

Cinematography by: Ashley Rowe

Edited by: David Moritz

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses: Angenieux HR Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Ultra Prime Lenses

Orchestra Contractor

Don't Say a Word (2001)

| USA, Australia, Switzerland, Canada

Directed by: Gary Fleder

Cinematography by: Amir Mokri

Edited by: Armen Minasian, William Steinkamp

Music Contractor

15 Minutes (2001)

| USA, Germany

Directed by: John Herzfeld

Cinematography by: Jean-Yves Escoffier

Edited by: Steven Cohen

Cameras: Panavision Cameras

Music Contractor

K-PAX (2001)

| USA, Germany

Directed by: Iain Softley

Cinematography by: John Mathieson

Edited by: Craig McKay

Orchestra Contractor

I Am Sam (2001)

| USA

Directed by: Jessie Nelson

Cinematography by: Elliot Davis

Edited by: Richard Chew

Lenses: Panavision Lightweight Zoom Lenses, Panavision Primo Classic Spherical Lenses

Orchestra Contractor

61* (2001)

Television Movie

| USA

Directed by: Billy Crystal

Cinematography by: Haskell Wexler

Edited by: Michael Jablow

Cameras: ARRIFLEX 435 ES Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Hawk 150-450 mm T2.8 Lens

Music Contractor

Life as a House (2001)

| USA

Directed by: Irwin Winkler

Cinematography by: Vilmos Zsigmond

Edited by: Julie Monroe

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Orchestra Contractor

Hardball (2001)

| Germany, USA

Directed by: Brian Robbins

Cinematography by: Tom Richmond

Edited by: Ned Bastille

Music Contractor

A Beautiful Mind (2001)

| USA

Directed by: Ron Howard

Cinematography by: Roger Deakins

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

Orchestra Contractor

Evolution (2001)

| USA

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Cameras: Panavision Cameras

Orchestra Contractor

Jimmy Neutron: Boy Genius (2001)

| USA

Directed by: John A. Davis

Cinematography by: Steve Kolbe, Chris Sherrod

Edited by: Gregory Perler, Jon Price

Orchestra Contractor

The Royal Tenenbaums (2001)

| USA

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Dylan Tichenor

Editing System: Avid Editing System

Orchestra Contractor

My First Mister (2001)

| Germany, USA

Directed by: Christine Lahti

Cinematography by: Jeffrey Jur

Edited by: Wendy Greene Bricmont

Orchestra Contractor

The Majestic (2001)

| USA

Directed by: Frank Darabont

Cinematography by: David Tattersall

Edited by: Jim Page

Orchestra Contractor

Harry Potter and the Sorcerer's Stone (2001)

| UK, USA

Directed by: Chris Columbus

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Orchestra Contractor

Swordfish (2001)

| USA

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Stephen E. Rivkin

Music Contractor

America's Sweethearts (2001)

| USA

Directed by: Joe Roth

Cinematography by: Phedon Papamichael

Edited by: Stephen A. Rotter

Scoring Contractor

Dr. Dolittle 2 (2001)

| USA

Directed by: Steve Carr

Cinematography by: Daryn Okada

Edited by: Craig Herring

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Music Contractor

Serendipity (2001)

| USA

Directed by: Peter Chelsom

Cinematography by: John de Borman

Edited by: Christopher Greenbury

Orchestra Contractor

Pearl Harbor (2001)

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

| USA

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Music Contractor

Black Hawk Down (2001)

| USA, UK

Directed by: Ridley Scott

Cinematography by: Slawomir Idziak

Edited by: Pietro Scalia

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Orchestra Contractor

Monsters, Inc. (2001)

| USA

Directed by: Pete Docter, David Silverman, Lee Unkrich

Edited by: Robert Grahamjones, Jim Stewart

Orchestra Contractor

Zoolander (2001)

| Germany, USA

Directed by: Ben Stiller

Cinematography by: Barry Peterson

Edited by: Greg Hayden

Orchestra Contractor

The Last Castle (2001)

| USA

Directed by: Rod Lurie

Cinematography by: Shelly Johnson

Edited by: Michael Jablow, Kevin Stitt

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

Corky Romano (2001)

| USA

Directed by: Rob Pritts

Cinematography by: Steven Bernstein

Edited by: Alan Cody

Cameras: Panavision Cameras

Orchestra Contractor

The Princess Diaries (2001)

| USA, UK

Directed by: Garry Marshall

Cinematography by: Karl Walter Lindenlaub

Edited by: Bruce Green

Orchestra Contractor

See Spot Run (2001)

| USA, Australia

Directed by: John Whitesell

Cinematography by: John S. Bartley

Edited by: Cara Silverman

Music Contractor

Jeepers Creepers (2001)

| Germany, USA

Directed by: Victor Salva

Cinematography by: Don E. FauntLeRoy

Edited by: Ed Marx

Cameras: Panavision Panaflex Millennium Camera

Orchestra Contractor

Jurassic Park III (2001)

| USA

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

Music Contractor

A.I. Artificial Intelligence (2001)

| USA, UK

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Lenses: ARRI / Zeiss Lenses

Orchestra Contractor

What's the Worst That Could Happen? (2001)

| USA

Directed by: Sam Weisman

Cinematography by: Anastas N. Michos

Edited by: Garth Craven, Nick Moore

Cameras: Panavision Cameras

Orchestra Contractor

Shrek (2001)

| USA

Directed by: Andrew Adamson, Vicky Jenson

Edited by: Sim Evan-Jones

Orchestra Contractor

Training Day (2001)

| USA

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Hawk C-Series Lenses

Orchestra Contractor

The Mexican (2001)

| USA, Mexico

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Craig Wood

Cameras: Panavision Cameras

Music Contractor

One Night at McCool's (2001)

| USA

Directed by: Harald Zwart

Cinematography by: Karl Walter Lindenlaub

Edited by: Bruce Cannon

Music Contractor

Jay and Silent Bob Strike Back (2001)

| USA

Directed by: Kevin Smith

Cinematography by: Jamie Anderson

Edited by: Scott Mosier, Kevin Smith

Music Contractor

The Fast and the Furious (2001)

| USA, Germany

Directed by: Rob Cohen

Cinematography by: Ericson Core

Edited by: Peter Honess

Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Editing System: Avid Editing System

Orchestra Contractor

The Adventures of Rocky & Bullwinkle (2000)

| USA, Germany, South Korea, India, Canada

Directed by: Des McAnuff

Cinematography by: Thomas E. Ackerman

Edited by: Dennis Virkler

Orchestra Contractor

Gone in 60 Seconds (2000)

| USA

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Roger Barton, Chris Lebenzon, Tom Muldoon

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Orchestra Contractor

Men of Honor (2000)

| USA

Directed by: George Tillman Jr.

Cinematography by: Anthony B. Richmond

Edited by: John Carter, Dirk Westervelt

Cameras: ARRIFLEX 35 III Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Music Contractor

The Emperor's New Groove (2000)

| USA

Directed by: Mark Dindal

Cinematography by: Thomas Baker

Edited by: Tom Finan, Pam Ziegenhagen

Orchestra Contractor

U-571 (2000)

| France, USA

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Wayne Wahrman

Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses

Orchestra Contractor

Dinosaur (2000)

| USA

Directed by: Eric Leighton, Ralph Zondag

Cinematography by: David R. Hardberger, Steven Douglas Smith

Edited by: H. Lee Peterson

Cameras: VistaVision Cameras

Orchestra Contractor

Final Destination (2000)

| USA

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Music Contractor

Duets (2000)

| USA

Directed by: Bruce Paltrow

Cinematography by: Paul Sarossy

Edited by: Gerald B. Greenberg

Music Contractor

Trixie (2000)

| USA

Directed by: Alan Rudolph

Cinematography by: Jan Kiesser

Edited by: John Helde, Michael Ruscio

Orchestra Contractor

What Planet Are You From? (2000)

| USA

Directed by: Mike Nichols

Cinematography by: Michael Ballhaus

Edited by: Richard Marks

Cameras: Panavision Cameras

Music Contractor

Return to Me (2000)

| USA

Directed by: Bonnie Hunt

Cinematography by: László Kovács

Edited by: Garth Craven

Orchestra Contractor

Nutty Professor II: The Klumps (2000)

| USA

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: William Kerr

Scoring Contractor

Bedazzled (2000)

| USA, Germany

Directed by: Harold Ramis

Cinematography by: Bill Pope

Edited by: Craig Herring

Music Contractor

The Extreme Adventures of Super Dave (2000)

Direct to Video

| USA

Directed by: Peter MacDonald

Cinematography by: Bernd Heinl

Edited by: Mike Murphy

Music Contractor

Meet the Parents (2000)

| USA

Directed by: Jay Roach

Cinematography by: Peter James

Edited by: Greg Hayden, Jon Poll

Orchestra Contractor

The Flintstones in Viva Rock Vegas (2000)

| USA

Directed by: Brian Levant

Cinematography by: Jamie Anderson

Edited by: Kent Beyda

Orchestra Contractor

102 Dalmatians (2000)

| USA, UK

Directed by: Kevin Lima

Cinematography by: Adrian Biddle, Roger Pratt

Edited by: Gregory Perler

Orchestra Contractor

How the Grinch Stole Christmas (2000)

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

| USA

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Music Contractor

The Patriot (2000)

| USA, Germany

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Contractor

Cast Away (2000)

| USA

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

Music Contractor

Miss Congeniality (2000)

| USA

Directed by: Donald Petrie

Cinematography by: László Kovács

Edited by: Billy Weber

Orchestra Contractor

Charlie's Angels (2000)

| USA, Germany

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Peter Teschner, Wayne Wahrman

Orchestra Contractor

28 Days (2000)

| USA

Directed by: Betty Thomas

Cinematography by: Declan Quinn

Edited by: Peter Teschner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Contractor

What Lies Beneath (2000)

| USA

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Orchestra Contractor

Vertical Limit (2000)

| USA, Germany

Directed by: Martin Campbell

Cinematography by: David Tattersall

Edited by: Thom Noble

Orchestra Contractor

Wonder Boys (2000)

| USA, Germany, UK, Japan

Directed by: Curtis Hanson

Cinematography by: Dante Spinotti

Edited by: Dede Allen

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Orchestra Contractor

The Kid (2000)

| USA

Directed by: Jon Turteltaub

Cinematography by: Peter Menzies Jr.

Edited by: Peter Honess, David Rennie

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

What Women Want (2000)

| USA

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Thomas J. Nordberg, Stephen A. Rotter

Orchestra Contractor

Remember the Titans (2000)

| USA

Directed by: Boaz Yakin

Cinematography by: Philippe Rousselot

Edited by: Michael Tronick

Orchestra Contractor

Little Nicky (2000)

| USA

Directed by: Steven Brill

Cinematography by: Theo van de Sande

Edited by: Jeff Gourson

Cameras: Panavision Cameras

Orchestra Contractor

The Replacements (2000)

| USA

Directed by: Howard Deutch

Cinematography by: Tak Fujimoto

Edited by: Seth Flaum, Bud S. Smith

Orchestra Contractor

The Perfect Storm (2000)

| USA

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

Music Contractor

Reindeer Games (2000)

| USA

Directed by: John Frankenheimer

Cinematography by: Alan Caso

Edited by: Antony Gibbs, Michael Kahn

Cameras: Panavision Cameras, Spacecam Aerial Cameras

Orchestra Contractor

Galaxy Quest (1999)

| USA

Directed by: Dean Parisot

Cinematography by: Jerzy Zielinski

Edited by: Don Zimmerman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Scoring Contractor

Brokedown Palace (1999)

| USA

Directed by: Jonathan Kaplan

Cinematography by: Newton Thomas Sigel

Edited by: Curtiss Clayton, Don Zimmerman

Orchestra Contractor

Forces of Nature (1999)

| USA

Directed by: Bronwen Hughes

Cinematography by: Elliot Davis, David Stockton

Edited by: Craig Wood

Cameras: Panavision Cameras

Music Contractor

Runaway Bride (1999)

| USA

Directed by: Garry Marshall

Cinematography by: Stuart Dryburgh

Edited by: Bruce Green

Music Contractor

Bowfinger (1999)

| USA

Directed by: Frank Oz

Cinematography by: Ueli Steiger

Edited by: Richard Pearson

Music Contractor

Drop Dead Gorgeous (1999)

| Germany, USA

Directed by: Michael Patrick Jann

Cinematography by: Michael Spiller

Edited by: David Codron, Janice Hampton

Music Contractor

Tarzan (1999)

| USA

Directed by: Chris Buck, Kevin Lima

Edited by: Gregory Perler

Orchestra Contractor

The Hurricane (1999)

| USA

Directed by: Norman Jewison

Cinematography by: Roger Deakins

Edited by: Stephen E. Rivkin

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Orchestra Contractor

Inspector Gadget (1999)

| USA

Directed by: David Kellogg

Cinematography by: Adam Greenberg

Edited by: Alan Cody, Thom Noble, Gerald B. Greenberg

Music Contractor

Body Shots (1999)

| USA

Directed by: Michael Cristofer

Cinematography by: Rodrigo García

Edited by: Eric A. Sears

Orchestra Contractor

October Sky (1999)

| USA

Directed by: Joe Johnston

Cinematography by: Fred Murphy

Edited by: Robert Dalva

Music Contractor

Dick (1999)

| France, Canada, USA

Directed by: Andrew Fleming

Cinematography by: Alexander Gruszynski

Edited by: Mia Goldman

Music Contractor

Teaching Mrs. Tingle (1999)

| USA

Directed by: Kevin Williamson

Cinematography by: Jerzy Zielinski

Edited by: Debra Neil-Fisher

Music Contractor

The Big Kahuna (1999)

| USA

Directed by: John Swanbeck

Cinematography by: Anastas N. Michos

Edited by: Peggy Davis

Cameras: Panavision Cameras

Orchestra Contractor

Stir of Echoes (1999)

| USA

Directed by: David Koepp

Cinematography by: Fred Murphy

Edited by: Jill Savitt

Orchestra Contractor

Toy Story 2 (1999)

| USA

Directed by: John Lasseter, Ash Brannon, Lee Unkrich

Cinematography by: Sharon Calahan

Edited by: Edie Ichioka, David Ian Salter, Lee Unkrich

Orchestra Contractor

Edtv (1999)

| USA

Directed by: Ron Howard

Cinematography by: John Schwartzman

Edited by: Daniel P. Hanley, Mike Hill

Orchestra Contractor

The Out-of-Towners (1999)

| USA

Directed by: Sam Weisman

Cinematography by: John Bailey

Edited by: Kent Beyda

Cameras: Panavision Cameras

Orchestra Contractor

My Favorite Martian (1999)

| USA

Directed by: Donald Petrie

Cinematography by: Thomas E. Ackerman

Edited by: Malcolm Campbell

Orchestra Contractor

Anna and the King (1999)

| USA

Directed by: Andy Tennant

Cinematography by: Caleb Deschanel

Edited by: Roger Bondelli

Cameras: Panavision Cameras

Lenses: Panavision E Series Anamorphic Lenses

Orchestra Contractor

The Sixth Sense (1999)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Andrew Mondshein

Cameras: Panavision Panaflex Millennium Camera

Orchestra Contractor

Varsity Blues (1999)

| USA

Directed by: Brian Robbins

Cinematography by: Chuck Cohen

Edited by: Ned Bastille

Music Contractor

The Story of Us (1999)

| USA

Directed by: Rob Reiner

Cinematography by: Michael Chapman

Edited by: Alan Edward Bell, Robert Leighton

Orchestra Contractor

South Park: Bigger, Longer & Uncut (1999)

| USA

Directed by: Trey Parker

Edited by: John Venzon

Music Contractor

Mystery Men (1999)

| USA

Directed by: Kinka Usher

Cinematography by: Stephen H. Burum

Edited by: Conrad Buff IV

Orchestra Contractor

Three Kings (1999)

| USA

Directed by: David O. Russell

Cinematography by: Newton Thomas Sigel

Edited by: Robert K. Lambert

Cameras: Panavision Cameras

Music Contractor

Bicentennial Man (1999)

| USA, Germany

Directed by: Chris Columbus

Cinematography by: Phil Meheux

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Classic Spherical Lenses

Orchestra Contractor

Angela's Ashes (1999)

| USA, Ireland

Directed by: Alan Parker

Cinematography by: Chris Connier, Michael Seresin

Edited by: Gerry Hambling

Lenses: Cooke S4 Lenses

Music Contractor

The Mod Squad (1999)

| USA

Directed by: Scott Silver

Cinematography by: Ellen Kuras

Edited by: Dorian Harris

Orchestra Contractor

Double Jeopardy (1999)

| USA, Germany, Canada

Directed by: Bruce Beresford

Cinematography by: Peter James

Edited by: Mark Warner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

Random Hearts (1999)

| USA

Directed by: Sydney Pollack

Cinematography by: Philippe Rousselot

Edited by: William Steinkamp

Music Contractor

End of Days (1999)

| USA

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Jeff Gullo, Steven Kemper

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Orchestra Contractor

The Other Sister (1999)

| USA

Directed by: Garry Marshall

Cinematography by: Dante Spinotti

Edited by: Bruce Green

Orchestra Contractor

The General's Daughter (1999)

| USA, Germany

Directed by: Simon West

Cinematography by: Peter Menzies Jr.

Edited by: Glen Scantlebury

Cameras: Pan-Arri III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

The Adventures of Elmo in Grouchland (1999)

| USA, Germany

Directed by: Gary Halvorson

Cinematography by: Alan Caso

Edited by: Alan Baumgarten

Orchestra Contractor

Deep Blue Sea (1999)

| USA, Mexico

Directed by: Renny Harlin

Cinematography by: Stephen F. Windon

Edited by: Derek Brechin, Dallas Puett, Frank J. Urioste

Orchestra Contractor

Stigmata (1999)

| USA

Directed by: Rupert Wainwright

Cinematography by: Jeffrey L. Kimball

Edited by: Michael J. Duthie, Michael R. Miller

Orchestra Contractor

Stuart Little (1999)

| Germany, USA

Directed by: Rob Minkoff

Cinematography by: Guillermo Navarro

Edited by: Tom Finan

Orchestra Contractor

The Haunting (1999)

| USA

Directed by: Jan de Bont

Cinematography by: Karl Walter Lindenlaub

Edited by: Michael Kahn

Cameras: Panavision Cameras, VistaVision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

The 13th Warrior (1999)

| USA

Directed by: John McTiernan, Michael Crichton

Cinematography by: Peter Menzies Jr.

Edited by: John Wright

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

At First Sight (1999)

| USA

Directed by: Irwin Winkler

Cinematography by: John Seale

Edited by: Julie Monroe

Music Contractor

Snow Falling on Cedars (1999)

| USA

Directed by: Scott Hicks

Cinematography by: Robert Richardson

Edited by: Hank Corwin

Lenses: Panavision E Series Anamorphic Lenses

Orchestra Contractor

Enemy of the State (1998)

| USA

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Chris Lebenzon

Orchestra Contractor

Hope Floats (1998)

| USA

Directed by: Forest Whitaker

Cinematography by: Caleb Deschanel

Edited by: Richard Chew

Cameras: Panavision Cameras

Orchestra Contractor

Mighty Joe Young (1998)

| USA

Directed by: Ron Underwood

Cinematography by: Donald Peterman, Oliver Wood

Edited by: Paul Hirsch

Orchestra Contractor

Mafia! (1998)

| USA

Directed by: Jim Abrahams

Cinematography by: Pierre Letarte

Edited by: Terry Stokes

Orchestra Contractor

Rounders (1998)

| USA

Directed by: John Dahl

Cinematography by: Jean-Yves Escoffier

Edited by: Scott Chestnut

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

The Odd Couple II (1998)

| USA

Directed by: Howard Deutch

Cinematography by: Jamie Anderson

Edited by: Seth Flaum

Cameras: Panavision Cameras

Music Contractor

Patch Adams (1998)

| USA

Directed by: Tom Shadyac

Cinematography by: Phedon Papamichael

Edited by: Don Zimmerman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Contractor

Pleasantville (1998)

| USA

Directed by: Gary Ross

Cinematography by: John Lindley

Edited by: William Goldenberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Contractor

Species II (1998)

| USA

Directed by: Peter Medak

Cinematography by: Matthew F. Leonetti

Edited by: Richard Nord

Orchestra Contractor

Mulan (1998)

| USA

Directed by: Tony Bancroft, Barry Cook

Edited by: Michael Kelly

Orchestra Contractor

Deep Impact (1998)

| USA

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: Paul Cichocki, David Rosenbloom

Cameras: ARRIFLEX 535 Camera

Orchestra Contractor

I'll Be Home for Christmas (1998)

| USA, Canada

Directed by: Arlene Sanford

Cinematography by: Hiro Narita

Edited by: Anita Brandt Burgoyne

Orchestra Contractor

Firestorm (1998)

| USA

Directed by: Dean Semler

Cinematography by: Stephen F. Windon

Edited by: Jack Hofstra

Orchestra Contractor

Judas Kiss (1998)

| USA

Directed by: Sebastian Gutierrez

Cinematography by: James Chressanthis

Edited by: Howard E. Smith

Cameras: Panavision Cameras

Music Contractor

One True Thing (1998)

| USA

Directed by: Carl Franklin

Cinematography by: Declan Quinn

Edited by: Carole Kravetz Aykanian

Scoring Consultant

Saving Private Ryan (1998)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Moviola Editing System

Orchestra Contractor

Urban Legend (1998)

| USA, Canada

Directed by: Jamie Blanks

Cinematography by: James Chressanthis

Edited by: Jay Cassidy

Music Contractor

Stepmom (1998)

| USA

Directed by: Chris Columbus

Cinematography by: Donald McAlpine

Edited by: Neil Travis

Orchestra Contractor

Doctor Dolittle (1998)

| USA

Directed by: Betty Thomas

Cinematography by: Russell Boyd

Edited by: Peter Teschner

Orchestra Contractor

Holy Man (1998)

| USA

Directed by: Stephen Herek

Cinematography by: Adrian Biddle

Edited by: Trudy Ship

Orchestra Contractor

The Parent Trap (1998)

| USA

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Stephen A. Rotter

Orchestra Contractor

Practical Magic (1998)

| USA

Directed by: Griffin Dunne

Cinematography by: Andrew Dunn

Edited by: Elizabeth Kling

Orchestra Contractor

The Prince of Egypt (1998)

| USA

Directed by: Brenda Chapman, Steve Hickner, Simon Wells

Edited by: Nick Fletcher

Orchestra Contractor

There's Something About Mary (1998)

| USA

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Mark Irwin

Edited by: Christopher Greenbury

Music Contractor

The Thin Red Line (1998)

Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens

| USA

Directed by: Terrence Malick

Cinematography by: John Toll

Edited by: Leslie Jones, Saar Klein, Billy Weber

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Editing System: Avid Editing System

Music Contractor

A Bug's Life (1998)

| USA

Directed by: John Lasseter, Andrew Stanton

Cinematography by: Sharon Calahan

Edited by: Lee Unkrich

Music Contractor

Blade (1998)

| USA

Directed by: Stephen Norrington

Cinematography by: Theo van de Sande

Edited by: Paul Rubell

Lenses: Clairmont Anamorphic Lenses, Hawk C-Series 100 mm T3.0 Lens

Music Contractor

Deep Rising (1998)

| USA, Canada

Directed by: Stephen Sommers

Cinematography by: Howard Atherton

Edited by: Bob Ducsay, John Wright

Orchestra Contractor

Star Trek: Insurrection (1998)

| USA

Directed by: Jonathan Frakes

Cinematography by: Matthew F. Leonetti

Edited by: Peter E. Berger

Cameras: Panavision Cameras

Orchestra Contractor

Jack Frost (1998)

| USA

Directed by: Troy Miller

Cinematography by: László Kovács

Edited by: Lawrence Jordan

Music Contractor

Small Soldiers (1998)

| USA

Directed by: Joe Dante

Cinematography by: Jamie Anderson

Edited by: Marshall Harvey, Michael Thau

Orchestra Contractor

U.S. Marshals (1998)

| USA

Directed by: Stuart Baird

Cinematography by: Andrzej Bartkowiak

Edited by: Terry Rawlings

Orchestra Contractor

Armageddon (1998)

| USA

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Orchestra Contractor

Amistad (1997)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Lenses: Zeiss Super Speed Lenses

Orchestra Contractor

That Old Feeling (1997)

| USA

Directed by: Carl Reiner

Cinematography by: Steve Mason

Edited by: Richard Halsey

Orchestra Contractor

Anaconda (1997)

| USA, Brazil, Peru

Directed by: Luis Llosa

Cinematography by: Bill Butler

Edited by: Michael R. Miller

Orchestra Contractor

Mousehunt (1997)

| USA

Directed by: Gore Verbinski

Cinematography by: Phedon Papamichael

Edited by: Craig Wood

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

Kiss the Girls (1997)

| USA

Directed by: Gary Fleder

Cinematography by: Aaron Schneider

Edited by: Armen Minasian, Harvey Rosenstock, William Steinkamp

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Orchestra Contractor

Speed 2: Cruise Control (1997)

| USA

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Alan Cody

Music Contractor

Trial and Error (1997)

| USA

Directed by: Jonathan Lynn

Cinematography by: Gabriel Beristain

Edited by: Tony Lombardo

Cameras: ARRIFLEX 535 Camera

Music Contractor

My Best Friend's Wedding (1997)

| USA

Directed by: P.J. Hogan

Cinematography by: László Kovács

Edited by: Garth Craven, Lisa Fruchtman

Orchestra Contractor

Alien Resurrection (1997)

| USA

Directed by: Jean-Pierre Jeunet

Cinematography by: Darius Khondji

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Music Contractor

Seven Years in Tibet (1997)

| USA, UK

Directed by: Jean-Jacques Annaud

Cinematography by: Robert Fraisse

Edited by: Noëlle Boisson

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

Titanic (1997)

| USA

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

Face/Off (1997)

| USA

Directed by: John Woo

Cinematography by: Oliver Wood

Edited by: Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Orchestra Contractor , Scoring Contractor

Out to Sea (1997)

| USA

Directed by: Martha Coolidge

Cinematography by: Lajos Koltai

Edited by: Anne V. Coates

Orchestra Contractor

Fools Rush In (1997)

| USA

Directed by: Andy Tennant

Cinematography by: Robbie Greenberg

Edited by: Roger Bondelli

Music Contractor

The Lost World: Jurassic Park (1997)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Orchestra Contractor

Dante's Peak (1997)

| USA

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV, Tina Hirsch, Howard E. Smith

Orchestra Contractor

The Relic (1997)

| UK, Germany, Japan, New Zealand, USA

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Steven Kemper

Music Contractor

Air Force One (1997)

| USA, Germany

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: Richard Francis-Bruce

Lenses: Zeiss Variable Prime Lenses

Music Contractor

Volcano (1997)

| USA

Directed by: Mick Jackson

Cinematography by: Theo van de Sande

Edited by: Don Brochu, Michael Tronick

Orchestra Contractor

Leave It to Beaver (1997)

| USA

Directed by: Andy Cadiff

Cinematography by: Thomas Del Ruth

Edited by: Alan Heim

Orchestra Contractor

Hercules (1997)

| USA

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Tom Finan, Robert W. Hedland

Orchestra Contractor

The Postman (1997)

| USA

Directed by: Kevin Costner

Cinematography by: Stephen F. Windon

Edited by: Peter Boyle

Orchestra Contractor

Starship Troopers (1997)

| USA

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

Music Contractor

The Edge (1997)

| USA

Directed by: Lee Tamahori

Cinematography by: Donald McAlpine

Edited by: Neil Travis

Orchestra Contractor

Conspiracy Theory (1997)

| USA

Directed by: Richard Donner

Cinematography by: John Schwartzman

Edited by: Kevin Stitt, Frank J. Urioste

Orchestra Contractor

Con Air (1997)

| USA

Directed by: Simon West

Cinematography by: David Tattersall

Edited by: Chris Lebenzon, Steve Mirkovich, Glen Scantlebury

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Music Contractor

As Good as It Gets (1997)

| USA

Directed by: James L. Brooks

Cinematography by: John Bailey

Edited by: Richard Marks

Orchestra Contractor

For Richer or Poorer (1997)

| USA

Directed by: Bryan Spicer

Cinematography by: Buzz Feitshans IV

Edited by: Russell Denove

Orchestra Contractor

Liar Liar (1997)

| USA

Directed by: Tom Shadyac

Cinematography by: Russell Boyd

Edited by: Don Zimmerman

Conductor / Music Contractor

The Game (1997)

| USA

Directed by: David Fincher

Cinematography by: Harris Savides

Edited by: James Haygood

Cameras: Bolex Cameras, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL27 27 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens

Music Contractor

The Jackal (1997)

| USA, UK, France, Germany, Japan

Directed by: Michael Caton-Jones

Cinematography by: Karl Walter Lindenlaub

Edited by: Jim Clark

Music Contractor

I Know What You Did Last Summer (1997)

| USA

Directed by: Jim Gillespie

Cinematography by: Denis Crossan

Edited by: Steve Mirkovich

Cameras: Panavision Cameras

Orchestra Contractor

Gone Fishin' (1997)

| USA

Directed by: Christopher Cain

Cinematography by: Dean Semler

Edited by: Jack Hofstra

Music Contractor

The Devil's Own (1997)

| USA

Directed by: Alan J. Pakula

Cinematography by: Gordon Willis

Edited by: Tom Rolf, Dennis Virkler

Orchestra Contractor

Anastasia (1997)

| USA

Directed by: Don Bluth, Gary Goldman

Edited by: Bob Bender, Fiona Trayler

Orchestra Contractor

L.A. Confidential (1997)

| USA

Directed by: Curtis Hanson

Cinematography by: Dante Spinotti

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Editing System: Lightworks Editing System

Orchestra Contractor

Julian Po (1997)

| USA

Directed by: Alan Wade

Cinematography by: Bernd Heinl

Edited by: Jeffrey Wolf

Music Contractor

Unforgettable (1996)

| USA

Directed by: John Dahl

Cinematography by: Jeffrey Jur

Edited by: Eric L. Beason, Scott Chestnut

Music Contractor

Ghosts of Mississippi (1996)

| USA

Directed by: Rob Reiner

Cinematography by: John Seale

Edited by: Robert Leighton

Music Contractor

Chain Reaction (1996)

| USA

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Dov Hoenig, Arthur Schmidt, Mark Stevens

Cameras: Panavision Cameras

Music Contractor

The Trigger Effect (1996)

| USA

Directed by: David Koepp

Cinematography by: Newton Thomas Sigel

Edited by: Jill Savitt

Orchestra Contractor

Primal Fear (1996)

| USA

Directed by: Gregory Hoblit

Cinematography by: Michael Chapman

Edited by: David Rosenbloom

Orchestra Contractor

The Cable Guy (1996)

| USA

Directed by: Ben Stiller

Cinematography by: Robert Brinkmann

Edited by: Steven Weisberg

Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

Orchestra Contractor

Ransom (1996)

| USA

Directed by: Ron Howard

Cinematography by: Piotr Sobocinski

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

101 Dalmatians (1996)

| USA, UK

Directed by: Stephen Herek

Cinematography by: Adrian Biddle

Edited by: Trudy Ship

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

Larger Than Life (1996)

| USA

Directed by: Howard Franklin

Cinematography by: Elliot Davis

Edited by: Sidney Levin

Music Contractor

Jingle All the Way (1996)

| USA

Directed by: Brian Levant

Cinematography by: Victor J. Kemper

Edited by: Kent Beyda, Wilt Henderson, Adam Weiss

Music Contractor

The Fan (1996)

| USA

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson, Christian Wagner

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Music Contractor

The Spitfire Grill (1996)

| USA

Directed by: Lee David Zlotoff

Cinematography by: Robert Draper

Edited by: Margaret Goodspeed

Music Contractor

The Juror (1996)

| USA

Directed by: Brian Gibson

Cinematography by: Jamie Anderson

Edited by: Robert M. Reitano

Orchestra Contractor

Eye for an Eye (1996)

| USA

Directed by: John Schlesinger

Cinematography by: Amir Mokri

Edited by: Peter Honess

Music Contractor

The Long Kiss Goodnight (1996)

| USA

Directed by: Renny Harlin

Cinematography by: Guillermo Navarro

Edited by: William Goldenberg

Music Contractor

The Truth About Cats & Dogs (1996)

| USA

Directed by: Michael Lehmann

Cinematography by: Robert Brinkmann

Edited by: Stephen Semel

Cameras: ARRIFLEX 535 Camera

Orchestra Contractor

Escape from L.A. (1996)

| USA

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Edward A. Warschilka

Music Contractor

Twister (1996)

| USA

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Music Contractor

Down Periscope (1996)

| USA

Directed by: David S. Ward

Cinematography by: Victor Hammer

Edited by: William M. Anderson, Armen Minasian

Orchestra Contractor

Eraser (1996)

| USA

Directed by: Chuck Russell

Cinematography by: Adam Greenberg

Edited by: Michael Tronick

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

Space Jam (1996)

| USA

Directed by: Joe Pytka

Cinematography by: Michael Chapman

Edited by: Sheldon Kahn

Orchestra Contractor

Diabolique (1996)

| USA

Directed by: Jeremiah S. Chechik

Cinematography by: Peter James

Edited by: Carol Littleton

Orchestra Contractor

Bed of Roses (1996)

| USA

Directed by: Michael Goldenberg

Cinematography by: Adam Kimmel

Edited by: Jane Kurson

Cameras: Panavision Cameras

Music Contractor

Daylight (1996)

| USA

Directed by: Rob Cohen

Cinematography by: David Eggby

Edited by: Peter Amundson

Lenses: Zeiss Lenses

Music Contractor

The Mirror Has Two Faces (1996)

| USA

Directed by: Barbra Streisand

Cinematography by: Andrzej Bartkowiak, Dante Spinotti

Edited by: Jeff Werner

Cameras: Panavision Panaflex Camera

Orchestra Manager

Fear (1996)

| USA, Canada

Directed by: James Foley

Cinematography by: Thomas Kloss

Edited by: David Brenner

Orchestra Contractor

Star Trek: First Contact (1996)

| USA

Directed by: Jonathan Frakes

Cinematography by: Matthew F. Leonetti

Edited by: John W. Wheeler

Cameras: Panavision Panaflex Platinum Camera, Wescam Cameras

Orchestra Contractor

Sgt. Bilko (1996)

| USA

Directed by: Jonathan Lynn

Cinematography by: Peter Sova

Edited by: Tony Lombardo

Orchestra Contractor

Set It Off (1996)

| USA

Directed by: F. Gary Gray

Cinematography by: Marc Reshovsky

Edited by: John Carter

Music Contractor

The Rock (1996)

| USA

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Richard Francis-Bruce

Cameras: Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Orchestra Contractor

Sleepers (1996)

| USA

Directed by: Barry Levinson

Cinematography by: Michael Ballhaus

Edited by: Stu Linder

Orchestra Contractor

Mars Attacks! (1996)

| USA

Directed by: Tim Burton

Cinematography by: Peter Suschitzky

Edited by: Chris Lebenzon

Orchestra Contractor

The War at Home (1996)

| USA

Directed by: Emilio Estevez

Cinematography by: Peter Levy

Edited by: Craig Bassett

Orchestra Contractor

Dunston Checks In (1996)

| USA

Directed by: Ken Kwapis

Cinematography by: Peter Lyons Collister

Edited by: Jon Poll

Cameras: Panavision Cameras

Orchestra Contractor

High School High (1996)

| USA

Directed by: Hart Bochner

Cinematography by: Vernon Layton

Edited by: James R. Symons

Orchestra Manager

Mother Night (1996)

| USA

Directed by: Keith Gordon

Cinematography by: Tom Richmond

Edited by: Jay Rabinowitz

Music Contractor

Courage Under Fire (1996)

| USA

Directed by: Edward Zwick

Cinematography by: Roger Deakins

Edited by: Steven Rosenblum

Orchestra Contractor

Fly Away Home (1996)

| USA

Directed by: Carroll Ballard

Cinematography by: Caleb Deschanel

Edited by: Nicholas C. Smith

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

James and the Giant Peach (1996)

| UK, USA

Directed by: Henry Selick

Cinematography by: Pete Kozachik, Hiro Narita

Edited by: Stan Webb

Music Contractor

Broken Arrow (1996)

| USA

Directed by: John Woo

Cinematography by: Peter Levy

Edited by: Joe Hutshing, Steve Mirkovich, John Wright

Cameras: Panavision Cameras

Orchestra Contractor

Assassins (1995)

| France, USA

Directed by: Richard Donner

Cinematography by: Vilmos Zsigmond

Edited by: Lawrence Jordan, Richard Marks

Cameras: Panavision Panaflex Gold II Camera, Panavision Panastar Camera

Music Contractor

Two Bits (1995)

| USA

Directed by: James Foley

Cinematography by: Juan Ruiz Anchía

Edited by: Howard E. Smith

Orchestra Contractor

Crimson Tide (1995)

| USA

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Orchestra Contractor

Bad Boys (1995)

| USA

Directed by: Michael Bay

Cinematography by: Howard Atherton

Edited by: Christian Wagner

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

Tall Tale (1995)

| USA

Directed by: Jeremiah S. Chechik

Cinematography by: Janusz Kaminski

Edited by: Richard Chew

Orchestra Contractor

Species (1995)