Music Contractor
La La Land (2016)
| USA, Hong Kong
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Music Contractor
Trumbo (2015)
| USA
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Cameras: ARRI ALEXA XT Camera
Orchestra Contractor
Star Wars: Episode VII - The Force Awakens (2015)
| USA
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Musician Contractor
A Million Ways to Die in the West (2014)
| USA
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Music Contractor
After Earth (2013)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Music Contractor
Oblivion (2013)
| USA
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Music Contractor
The Book Thief (2013)
| USA, Germany
Directed by: Brian Percival
Cinematography by: Florian Ballhaus
Edited by: John Wilson
Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Music Contractor
We're the Millers (2013)
| USA, UK
Directed by: Rawson Marshall Thurber
Cinematography by: Barry Peterson
Edited by: Michael L. Sale
Cameras: ARRI ALEXA Camera
Music Contractor
Snow White and the Huntsman (2012)
| USA, UK
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Music Contractor
Flight (2012)
| USA, United Arab Emirates
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Music Contractor
The Campaign (2012)
| USA
Directed by: Jay Roach
Cinematography by: Jim Denault
Cameras: ARRI ALEXA Camera
Orchestral Contractor
Diary of a Wimpy Kid: Dog Days (2012)
| USA, Canada
Directed by: David Bowers
Cinematography by: Anthony B. Richmond
Edited by: Troy Takaki
Orchestra Contractor
A Thousand Words (2012)
| USA
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Music Contractor
The Three Stooges (2012)
| USA
Cinematography by: Matthew F. Leonetti
Edited by: Sam Seig
Music Contractor
The Amazing Spider-Man (2012)
| USA
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Music Contractor
Parental Guidance (2012)
| USA
Directed by: Andy Fickman
Cinematography by: Dean Semler
Edited by: Kent Beyda
Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Music Contractor
Lincoln (2012)
| USA, India
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Orchestra Contractor
'The Cape' Scales (2011)
Directed by: Dennie Gordon
Cinematography by: Michael Negrin
Edited by: Sue Blainey
Music Contractor
Prom (2011)
| USA
Directed by: Joe Nussbaum
Cinematography by: Byron Shah
Edited by: Jeffrey M. Werner
Cameras: ARRI ALEXA Camera
Orchestra Contractor
'The Cape' The Lich: Part 2 (2011)
Directed by: Roxann Dawson
Cinematography by: John Newby
Edited by: Heather MacDougall
Orchestra Contractor
Red Riding Hood (2011)
| USA, Canada
Directed by: Catherine Hardwicke
Cinematography by: Mandy Walker
Orchestra Contractor
'The Cape' Kozmo (2011)
| USA
Directed by: David Jackson
Cinematography by: Michael Negrin
Edited by: Michael O'Halloran
Orchestra Contractor
The Green Hornet (2011)
| USA
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Orchestra Contractor
'The Cape' Goggles and Hicks (2011)
Directed by: Deran Sarafian
Cinematography by: John Newby
Edited by: Michael O'Halloran
Orchestral Contractor
Water for Elephants (2011)
| USA
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Orchestra Contractor
The Adventures of Tintin (2011)
| USA, New Zealand, UK
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Editing System: Avid Editing System
Music Contractor
The Change-Up (2011)
| USA
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Lenses: Cooke S4 Lenses
Orchestra Contractor
'The Cape' Tarot (2011)
| USA
Directed by: Deran Sarafian
Cinematography by: John Newby
Edited by: Heather MacDougall
Orchestra Contractor - 9 Episodes, 2011
The Cape (2011)
| USA
Directed by: Deran Sarafian, Roxann Dawson, Ernest R. Dickerson, Karen Gaviola, Dennie Gordon, David Jackson, Michael Nankin, David Straiton, Simon West
Edited by: Casey Brown, Heather MacDougall, Michael O'Halloran, Sue Blainey, Ray Daniels III, John Duffy
Music Contractor
Green Lantern (2011)
| USA
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Orchestra Contractor
'The Cape' Razer (2011)
Directed by: David Straiton
Cinematography by: Michael Negrin
Edited by: Michael O'Halloran
Music Contractor
Diary of a Wimpy Kid: Rodrick Rules (2011)
| USA
Directed by: David Bowers
Cinematography by: Jack N. Green
Edited by: Troy Takaki
Cameras: Panavision Cameras
Music Contractor
Justin Bieber: Never Say Never (2011)
| USA
Directed by: Jon M. Chu
Cinematography by: Reed Smoot
Orchestra Contractor
Pirates of the Caribbean: On Stranger Tides (2011)
| USA, UK
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Orchestra Contractor
I Am Number Four (2011)
| USA, India
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Music Contractor
30 Minutes or Less (2011)
| USA
Directed by: Ruben Fleischer
Cinematography by: Jess Hall
Edited by: Alan Baumgarten
Editing System: Avid Editing System
Music Contractor
Transformers: Dark of the Moon (2011)
| USA
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Orchestra Contractor
'The Cape' Dice (2011)
Directed by: Michael Nankin
Cinematography by: John Newby
Edited by: Casey Brown
Orchestra Contractor
Battle Los Angeles (2011)
| USA
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Music Contractor
War Horse (2011)
| USA, India
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Orchestra Contractor
'The Cape' Pilot (2011)
| USA
Directed by: Simon West
Cinematography by: Barry Peterson
Music Contractor
Source Code (2011)
| USA, Canada
Directed by: Duncan Jones
Cinematography by: Don Burgess
Edited by: Paul Hirsch
Orchestra Contractor
'The Cape' The Lich: Part 1 (2011)
Directed by: Karen Gaviola
Cinematography by: Michael Negrin
Edited by: Casey Brown
Orchestra Contractor
The Sorcerer's Apprentice (2010)
| USA
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Orchestra Contractor
Harry Potter and the Deathly Hallows: Part 1 (2010)
| UK, USA
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Orchestra Contractor
Predators (2010)
| USA
Directed by: Nimród Antal
Cinematography by: Gyula Pados
Edited by: Dan Zimmerman
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Orchestra Contractor
Salt (2010)
| USA
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Music Contractor
Dear John (2010)
| USA
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Kristina Boden
Cameras: Panavision Panaflex Platinum Camera
Orchestra Contractor
Sex and the City 2 (2010)
| USA
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Cameras: Panavision Panaflex Platinum Camera
Music Contractor
Why Did I Get Married Too? (2010)
| USA
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Score Contractor
The A-Team (2010)
| USA, UK
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Orchestra Contractor
The Karate Kid (2010)
| USA, China
Directed by: Harald Zwart
Cinematography by: Roger Pratt
Edited by: Joel Negron
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Cooke S4 Lenses
Orchestra Contractor
The Last Airbender (2010)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Music Contractor
How Do You Know (2010)
| USA
Directed by: James L. Brooks
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Orchestra Contractor
Dinner for Schmucks (2010)
| USA
Directed by: Jay Roach
Cinematography by: Jim Denault
Editing System: Avid Editing System
Music Contractor
Eat Pray Love (2010)
| USA
Directed by: Ryan Murphy
Cinematography by: Robert Richardson
Edited by: Bradley Buecker
Editing System: Final Cut Pro Editing System
Orchestra Contractor
Toy Story 3 (2010)
| USA
Directed by: Lee Unkrich
Cinematography by: Jeremy Lasky
Edited by: Ken Schretzmann
Orchestra Contractor
Diary of a Wimpy Kid (2010)
| USA, UK
Directed by: Thor Freudenthal
Cinematography by: Jack N. Green
Edited by: Wendy Greene Bricmont
Cameras: Panavision Cameras
Orchestra Contractor
For Colored Girls (2010)
| USA
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Orchestra Contractor
The Wolfman (2010)
| USA
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Music Contractor
12 Rounds (2009)
| USA
Directed by: Renny Harlin
Cinematography by: David Boyd
Edited by: Brian Berdan
Orchestra Contractor
Drag Me to Hell (2009)
| USA
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Orchestra Contractor
Alvin and the Chipmunks: The Squeakquel (2009)
| USA
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Lenses: Cooke S4 Lenses
Music Contractor
I Love You, Man (2009)
| USA
Directed by: John Hamburg
Cinematography by: Lawrence Sher
Edited by: William Kerr
Music Contractor
The Soloist (2009)
| UK, France, USA
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Music Contractor
The Princess and the Frog (2009)
| USA
Cinematography by: Rasoul Azadani
Edited by: Jeff Draheim
Orchestra Contractor
2012 (2009)
| USA
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Music Contractor
Avatar (2009)
| UK, USA
Directed by: James Cameron
Cinematography by: Mauro Fiore
Music Contractor
The Final Destination (2009)
| USA
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Score Contractor
Night at the Museum: Battle of the Smithsonian (2009)
| USA, Canada
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Orchestra Contractor
G.I. Joe: The Rise of Cobra (2009)
| USA, Czech Republic
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Orchestra Contractor
The Uninvited (2009)
| USA, Canada, Germany
Cinematography by: Daniel Landin
Cameras: Panavision Cameras
Orchestra Contractor
Duplicity (2009)
| USA, Germany
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: Panavision Panaflex Platinum Camera
Orchestra Contractor
Race to Witch Mountain (2009)
| USA
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Music Contractor
Knowing (2009)
| USA, UK, Australia
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Cameras: Red One Camera
Orchestra Contractor
Case 39 (2009)
| USA, Canada
Directed by: Christian Alvart
Cinematography by: Hagen Bogdanski
Edited by: Mark Goldblatt
Orchestra Contractor
A Single Man (2009)
| USA
Directed by: Tom Ford
Cinematography by: Eduard Grau
Edited by: Joan Sobel
Music Contractor
Couples Retreat (2009)
| USA
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Music Contractor
It's Complicated (2009)
| USA, Japan
Directed by: Nancy Meyers
Cinematography by: John Toll
Orchestra Contractor
Drillbit Taylor (2008)
| USA
Directed by: Steven Brill
Cinematography by: Fred Murphy
Orchestra Contractor
Swing Vote (2008)
| USA
Directed by: Joshua Michael Stern
Cinematography by: Shane Hurlbut
Edited by: Jeff McEvoy
Orchestra Contractor
The Spiderwick Chronicles (2008)
| USA
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
Orchestra Contractor
Miracle at St. Anna (2008)
| USA, Italy
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Music Contractor
Pride and Glory (2008)
| USA, Germany
Directed by: Gavin O'Connor
Cinematography by: Declan Quinn
Orchestra Contractor
The Mummy: Tomb of the Dragon Emperor (2008)
| USA, Germany, China, Canada
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Music Contractor
Tropic Thunder (2008)
| USA, UK, Germany
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Orchestra Contractor
Marley & Me (2008)
| USA
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Ultra Prime Lenses
Orchestra Contractor
Eagle Eye (2008)
| USA, Germany
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Orchestra Contractor
What Happens in Vegas (2008)
| USA
Directed by: Tom Vaughan
Cinematography by: Matthew F. Leonetti
Edited by: Matt Friedman
Cameras: Panavision Cameras
Orchestra Contractor
Leatherheads (2008)
| USA, Germany
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Music Contractor
Indiana Jones and the Kingdom of the Crystal Skull (2008)
| USA
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Orchestra Contractor
Bedtime Stories (2008)
| USA
Directed by: Adam Shankman
Cinematography by: Michael Barrett
Music Contractor
The Boy in the Striped Pajamas (2008)
| UK, USA
Directed by: Mark Herman
Cinematography by: Benoît Delhomme
Edited by: Michael Ellis
Score Contractor
Thomas Kinkade's Christmas Cottage (2008)
| USA, Canada
Directed by: Michael Campus
Cinematography by: Robert Brinkmann
Edited by: Don Brochu
Music Contractor
Vantage Point (2008)
| USA
Directed by: Pete Travis
Cinematography by: Amir Mokri
Edited by: Stuart Baird
Orchestra Contractor
Meet the Browns (2008)
| USA
Directed by: Tyler Perry
Cinematography by: Sandi Sissel
Edited by: Maysie Hoy
Music Contractor
Sex and the City (2008)
| USA
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Orchestra Contractor
The Curious Case of Benjamin Button (2008)
| USA
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Orchestra Contractor
The Happening (2008)
| USA, India
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Orchestra Contractor
Lions for Lambs (2007)
| USA
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Orchestra Contractor
Gone Baby Gone (2007)
| USA
Directed by: Ben Affleck
Cinematography by: John Toll
Edited by: William Goldenberg
Orchestra Contractor
Disturbia (2007)
| USA
Directed by: D.J. Caruso
Cinematography by: Rogier Stoffers
Edited by: Jim Page
Cameras: Panavision Panaflex Platinum Camera
Orchestra Contractor
Evan Almighty (2007)
| USA
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Music Contractor
Beowulf (2007)
| USA
Directed by: Robert Zemeckis
Cinematography by: Robert Presley
Edited by: Jeremiah O'Driscoll
Music Contractor
Martian Child (2007)
| USA
Directed by: Menno Meyjes
Cinematography by: Robert D. Yeoman
Edited by: Bruce Green
Orchestra Contractor
Charlie Bartlett (2007)
| USA
Directed by: Jon Poll
Cinematography by: Paul Sarossy
Edited by: Alan Baumgarten
Orchestra Contractor
Underdog (2007)
| USA
Directed by: Frederik Du Chau
Cinematography by: David Eggby
Edited by: Tom Finan
Orchestra Contractor
Shooter (2007)
| USA
Directed by: Antoine Fuqua
Cinematography by: Peter Menzies Jr.
Music Contractor
Are We Done Yet? (2007)
| Canada, USA
Directed by: Steve Carr
Cinematography by: Jack N. Green
Edited by: Craig Herring
Music Contractor
The Simpsons Movie (2007)
| USA
Directed by: David Silverman
Edited by: John Carnochan
Editing System: Final Cut Pro Editing System
Music Contractor
Spider-Man 3 (2007)
| USA
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Music Contractor
Bridge to Terabithia (2007)
| USA
Directed by: Gabor Csupo
Cinematography by: Michael Chapman
Edited by: John Gilbert
Cameras: Panavision Cameras
Music Contractor
Michael Clayton (2007)
| USA
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Orchestra Contractor
Pirates of the Caribbean: At World's End (2007)
| USA
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Music Contractor
Transformers (2007)
| USA
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Orchestra Contractor
Rendition (2007)
| USA
Directed by: Gavin Hood
Cinematography by: Dion Beebe
Edited by: Megan Gill
Music Contractor
Wild Hogs (2007)
| USA
Directed by: Walt Becker
Cinematography by: Robbie Greenberg
Cameras: Panavision Cameras
Orchestra Contractor
Next (2007)
| USA
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Music Contractor
Charlie Wilson's War (2007)
| USA, Germany
Directed by: Mike Nichols
Cinematography by: Stephen Goldblatt
Orchestra Contractor
Enchanted (2007)
| USA
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Music Contractor
The Kite Runner (2007)
| USA, China, UK
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Orchestra Contractor
Blades of Glory (2007)
| USA
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Score Contractor
Mr. Magorium's Wonder Emporium (2007)
| USA, Canada
Directed by: Zach Helm
Cinematography by: Roman Osin
Orchestra Contractor
Hot Rod (2007)
| USA
Directed by: Akiva Schaffer
Cinematography by: Andrew Dunn
Edited by: Malcolm Campbell
Music Contractor
I Now Pronounce You Chuck & Larry (2007)
| USA
Directed by: Dennis Dugan
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Music Contractor
Lars and the Real Girl (2007)
| USA, Canada
Directed by: Craig Gillespie
Cinematography by: Adam Kimmel
Edited by: Tatiana S. Riegel
Lenses: Cooke S4 Lenses
Music Contractor
Hairspray (2007)
| USA, UK
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Music Contractor
Freedomland (2006)
| USA
Directed by: Joe Roth
Cinematography by: Anastas N. Michos
Edited by: Nick Moore
Orchestra Contractor
Pirates of the Caribbean: Dead Man's Chest (2006)
| USA
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Orchestra Contractor
Idiocracy (2006)
| USA
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Music Contractor
The Shaggy Dog (2006)
| USA
Directed by: Brian Robbins
Cinematography by: Gabriel Beristain
Edited by: Ned Bastille
Orchestra Contractor
Garfield: A Tail of Two Kitties (2006)
| UK, USA
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Orchestra Contractor
The Devil Wears Prada (2006)
| USA, France
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Studio (ST) Camera
Music Contractor
The Pink Panther (2006)
| USA, Czech Republic
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Music Contractor
All the King's Men (2006)
| Germany, USA
Directed by: Steven Zaillian
Cinematography by: Pawel Edelman
Edited by: Wayne Wahrman
Orchestra Contractor
Idlewild (2006)
| USA
Directed by: Bryan Barber
Cinematography by: Pascal Rabaud
Edited by: Anne Goursaud
Lenses: Zeiss Ultra Prime Lenses
Music Contractor
Inside Man (2006)
| USA
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Orchestra Contractor
Eight Below (2006)
| USA
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Score Contractor
John Tucker Must Die (2006)
| USA, Canada
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Orchestra Contractor
Bobby (2006)
| USA
Directed by: Emilio Estevez
Cinematography by: Michael Barrett
Edited by: Richard Chew
Music Contractor
The Holiday (2006)
| USA
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Platinum Camera
Orchestra Contractor
The Prestige (2006)
| USA, UK
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Music Contractor
Snakes on a Plane (2006)
| USA, Germany
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Score Contractor
Night at the Museum (2006)
| USA, UK
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Orchestra Contractor
Sin City (2005)
| USA
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
Orchestra Contractor
The Island (2005)
| USA
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Orchestra Contractor
Constantine (2005)
| USA, Germany
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Orchestra Contractor
xXx: State of the Union (2005)
| USA
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Orchestra Contractor
Coach Carter (2005)
| USA, Germany
Directed by: Thomas Carter
Cinematography by: Sharone Meir
Edited by: Peter E. Berger
Music Contractor
Serenity (2005)
| USA
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Music Contractor
Kicking & Screaming (2005)
| USA
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Music Contractor
The Prize Winner of Defiance, Ohio (2005)
| USA
Directed by: Jane Anderson
Cinematography by: Jonathan Freeman
Edited by: Robert Dalva
Music Contractor
Flightplan (2005)
| USA
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Orchestra Contractor
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
| USA, UK
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Music Contractor
The Skeleton Key (2005)
| USA, Germany
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Music Contractor
Venom (2005)
| USA
Directed by: Jim Gillespie
Cinematography by: Steve Mason
Edited by: Paul Martin Smith
Music Contractor
Bad News Bears (2005)
| USA
Directed by: Richard Linklater
Cinematography by: Rogier Stoffers
Edited by: Sandra Adair
Orchestra Contractor
In Her Shoes (2005)
| USA, Germany, UK
Directed by: Curtis Hanson
Cinematography by: Terry Stacey
Music Contractor
War of the Worlds (2005)
| USA
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Music Contractor
Memoirs of a Geisha (2005)
| USA, Japan
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Orchestra Contractor
Are We There Yet? (2005)
| USA, Canada
Directed by: Brian Levant
Cinematography by: Thomas E. Ackerman
Edited by: Lawrence Jordan
Orchestra Contractor: Additional Music
Four Brothers (2005)
| USA
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Music Contractor
Munich (2005)
| France, Canada, USA
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Orchestra Contractor
The Amityville Horror (2005)
| USA
Directed by: Andrew Douglas
Cinematography by: Peter Lyons Collister
Music Contractor
The New World (2005)
| USA, UK
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Music Contractor
The Legend of Zorro (2005)
| USA
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Orchestra Contractor
The Pacifier (2005)
| Canada, USA
Directed by: Adam Shankman
Cinematography by: Peter James
Edited by: Christopher Greenbury
Music Contractor
The Three Burials of Melquiades Estrada (2005)
| France, USA, Mexico
Directed by: Tommy Lee Jones
Cinematography by: Chris Menges
Edited by: Roberto Silvi
Music Contractor
King Kong (2005)
| New Zealand, USA, Germany
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
Music Contractor
Confessions of a Teenage Drama Queen (2004)
| Germany, USA
Directed by: Sara Sugarman
Cinematography by: Stephen H. Burum
Edited by: Anita Brandt Burgoyne
Orchestra Contracted By
Dodgeball: A True Underdog Story (2004)
| USA
Directed by: Rawson Marshall Thurber
Cinematography by: Jerzy Zielinski
Cameras: Panavision Cameras
Music Contractor
Flight of the Phoenix (2004)
| USA
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Orchestra Contractor
I, Robot (2004)
| USA, Germany
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Music Contractor
The Terminal (2004)
| USA
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Music Contractor
The Village (2004)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Orchestra Contractor
Dawn of the Dead (2004)
| USA, Canada, Japan, France
Directed by: Zack Snyder
Cinematography by: Matthew F. Leonetti
Edited by: Niven Howie
Orchestra Contractor
Garfield (2004)
| USA
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Music Contractor
Bobby Jones: Stroke of Genius (2004)
| USA
Directed by: Rowdy Herrington
Cinematography by: Tom Stern
Edited by: Pasquale Buba
Cameras: Panavision Cameras
Orchestra Contractor
Harry Potter and the Prisoner of Azkaban (2004)
| UK, USA
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Orchestra Contractor
National Treasure (2004)
| USA
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Orchestra Contractor
Miracle (2004)
| Canada, USA
Directed by: Gavin O'Connor
Cinematography by: Dan Stoloff
Cameras: Panavision Cameras
Orchestra Contractor
Christmas with the Kranks (2004)
| USA
Directed by: Joe Roth
Cinematography by: Don Burgess
Edited by: Nick Moore
Orchestra Contractor
The Bourne Supremacy (2004)
| USA, Germany
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Orchestra Contractor
Team America: World Police (2004)
| USA, Germany
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Orchestra Contractor
Welcome to Mooseport (2004)
| USA, Germany
Directed by: Donald Petrie
Cinematography by: Victor Hammer
Edited by: Debra Neil-Fisher
Orchestra Contractor
Van Helsing (2004)
| USA, Czech Republic, Romania
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Orchestra Contractor
Along Came Polly (2004)
| USA
Directed by: John Hamburg
Cinematography by: Seamus McGarvey
Music Contractor
Raising Helen (2004)
| USA
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Orchestra Contractor
Man on Fire (2004)
| USA, UK, Mexico, Switzerland
Directed by: Tony Scott
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Orchestra Contractor
Troy (2004)
| USA, Malta, UK
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Orchestra Contractor
Spartan (2004)
| Germany, USA
Directed by: David Mamet
Cinematography by: Juan Ruiz Anchía
Edited by: Barbara Tulliver
Orchestra Contractor
Starsky & Hutch (2004)
| USA
Directed by: Todd Phillips
Cinematography by: Barry Peterson
Edited by: Leslie Jones
Music Contractor
Collateral (2004)
| USA
Directed by: Michael Mann
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Editing System: Avid Editing System
Music Contractor
Dreamcatcher (2003)
| USA, Canada
Directed by: Lawrence Kasdan
Cinematography by: John Seale
Orchestra Contractor
Head of State (2003)
| USA
Directed by: Chris Rock
Cinematography by: Donald E. Thorin
Edited by: Stephen A. Rotter
Music Contractor
The Core (2003)
| USA, Germany, Canada, UK
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Orchestra Contractor
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
| USA
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Orchestra Contractor
The Rundown (2003)
| USA
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Orchestra Contractor
Under the Tuscan Sun (2003)
| USA, Italy
Directed by: Audrey Wells
Cinematography by: Geoffrey Simpson
Orchestral Contractor
Agent Cody Banks (2003)
| USA, Canada
Directed by: Harald Zwart
Cinematography by: Denis Crossan
Edited by: Jim Miller
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Orchestra Contractor
Peter Pan (2003)
| UK, Australia, USA, New Zealand
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Orchestra Contractor
Looney Tunes: Back in Action (2003)
| Germany, USA
Directed by: Joe Dante
Cinematography by: Dean Cundey
Orchestra Contractor
The Last Samurai (2003)
| USA, New Zealand, Japan
Directed by: Edward Zwick
Cinematography by: John Toll
Orchestra Contractor
Bruce Almighty (2003)
| USA
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Editing System: Lightworks Editing System
Orchestra Contractor
Ghosts of the Abyss (2003)
| USA
Directed by: James Cameron
Cinematography by: Vince Pace
Contractor
Duplex (2003)
| Germany, USA
Directed by: Danny DeVito
Cinematography by: Anastas N. Michos
Orchestra Contractor
The Hunted (2003)
| USA
Directed by: William Friedkin
Cinematography by: Caleb Deschanel
Edited by: Augie Hess
Orchestra Contractor
Beyond Borders (2003)
| Germany, USA
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Nicholas Beauman
Orchestra Contractor
Timeline (2003)
| USA
Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks
Music Contractor
A Guy Thing (2003)
| USA
Directed by: Chris Koch
Cinematography by: Robbie Greenberg
Edited by: David Moritz
Orchestra Contractor
Master and Commander: The Far Side of the World (2003)
| USA
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Orchestra Contractor
Paycheck (2003)
| USA, Canada
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Music Contractor
Seabiscuit (2003)
| USA
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Orchestra Contractor
The Italian Job (2003)
| USA, France, UK, Italy
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Orchestra Contractor
House of Sand and Fog (2003)
| USA
Directed by: Vadim Perelman
Cinematography by: Roger Deakins
Edited by: Lisa Zeno Churgin
Lenses: Cooke S4 Lenses
Orchestra Contractor
Identity (2003)
| USA
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: David Brenner
Orchestra Contractor
The Cooler (2003)
| USA
Directed by: Wayne Kramer
Cinematography by: Jim Whitaker
Edited by: Arthur Coburn
Editing System: Avid Editing System
Orchestra Contractor
The Lizzie McGuire Movie (2003)
| USA
Directed by: Jim Fall
Cinematography by: Jerzy Zielinski
Edited by: Margaret Goodspeed
Cameras: Panavision Cameras
Orchestra Contractor
The Cat in the Hat (2003)
| USA
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Music Contractor
Radio (2003)
| USA
Directed by: Michael Tollin
Cinematography by: Don Burgess
Cameras: Panavision Cameras
Orchestra Contractor
Down with Love (2003)
| USA, Germany
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Music Contractor
My Boss's Daughter (2003)
| USA
Directed by: David Zucker
Cinematography by: Martin McGrath
Orchestra Contractor
How to Lose a Guy in 10 Days (2003)
| USA, Germany
Directed by: Donald Petrie
Cinematography by: John Bailey
Edited by: Debra Neil-Fisher
Music Contractor
Terminator 3: Rise of the Machines (2003)
| USA, Germany, UK
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Music Contractor
Scary Movie 3 (2003)
| USA, Canada
Directed by: David Zucker
Cinematography by: Mark Irwin
Music Contractor
Something's Gotta Give (2003)
| USA
Directed by: Nancy Meyers
Cinematography by: Michael Ballhaus
Edited by: Joe Hutshing
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Orchestra Contractor
Matchstick Men (2003)
| USA, UK
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Orchestral Contractor
Final Destination 2 (2003)
| USA, Canada
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Cameras: Panavision Cameras
Orchestra Contractor
American Wedding (2003)
| USA, Germany
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Edited by: Stuart H. Pappé
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Orchestra Contractor
Charlie's Angels: Full Throttle (2003)
| USA
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Orchestra Contractor
Willard (2003)
| Canada, USA
Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Orchestra Contractor
Bad Boys II (2003)
| USA
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Music Contractor
Elf (2003)
| USA
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Orchestra Contractor
Good Boy! (2003)
| USA
Directed by: John Hoffman
Cinematography by: James Glennon
Edited by: Craig Herring
Orchestra Contractor
Anger Management (2003)
| USA
Directed by: Peter Segal
Cinematography by: Donald McAlpine
Edited by: Jeff Gourson
Orchestra Contractor
The Sum of All Fears (2002)
| USA, Germany, Canada
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Music Contractor
Murder by Numbers (2002)
| USA
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Orchestra Contractor
Showtime (2002)
| USA, Australia
Directed by: Tom Dey
Cinematography by: Thomas Kloss
Edited by: Billy Weber
Orchestra Contractor
Big Fat Liar (2002)
| USA, Germany
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Orchestra Contractor
The Scorpion King (2002)
| USA, Germany, Belgium
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Orchestra Contractor
Signs (2002)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Orchestra Contractor
Unconditional Love (2002)
| USA
Directed by: P.J. Hogan
Cinematography by: Remi Adefarasin
Edited by: Robert C. Jones
Cameras: Panavision Cameras
Music Contractor
Eye See You (2002)
| Germany, USA
Directed by: Jim Gillespie
Cinematography by: Dean Semler
Orchestra Contractor
Unfaithful (2002)
| France, Germany, USA
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Music Contractor
Treasure Planet (2002)
| USA
Cinematography by: Rasoul Azadani
Edited by: Michael Kelly
Music Contractor
Moonlight Mile (2002)
| USA
Directed by: Brad Silberling
Cinematography by: Phedon Papamichael
Edited by: Lisa Zeno Churgin
Cameras: Panavision Panaflex Camera
Orchestra Contractor
Catch Me If You Can (2002)
| USA, Canada
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Orchestra Contractor
Queen of the Damned (2002)
| USA, Australia
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Orchestra Contractor
The Bourne Identity (2002)
| USA, Germany, Czech Republic
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Music Contractor
Maid in Manhattan (2002)
| USA
Directed by: Wayne Wang
Cinematography by: Karl Walter Lindenlaub
Edited by: Craig McKay
Music Contractor , Orchestra Contractor
Dragonfly (2002)
| USA, Germany
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Don Zimmerman
Orchestra Contractor
The Tuxedo (2002)
| USA
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Music Contractor
Blade II (2002)
| Germany, USA
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Contractor
The Rookie (2002)
| USA
Directed by: John Lee Hancock
Cinematography by: John Schwartzman
Edited by: Eric L. Beason
Cameras: Panavision Panaflex Platinum Camera
Orchestra Contractor
Clockstoppers (2002)
| USA
Directed by: Jonathan Frakes
Cinematography by: Tim Suhrstedt
Orchestra Contractor
Star Trek: Nemesis (2002)
| USA
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Music Contractor
xXx (2002)
| USA
Directed by: Rob Cohen
Cinematography by: Dean Semler
Music Contractor
Minority Report (2002)
| USA
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Orchestra Contractor
Harry Potter and the Chamber of Secrets (2002)
| UK, USA, Germany
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Music Contractor
Panic Room (2002)
| USA
Directed by: David Fincher
Cameras: Panavision Panaflex Platinum Camera
Orchestra Contractor
The Country Bears (2002)
| USA
Directed by: Peter Hastings
Cinematography by: Mitchell Amundsen
Orchestra Contractor
Scooby-Doo (2002)
| USA, Australia
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras: Panavision Cameras
Orchestra Contractor
Spy Kids (2001)
| USA
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Orchestra Contractor
Domestic Disturbance (2001)
| USA
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Music Contractor
Bandits (2001)
| USA
Directed by: Barry Levinson
Cinematography by: Dante Spinotti
Edited by: Stu Linder
Orchestra Contractor
The One (2001)
| USA
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Music Contractor
The Affair of the Necklace (2001)
| USA
Directed by: Charles Shyer
Cinematography by: Ashley Rowe
Edited by: David Moritz
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Orchestra Contractor
Don't Say a Word (2001)
| USA, Australia, Switzerland, Canada
Directed by: Gary Fleder
Cinematography by: Amir Mokri
Music Contractor
15 Minutes (2001)
| USA, Germany
Directed by: John Herzfeld
Cinematography by: Jean-Yves Escoffier
Edited by: Steven Cohen
Cameras: Panavision Cameras
Music Contractor
K-PAX (2001)
| USA, Germany
Directed by: Iain Softley
Cinematography by: John Mathieson
Edited by: Craig McKay
Orchestra Contractor
I Am Sam (2001)
| USA
Directed by: Jessie Nelson
Cinematography by: Elliot Davis
Edited by: Richard Chew
Orchestra Contractor
61* (2001)
| USA
Directed by: Billy Crystal
Cinematography by: Haskell Wexler
Edited by: Michael Jablow
Cameras: ARRIFLEX 435 ES Camera
Music Contractor
Life as a House (2001)
| USA
Directed by: Irwin Winkler
Cinematography by: Vilmos Zsigmond
Edited by: Julie Monroe
Orchestra Contractor
Hardball (2001)
| Germany, USA
Directed by: Brian Robbins
Cinematography by: Tom Richmond
Edited by: Ned Bastille
Music Contractor
A Beautiful Mind (2001)
| USA
Directed by: Ron Howard
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Editing System: Avid Editing System
Orchestra Contractor
Evolution (2001)
| USA
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Cameras: Panavision Cameras
Orchestra Contractor
The Royal Tenenbaums (2001)
| USA
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Orchestra Contractor
My First Mister (2001)
| Germany, USA
Directed by: Christine Lahti
Cinematography by: Jeffrey Jur
Edited by: Wendy Greene Bricmont
Orchestra Contractor
The Majestic (2001)
| USA
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Jim Page
Orchestra Contractor
Harry Potter and the Sorcerer's Stone (2001)
| UK, USA
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Orchestra Contractor
Swordfish (2001)
| USA
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Music Contractor
America's Sweethearts (2001)
| USA
Directed by: Joe Roth
Cinematography by: Phedon Papamichael
Edited by: Stephen A. Rotter
Scoring Contractor
Dr. Dolittle 2 (2001)
| USA
Directed by: Steve Carr
Cinematography by: Daryn Okada
Edited by: Craig Herring
Music Contractor
Serendipity (2001)
| USA
Directed by: Peter Chelsom
Cinematography by: John de Borman
Edited by: Christopher Greenbury
Orchestra Contractor
Pearl Harbor (2001)
| USA
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Music Contractor
Black Hawk Down (2001)
| USA, UK
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Orchestra Contractor
Zoolander (2001)
| Germany, USA
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden
Orchestra Contractor
The Last Castle (2001)
| USA
Directed by: Rod Lurie
Cinematography by: Shelly Johnson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Orchestra Contractor
Corky Romano (2001)
| USA
Directed by: Rob Pritts
Cinematography by: Steven Bernstein
Edited by: Alan Cody
Cameras: Panavision Cameras
Orchestra Contractor
The Princess Diaries (2001)
| USA, UK
Directed by: Garry Marshall
Cinematography by: Karl Walter Lindenlaub
Edited by: Bruce Green
Orchestra Contractor
See Spot Run (2001)
| USA, Australia
Directed by: John Whitesell
Cinematography by: John S. Bartley
Edited by: Cara Silverman
Music Contractor
Jeepers Creepers (2001)
| Germany, USA
Directed by: Victor Salva
Cinematography by: Don E. FauntLeRoy
Edited by: Ed Marx
Orchestra Contractor
Jurassic Park III (2001)
| USA
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Music Contractor
A.I. Artificial Intelligence (2001)
| USA, UK
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Orchestra Contractor
What's the Worst That Could Happen? (2001)
| USA
Directed by: Sam Weisman
Cinematography by: Anastas N. Michos
Cameras: Panavision Cameras
Orchestra Contractor
Training Day (2001)
| USA
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: Conrad Buff IV
Lenses: Hawk C-Series Lenses
Orchestra Contractor
The Mexican (2001)
| USA, Mexico
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Edited by: Craig Wood
Cameras: Panavision Cameras
Music Contractor
One Night at McCool's (2001)
| USA
Directed by: Harald Zwart
Cinematography by: Karl Walter Lindenlaub
Edited by: Bruce Cannon
Cameras: Panavision Panaflex Platinum Camera
Music Contractor
Jay and Silent Bob Strike Back (2001)
| USA
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Music Contractor
The Fast and the Furious (2001)
| USA, Germany
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Orchestra Contractor
The Adventures of Rocky & Bullwinkle (2000)
| USA, Germany, South Korea, India, Canada
Directed by: Des McAnuff
Cinematography by: Thomas E. Ackerman
Edited by: Dennis Virkler
Orchestra Contractor
Gone in 60 Seconds (2000)
| USA
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Orchestra Contractor
Men of Honor (2000)
| USA
Directed by: George Tillman Jr.
Cinematography by: Anthony B. Richmond
Lenses: Cooke S4 Lenses
Music Contractor
The Emperor's New Groove (2000)
| USA
Directed by: Mark Dindal
Cinematography by: Thomas Baker
Orchestra Contractor
U-571 (2000)
| France, USA
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Orchestra Contractor
Final Destination (2000)
| USA
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Music Contractor
Duets (2000)
| USA
Directed by: Bruce Paltrow
Cinematography by: Paul Sarossy
Edited by: Gerald B. Greenberg
Orchestra Contractor
What Planet Are You From? (2000)
| USA
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Richard Marks
Cameras: Panavision Cameras
Music Contractor
Return to Me (2000)
| USA
Directed by: Bonnie Hunt
Cinematography by: László Kovács
Edited by: Garth Craven
Orchestra Contractor
Nutty Professor II: The Klumps (2000)
| USA
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: William Kerr
Scoring Contractor
Bedazzled (2000)
| USA, Germany
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Music Contractor
The Extreme Adventures of Super Dave (2000)
| USA
Directed by: Peter MacDonald
Cinematography by: Bernd Heinl
Edited by: Mike Murphy
Music Contractor
Meet the Parents (2000)
| USA
Directed by: Jay Roach
Cinematography by: Peter James
Cameras: Panavision Panaflex Platinum Camera
Orchestra Contractor
The Flintstones in Viva Rock Vegas (2000)
| USA
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Orchestra Contractor
102 Dalmatians (2000)
| USA, UK
Directed by: Kevin Lima
Edited by: Gregory Perler
Orchestra Contractor
How the Grinch Stole Christmas (2000)
| USA
Directed by: Ron Howard
Cinematography by: Donald Peterman
Music Contractor
The Patriot (2000)
| USA, Germany
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Contractor
Cast Away (2000)
| USA
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Music Contractor
Miss Congeniality (2000)
| USA
Directed by: Donald Petrie
Cinematography by: László Kovács
Edited by: Billy Weber
Orchestra Contractor
Charlie's Angels (2000)
| USA, Germany
Directed by: McG
Cinematography by: Russell Carpenter
Orchestra Contractor
28 Days (2000)
| USA
Directed by: Betty Thomas
Cinematography by: Declan Quinn
Edited by: Peter Teschner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Contractor
What Lies Beneath (2000)
| USA
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Orchestra Contractor
Vertical Limit (2000)
| USA, Germany
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
Orchestra Contractor
Wonder Boys (2000)
| USA, Germany, UK, Japan
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Dede Allen
Orchestra Contractor
The Kid (2000)
| USA
Directed by: Jon Turteltaub
Cinematography by: Peter Menzies Jr.
Orchestra Contractor
What Women Want (2000)
| USA
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Orchestra Contractor
Remember the Titans (2000)
| USA
Directed by: Boaz Yakin
Cinematography by: Philippe Rousselot
Edited by: Michael Tronick
Orchestra Contractor
Little Nicky (2000)
| USA
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Orchestra Contractor
The Replacements (2000)
| USA
Directed by: Howard Deutch
Cinematography by: Tak Fujimoto
Orchestra Contractor
The Perfect Storm (2000)
| USA
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Music Contractor
Reindeer Games (2000)
| USA
Directed by: John Frankenheimer
Cinematography by: Alan Caso
Cameras: Panavision Cameras, Spacecam Aerial Cameras
Orchestra Contractor
Galaxy Quest (1999)
| USA
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Scoring Contractor
Brokedown Palace (1999)
| USA
Directed by: Jonathan Kaplan
Cinematography by: Newton Thomas Sigel
Orchestra Contractor
Forces of Nature (1999)
| USA
Directed by: Bronwen Hughes
Edited by: Craig Wood
Cameras: Panavision Cameras
Music Contractor
Runaway Bride (1999)
| USA
Directed by: Garry Marshall
Cinematography by: Stuart Dryburgh
Edited by: Bruce Green
Music Contractor
Bowfinger (1999)
| USA
Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson
Music Contractor
Drop Dead Gorgeous (1999)
| Germany, USA
Directed by: Michael Patrick Jann
Cinematography by: Michael Spiller
Orchestra Contractor
The Hurricane (1999)
| USA
Directed by: Norman Jewison
Cinematography by: Roger Deakins
Edited by: Stephen E. Rivkin
Lenses: Cooke S4 Lenses
Orchestra Contractor
Inspector Gadget (1999)
| USA
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Music Contractor
Body Shots (1999)
| USA
Directed by: Michael Cristofer
Cinematography by: Rodrigo García
Edited by: Eric A. Sears
Orchestra Contractor
October Sky (1999)
| USA
Directed by: Joe Johnston
Cinematography by: Fred Murphy
Edited by: Robert Dalva
Music Contractor
Dick (1999)
| France, Canada, USA
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Mia Goldman
Music Contractor
Teaching Mrs. Tingle (1999)
| USA
Directed by: Kevin Williamson
Cinematography by: Jerzy Zielinski
Edited by: Debra Neil-Fisher
Music Contractor
The Big Kahuna (1999)
| USA
Directed by: John Swanbeck
Cinematography by: Anastas N. Michos
Edited by: Peggy Davis
Cameras: Panavision Cameras
Orchestra Contractor
Stir of Echoes (1999)
| USA
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Orchestra Contractor
The Out-of-Towners (1999)
| USA
Directed by: Sam Weisman
Cinematography by: John Bailey
Edited by: Kent Beyda
Cameras: Panavision Cameras
Orchestra Contractor
My Favorite Martian (1999)
| USA
Directed by: Donald Petrie
Cinematography by: Thomas E. Ackerman
Edited by: Malcolm Campbell
Orchestra Contractor
Anna and the King (1999)
| USA
Directed by: Andy Tennant
Cinematography by: Caleb Deschanel
Edited by: Roger Bondelli
Cameras: Panavision Cameras
Orchestra Contractor
The Sixth Sense (1999)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Orchestra Contractor
Varsity Blues (1999)
| USA
Directed by: Brian Robbins
Cinematography by: Chuck Cohen
Edited by: Ned Bastille
Music Contractor
The Story of Us (1999)
| USA
Directed by: Rob Reiner
Cinematography by: Michael Chapman
Orchestra Contractor
South Park: Bigger, Longer & Uncut (1999)
| USA
Directed by: Trey Parker
Edited by: John Venzon
Music Contractor
Mystery Men (1999)
| USA
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Orchestra Contractor
Three Kings (1999)
| USA
Directed by: David O. Russell
Cinematography by: Newton Thomas Sigel
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
Music Contractor
Bicentennial Man (1999)
| USA, Germany
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Orchestra Contractor
Angela's Ashes (1999)
| USA, Ireland
Directed by: Alan Parker
Edited by: Gerry Hambling
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Music Contractor
The Mod Squad (1999)
| USA
Directed by: Scott Silver
Cinematography by: Ellen Kuras
Edited by: Dorian Harris
Orchestra Contractor
Double Jeopardy (1999)
| USA, Germany, Canada
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Orchestra Contractor
Random Hearts (1999)
| USA
Directed by: Sydney Pollack
Cinematography by: Philippe Rousselot
Edited by: William Steinkamp
Music Contractor
End of Days (1999)
| USA
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Orchestra Contractor
The Other Sister (1999)
| USA
Directed by: Garry Marshall
Cinematography by: Dante Spinotti
Edited by: Bruce Green
Orchestra Contractor
The General's Daughter (1999)
| USA, Germany
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Edited by: Glen Scantlebury
Orchestra Contractor
The Adventures of Elmo in Grouchland (1999)
| USA, Germany
Directed by: Gary Halvorson
Cinematography by: Alan Caso
Edited by: Alan Baumgarten
Orchestra Contractor
Deep Blue Sea (1999)
| USA, Mexico
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Orchestra Contractor
Stigmata (1999)
| USA
Directed by: Rupert Wainwright
Cinematography by: Jeffrey L. Kimball
Orchestra Contractor
Stuart Little (1999)
| Germany, USA
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Orchestra Contractor
The Haunting (1999)
| USA
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses
Orchestra Contractor
The 13th Warrior (1999)
| USA
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Orchestra Contractor
At First Sight (1999)
| USA
Directed by: Irwin Winkler
Cinematography by: John Seale
Edited by: Julie Monroe
Music Contractor
Snow Falling on Cedars (1999)
| USA
Directed by: Scott Hicks
Cinematography by: Robert Richardson
Edited by: Hank Corwin
Cameras: Panavision Panaflex Platinum Camera
Orchestra Contractor
Enemy of the State (1998)
| USA
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Chris Lebenzon
Orchestra Contractor
Hope Floats (1998)
| USA
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
Orchestra Contractor
Mafia! (1998)
| USA
Directed by: Jim Abrahams
Cinematography by: Pierre Letarte
Edited by: Terry Stokes
Orchestra Contractor
Rounders (1998)
| USA
Directed by: John Dahl
Cinematography by: Jean-Yves Escoffier
Edited by: Scott Chestnut
Orchestra Contractor
The Odd Couple II (1998)
| USA
Directed by: Howard Deutch
Cinematography by: Jamie Anderson
Edited by: Seth Flaum
Cameras: Panavision Cameras
Music Contractor
Patch Adams (1998)
| USA
Directed by: Tom Shadyac
Cinematography by: Phedon Papamichael
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Contractor
Pleasantville (1998)
| USA
Directed by: Gary Ross
Cinematography by: John Lindley
Edited by: William Goldenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Contractor
Species II (1998)
| USA
Directed by: Peter Medak
Cinematography by: Matthew F. Leonetti
Edited by: Richard Nord
Orchestra Contractor
Deep Impact (1998)
| USA
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Orchestra Contractor
I'll Be Home for Christmas (1998)
| USA, Canada
Directed by: Arlene Sanford
Cinematography by: Hiro Narita
Edited by: Anita Brandt Burgoyne
Orchestra Contractor
Firestorm (1998)
| USA
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Jack Hofstra
Orchestra Contractor
Judas Kiss (1998)
| USA
Directed by: Sebastian Gutierrez
Cinematography by: James Chressanthis
Edited by: Howard E. Smith
Cameras: Panavision Cameras
Music Contractor
One True Thing (1998)
| USA
Directed by: Carl Franklin
Cinematography by: Declan Quinn
Edited by: Carole Kravetz Aykanian
Scoring Consultant
Saving Private Ryan (1998)
| USA
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Moviola Editing System
Orchestra Contractor
Urban Legend (1998)
| USA, Canada
Directed by: Jamie Blanks
Cinematography by: James Chressanthis
Edited by: Jay Cassidy
Music Contractor
Stepmom (1998)
| USA
Directed by: Chris Columbus
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Orchestra Contractor
Doctor Dolittle (1998)
| USA
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
Orchestra Contractor
Holy Man (1998)
| USA
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Orchestra Contractor
The Parent Trap (1998)
| USA
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Stephen A. Rotter
Orchestra Contractor
Practical Magic (1998)
| USA
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Orchestra Contractor
There's Something About Mary (1998)
| USA
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Music Contractor
The Thin Red Line (1998)
| USA
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Music Contractor
Blade (1998)
| USA
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
Music Contractor
Deep Rising (1998)
| USA, Canada
Directed by: Stephen Sommers
Cinematography by: Howard Atherton
Orchestra Contractor
Star Trek: Insurrection (1998)
| USA
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Orchestra Contractor
Jack Frost (1998)
| USA
Directed by: Troy Miller
Cinematography by: László Kovács
Edited by: Lawrence Jordan
Orchestra Contractor
U.S. Marshals (1998)
| USA
Directed by: Stuart Baird
Cinematography by: Andrzej Bartkowiak
Edited by: Terry Rawlings
Orchestra Contractor
Armageddon (1998)
| USA
Directed by: Michael Bay
Cinematography by: John Schwartzman
Orchestra Contractor
Amistad (1997)
| USA
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Lenses: Zeiss Super Speed Lenses
Orchestra Contractor
That Old Feeling (1997)
| USA
Directed by: Carl Reiner
Cinematography by: Steve Mason
Edited by: Richard Halsey
Orchestra Contractor
Anaconda (1997)
| USA, Brazil, Peru
Directed by: Luis Llosa
Cinematography by: Bill Butler
Edited by: Michael R. Miller
Orchestra Contractor
Mousehunt (1997)
| USA
Directed by: Gore Verbinski
Cinematography by: Phedon Papamichael
Edited by: Craig Wood
Orchestra Contractor
Kiss the Girls (1997)
| USA
Directed by: Gary Fleder
Cinematography by: Aaron Schneider
Cameras: Panavision Panaflex Gold II Camera
Editing System: Lightworks Editing System
Orchestra Contractor
Speed 2: Cruise Control (1997)
| USA
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Alan Cody
Music Contractor
Trial and Error (1997)
| USA
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Edited by: Tony Lombardo
Cameras: ARRIFLEX 535 Camera
Music Contractor
My Best Friend's Wedding (1997)
| USA
Directed by: P.J. Hogan
Cinematography by: László Kovács
Orchestra Contractor
Alien Resurrection (1997)
| USA
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Music Contractor
Seven Years in Tibet (1997)
| USA, UK
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Edited by: Noëlle Boisson
Orchestra Contractor
Titanic (1997)
| USA
Directed by: James Cameron
Cinematography by: Russell Carpenter
Orchestra Contractor
Face/Off (1997)
| USA
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Orchestra Contractor , Scoring Contractor
Out to Sea (1997)
| USA
Directed by: Martha Coolidge
Cinematography by: Lajos Koltai
Edited by: Anne V. Coates
Orchestra Contractor
Fools Rush In (1997)
| USA
Directed by: Andy Tennant
Cinematography by: Robbie Greenberg
Edited by: Roger Bondelli
Music Contractor
The Lost World: Jurassic Park (1997)
| USA
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Orchestra Contractor
Dante's Peak (1997)
| USA
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Orchestra Contractor
The Relic (1997)
| UK, Germany, Japan, New Zealand, USA
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Music Contractor
Air Force One (1997)
| USA, Germany
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Orchestra Contractor
Leave It to Beaver (1997)
| USA
Directed by: Andy Cadiff
Cinematography by: Thomas Del Ruth
Edited by: Alan Heim
Orchestra Contractor
The Postman (1997)
| USA
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Orchestra Contractor
Starship Troopers (1997)
| USA
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera, Moviecam Compact Camera
Lenses: Zeiss Lenses
Music Contractor
The Edge (1997)
| USA
Directed by: Lee Tamahori
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Orchestra Contractor
Conspiracy Theory (1997)
| USA
Directed by: Richard Donner
Cinematography by: John Schwartzman
Orchestra Contractor
Con Air (1997)
| USA
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Music Contractor
As Good as It Gets (1997)
| USA
Directed by: James L. Brooks
Cinematography by: John Bailey
Edited by: Richard Marks
Orchestra Contractor
For Richer or Poorer (1997)
| USA
Directed by: Bryan Spicer
Cinematography by: Buzz Feitshans IV
Edited by: Russell Denove
Orchestra Contractor
Liar Liar (1997)
| USA
Directed by: Tom Shadyac
Cinematography by: Russell Boyd
Edited by: Don Zimmerman
Conductor / Music Contractor
The Game (1997)
| USA
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: James Haygood
Music Contractor
The Jackal (1997)
| USA, UK, France, Germany, Japan
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Music Contractor
I Know What You Did Last Summer (1997)
| USA
Directed by: Jim Gillespie
Cinematography by: Denis Crossan
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Orchestra Contractor
Gone Fishin' (1997)
| USA
Directed by: Christopher Cain
Cinematography by: Dean Semler
Edited by: Jack Hofstra
Music Contractor
The Devil's Own (1997)
| USA
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Orchestra Contractor
L.A. Confidential (1997)
| USA
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Peter Honess
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Orchestra Contractor
Julian Po (1997)
| USA
Directed by: Alan Wade
Cinematography by: Bernd Heinl
Edited by: Jeffrey Wolf
Music Contractor
Ghosts of Mississippi (1996)
| USA
Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton
Music Contractor
Chain Reaction (1996)
| USA
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Music Contractor
The Trigger Effect (1996)
| USA
Directed by: David Koepp
Cinematography by: Newton Thomas Sigel
Edited by: Jill Savitt
Orchestra Contractor
Primal Fear (1996)
| USA
Directed by: Gregory Hoblit
Cinematography by: Michael Chapman
Edited by: David Rosenbloom
Orchestra Contractor
The Cable Guy (1996)
| USA
Directed by: Ben Stiller
Cinematography by: Robert Brinkmann
Edited by: Steven Weisberg
Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera
Orchestra Contractor
Ransom (1996)
| USA
Directed by: Ron Howard
Cinematography by: Piotr Sobocinski
Orchestra Contractor
101 Dalmatians (1996)
| USA, UK
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Orchestra Contractor
Larger Than Life (1996)
| USA
Directed by: Howard Franklin
Cinematography by: Elliot Davis
Edited by: Sidney Levin
Music Contractor
Jingle All the Way (1996)
| USA
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Music Contractor
The Spitfire Grill (1996)
| USA
Directed by: Lee David Zlotoff
Cinematography by: Robert Draper
Edited by: Margaret Goodspeed
Music Contractor
The Juror (1996)
| USA
Directed by: Brian Gibson
Cinematography by: Jamie Anderson
Edited by: Robert M. Reitano
Orchestra Contractor
Eye for an Eye (1996)
| USA
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Edited by: Peter Honess
Music Contractor
The Long Kiss Goodnight (1996)
| USA
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Music Contractor
The Truth About Cats & Dogs (1996)
| USA
Directed by: Michael Lehmann
Cinematography by: Robert Brinkmann
Edited by: Stephen Semel
Cameras: ARRIFLEX 535 Camera
Orchestra Contractor
Escape from L.A. (1996)
| USA
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Music Contractor
Twister (1996)
| USA
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Music Contractor
Down Periscope (1996)
| USA
Directed by: David S. Ward
Cinematography by: Victor Hammer
Orchestra Contractor
Eraser (1996)
| USA
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Orchestra Contractor
Space Jam (1996)
| USA
Directed by: Joe Pytka
Cinematography by: Michael Chapman
Edited by: Sheldon Kahn
Orchestra Contractor
Diabolique (1996)
| USA
Directed by: Jeremiah S. Chechik
Cinematography by: Peter James
Edited by: Carol Littleton
Orchestra Contractor
Bed of Roses (1996)
| USA
Directed by: Michael Goldenberg
Cinematography by: Adam Kimmel
Edited by: Jane Kurson
Cameras: Panavision Cameras
Music Contractor
Daylight (1996)
| USA
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Music Contractor
The Mirror Has Two Faces (1996)
| USA
Directed by: Barbra Streisand
Edited by: Jeff Werner
Cameras: Panavision Panaflex Camera
Orchestra Manager
Fear (1996)
| USA, Canada
Directed by: James Foley
Cinematography by: Thomas Kloss
Edited by: David Brenner
Orchestra Contractor
Star Trek: First Contact (1996)
| USA
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: John W. Wheeler
Orchestra Contractor
Sgt. Bilko (1996)
| USA
Directed by: Jonathan Lynn
Cinematography by: Peter Sova
Edited by: Tony Lombardo
Orchestra Contractor
Set It Off (1996)
| USA
Directed by: F. Gary Gray
Cinematography by: Marc Reshovsky
Edited by: John Carter
Music Contractor
The Rock (1996)
| USA
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Orchestra Contractor
Sleepers (1996)
| USA
Directed by: Barry Levinson
Cinematography by: Michael Ballhaus
Edited by: Stu Linder
Orchestra Contractor
Mars Attacks! (1996)
| USA
Directed by: Tim Burton
Cinematography by: Peter Suschitzky
Edited by: Chris Lebenzon
Orchestra Contractor
The War at Home (1996)
| USA
Directed by: Emilio Estevez
Cinematography by: Peter Levy
Edited by: Craig Bassett
Orchestra Contractor
Dunston Checks In (1996)
| USA
Directed by: Ken Kwapis
Cinematography by: Peter Lyons Collister
Edited by: Jon Poll
Cameras: Panavision Cameras
Orchestra Contractor
High School High (1996)
| USA
Directed by: Hart Bochner
Cinematography by: Vernon Layton
Edited by: James R. Symons
Orchestra Manager
Mother Night (1996)
| USA
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Jay Rabinowitz
Music Contractor
Courage Under Fire (1996)
| USA
Directed by: Edward Zwick
Cinematography by: Roger Deakins
Edited by: Steven Rosenblum
Orchestra Contractor
Fly Away Home (1996)
| USA
Directed by: Carroll Ballard
Cinematography by: Caleb Deschanel
Edited by: Nicholas C. Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Orchestra Contractor
James and the Giant Peach (1996)
| UK, USA
Directed by: Henry Selick
Edited by: Stan Webb
Music Contractor
Broken Arrow (1996)
| USA
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Orchestra Contractor
Assassins (1995)
| France, USA
Directed by: Richard Donner
Cinematography by: Vilmos Zsigmond
Music Contractor
Two Bits (1995)
| USA
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Howard E. Smith
Orchestra Contractor
Crimson Tide (1995)
| USA
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Orchestra Contractor
Bad Boys (1995)
| USA
Directed by: Michael Bay
Cinematography by: Howard Atherton
Edited by: Christian Wagner
Orchestra Contractor
Tall Tale (1995)
| USA
Directed by: Jeremiah S. Chechik
Cinematography by: Janusz Kaminski
Edited by: Richard Chew
Orchestra Contractor
Species (1995)
| USA
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV