Sandy DeCrescent

| USA

Directed by: Mike Thurmeier, Galen T. Chu

Cinematography by: Renato Falcão

Edited by: Erin Crackel, James Palumbo

Music Contractor

La La Land (2016)

Lenses: Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

| USA, Hong Kong

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Orchestra Contractor

Star Wars: Episode VII - The Force Awakens (2015)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

| USA

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Editing System: Avid Editing System

Music Contractor

Trumbo (2015)

| USA

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Musician Contractor

A Million Ways to Die in the West (2014)

| USA

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Sony PMW-F55 Camera

Editing System: Avid Editing System

Score Contractor

Monsters University (2013)

| USA

Directed by: Dan Scanlon

Edited by: Greg Snyder

Music Contractor

Oblivion (2013)

| USA

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Editing System: Avid Editing System

Music Contractor

The Book Thief (2013)

| USA, Germany

Directed by: Brian Percival

Cinematography by: Florian Ballhaus

Edited by: John Wilson

Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses

Editing System: Avid Editing System

Music Contractor

We're the Millers (2013)

| USA, UK

Directed by: Rawson Marshall Thurber

Cinematography by: Barry Peterson

Edited by: Michael L. Sale

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Contractor

After Earth (2013)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Cooke S4 Lenses

Orchestral Contractor

Diary of a Wimpy Kid: Dog Days (2012)

| USA, Canada

Directed by: David Bowers

Cinematography by: Anthony B. Richmond

Edited by: Troy Takaki

Orchestra Contractor

A Thousand Words (2012)

| USA

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Music Contractor

The Three Stooges (2012)

| USA

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

Music Contractor

The Amazing Spider-Man (2012)

| USA

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Music Contractor

Parental Guidance (2012)

| USA

Directed by: Andy Fickman

Cinematography by: Dean Semler

Edited by: Kent Beyda

Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Music Contractor

Lincoln (2012)

| USA, India

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Music Contractor

Snow White and the Huntsman (2012)

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

| USA, UK

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Music Contractor

Flight (2012)

| USA, United Arab Emirates

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Music Contractor

The Campaign (2012)

| USA

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Craig Alpert, Jon Poll

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 45-120mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses

Orchestra Contractor

'The Cape' Kozmo (2011)

| USA

Directed by: David Jackson

Cinematography by: Michael Negrin

Edited by: Michael O'Halloran

Orchestra Contractor

The Green Hornet (2011)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

| USA

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Editing System: Avid Editing System

Orchestra Contractor

'The Cape' Goggles and Hicks (2011)

Directed by: Deran Sarafian

Cinematography by: John Newby

Edited by: Michael O'Halloran

Orchestral Contractor

Water for Elephants (2011)

| USA

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Orchestra Contractor

The Adventures of Tintin (2011)

| USA, New Zealand, UK

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Editing System: Avid Editing System

Music Contractor

The Change-Up (2011)

| USA

Directed by: David Dobkin

Cinematography by: Eric Alan Edwards

Edited by: Lee Haxall, Greg Hayden

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Orchestra Contractor - 9 Episodes, 2011

The Cape (2011)

Television Series

| USA

Directed by: Deran Sarafian, Roxann Dawson, Ernest R. Dickerson, Karen Gaviola, Dennie Gordon, David Jackson, Michael Nankin, David Straiton, Simon West

Cinematography by: John Newby, Michael Negrin, Barry Peterson

Edited by: Casey Brown, Heather MacDougall, Michael O'Halloran, Sue Blainey, Ray Daniels III, John Duffy

Orchestra Contractor

'The Cape' Tarot (2011)

| USA

Directed by: Deran Sarafian

Cinematography by: John Newby

Edited by: Heather MacDougall

Orchestra Contractor

'The Cape' Razer (2011)

Directed by: David Straiton

Cinematography by: Michael Negrin

Edited by: Michael O'Halloran

Music Contractor

Green Lantern (2011)

| USA

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Music Contractor

Diary of a Wimpy Kid: Rodrick Rules (2011)

| USA

Directed by: David Bowers

Cinematography by: Jack N. Green

Edited by: Troy Takaki

Cameras: Panavision Cameras

Music Contractor

Justin Bieber: Never Say Never (2011)

| USA

Directed by: Jon M. Chu

Cinematography by: Reed Smoot

Edited by: Jay Cassidy, Jillian Moul, Avi Youabian

Cameras: ARRI ALEXA Camera, Sony CineAlta F23 Camera, Sony CineAlta F35 Camera

Orchestra Contractor

Pirates of the Caribbean: On Stranger Tides (2011)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

| USA, UK

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Orchestra Contractor

I Am Number Four (2011)

| USA, India

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Music Contractor

30 Minutes or Less (2011)

| USA

Directed by: Ruben Fleischer

Cinematography by: Jess Hall

Edited by: Alan Baumgarten

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Music Contractor

Transformers: Dark of the Moon (2011)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

| USA

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Editing System: Avid Editing System

Orchestra Contractor

'The Cape' Dice (2011)

Directed by: Michael Nankin

Cinematography by: John Newby

Edited by: Casey Brown

Orchestra Contractor

Battle Los Angeles (2011)

| USA

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Christian Wagner

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Music Contractor

War Horse (2011)

| USA, India

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Orchestra Contractor

'The Cape' Pilot (2011)

| USA

Directed by: Simon West

Cinematography by: Barry Peterson

Edited by: Ray Daniels III, John Duffy, Heather MacDougall

Orchestra Contractor

'The Cape' The Lich: Part 1 (2011)

Directed by: Karen Gaviola

Cinematography by: Michael Negrin

Edited by: Casey Brown

Music Contractor

Source Code (2011)

| USA, Canada

Directed by: Duncan Jones

Cinematography by: Don Burgess

Edited by: Paul Hirsch

Cameras: Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera

Orchestra Contractor

'The Cape' Scales (2011)

Directed by: Dennie Gordon

Cinematography by: Michael Negrin

Edited by: Sue Blainey

Music Contractor

Prom (2011)

| USA

Directed by: Joe Nussbaum

Cinematography by: Byron Shah

Edited by: Jeffrey M. Werner

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Orchestra Contractor

'The Cape' The Lich: Part 2 (2011)

Directed by: Roxann Dawson

Cinematography by: John Newby

Edited by: Heather MacDougall

Orchestra Contractor

Red Riding Hood (2011)

| USA, Canada

Directed by: Catherine Hardwicke

Cinematography by: Mandy Walker

Edited by: Nancy Richardson, Julia Wong

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Music Contractor

Dear John (2010)

| USA

Directed by: Lasse Hallström

Cinematography by: Terry Stacey

Edited by: Kristina Boden

Orchestra Contractor

Sex and the City 2 (2010)

| USA

Directed by: Michael Patrick King

Cinematography by: John Thomas

Edited by: Michael Berenbaum

Music Contractor

Why Did I Get Married Too? (2010)

| USA

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Score Contractor

The A-Team (2010)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA, UK

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

Dinner for Schmucks (2010)

| USA

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten, Jon Poll

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Orchestra Contractor

The Karate Kid (2010)

| USA, China

Directed by: Harald Zwart

Cinematography by: Roger Pratt

Edited by: Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses

Orchestra Contractor

The Last Airbender (2010)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Music Contractor

How Do You Know (2010)

| USA

Directed by: James L. Brooks

Cinematography by: Janusz Kaminski

Edited by: Richard Marks, Tracey Wadmore-Smith

Music Contractor

Eat Pray Love (2010)

| USA

Directed by: Ryan Murphy

Cinematography by: Robert Richardson

Edited by: Bradley Buecker

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Editing System: Final Cut Pro Editing System

Orchestra Contractor

Toy Story 3 (2010)

| USA

Directed by: Lee Unkrich

Cinematography by: Jeremy Lasky

Edited by: Ken Schretzmann

Music Contractor

Tangled (2010)

| USA

Directed by: Nathan Greno, Byron Howard

Edited by: Tim Mertens

Orchestra Contractor

Diary of a Wimpy Kid (2010)

| USA, UK

Directed by: Thor Freudenthal

Cinematography by: Jack N. Green

Edited by: Wendy Greene Bricmont

Cameras: Panavision Cameras

Orchestra Contractor

For Colored Girls (2010)

| USA

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: Panavision Panaflex Millennium XL2 Camera

Orchestra Contractor

The Wolfman (2010)

| USA

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Orchestra Contractor

The Sorcerer's Apprentice (2010)

| USA

Directed by: Jon Turteltaub

Cinematography by: Bojan Bazelli

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Orchestra Contractor

Harry Potter and the Deathly Hallows: Part 1 (2010)

| UK, USA

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Lenses

Orchestra Contractor

Predators (2010)

| USA

Directed by: Nimród Antal

Cinematography by: Gyula Pados

Edited by: Dan Zimmerman

Cameras: Panavision Genesis Camera

Editing System: Avid Editing System

Orchestra Contractor

Salt (2010)

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

| USA

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Music Contractor

The Princess and the Frog (2009)

| USA

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Jeff Draheim

Orchestra Contractor

2012 (2009)

| USA

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Music Contractor

Avatar (2009)

| UK, USA

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Music Contractor

The Final Destination (2009)

| USA

Directed by: David R. Ellis

Cinematography by: Glen MacPherson

Edited by: Mark Stevens

Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera

Score Contractor

Night at the Museum: Battle of the Smithsonian (2009)

| USA, Canada

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Orchestra Contractor

G-Force (2009)

| USA

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Orchestra Contractor

G.I. Joe: The Rise of Cobra (2009)

| USA, Czech Republic

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Orchestra Contractor

The Uninvited (2009)

| USA, Canada, Germany

Directed by: Charles Guard, Thomas Guard

Cinematography by: Daniel Landin

Edited by: Jim Page, Christian Wagner

Cameras: Panavision Cameras

Orchestra Contractor

Duplicity (2009)

| USA, Germany

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Orchestra Contractor

Race to Witch Mountain (2009)

| USA

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: David Rennie

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Music Contractor

Knowing (2009)

| USA, UK, Australia

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Cameras: Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Orchestra Contractor

Case 39 (2009)

| USA, Canada

Directed by: Christian Alvart

Cinematography by: Hagen Bogdanski

Edited by: Mark Goldblatt

Orchestra Contractor

A Single Man (2009)

| USA

Directed by: Tom Ford

Cinematography by: Eduard Grau

Edited by: Joan Sobel

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Music Contractor

Couples Retreat (2009)

| USA

Directed by: Peter Billingsley

Cinematography by: Eric Alan Edwards

Edited by: Dan Lebental

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Music Contractor

It's Complicated (2009)

| USA, Japan

Directed by: Nancy Meyers

Cinematography by: John Toll

Edited by: Joe Hutshing, David Moritz

Music Contractor

12 Rounds (2009)

| USA

Directed by: Renny Harlin

Cinematography by: David Boyd

Edited by: Brian Berdan

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Orchestra Contractor

Drag Me to Hell (2009)

| USA

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System, Final Cut Pro Editing System

Orchestra Contractor

Alvin and the Chipmunks: The Squeakquel (2009)

| USA

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses

Music Contractor

I Love You, Man (2009)

| USA

Directed by: John Hamburg

Cinematography by: Lawrence Sher

Edited by: William Kerr

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Music Contractor

The Soloist (2009)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

| UK, France, USA

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Paul Tothill

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Editing System: Lightworks Editing System

Orchestra Contractor

Marley & Me (2008)

| USA

Directed by: David Frankel

Cinematography by: Florian Ballhaus

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Orchestra Contractor

Eagle Eye (2008)

| USA, Germany

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

What Happens in Vegas (2008)

| USA

Directed by: Tom Vaughan

Cinematography by: Matthew F. Leonetti

Edited by: Matt Friedman

Cameras: Panavision Cameras

Orchestra Contractor

Leatherheads (2008)

| USA, Germany

Directed by: George Clooney

Cinematography by: Newton Thomas Sigel

Edited by: Stephen Mirrione

Music Contractor

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Orchestra Contractor

Bedtime Stories (2008)

| USA

Directed by: Adam Shankman

Cinematography by: Michael Barrett

Edited by: Tom Costain, Michael Tronick

Cameras: Panavision Genesis Camera, Panavision Panaflex Camera

Music Contractor

The Boy in the Striped Pajamas (2008)

| UK, USA

Directed by: Mark Herman

Cinematography by: Benoît Delhomme

Edited by: Michael Ellis

Score Contractor

Thomas Kinkade's Christmas Cottage (2008)

| USA, Canada

Directed by: Michael Campus

Cinematography by: Robert Brinkmann

Edited by: Don Brochu

Music Contractor

Vantage Point (2008)

| USA

Directed by: Pete Travis

Cinematography by: Amir Mokri

Edited by: Stuart Baird

Orchestra Contractor

Meet the Browns (2008)

| USA

Directed by: Tyler Perry

Cinematography by: Sandi Sissel

Edited by: Maysie Hoy

Music Contractor

Lake City (2008)

| USA

Directed by: Hunter Hill, Perry Moore

Cinematography by: Robert Gantz

Edited by: Jeffrey Wolf

Music Contractor

Sex and the City (2008)

| USA

Directed by: Michael Patrick King

Cinematography by: John Thomas

Edited by: Michael Berenbaum

Orchestra Contractor

The Curious Case of Benjamin Button (2008)

| USA

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Music Contractor

Semi-Pro (2008)

| USA

Directed by: Kent Alterman

Cinematography by: Shane Hurlbut

Edited by: Debra Neil-Fisher, Peter Teschner

Orchestra Contractor

The Happening (2008)

| USA, India

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Orchestra Contractor

Drillbit Taylor (2008)

| USA

Directed by: Steven Brill

Cinematography by: Fred Murphy

Edited by: Brady Heck, Thomas J. Nordberg

Orchestra Contractor

Swing Vote (2008)

| USA

Directed by: Joshua Michael Stern

Cinematography by: Shane Hurlbut

Edited by: Jeff McEvoy

Orchestra Contractor

The Spiderwick Chronicles (2008)

| USA

Directed by: Mark Waters

Cinematography by: Caleb Deschanel

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

Miracle at St. Anna (2008)

| USA, Italy

Directed by: Spike Lee

Cinematography by: Matthew Libatique

Edited by: Barry Alexander Brown

Music Contractor

Pride and Glory (2008)

| USA, Germany

Directed by: Gavin O'Connor

Cinematography by: Declan Quinn

Edited by: Lisa Zeno Churgin, John Gilroy

Orchestra Contractor

The Mummy: Tomb of the Dragon Emperor (2008)

| USA, Germany, China, Canada

Directed by: Rob Cohen

Cinematography by: Simon Duggan

Edited by: Kelly Matsumoto, Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Music Contractor

Tropic Thunder (2008)

| USA, UK, Germany

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Music Contractor

Michael Clayton (2007)

| USA

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Orchestra Contractor

Pirates of the Caribbean: At World's End (2007)

| USA

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Orchestra Contractor

National Treasure: Book of Secrets (2007)

| USA

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

Rendition (2007)

| USA

Directed by: Gavin Hood

Cinematography by: Dion Beebe

Edited by: Megan Gill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Music Contractor

Wild Hogs (2007)

| USA

Directed by: Walt Becker

Cinematography by: Robbie Greenberg

Edited by: Christopher Greenbury, Stuart H. Pappé

Cameras: Panavision Cameras

Orchestra Contractor

Next (2007)

| USA

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Christian Wagner

Music Contractor

Charlie Wilson's War (2007)

| USA, Germany

Directed by: Mike Nichols

Cinematography by: Stephen Goldblatt

Edited by: John Bloom, Antonia Van Drimmelen

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Orchestra Contractor

Enchanted (2007)

| USA

Directed by: Kevin Lima

Cinematography by: Don Burgess

Edited by: Gregory Perler, Stephen A. Rotter

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Orchestra Contractor

Blades of Glory (2007)

| USA

Directed by: Josh Gordon, Will Speck

Cinematography by: Stefan Czapsky

Edited by: Richard Pearson

Music Contractor

The Kite Runner (2007)

| USA, China, UK

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Cooke S4 Lenses

Score Contractor

Mr. Magorium's Wonder Emporium (2007)

| USA, Canada

Directed by: Zach Helm

Cinematography by: Roman Osin

Edited by: Sabrina Plisco, Steven Weisberg

Orchestra Contractor

Hot Rod (2007)

| USA

Directed by: Akiva Schaffer

Cinematography by: Andrew Dunn

Edited by: Malcolm Campbell

Music Contractor

I Now Pronounce You Chuck & Larry (2007)

| USA

Directed by: Dennis Dugan

Cinematography by: Dean Semler

Edited by: Jeff Gourson

Cameras: Panavision Genesis Camera

Music Contractor

Lars and the Real Girl (2007)

| USA, Canada

Directed by: Craig Gillespie

Cinematography by: Adam Kimmel

Edited by: Tatiana S. Riegel

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Music Contractor

Hairspray (2007)

| USA, UK

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Michael Tronick

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Master Prime Lenses

Orchestra Contractor

Lions for Lambs (2007)

| USA

Directed by: Robert Redford

Cinematography by: Philippe Rousselot

Edited by: Joe Hutshing

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

Gone Baby Gone (2007)

| USA

Directed by: Ben Affleck

Cinematography by: John Toll

Edited by: William Goldenberg

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

Disturbia (2007)

| USA

Directed by: D.J. Caruso

Cinematography by: Rogier Stoffers

Edited by: Jim Page

Orchestra Contractor

Evan Almighty (2007)

| USA

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

Music Contractor

Beowulf (2007)

| USA

Directed by: Robert Zemeckis

Cinematography by: Robert Presley

Edited by: Jeremiah O'Driscoll

Music Contractor

Martian Child (2007)

| USA

Directed by: Menno Meyjes

Cinematography by: Robert D. Yeoman

Edited by: Bruce Green

Orchestra Contractor

Charlie Bartlett (2007)

| USA

Directed by: Jon Poll

Cinematography by: Paul Sarossy

Edited by: Alan Baumgarten

Orchestra Contractor

Underdog (2007)

| USA

Directed by: Frederik Du Chau

Cinematography by: David Eggby

Edited by: Tom Finan

Orchestra Contractor

Shooter (2007)

| USA

Directed by: Antoine Fuqua

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV, Eric A. Sears

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Music Contractor

The Simpsons Movie (2007)

| USA

Directed by: David Silverman

Edited by: John Carnochan

Editing System: Final Cut Pro Editing System

Music Contractor

Are We Done Yet? (2007)

| Canada, USA

Directed by: Steve Carr

Cinematography by: Jack N. Green

Edited by: Craig Herring

Music Contractor

Spider-Man 3 (2007)

| USA

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Music Contractor

Bridge to Terabithia (2007)

| USA

Directed by: Gabor Csupo

Cinematography by: Michael Chapman

Edited by: John Gilbert

Cameras: Panavision Cameras

Score Contractor

Cars (2006)

| USA

Directed by: John Lasseter, Joe Ranft

Cinematography by: Jeremy Lasky

Edited by: Ken Schretzmann

Orchestra Contractor

Idlewild (2006)

| USA

Directed by: Bryan Barber

Cinematography by: Pascal Rabaud

Edited by: Anne Goursaud

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Music Contractor

Inside Man (2006)

| USA

Directed by: Spike Lee

Cinematography by: Matthew Libatique

Edited by: Barry Alexander Brown

Orchestra Contractor

Eight Below (2006)

| USA

Directed by: Frank Marshall

Cinematography by: Don Burgess

Edited by: Christopher Rouse

Music Contractor

Monster House (2006)

| USA

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Fabienne Rawley, Adam P. Scott

Score Contractor

John Tucker Must Die (2006)

| USA, Canada

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Music Contractor

The Holiday (2006)

| USA

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Joe Hutshing

Orchestra Contractor

Bobby (2006)

| USA

Directed by: Emilio Estevez

Cinematography by: Michael Barrett

Edited by: Richard Chew

Orchestra Contractor

Glory Road (2006)

| USA

Directed by: James Gartner

Cinematography by: Jeffrey L. Kimball, John Toon

Edited by: Jason Hellmann, John Wright

Orchestra Contractor

The Prestige (2006)

| USA, UK

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera, Spacecam Aerial Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Music Contractor

Snakes on a Plane (2006)

| USA, Germany

Directed by: David R. Ellis

Cinematography by: Adam Greenberg

Edited by: Howard E. Smith

Orchestral Contractor

No Time for Nuts (2006)

Direct to Video

| USA

Directed by: Chris Renaud, Mike Thurmeier

Edited by: James Palumbo

Score Contractor

Night at the Museum (2006)

| USA, UK

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

Music Contractor

Deja Vu (2006)

| USA, UK

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

Music Contractor

Freedomland (2006)

| USA

Directed by: Joe Roth

Cinematography by: Anastas N. Michos

Edited by: Nick Moore

Orchestra Contractor

Pirates of the Caribbean: Dead Man's Chest (2006)

| USA

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Music Contractor

You, Me and Dupree (2006)

| USA

Directed by: Anthony Russo, Joe Russo

Cinematography by: Charles Minsky

Edited by: Peter B. Ellis, Debra Neil-Fisher

Orchestra Contractor

Idiocracy (2006)

| USA

Directed by: Mike Judge

Cinematography by: Tim Suhrstedt

Edited by: David Rennie

Music Contractor

The Shaggy Dog (2006)

| USA

Directed by: Brian Robbins

Cinematography by: Gabriel Beristain

Edited by: Ned Bastille

Orchestra Contractor

Garfield: A Tail of Two Kitties (2006)

| UK, USA

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot

Orchestra Contractor

The Devil Wears Prada (2006)

| USA, France

Directed by: David Frankel

Cinematography by: Florian Ballhaus

Edited by: Mark Livolsi

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Music Contractor

The Pink Panther (2006)

| USA, Czech Republic

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: George Folsey Jr., Brad Wilhite

Music Contractor

All the King's Men (2006)

| Germany, USA

Directed by: Steven Zaillian

Cinematography by: Pawel Edelman

Edited by: Wayne Wahrman

Orchestra Contractor

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

| USA, UK

Directed by: Andrew Adamson

Cinematography by: Donald McAlpine

Edited by: Sim Evan-Jones, Jim May

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Editing System: Avid Editing System

Music Contractor

The Skeleton Key (2005)

| USA, Germany

Directed by: Iain Softley

Cinematography by: Dan Mindel

Edited by: Joe Hutshing

Music Contractor

Venom (2005)

| USA

Directed by: Jim Gillespie

Cinematography by: Steve Mason

Edited by: Paul Martin Smith

Music Contractor

Bad News Bears (2005)

| USA

Directed by: Richard Linklater

Cinematography by: Rogier Stoffers

Edited by: Sandra Adair

Orchestra Contractor

In Her Shoes (2005)

| USA, Germany, UK

Directed by: Curtis Hanson

Cinematography by: Terry Stacey

Edited by: Lisa Zeno Churgin, Craig Kitson

Music Contractor

War of the Worlds (2005)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Music Contractor

Memoirs of a Geisha (2005)

| USA, Japan

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Pietro Scalia

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Orchestra Contractor

Are We There Yet? (2005)

| USA, Canada

Directed by: Brian Levant

Cinematography by: Thomas E. Ackerman

Edited by: Lawrence Jordan

Orchestra Contractor: Additional Music

Four Brothers (2005)

| USA

Directed by: John Singleton

Cinematography by: Peter Menzies Jr.

Edited by: Bruce Cannon, Billy Fox

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Music Contractor

Munich (2005)

| France, Canada, USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Cooke Lenses

Editing System: Moviola Editing System

Music Contractor

The New World (2005)

| USA, UK

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Orchestra Contractor

The Amityville Horror (2005)

| USA

Directed by: Andrew Douglas

Cinematography by: Peter Lyons Collister

Edited by: Roger Barton, Christian Wagner

Music Contractor

The Legend of Zorro (2005)

| USA

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Music Contractor

The Three Burials of Melquiades Estrada (2005)

| France, USA, Mexico

Directed by: Tommy Lee Jones

Cinematography by: Chris Menges

Edited by: Roberto Silvi

Orchestra Contractor

The Pacifier (2005)

| Canada, USA

Directed by: Adam Shankman

Cinematography by: Peter James

Edited by: Christopher Greenbury

Music Contractor

King Kong (2005)

| New Zealand, USA, Germany

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jamie Selkirk

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Orchestra Contractor

Sin City (2005)

| USA

Directed by: Frank Miller, Robert Rodriguez, Quentin Tarantino

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: Sony HDC-F950 Camera, Sony Other Camera

Editing System: Avid Editing System

Orchestra Contractor

The Island (2005)

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

| USA

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

Constantine (2005)

| USA, Germany

Directed by: Francis Lawrence

Cinematography by: Philippe Rousselot

Edited by: Wayne Wahrman

Orchestra Contractor

xXx: State of the Union (2005)

| USA

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

Orchestra Contractor

Coach Carter (2005)

| USA, Germany

Directed by: Thomas Carter

Cinematography by: Sharone Meir

Edited by: Peter E. Berger

Music Contractor

Serenity (2005)

| USA

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Music Contractor

Kicking & Screaming (2005)

| USA

Directed by: Jesse Dylan

Cinematography by: Lloyd Ahern II

Edited by: Stuart H. Pappé, Peter Teschner

Music Contractor

The Prize Winner of Defiance, Ohio (2005)

| USA

Directed by: Jane Anderson

Cinematography by: Jonathan Freeman

Edited by: Robert Dalva

Music Contractor

Flightplan (2005)

| USA

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Orchestra Contractor

Miracle (2004)

| Canada, USA

Directed by: Gavin O'Connor

Cinematography by: Dan Stoloff

Edited by: John Gilroy, Daric Loo

Cameras: Panavision Cameras

Orchestra Contractor

Harry Potter and the Prisoner of Azkaban (2004)

| UK, USA

Directed by: Alfonso Cuarón

Cinematography by: Michael Seresin

Edited by: Steven Weisberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Orchestra Contractor

National Treasure (2004)

| USA

Directed by: Jon Turteltaub

Cinematography by: Caleb Deschanel

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Orchestra Contractor

Christmas with the Kranks (2004)

| USA

Directed by: Joe Roth

Cinematography by: Don Burgess

Edited by: Nick Moore

Orchestra Contractor

The Bourne Supremacy (2004)

| USA, Germany

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Orchestra Contractor

Team America: World Police (2004)

| USA, Germany

Directed by: Trey Parker

Cinematography by: Bill Pope

Edited by: Thomas M. Vogt

Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Orchestra Contractor

Welcome to Mooseport (2004)

| USA, Germany

Directed by: Donald Petrie

Cinematography by: Victor Hammer

Edited by: Debra Neil-Fisher

Orchestra Contractor

Shrek 2 (2004)

| USA

Directed by: Andrew Adamson, Kelly Asbury, Conrad Vernon

Edited by: Mike Andrews, Sim Evan-Jones

Orchestra Contractor

Van Helsing (2004)

| USA, Czech Republic, Romania

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Orchestra Contractor

Along Came Polly (2004)

| USA

Directed by: John Hamburg

Cinematography by: Seamus McGarvey

Edited by: William Kerr, Nick Moore

Music Contractor

Raising Helen (2004)

| USA

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Bruce Green, Tara Timpone

Orchestra Contractor

Man on Fire (2004)

| USA, UK, Mexico, Switzerland

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

Troy (2004)

| USA, Malta, UK

Directed by: Wolfgang Petersen

Cinematography by: Roger Pratt

Edited by: Peter Honess

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Cooke S4 Lenses

Orchestra Contractor

The Incredibles (2004)

| USA

Directed by: Brad Bird

Cinematography by: Andrew Jimenez, Patrick Lin, Janet Lucroy

Edited by: Stephen Schaffer

Orchestra Contractor

Spartan (2004)

| Germany, USA

Directed by: David Mamet

Cinematography by: Juan Ruiz Anchía

Edited by: Barbara Tulliver

Orchestra Contractor

Starsky & Hutch (2004)

| USA

Directed by: Todd Phillips

Cinematography by: Barry Peterson

Edited by: Leslie Jones

Music Contractor

Collateral (2004)

| USA

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

Orchestra Contracted By

Dodgeball: A True Underdog Story (2004)

| USA

Directed by: Rawson Marshall Thurber

Cinematography by: Jerzy Zielinski

Edited by: Alan Baumgarten, Peter Teschner

Cameras: Panavision Cameras

Music Contractor

Confessions of a Teenage Drama Queen (2004)

| Germany, USA

Directed by: Sara Sugarman

Cinematography by: Stephen H. Burum

Edited by: Anita Brandt Burgoyne

Orchestra Contractor

I, Robot (2004)

| USA, Germany

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

Music Contractor

Flight of the Phoenix (2004)

| USA

Directed by: John Moore

Cinematography by: Brendan Galvin

Edited by: Don Zimmerman

Music Contractor

The Terminal (2004)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Orchestra Contractor

Garfield (2004)

| USA

Directed by: Peter Hewitt

Cinematography by: Dean Cundey

Edited by: Peter E. Berger, Michael A. Stevenson

Cameras: Panavision Cameras

Music Contractor

The Village (2004)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Roger Deakins

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Orchestra Contractor

Dawn of the Dead (2004)

| USA, Canada, Japan, France

Directed by: Zack Snyder

Cinematography by: Matthew F. Leonetti

Edited by: Niven Howie

Music Contractor

The Polar Express (2004)

| USA

Directed by: Robert Zemeckis

Cinematography by: Don Burgess, Robert Presley

Edited by: R. Orlando Duenas, Jeremiah O'Driscoll

Music Contractor

Bobby Jones: Stroke of Genius (2004)

| USA

Directed by: Rowdy Herrington

Cinematography by: Tom Stern

Edited by: Pasquale Buba

Cameras: Panavision Cameras

Orchestra Contractor

Ghosts of the Abyss (2003)

| USA

Directed by: James Cameron

Cinematography by: Vince Pace

Edited by: Ed W. Marsh, Sven Pape, John Refoua, David C. Cook

Orchestra Contractor

Bruce Almighty (2003)

| USA

Directed by: Tom Shadyac

Cinematography by: Dean Semler

Edited by: Scott Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Editing System: Lightworks Editing System

Contractor

Duplex (2003)

| Germany, USA

Directed by: Danny DeVito

Cinematography by: Anastas N. Michos

Edited by: Greg Hayden, Lynzee Klingman

Orchestra Contractor

The Hunted (2003)

| USA

Directed by: William Friedkin

Cinematography by: Caleb Deschanel

Edited by: Augie Hess

Orchestra Contractor

Beyond Borders (2003)

| Germany, USA

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Nicholas Beauman

Orchestra Contractor

Timeline (2003)

| USA

Directed by: Richard Donner

Cinematography by: Caleb Deschanel

Edited by: Richard Marks

Music Contractor

A Guy Thing (2003)

| USA

Directed by: Chris Koch

Cinematography by: Robbie Greenberg

Edited by: David Moritz

Orchestra Contractor

Master and Commander: The Far Side of the World (2003)

| USA

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Music Contractor

Holes (2003)

| USA

Directed by: Andrew Davis

Cinematography by: Stephen St. John

Edited by: Thomas J. Nordberg, Jeffrey Wolf

Orchestra Contractor

Paycheck (2003)

| USA, Canada

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Christopher Rouse, Kevin Stitt

Music Contractor

Seabiscuit (2003)

| USA

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Editing System: Avid Editing System

Orchestra Contractor

The Italian Job (2003)

| USA, France, UK, Italy

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Score Contractor

Brother Bear (2003)

| USA

Directed by: Aaron Blaise, Robert Walker

Edited by: Tim Mertens

Orchestra Contractor

House of Sand and Fog (2003)

| USA

Directed by: Vadim Perelman

Cinematography by: Roger Deakins

Edited by: Lisa Zeno Churgin

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Orchestra Contractor

Identity (2003)

| USA

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: David Brenner

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Orchestra Contractor

The Cooler (2003)

| USA

Directed by: Wayne Kramer

Cinematography by: Jim Whitaker

Edited by: Arthur Coburn

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Avid Editing System

Orchestra Contractor

The Lizzie McGuire Movie (2003)

| USA

Directed by: Jim Fall

Cinematography by: Jerzy Zielinski

Edited by: Margaret Goodspeed

Cameras: Panavision Cameras

Orchestra Contractor

The Cat in the Hat (2003)

| USA

Directed by: Bo Welch

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Music Contractor

Radio (2003)

| USA

Directed by: Michael Tollin

Cinematography by: Don Burgess

Edited by: Chris Lebenzon, Harvey Rosenstock

Cameras: Panavision Cameras

Orchestra Contractor

Down with Love (2003)

| USA, Germany

Directed by: Peyton Reed

Cinematography by: Jeff Cronenweth

Edited by: Larry Bock

Music Contractor

My Boss's Daughter (2003)

| USA

Directed by: David Zucker

Cinematography by: Martin McGrath

Edited by: Samuel Craven, Patrick Lussier

Orchestra Contractor

How to Lose a Guy in 10 Days (2003)

| USA, Germany

Directed by: Donald Petrie

Cinematography by: John Bailey

Edited by: Debra Neil-Fisher

Music Contractor

Terminator 3: Rise of the Machines (2003)

| USA, Germany, UK

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Editing System: Avid Editing System

Music Contractor

Scary Movie 3 (2003)

| USA, Canada

Directed by: David Zucker

Cinematography by: Mark Irwin

Edited by: Malcolm Campbell, Jon Poll

Music Contractor

Something's Gotta Give (2003)

| USA

Directed by: Nancy Meyers

Cinematography by: Michael Ballhaus

Edited by: Joe Hutshing

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Zeiss Lenses

Orchestra Contractor

Matchstick Men (2003)

| USA, UK

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Orchestral Contractor

Final Destination 2 (2003)

| USA, Canada

Directed by: David R. Ellis

Cinematography by: Gary Capo

Edited by: Eric A. Sears

Cameras: Panavision Cameras

Orchestra Contractor

American Wedding (2003)

| USA, Germany

Directed by: Jesse Dylan

Cinematography by: Lloyd Ahern II

Edited by: Stuart H. Pappé

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

Charlie's Angels: Full Throttle (2003)

| USA

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Wayne Wahrman

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium Camera

Orchestra Contractor

Willard (2003)

| Canada, USA

Directed by: Glen Morgan

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Orchestra Contractor

Bad Boys II (2003)

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

| USA

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Music Contractor

Elf (2003)

| USA

Directed by: Jon Favreau

Cinematography by: Greg Gardiner

Edited by: Dan Lebental

Cameras: Panavision Cameras

Lenses: Panavision SL27-M 27 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens

Orchestra Contractor

Good Boy! (2003)

| USA

Directed by: John Hoffman

Cinematography by: James Glennon

Edited by: Craig Herring

Orchestra Contractor

Anger Management (2003)

| USA

Directed by: Peter Segal

Cinematography by: Donald McAlpine

Edited by: Jeff Gourson

Music Contractor

Dreamcatcher (2003)

| USA, Canada

Directed by: Lawrence Kasdan

Cinematography by: John Seale

Edited by: Raúl Dávalos, Carol Littleton

Orchestra Contractor

Head of State (2003)

| USA

Directed by: Chris Rock

Cinematography by: Donald E. Thorin

Edited by: Stephen A. Rotter

Music Contractor

The Core (2003)

| USA, Germany, Canada, UK

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Orchestra Contractor

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

| USA

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Editing System: Avid Editing System

Orchestral Contractor

Agent Cody Banks (2003)

| USA, Canada

Directed by: Harald Zwart

Cinematography by: Denis Crossan

Edited by: Jim Miller

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

The Rundown (2003)

| USA

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Richard Pearson

Orchestra Contractor

Under the Tuscan Sun (2003)

| USA, Italy

Directed by: Audrey Wells

Cinematography by: Geoffrey Simpson

Edited by: Arthur Coburn, Andrew Marcus, Todd E. Miller

Orchestra Contractor

Peter Pan (2003)

| UK, Australia, USA, New Zealand

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Orchestra Contractor

Looney Tunes: Back in Action (2003)

| Germany, USA

Directed by: Joe Dante

Cinematography by: Dean Cundey

Edited by: Rick Finney, Marshall Harvey

Orchestra Contractor

The Last Samurai (2003)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA, New Zealand, Japan

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Victor Du Bois, Steven Rosenblum

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Music Contractor

Moonlight Mile (2002)

| USA

Directed by: Brad Silberling

Cinematography by: Phedon Papamichael

Edited by: Lisa Zeno Churgin

Cameras: Panavision Panaflex Camera

Orchestra Contractor

Catch Me If You Can (2002)

| USA, Canada

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Orchestra Contractor

Queen of the Damned (2002)

| USA, Australia

Directed by: Michael Rymer

Cinematography by: Ian Baker

Edited by: Dany Cooper

Orchestra Contractor

The Bourne Identity (2002)

| USA, Germany, Czech Republic

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Music Contractor

Maid in Manhattan (2002)

| USA

Directed by: Wayne Wang

Cinematography by: Karl Walter Lindenlaub

Edited by: Craig McKay

Music Contractor , Orchestra Contractor

Dragonfly (2002)

| USA, Germany

Directed by: Tom Shadyac

Cinematography by: Dean Semler

Edited by: Don Zimmerman

Orchestra Contractor

The Tuxedo (2002)

| USA

Directed by: Kevin Donovan

Cinematography by: Stephen F. Windon

Edited by: Craig Herring

Music Contractor

Blade II (2002)

| Germany, USA

Directed by: Guillermo del Toro

Cinematography by: Gabriel Beristain

Edited by: Peter Amundson

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Contractor

Windtalkers (2002)

| USA

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Jeff Gullo, Steven Kemper, Tom Rolf

Music Contractor

The Rookie (2002)

| USA

Directed by: John Lee Hancock

Cinematography by: John Schwartzman

Edited by: Eric L. Beason

Orchestra Contractor

Clockstoppers (2002)

| USA

Directed by: Jonathan Frakes

Cinematography by: Tim Suhrstedt

Edited by: Peter E. Berger, Jeff Canavan

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics Cameras

Orchestra Contractor

Star Trek: Nemesis (2002)

| USA

Directed by: Stuart Baird

Cinematography by: Jeffrey L. Kimball

Edited by: Dallas Puett

Scoring Contractor

Ice Age (2002)

| USA

Directed by: Chris Wedge, Carlos Saldanha

Edited by: John Carnochan

Music Contractor

xXx (2002)

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses

| USA

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Joel Negron, Paul Rubell

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Music Contractor

Minority Report (2002)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Orchestra Contractor

Harry Potter and the Chamber of Secrets (2002)

| UK, USA, Germany

Directed by: Chris Columbus

Cinematography by: Roger Pratt

Edited by: Peter Honess

Music Contractor

Panic Room (2002)

| USA

Directed by: David Fincher

Cinematography by: Conrad W. Hall, Darius Khondji

Edited by: James Haygood, Angus Wall

Orchestra Contractor

Scooby-Doo (2002)

| USA, Australia

Directed by: Raja Gosnell

Cinematography by: David Eggby

Edited by: Kent Beyda

Cameras: Panavision Cameras

Orchestra Contractor

The Country Bears (2002)

| USA

Directed by: Peter Hastings

Cinematography by: Mitchell Amundsen

Edited by: George Bowers, Seth Flaum

Music Contractor

Lilo & Stitch (2002)

| USA

Directed by: Dean DeBlois, Chris Sanders

Edited by: Darren T. Holmes

Orchestra Contractor

The Sum of All Fears (2002)

| USA, Germany, Canada

Directed by: Phil Alden Robinson

Cinematography by: John Lindley

Edited by: Nicolas De Toth, Neil Travis

Music Contractor

Murder by Numbers (2002)

| USA

Directed by: Barbet Schroeder

Cinematography by: Luciano Tovoli

Edited by: Lee Percy

Orchestra Contractor

Showtime (2002)

| USA, Australia

Directed by: Tom Dey

Cinematography by: Thomas Kloss

Edited by: Billy Weber

Orchestra Contractor

Big Fat Liar (2002)

| USA, Germany

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: Stuart H. Pappé, Kimberly Ray

Orchestra Contractor

The Scorpion King (2002)

| USA, Germany, Belgium

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Greg Parsons, Michael Tronick

Orchestra Contractor

Signs (2002)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Barbara Tulliver

Orchestra Contractor

Unconditional Love (2002)

| USA

Directed by: P.J. Hogan

Cinematography by: Remi Adefarasin

Edited by: Robert C. Jones

Cameras: Panavision Cameras

Music Contractor

Eye See You (2002)

| Germany, USA

Directed by: Jim Gillespie

Cinematography by: Dean Semler

Edited by: Timothy Alverson, Steve Mirkovich

Music Contractor

Treasure Planet (2002)

| USA

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Michael Kelly

Orchestra Contractor

Unfaithful (2002)

| France, Germany, USA

Directed by: Adrian Lyne

Cinematography by: Peter Biziou

Edited by: Anne V. Coates

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Scoring Contractor

Dr. Dolittle 2 (2001)

| USA

Directed by: Steve Carr

Cinematography by: Daryn Okada

Edited by: Craig Herring

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Orchestra Contractor

Swordfish (2001)

| USA

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Stephen E. Rivkin

Music Contractor

America's Sweethearts (2001)

| USA

Directed by: Joe Roth

Cinematography by: Phedon Papamichael

Edited by: Stephen A. Rotter

Music Contractor

Serendipity (2001)

| USA

Directed by: Peter Chelsom

Cinematography by: John de Borman

Edited by: Christopher Greenbury

Orchestra Contractor

Pearl Harbor (2001)

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

| USA

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Music Contractor

Black Hawk Down (2001)

| USA, UK

Directed by: Ridley Scott

Cinematography by: Slawomir Idziak

Edited by: Pietro Scalia

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Orchestra Contractor

Monsters, Inc. (2001)

| USA

Directed by: Pete Docter, David Silverman, Lee Unkrich

Edited by: Robert Grahamjones, Jim Stewart

Orchestra Contractor

Zoolander (2001)

| Germany, USA

Directed by: Ben Stiller

Cinematography by: Barry Peterson

Edited by: Greg Hayden

Orchestra Contractor

Corky Romano (2001)

| USA

Directed by: Rob Pritts

Cinematography by: Steven Bernstein

Edited by: Alan Cody

Cameras: Panavision Cameras

Orchestra Contractor

The Last Castle (2001)

| USA

Directed by: Rod Lurie

Cinematography by: Shelly Johnson

Edited by: Michael Jablow, Kevin Stitt

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

The Princess Diaries (2001)

| USA, UK

Directed by: Garry Marshall

Cinematography by: Karl Walter Lindenlaub

Edited by: Bruce Green

Orchestra Contractor

See Spot Run (2001)

| USA, Australia

Directed by: John Whitesell

Cinematography by: John S. Bartley

Edited by: Cara Silverman

Music Contractor

Jeepers Creepers (2001)

| Germany, USA

Directed by: Victor Salva

Cinematography by: Don E. FauntLeRoy

Edited by: Ed Marx

Orchestra Contractor

Jurassic Park III (2001)

| USA

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

Music Contractor

A.I. Artificial Intelligence (2001)

| USA, UK

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Lenses: ARRI / Zeiss Lenses

Orchestra Contractor

What's the Worst That Could Happen? (2001)

| USA

Directed by: Sam Weisman

Cinematography by: Anastas N. Michos

Edited by: Garth Craven, Nick Moore

Cameras: Panavision Cameras

Orchestra Contractor

Shrek (2001)

| USA

Directed by: Andrew Adamson, Vicky Jenson

Edited by: Sim Evan-Jones

Orchestra Contractor

The Mexican (2001)

| USA, Mexico

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Craig Wood

Cameras: Panavision Cameras

Orchestra Contractor

Training Day (2001)

| USA

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Hawk C-Series Lenses

Music Contractor

One Night at McCool's (2001)

| USA

Directed by: Harald Zwart

Cinematography by: Karl Walter Lindenlaub

Edited by: Bruce Cannon

Music Contractor

Jay and Silent Bob Strike Back (2001)

| USA

Directed by: Kevin Smith

Cinematography by: Jamie Anderson

Edited by: Scott Mosier, Kevin Smith

Music Contractor

The Fast and the Furious (2001)

| USA, Germany

Directed by: Rob Cohen

Cinematography by: Ericson Core

Edited by: Peter Honess

Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Editing System: Avid Editing System

Orchestra Contractor

Spy Kids (2001)

| USA

Directed by: Robert Rodriguez

Cinematography by: Guillermo Navarro

Edited by: Robert Rodriguez

Orchestra Contractor

Domestic Disturbance (2001)

| USA

Directed by: Harold Becker

Cinematography by: Michael Seresin

Edited by: Peter Honess

Music Contractor

Bandits (2001)

| USA

Directed by: Barry Levinson

Cinematography by: Dante Spinotti

Edited by: Stu Linder

Orchestra Contractor

The One (2001)

| USA

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Music Contractor

The Affair of the Necklace (2001)

| USA

Directed by: Charles Shyer

Cinematography by: Ashley Rowe

Edited by: David Moritz

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses: Angenieux HR Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Ultra Prime Lenses

Orchestra Contractor

Don't Say a Word (2001)

| USA, Australia, Switzerland, Canada

Directed by: Gary Fleder

Cinematography by: Amir Mokri

Edited by: Armen Minasian, William Steinkamp

Music Contractor

15 Minutes (2001)

| USA, Germany

Directed by: John Herzfeld

Cinematography by: Jean-Yves Escoffier

Edited by: Steven Cohen

Cameras: Panavision Cameras

Music Contractor

K-PAX (2001)

| USA, Germany

Directed by: Iain Softley

Cinematography by: John Mathieson

Edited by: Craig McKay

Orchestra Contractor

I Am Sam (2001)

| USA

Directed by: Jessie Nelson

Cinematography by: Elliot Davis

Edited by: Richard Chew

Lenses: Panavision Lightweight Zoom Lenses, Panavision Primo Classic Spherical Lenses

Orchestra Contractor

61* (2001)

Television Movie

| USA

Directed by: Billy Crystal

Cinematography by: Haskell Wexler

Edited by: Michael Jablow

Cameras: ARRIFLEX 435 ES Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Hawk 150-450 mm T2.8 Lens

Orchestra Contractor

Evolution (2001)

| USA

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Cameras: Panavision Cameras

Orchestra Contractor

Jimmy Neutron: Boy Genius (2001)

| USA

Directed by: John A. Davis

Cinematography by: Steve Kolbe, Chris Sherrod

Edited by: Gregory Perler, Jon Price

Music Contractor

Life as a House (2001)

| USA

Directed by: Irwin Winkler

Cinematography by: Vilmos Zsigmond

Edited by: Julie Monroe

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Orchestra Contractor

Hardball (2001)

| Germany, USA

Directed by: Brian Robbins

Cinematography by: Tom Richmond

Edited by: Ned Bastille

Music Contractor

A Beautiful Mind (2001)

| USA

Directed by: Ron Howard

Cinematography by: Roger Deakins

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

Orchestra Contractor

The Royal Tenenbaums (2001)

| USA

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Dylan Tichenor

Editing System: Avid Editing System

Orchestra Contractor

My First Mister (2001)

| Germany, USA

Directed by: Christine Lahti

Cinematography by: Jeffrey Jur

Edited by: Wendy Greene Bricmont

Orchestra Contractor

The Majestic (2001)

| USA

Directed by: Frank Darabont

Cinematography by: David Tattersall

Edited by: Jim Page

Orchestra Contractor

Harry Potter and the Sorcerer's Stone (2001)

| UK, USA

Directed by: Chris Columbus

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Scoring Contractor

Bedazzled (2000)

| USA, Germany

Directed by: Harold Ramis

Cinematography by: Bill Pope

Edited by: Craig Herring

Music Contractor

The Extreme Adventures of Super Dave (2000)

Direct to Video

| USA

Directed by: Peter MacDonald

Cinematography by: Bernd Heinl

Edited by: Mike Murphy

Music Contractor

Meet the Parents (2000)

| USA

Directed by: Jay Roach

Cinematography by: Peter James

Edited by: Greg Hayden, Jon Poll

Orchestra Contractor

102 Dalmatians (2000)

| USA, UK

Directed by: Kevin Lima

Cinematography by: Adrian Biddle, Roger Pratt

Edited by: Gregory Perler

Orchestra Contractor

The Flintstones in Viva Rock Vegas (2000)

| USA

Directed by: Brian Levant

Cinematography by: Jamie Anderson

Edited by: Kent Beyda

Orchestra Contractor

How the Grinch Stole Christmas (2000)

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

| USA

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Music Contractor

The Patriot (2000)

| USA, Germany

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Contractor

Cast Away (2000)

| USA

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

Music Contractor

Miss Congeniality (2000)

| USA

Directed by: Donald Petrie

Cinematography by: László Kovács

Edited by: Billy Weber

Orchestra Contractor

Charlie's Angels (2000)

| USA, Germany

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Peter Teschner, Wayne Wahrman

Orchestra Contractor

28 Days (2000)

| USA

Directed by: Betty Thomas

Cinematography by: Declan Quinn

Edited by: Peter Teschner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Contractor

What Lies Beneath (2000)

| USA

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Orchestra Contractor

Vertical Limit (2000)

| USA, Germany

Directed by: Martin Campbell

Cinematography by: David Tattersall

Edited by: Thom Noble

Orchestra Contractor

Wonder Boys (2000)

| USA, Germany, UK, Japan

Directed by: Curtis Hanson

Cinematography by: Dante Spinotti

Edited by: Dede Allen

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Orchestra Contractor

The Kid (2000)

| USA

Directed by: Jon Turteltaub

Cinematography by: Peter Menzies Jr.

Edited by: Peter Honess, David Rennie

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

What Women Want (2000)

| USA

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Thomas J. Nordberg, Stephen A. Rotter

Orchestra Contractor

Remember the Titans (2000)

| USA

Directed by: Boaz Yakin

Cinematography by: Philippe Rousselot

Edited by: Michael Tronick

Orchestra Contractor

Little Nicky (2000)

| USA

Directed by: Steven Brill

Cinematography by: Theo van de Sande

Edited by: Jeff Gourson

Cameras: Panavision Cameras

Music Contractor

Reindeer Games (2000)

| USA

Directed by: John Frankenheimer

Cinematography by: Alan Caso

Edited by: Antony Gibbs, Michael Kahn

Cameras: Panavision Cameras, Spacecam Aerial Cameras

Orchestra Contractor

The Replacements (2000)

| USA

Directed by: Howard Deutch

Cinematography by: Tak Fujimoto

Edited by: Seth Flaum, Bud S. Smith

Orchestra Contractor

The Perfect Storm (2000)

| USA

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

Orchestra Contractor

The Adventures of Rocky & Bullwinkle (2000)

| USA, Germany, South Korea, India, Canada

Directed by: Des McAnuff

Cinematography by: Thomas E. Ackerman

Edited by: Dennis Virkler

Orchestra Contractor

Gone in 60 Seconds (2000)

| USA

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Roger Barton, Chris Lebenzon, Tom Muldoon

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Orchestra Contractor

Men of Honor (2000)

| USA

Directed by: George Tillman Jr.

Cinematography by: Anthony B. Richmond

Edited by: John Carter, Dirk Westervelt

Cameras: ARRIFLEX 35 III Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Music Contractor

The Emperor's New Groove (2000)

| USA

Directed by: Mark Dindal

Cinematography by: Thomas Baker

Edited by: Tom Finan, Pam Ziegenhagen

Orchestra Contractor

U-571 (2000)

| France, USA

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Wayne Wahrman

Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses

Orchestra Contractor

Dinosaur (2000)

| USA

Directed by: Eric Leighton, Ralph Zondag

Cinematography by: David R. Hardberger, Steven Douglas Smith

Edited by: H. Lee Peterson

Cameras: VistaVision Cameras

Orchestra Contractor

Final Destination (2000)

| USA

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Music Contractor

Duets (2000)

| USA

Directed by: Bruce Paltrow

Cinematography by: Paul Sarossy

Edited by: Gerald B. Greenberg

Orchestra Contractor

What Planet Are You From? (2000)

| USA

Directed by: Mike Nichols

Cinematography by: Michael Ballhaus

Edited by: Richard Marks

Cameras: Panavision Cameras

Music Contractor

Trixie (2000)

| USA

Directed by: Alan Rudolph

Cinematography by: Jan Kiesser

Edited by: John Helde, Michael Ruscio

Music Contractor

Return to Me (2000)

| USA

Directed by: Bonnie Hunt

Cinematography by: László Kovács

Edited by: Garth Craven

Orchestra Contractor

Nutty Professor II: The Klumps (2000)

| USA

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: William Kerr

Orchestra Contractor

Inspector Gadget (1999)

| USA

Directed by: David Kellogg

Cinematography by: Adam Greenberg

Edited by: Alan Cody, Thom Noble, Gerald B. Greenberg

Music Contractor

Body Shots (1999)

| USA

Directed by: Michael Cristofer

Cinematography by: Rodrigo García

Edited by: Eric A. Sears

Orchestra Contractor

October Sky (1999)

| USA

Directed by: Joe Johnston

Cinematography by: Fred Murphy

Edited by: Robert Dalva

Music Contractor

Dick (1999)

| France, Canada, USA

Directed by: Andrew Fleming

Cinematography by: Alexander Gruszynski

Edited by: Mia Goldman

Music Contractor

The Big Kahuna (1999)

| USA

Directed by: John Swanbeck

Cinematography by: Anastas N. Michos

Edited by: Peggy Davis

Cameras: Panavision Cameras

Music Contractor

Teaching Mrs. Tingle (1999)

| USA

Directed by: Kevin Williamson

Cinematography by: Jerzy Zielinski

Edited by: Debra Neil-Fisher

Orchestra Contractor

Toy Story 2 (1999)

| USA

Directed by: John Lasseter, Ash Brannon, Lee Unkrich

Cinematography by: Sharon Calahan

Edited by: Edie Ichioka, David Ian Salter, Lee Unkrich

Orchestra Contractor

Stir of Echoes (1999)

| USA

Directed by: David Koepp

Cinematography by: Fred Murphy

Edited by: Jill Savitt

Orchestra Contractor

Edtv (1999)

| USA

Directed by: Ron Howard

Cinematography by: John Schwartzman

Edited by: Daniel P. Hanley, Mike Hill

Orchestra Contractor

The Out-of-Towners (1999)

| USA

Directed by: Sam Weisman

Cinematography by: John Bailey

Edited by: Kent Beyda

Cameras: Panavision Cameras

Orchestra Contractor

My Favorite Martian (1999)

| USA

Directed by: Donald Petrie

Cinematography by: Thomas E. Ackerman

Edited by: Malcolm Campbell

Orchestra Contractor

Anna and the King (1999)

| USA

Directed by: Andy Tennant

Cinematography by: Caleb Deschanel

Edited by: Roger Bondelli

Cameras: Panavision Cameras

Lenses: Panavision E Series Anamorphic Lenses

Orchestra Contractor

The Sixth Sense (1999)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Andrew Mondshein

Cameras: Panavision Panaflex Millennium Camera

Orchestra Contractor

Varsity Blues (1999)

| USA

Directed by: Brian Robbins

Cinematography by: Chuck Cohen

Edited by: Ned Bastille

Orchestra Contractor

South Park: Bigger, Longer & Uncut (1999)

| USA

Directed by: Trey Parker

Edited by: John Venzon

Music Contractor

The Story of Us (1999)

| USA

Directed by: Rob Reiner

Cinematography by: Michael Chapman

Edited by: Alan Edward Bell, Robert Leighton

Music Contractor

Mystery Men (1999)

| USA

Directed by: Kinka Usher

Cinematography by: Stephen H. Burum

Edited by: Conrad Buff IV

Orchestra Contractor

Three Kings (1999)

| USA

Directed by: David O. Russell

Cinematography by: Newton Thomas Sigel

Edited by: Robert K. Lambert

Cameras: Panavision Cameras

Music Contractor

Bicentennial Man (1999)

| USA, Germany

Directed by: Chris Columbus

Cinematography by: Phil Meheux

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Classic Spherical Lenses

Orchestra Contractor

Angela's Ashes (1999)

| USA, Ireland

Directed by: Alan Parker

Cinematography by: Chris Connier, Michael Seresin

Edited by: Gerry Hambling

Lenses: Cooke S4 Lenses

Music Contractor

The Mod Squad (1999)

| USA

Directed by: Scott Silver

Cinematography by: Ellen Kuras

Edited by: Dorian Harris

Orchestra Contractor

Double Jeopardy (1999)

| USA, Germany, Canada

Directed by: Bruce Beresford

Cinematography by: Peter James

Edited by: Mark Warner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

Random Hearts (1999)

| USA

Directed by: Sydney Pollack

Cinematography by: Philippe Rousselot

Edited by: William Steinkamp

Music Contractor

End of Days (1999)

| USA

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Jeff Gullo, Steven Kemper

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Orchestra Contractor

The Other Sister (1999)

| USA

Directed by: Garry Marshall

Cinematography by: Dante Spinotti

Edited by: Bruce Green

Orchestra Contractor

The General's Daughter (1999)

| USA, Germany

Directed by: Simon West

Cinematography by: Peter Menzies Jr.

Edited by: Glen Scantlebury

Cameras: Pan-Arri III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

The Adventures of Elmo in Grouchland (1999)

| USA, Germany

Directed by: Gary Halvorson

Cinematography by: Alan Caso

Edited by: Alan Baumgarten

Orchestra Contractor

Deep Blue Sea (1999)

| USA, Mexico

Directed by: Renny Harlin

Cinematography by: Stephen F. Windon

Edited by: Derek Brechin, Dallas Puett, Frank J. Urioste

Orchestra Contractor

Stigmata (1999)

| USA

Directed by: Rupert Wainwright

Cinematography by: Jeffrey L. Kimball

Edited by: Michael J. Duthie, Michael R. Miller

Orchestra Contractor

Stuart Little (1999)

| Germany, USA

Directed by: Rob Minkoff

Cinematography by: Guillermo Navarro

Edited by: Tom Finan

Orchestra Contractor

The Haunting (1999)

| USA

Directed by: Jan de Bont

Cinematography by: Karl Walter Lindenlaub

Edited by: Michael Kahn

Cameras: Panavision Cameras, VistaVision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

The 13th Warrior (1999)

| USA

Directed by: John McTiernan, Michael Crichton

Cinematography by: Peter Menzies Jr.

Edited by: John Wright

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

At First Sight (1999)

| USA

Directed by: Irwin Winkler

Cinematography by: John Seale

Edited by: Julie Monroe

Music Contractor

Snow Falling on Cedars (1999)

| USA

Directed by: Scott Hicks

Cinematography by: Robert Richardson

Edited by: Hank Corwin

Lenses: Panavision E Series Anamorphic Lenses

Orchestra Contractor

Galaxy Quest (1999)

| USA

Directed by: Dean Parisot

Cinematography by: Jerzy Zielinski

Edited by: Don Zimmerman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Scoring Contractor

Brokedown Palace (1999)

| USA

Directed by: Jonathan Kaplan

Cinematography by: Newton Thomas Sigel

Edited by: Curtiss Clayton, Don Zimmerman

Orchestra Contractor

Forces of Nature (1999)

| USA

Directed by: Bronwen Hughes

Cinematography by: Elliot Davis, David Stockton

Edited by: Craig Wood

Cameras: Panavision Cameras

Music Contractor

Runaway Bride (1999)

| USA

Directed by: Garry Marshall

Cinematography by: Stuart Dryburgh

Edited by: Bruce Green

Music Contractor

Bowfinger (1999)

| USA

Directed by: Frank Oz

Cinematography by: Ueli Steiger

Edited by: Richard Pearson

Music Contractor

Tarzan (1999)

| USA

Directed by: Chris Buck, Kevin Lima

Edited by: Gregory Perler

Music Contractor

Drop Dead Gorgeous (1999)

| Germany, USA

Directed by: Michael Patrick Jann

Cinematography by: Michael Spiller

Edited by: David Codron, Janice Hampton

Orchestra Contractor

The Hurricane (1999)

| USA

Directed by: Norman Jewison

Cinematography by: Roger Deakins

Edited by: Stephen E. Rivkin

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Music Contractor

Species II (1998)

| USA

Directed by: Peter Medak

Cinematography by: Matthew F. Leonetti

Edited by: Richard Nord

Orchestra Contractor

Mulan (1998)

| USA

Directed by: Tony Bancroft, Barry Cook

Edited by: Michael Kelly

Orchestra Contractor

Deep Impact (1998)

| USA

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: Paul Cichocki, David Rosenbloom

Cameras: ARRIFLEX 535 Camera

Orchestra Contractor

I'll Be Home for Christmas (1998)

| USA, Canada

Directed by: Arlene Sanford

Cinematography by: Hiro Narita

Edited by: Anita Brandt Burgoyne

Orchestra Contractor

Firestorm (1998)

| USA

Directed by: Dean Semler

Cinematography by: Stephen F. Windon

Edited by: Jack Hofstra

Orchestra Contractor

Judas Kiss (1998)

| USA

Directed by: Sebastian Gutierrez

Cinematography by: James Chressanthis

Edited by: Howard E. Smith

Cameras: Panavision Cameras

Music Contractor

One True Thing (1998)

| USA

Directed by: Carl Franklin

Cinematography by: Declan Quinn

Edited by: Carole Kravetz Aykanian

Scoring Consultant

Saving Private Ryan (1998)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Moviola Editing System

Orchestra Contractor

Urban Legend (1998)

| USA, Canada

Directed by: Jamie Blanks

Cinematography by: James Chressanthis

Edited by: Jay Cassidy

Music Contractor

Stepmom (1998)

| USA

Directed by: Chris Columbus

Cinematography by: Donald McAlpine

Edited by: Neil Travis

Orchestra Contractor

Doctor Dolittle (1998)

| USA

Directed by: Betty Thomas

Cinematography by: Russell Boyd

Edited by: Peter Teschner

Orchestra Contractor

Holy Man (1998)

| USA

Directed by: Stephen Herek

Cinematography by: Adrian Biddle

Edited by: Trudy Ship

Orchestra Contractor

The Prince of Egypt (1998)

| USA

Directed by: Brenda Chapman, Steve Hickner, Simon Wells

Edited by: Nick Fletcher

Orchestra Contractor

The Parent Trap (1998)

| USA

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Stephen A. Rotter

Orchestra Contractor

Practical Magic (1998)

| USA

Directed by: Griffin Dunne

Cinematography by: Andrew Dunn

Edited by: Elizabeth Kling

Orchestra Contractor

There's Something About Mary (1998)

| USA

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Mark Irwin

Edited by: Christopher Greenbury

Music Contractor

The Thin Red Line (1998)

| USA

Directed by: Terrence Malick

Cinematography by: John Toll

Edited by: Leslie Jones, Saar Klein, Billy Weber

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Music Contractor

A Bug's Life (1998)

| USA

Directed by: John Lasseter, Andrew Stanton

Cinematography by: Sharon Calahan

Edited by: Lee Unkrich

Music Contractor

Blade (1998)

| USA

Directed by: Stephen Norrington

Cinematography by: Theo van de Sande

Edited by: Paul Rubell

Lenses: Clairmont Anamorphic Lenses, Hawk C-Series 100 mm T3.0 Lens

Music Contractor

Deep Rising (1998)

| USA, Canada

Directed by: Stephen Sommers

Cinematography by: Howard Atherton

Edited by: Bob Ducsay, John Wright

Orchestra Contractor

Star Trek: Insurrection (1998)

| USA

Directed by: Jonathan Frakes

Cinematography by: Matthew F. Leonetti

Edited by: Peter E. Berger

Cameras: Panavision Cameras

Orchestra Contractor

Jack Frost (1998)

| USA

Directed by: Troy Miller

Cinematography by: László Kovács

Edited by: Lawrence Jordan

Music Contractor

Small Soldiers (1998)

| USA

Directed by: Joe Dante

Cinematography by: Jamie Anderson

Edited by: Marshall Harvey, Michael Thau

Orchestra Contractor

U.S. Marshals (1998)

| USA

Directed by: Stuart Baird

Cinematography by: Andrzej Bartkowiak

Edited by: Terry Rawlings

Orchestra Contractor

Armageddon (1998)

| USA

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Orchestra Contractor

Mighty Joe Young (1998)

| USA

Directed by: Ron Underwood

Cinematography by: Donald Peterman, Oliver Wood

Edited by: Paul Hirsch

Orchestra Contractor

Enemy of the State (1998)

| USA

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Chris Lebenzon

Orchestra Contractor

Hope Floats (1998)

| USA

Directed by: Forest Whitaker

Cinematography by: Caleb Deschanel

Edited by: Richard Chew

Cameras: Panavision Cameras

Orchestra Contractor

Mafia! (1998)

| USA

Directed by: Jim Abrahams

Cinematography by: Pierre Letarte

Edited by: Terry Stokes

Orchestra Contractor

Rounders (1998)

| USA

Directed by: John Dahl

Cinematography by: Jean-Yves Escoffier

Edited by: Scott Chestnut

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

The Odd Couple II (1998)

| USA

Directed by: Howard Deutch

Cinematography by: Jamie Anderson

Edited by: Seth Flaum

Cameras: Panavision Cameras

Music Contractor

Patch Adams (1998)

| USA

Directed by: Tom Shadyac

Cinematography by: Phedon Papamichael

Edited by: Don Zimmerman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Contractor

Pleasantville (1998)

| USA

Directed by: Gary Ross

Cinematography by: John Lindley

Edited by: William Goldenberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Contractor

Air Force One (1997)

| USA, Germany

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: Richard Francis-Bruce

Lenses: Zeiss Variable Prime Lenses

Music Contractor

Volcano (1997)

| USA

Directed by: Mick Jackson

Cinematography by: Theo van de Sande

Edited by: Don Brochu, Michael Tronick

Orchestra Contractor

Leave It to Beaver (1997)

| USA

Directed by: Andy Cadiff

Cinematography by: Thomas Del Ruth

Edited by: Alan Heim

Orchestra Contractor

Hercules (1997)

| USA

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Tom Finan, Robert W. Hedland

Orchestra Contractor

The Postman (1997)

| USA

Directed by: Kevin Costner

Cinematography by: Stephen F. Windon

Edited by: Peter Boyle

Orchestra Contractor

Starship Troopers (1997)

| USA

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

Music Contractor

The Edge (1997)

| USA

Directed by: Lee Tamahori

Cinematography by: Donald McAlpine

Edited by: Neil Travis

Orchestra Contractor

Conspiracy Theory (1997)

| USA

Directed by: Richard Donner

Cinematography by: John Schwartzman

Edited by: Kevin Stitt, Frank J. Urioste

Orchestra Contractor

Con Air (1997)

| USA

Directed by: Simon West

Cinematography by: David Tattersall

Edited by: Chris Lebenzon, Steve Mirkovich, Glen Scantlebury

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Music Contractor

As Good as It Gets (1997)

| USA

Directed by: James L. Brooks

Cinematography by: John Bailey

Edited by: Richard Marks

Orchestra Contractor

For Richer or Poorer (1997)

| USA

Directed by: Bryan Spicer

Cinematography by: Buzz Feitshans IV

Edited by: Russell Denove

Orchestra Contractor

Liar Liar (1997)

| USA

Directed by: Tom Shadyac

Cinematography by: Russell Boyd

Edited by: Don Zimmerman

Conductor / Music Contractor

The Game (1997)

| USA

Directed by: David Fincher

Cinematography by: Harris Savides

Edited by: James Haygood

Cameras: Bolex Cameras, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL27 27 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens

Music Contractor

The Jackal (1997)

| USA, UK, France, Germany, Japan

Directed by: Michael Caton-Jones

Cinematography by: Karl Walter Lindenlaub

Edited by: Jim Clark

Music Contractor

I Know What You Did Last Summer (1997)

| USA

Directed by: Jim Gillespie

Cinematography by: Denis Crossan

Edited by: Steve Mirkovich

Cameras: Panavision Cameras

Orchestra Contractor

Gone Fishin' (1997)

| USA

Directed by: Christopher Cain

Cinematography by: Dean Semler

Edited by: Jack Hofstra

Music Contractor

The Devil's Own (1997)

| USA

Directed by: Alan J. Pakula

Cinematography by: Gordon Willis

Edited by: Tom Rolf, Dennis Virkler

Orchestra Contractor

Anastasia (1997)

| USA

Directed by: Don Bluth, Gary Goldman

Edited by: Bob Bender, Fiona Trayler

Orchestra Contractor

L.A. Confidential (1997)

| USA

Directed by: Curtis Hanson

Cinematography by: Dante Spinotti

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Editing System: Lightworks Editing System

Orchestra Contractor

Julian Po (1997)

| USA

Directed by: Alan Wade

Cinematography by: Bernd Heinl

Edited by: Jeffrey Wolf

Orchestra Contractor

Amistad (1997)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Lenses: Zeiss Super Speed Lenses

Orchestra Contractor

That Old Feeling (1997)

| USA

Directed by: Carl Reiner

Cinematography by: Steve Mason

Edited by: Richard Halsey

Orchestra Contractor

Anaconda (1997)

| USA, Brazil, Peru

Directed by: Luis Llosa

Cinematography by: Bill Butler

Edited by: Michael R. Miller

Orchestra Contractor

Mousehunt (1997)

| USA

Directed by: Gore Verbinski

Cinematography by: Phedon Papamichael

Edited by: Craig Wood

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

Kiss the Girls (1997)

| USA

Directed by: Gary Fleder

Cinematography by: Aaron Schneider

Edited by: Armen Minasian, Harvey Rosenstock, William Steinkamp

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Orchestra Contractor

Speed 2: Cruise Control (1997)

| USA

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Alan Cody

Music Contractor

Trial and Error (1997)

| USA

Directed by: Jonathan Lynn

Cinematography by: Gabriel Beristain

Edited by: Tony Lombardo

Cameras: ARRIFLEX 535 Camera

Music Contractor

Seven Years in Tibet (1997)

| USA, UK

Directed by: Jean-Jacques Annaud

Cinematography by: Robert Fraisse

Edited by: Noëlle Boisson

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Music Contractor

My Best Friend's Wedding (1997)

| USA

Directed by: P.J. Hogan

Cinematography by: László Kovács

Edited by: Garth Craven, Lisa Fruchtman

Orchestra Contractor

Alien Resurrection (1997)

| USA

Directed by: Jean-Pierre Jeunet

Cinematography by: Darius Khondji

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

Titanic (1997)

| USA

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

Face/Off (1997)

| USA

Directed by: John Woo

Cinematography by: Oliver Wood

Edited by: Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Orchestra Contractor , Scoring Contractor

Out to Sea (1997)

| USA

Directed by: Martha Coolidge

Cinematography by: Lajos Koltai

Edited by: Anne V. Coates

Orchestra Contractor

Fools Rush In (1997)

| USA

Directed by: Andy Tennant

Cinematography by: Robbie Greenberg

Edited by: Roger Bondelli

Music Contractor

The Lost World: Jurassic Park (1997)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Orchestra Contractor

Dante's Peak (1997)

| USA

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV, Tina Hirsch, Howard E. Smith

Orchestra Contractor

The Relic (1997)

| UK, Germany, Japan, New Zealand, USA

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Steven Kemper

Music Contractor

The Fan (1996)

| USA

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson, Christian Wagner

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Music Contractor

The Spitfire Grill (1996)

| USA

Directed by: Lee David Zlotoff

Cinematography by: Robert Draper

Edited by: Margaret Goodspeed

Music Contractor

The Juror (1996)

| USA

Directed by: Brian Gibson

Cinematography by: Jamie Anderson

Edited by: Robert M. Reitano

Orchestra Contractor

Eye for an Eye (1996)

| USA

Directed by: John Schlesinger

Cinematography by: Amir Mokri

Edited by: Peter Honess

Music Contractor

The Long Kiss Goodnight (1996)

| USA

Directed by: Renny Harlin

Cinematography by: Guillermo Navarro

Edited by: William Goldenberg

Music Contractor

The Truth About Cats & Dogs (1996)

| USA

Directed by: Michael Lehmann

Cinematography by: Robert Brinkmann

Edited by: Stephen Semel

Cameras: ARRIFLEX 535 Camera

Orchestra Contractor

Escape from L.A. (1996)

| USA

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Edward A. Warschilka

Music Contractor

Twister (1996)

| USA

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Orchestra Contractor

Eraser (1996)

| USA

Directed by: Chuck Russell

Cinematography by: Adam Greenberg

Edited by: Michael Tronick

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Music Contractor

Down Periscope (1996)

| USA

Directed by: David S. Ward

Cinematography by: Victor Hammer

Edited by: William M. Anderson, Armen Minasian

Orchestra Contractor

Space Jam (1996)

| USA

Directed by: Joe Pytka

Cinematography by: Michael Chapman

Edited by: Sheldon Kahn

Orchestra Contractor

Diabolique (1996)

| USA

Directed by: Jeremiah S. Chechik

Cinematography by: Peter James

Edited by: Carol Littleton

Orchestra Contractor

Bed of Roses (1996)

| USA

Directed by: Michael Goldenberg

Cinematography by: Adam Kimmel

Edited by: Jane Kurson

Cameras: Panavision Cameras

Music Contractor

Daylight (1996)

| USA

Directed by: Rob Cohen

Cinematography by: David Eggby

Edited by: Peter Amundson

Lenses: Zeiss Lenses

Music Contractor

The Mirror Has Two Faces (1996)

| USA

Directed by: Barbra Streisand

Cinematography by: Andrzej Bartkowiak, Dante Spinotti

Edited by: Jeff Werner

Orchestra Manager

Fear (1996)

| USA, Canada

Directed by: James Foley

Cinematography by: Thomas Kloss

Edited by: David Brenner

Orchestra Contractor

Star Trek: First Contact (1996)

| USA

Directed by: Jonathan Frakes

Cinematography by: Matthew F. Leonetti

Edited by: John W. Wheeler

Cameras: Panavision Panaflex Platinum Camera, Wescam Cameras

Orchestra Contractor

Sgt. Bilko (1996)

| USA

Directed by: Jonathan Lynn

Cinematography by: Peter Sova

Edited by: Tony Lombardo

Orchestra Contractor

Set It Off (1996)

| USA

Directed by: F. Gary Gray

Cinematography by: Marc Reshovsky

Edited by: John Carter

Music Contractor

The Rock (1996)

| USA

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Richard Francis-Bruce

Cameras: Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Orchestra Contractor

Sleepers (1996)

| USA

Directed by: Barry Levinson

Cinematography by: Michael Ballhaus

Edited by: Stu Linder

Orchestra Contractor

Mars Attacks! (1996)

| USA

Directed by: Tim Burton

Cinematography by: Peter Suschitzky

Edited by: Chris Lebenzon

Orchestra Contractor

The War at Home (1996)

| USA

Directed by: Emilio Estevez

Cinematography by: Peter Levy

Edited by: Craig Bassett

Orchestra Contractor

Dunston Checks In (1996)

| USA

Directed by: Ken Kwapis

Cinematography by: Peter Lyons Collister

Edited by: Jon Poll

Cameras: Panavision Cameras

Orchestra Contractor

High School High (1996)

| USA

Directed by: Hart Bochner

Cinematography by: Vernon Layton

Edited by: James R. Symons

Orchestra Manager

Mother Night (1996)

| USA

Directed by: Keith Gordon

Cinematography by: Tom Richmond

Edited by: Jay Rabinowitz

Music Contractor

Courage Under Fire (1996)

| USA

Directed by: Edward Zwick

Cinematography by: Roger Deakins

Edited by: Steven Rosenblum

Music Contractor

Broken Arrow (1996)

| USA

Directed by: John Woo

Cinematography by: Peter Levy

Edited by: Joe Hutshing, Steve Mirkovich, John Wright

Cameras: Panavision Cameras

Orchestra Contractor

Fly Away Home (1996)

| USA

Directed by: Carroll Ballard

Cinematography by: Caleb Deschanel

Edited by: Nicholas C. Smith

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

James and the Giant Peach (1996)

| UK, USA

Directed by: Henry Selick

Cinematography by: Pete Kozachik, Hiro Narita

Edited by: Stan Webb

Music Contractor

Unforgettable (1996)

| USA

Directed by: John Dahl

Cinematography by: Jeffrey Jur

Edited by: Eric L. Beason, Scott Chestnut

Music Contractor

Ghosts of Mississippi (1996)

| USA

Directed by: Rob Reiner

Cinematography by: John Seale

Edited by: Robert Leighton

Music Contractor

Chain Reaction (1996)

| USA

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Dov Hoenig, Arthur Schmidt, Mark Stevens

Cameras: Panavision Cameras

Music Contractor

The Trigger Effect (1996)

| USA

Directed by: David Koepp

Cinematography by: Newton Thomas Sigel

Edited by: Jill Savitt

Orchestra Contractor

Primal Fear (1996)

| USA

Directed by: Gregory Hoblit

Cinematography by: Michael Chapman

Edited by: David Rosenbloom

Orchestra Contractor

The Cable Guy (1996)

| USA

Directed by: Ben Stiller

Cinematography by: Robert Brinkmann

Edited by: Steven Weisberg

Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

Orchestra Contractor

Ransom (1996)

| USA

Directed by: Ron Howard

Cinematography by: Piotr Sobocinski

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Orchestra Contractor

101 Dalmatians (1996)

| USA, UK

Directed by: Stephen Herek

Cinematography by: Adrian Biddle

Edited by: Trudy Ship

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Orchestra Contractor

Larger Than Life (1996)

| USA

Directed by: Howard Franklin

Cinematography by: Elliot Davis

Edited by: Sidney Levin

Music Contractor

Jingle All the Way (1996)

| USA

Directed by: Brian Levant

Cinematography by: Victor J. Kemper

Edited by: Kent Beyda, Wilt Henderson, Adam Weiss

Music Contractor

Pie in the Sky (1995)

| USA

Directed by: Bryan Gordon

Cinematography by: Bernd Heinl

Edited by: Colleen Halsey

Orchestra Contractor

Tommy Boy (1995)

| USA

Directed by: Peter Segal

Cinematography by: Victor J. Kemper

Edited by: William Kerr

Music Contractor

Father of the Bride Part II (1995)

| USA

Directed by: Charles Shyer

Cinematography by: Elliot Davis, William A. Fraker

Edited by: Adam Bernardi, Stephen A. Rotter

Orchestra Contractor

The Quick and the Dead (1995)

| Japan, USA

Directed by: Sam Raimi

Cinematography by: Dante Spinotti

Edited by: Pietro Scalia

Orchestra Contractor

Waterworld (1995)

| USA

Directed by: Kevin Reynolds

Cinematography by: Dean Semler

Edited by: Peter Boyle

Cameras: Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Music Contractor

The Grass Harp (1995)

| USA

Directed by: Charles Matthau

Cinematography by: John A. Alonzo

Edited by: Sidney Levin, Carroll Timothy O'Meara

Music Contractor

Nixon (1995)

| USA

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Orchestra Contractor

Johnny Mnemonic (1995)

| Canada, USA

Directed by: Robert Longo

Cinematography by: François Protat

Edited by: Ronald Sanders

Orchestra Contractor

Congo (1995)

| USA

Directed by: Frank Marshall

Cinematography by: Allen Daviau

Edited by: Anne V. Coates

Music Contractor

Judge Dredd (1995)