Matchmove Lead
'The Flash' Mixed Signals (2017)
Directed by: Alexandra La Roche
Edited by: Felicia Mignon Livingston
Matchmove Lead
'The Flash' The Flash Reborn (2017)
Directed by: Glen Winter
Cinematography by: Brenton Spencer
Matchmove Lead
'The Flash' Finish Line (2017)
Directed by: David McWhirter
Cinematography by: C. Kim Miles
Edited by: Felicia Mignon Livingston
Matchmove Lead
'The Flash' Infantino Street (2017)
Directed by: Michael A. Allowitz
Cinematography by: Stewart Whelan
Edited by: Nathan Draper
Matchmove Lead
'The Flash' Cause and Effect (2017)
Directed by: David McWhirter
Cinematography by: C. Kim Miles
Matchmove Lead
'The Flash' I Know Who You Are (2017)
Directed by: Hanelle M. Culpepper
Cinematography by: Stewart Whelan
Edited by: Felicia Mignon Livingston
Matchmove Lead
'The Flash' The Once and Future Flash (2017)
Directed by: Tom Cavanagh
Cinematography by: C. Kim Miles
Edited by: Nathan Draper
Matchmove Lead
'The Flash' Abra Kadabra (2017)
Directed by: Nina Lopez-Corrado
Cinematography by: Stewart Whelan
Matchmove Lead
'The Flash' Duet (2017)
Directed by: Dermott Downs
Cinematography by: C. Kim Miles
Edited by: Felicia Mignon Livingston
Matchmove Lead
'The Flash' Into the Speed Force (2017)
Directed by: Gregory Smith
Cinematography by: Stewart Whelan
Edited by: Mike Jackson
Matchmove Lead
'The Flash' The Wrath of Savitar (2017)
Directed by: Alexandra La Roche
Cinematography by: C. Kim Miles
Edited by: Christopher Oakes
Matchmove Lead
'The Flash' Attack on Central City (2017)
Directed by: Dermott Downs
Cinematography by: Stewart Whelan
Edited by: Felicia Mignon Livingston
Matchmove Lead
'The Flash' Attack on Gorilla City (2017)
Directed by: Dermott Downs
Cinematography by: Stewart Whelan
Edited by: Nathan Draper
Matchmove Lead
'The Flash' Untouchable (2017)
Directed by: Rob Hardy
Cinematography by: Ronald Richard
Matchmove Lead
'The Flash' Dead or Alive (2017)
Directed by: Harry Jierjian
Cinematography by: C. Kim Miles
Matchmove Lead - 15 Episodes, 2017
The Flash (2014)
Directed by: Dermott Downs, Ralph Hemecker, Stefan Pleszczynski, David McWhirter, Glen Winter, Jesse Warn, Rachel Talalay, Tom Cavanagh, Alexandra La Roche, Millicent Shelton, Kevin Tancharoen, Rob Hardy, J.J. Makaro, John F. Showalter, Hanelle M. Culpepper, Kevin Smith, Armen V. Kevorkian, Gregory Smith, David Nutter, Steve Shill, C. Kim Miles, Michael A. Allowitz, Brent Crowell, Harry Jierjian, Rob Greenlea, Viet Nguyen, Philip Chipera, Chris Peppe, Larry Shaw, Douglas Aarniokoski, John Behring, Nick Copus, Thor Freudenthal, Wendey Stanzler, Stephen Surjik, Antonio Negret, Alice Troughton, Laura Belsey, Nina Lopez-Corrado, Andi Armaganian, Sarah Boyd, Kevin Mock, Tara Nicole Weyr, Jeff Cassidy, Rebecca Johnson, Danielle Panabaker, Marcus Stokes, Kristin Windell
Cinematography by: C. Kim Miles, Brenton Spencer, Stewart Whelan, Alwyn Kumst, Jeffrey C. Mygatt, Glen Winter, Jan Kiesser, Bruce Worrall, Craig Wright, Ronald Richard
Edited by: Nathan Draper, Felicia Mignon Livingston, Christopher Oakes, Chris Peppe, Chris Conlee, Harry Jierjian, Paul Karasick, Dan Wilken, Rhett Finch, Mike Jackson, Iris Hershner, Andrew Kasch, Derek Stricker
Matchmove Artist
The Legend of Hercules (2014)
Directed by: Renny Harlin
Cinematography by: Sam McCurdy
Edited by: Vincent Tabaillon
Cameras: Red Epic Camera
Matchmove Artist
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Matchmove Artist
Into the Storm (2014)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Matchmove Artist
Ender's Game (2013)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Cameras: Red Epic Camera
Matchmove Artist
Dead Man Down (2013)
Directed by: Niels Arden Oplev
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Plus Camera
Match Move Artist
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Matchmove Artist
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Matchmove Artist
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Match Move Artist
The Expendables 2 (2012)
Directed by: Simon West
Cinematography by: Shelly Johnson
Edited by: Todd E. Miller
Editing System: Avid Editing System
Matchmove Artist
Rock of Ages (2012)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Emma E. Hickox
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Digital Artist
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Artist
Spy Kids 4: All the Time in the World (2011)
Directed by: Robert Rodriguez
Edited by: Dan Zimmerman
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Digital Artist
Water for Elephants (2011)
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Digital Artist
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
