David Webb

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Indiana Jones and the Dial of Destiny | ShotOnWhat?

First Assistant Director

Indiana Jones and the Dial of Destiny (2023)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Irishman | ShotOnWhat?

Co-producer, First Assistant Director

The Irishman (2019)

Directed by: Martin Scorsese

Cinematography by: Rodrigo Prieto

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras

Joker | ShotOnWhat?

Co-producer, First Assistant Director

Joker (2019)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

Editing System: Avid Editing System

Live by Night | ShotOnWhat?

Co-producer, First Assistant Director

Live by Night (2016)

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

"Vinyl" Pilot | ShotOnWhat?

First Assistant Director

'Vinyl' Pilot (2016)

Television Episode

Directed by: Martin Scorsese

Cinematography by: Rodrigo Prieto

Edited by: David Tedeschi

Vinyl | ShotOnWhat?

First Assistant Director - 1 Episode, 2016

Vinyl (2016)

Television Series

Directed by: Allen Coulter, Jon S. Baird, S.J. Clarkson, Carl Franklin, Nicole Kassell, Mark Romanek, Martin Scorsese, Peter Sollett

Cinematography by: Reed Morano, David Franco, Rodrigo Prieto

Edited by: Tim Streeto, Kate Sanford, David Tedeschi, Perri B. Frank, Eric Lorenz

Cameras: Sony PMW-F55 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Monuments Men | ShotOnWhat?

First Assistant Director

The Monuments Men (2014)

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

Editing System: Avid Editing System

Promised Land | ShotOnWhat?

First Assistant Director

Promised Land (2012)

Directed by: Gus Van Sant

Cinematography by: Linus Sandgren

Edited by: Billy Rich

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses

Argo | ShotOnWhat?

First Assistant Director

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Machine Gun Preacher | ShotOnWhat?

First Assistant Director

Machine Gun Preacher (2011)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Spacecam Aerial Cameras

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens

The Ides of March | ShotOnWhat?

First Assistant Director

The Ides of March (2011)

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Barney's Version | ShotOnWhat?

First Assistant Director

Barney's Version (2010)

Directed by: Richard J. Lewis

Cinematography by: Guy Dufaux

Edited by: Susan Shipton

Cameras: ARRIFLEX Camera

All Good Things | ShotOnWhat?

First Assistant Director

All Good Things (2010)

Directed by: Andrew Jarecki

Cinematography by: Michael Seresin

Edited by: David Rosenbloom, Shelby Siegel

Greenberg | ShotOnWhat?

First Assistant Director

Greenberg (2010)

Directed by: Noah Baumbach

Cinematography by: Harris Savides

Edited by: Tim Streeto

The Road | ShotOnWhat?

First Assistant Director: Additional Photography

The Road (2009)

Directed by: John Hillcoat

Cinematography by: Javier Aguirresarobe

Edited by: Jon Gregory

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Men Who Stare at Goats | ShotOnWhat?

First Assistant Director

The Men Who Stare at Goats (2009)

Directed by: Grant Heslov

Cinematography by: Robert Elswit

Edited by: Tatiana S. Riegel

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Leatherheads | ShotOnWhat?

First Assistant Director

Leatherheads (2008)

Directed by: George Clooney

Cinematography by: Newton Thomas Sigel

Edited by: Stephen Mirrione

Killshot | ShotOnWhat?

Co-producer, First Assistant Director

Killshot (2008)

Directed by: John Madden

Cinematography by: Caleb Deschanel

Edited by: Mick Audsley, Lisa Gunning

Milk | ShotOnWhat?

First Assistant Director

Milk (2008)

Directed by: Gus Van Sant

Cinematography by: Harris Savides

Edited by: Elliot Graham

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon Scoopic 16 / 16M Camera

Lenses: Angenieux HR Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Into the Wild | ShotOnWhat?

First Assistant Director

Into the Wild (2007)

Directed by: Sean Penn

Cinematography by: Eric Gautier

Edited by: Jay Cassidy

Cameras: Aaton 35 II Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Canon Lenses, Zeiss Ultra Prime Lenses

Good Night, and Good Luck. | ShotOnWhat?

First Assistant Director

Good Night, and Good Luck. (2005)

Directed by: George Clooney

Cinematography by: Robert Elswit

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Where the Truth Lies | ShotOnWhat?

First Assistant Director

Where the Truth Lies (2005)

Directed by: Atom Egoyan

Cinematography by: Paul Sarossy

Edited by: Susan Shipton

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Dark Water | ShotOnWhat?

First Assistant Director

Dark Water (2005)

Directed by: Walter Salles

Cinematography by: Affonso Beato

Edited by: Daniel Rezende

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Taking Lives | ShotOnWhat?

First Assistant Director

Taking Lives (2004)

Directed by: D.J. Caruso

Cinematography by: Amir Mokri

Edited by: Anne V. Coates

Stardom | ShotOnWhat?

First Assistant Director

Stardom (2000)

Directed by: Denys Arcand

Cinematography by: Guy Dufaux

Edited by: Isabelle Dedieu

Finding Forrester | ShotOnWhat?

First Assistant Director

Finding Forrester (2000)

Directed by: Gus Van Sant

Cinematography by: Harris Savides

Edited by: Valdís Óskarsdóttir

Felicia's Journey | ShotOnWhat?

First Assistant Director

Felicia's Journey (1999)

Directed by: Atom Egoyan

Cinematography by: Paul Sarossy

Edited by: Susan Shipton

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Red Violin | ShotOnWhat?

First Assistant Director: China

The Red Violin (1998)

Directed by: François Girard

Cinematography by: Alain Dostie

Edited by: Gaétan Huot

The Sweet Hereafter | ShotOnWhat?

Associate Producer, First Assistant Director

The Sweet Hereafter (1997)

Directed by: Atom Egoyan

Cinematography by: Paul Sarossy

Edited by: Susan Shipton

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Crash | ShotOnWhat?

First Assistant Director

Crash (1996)

Directed by: David Cronenberg

Cinematography by: Peter Suschitzky

Edited by: Ronald Sanders

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

To Die For | ShotOnWhat?

First Assistant Director

To Die For (1995)

Directed by: Gus Van Sant

Cinematography by: Eric Alan Edwards

Edited by: Curtiss Clayton

It Takes Two | ShotOnWhat?

First Assistant Director: Second Unit

It Takes Two (1995)

Directed by: Andy Tennant

Cinematography by: Kenneth Zunder

Edited by: Roger Bondelli

Moonlight and Valentino | ShotOnWhat?

First Assistant Director

Moonlight and Valentino (1995)

Directed by: David Anspaugh

Cinematography by: Julio Macat

Edited by: David Rosenbloom

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