Pasquale Greco

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Black Panther: Wakanda Forever | ShotOnWhat?

Production Manager: Scanable

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Lenses: Panavision Anamorphic Macro Panatar Lenses, Panavision B Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

"Stranger Things" Chapter Seven: The Massacre at Hawkins Lab | ShotOnWhat?

Visual Effects Photography

'Stranger Things' Chapter Seven: The Massacre at Hawkins Lab (2022)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Caleb Heymann

Edited by: Nat Fuller, Dean Zimmerman

"Stranger Things" Chapter Nine: The Piggyback | ShotOnWhat?

Visual Effects Photography

'Stranger Things' Chapter Nine: The Piggyback (2022)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Caleb Heymann

Edited by: Katheryn Naranjo, Dean Zimmerman

Stranger Things | ShotOnWhat?

Visual Effects Photography - 1 Episode, 2022

Stranger Things (2016)

Television Series

Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg

Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco

Edited by: Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki

Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Furious 7 | ShotOnWhat?

Data Wrangler

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

Night at the Museum: Secret of the Tomb | ShotOnWhat?

Data Wrangler: New York

Night at the Museum: Secret of the Tomb (2014)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Dean Zimmerman

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Zoom Lenses

Editing System: Avid Editing System

The Amazing Spider-Man 2 | ShotOnWhat?

Lead Data Wrangler

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Noah | ShotOnWhat?

Data Wrangler

Noah (2014)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Jack Ryan: Shadow Recruit | ShotOnWhat?

Data Wrangler: New York

Jack Ryan: Shadow Recruit (2014)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Angenieux HR Zoom Lenses, Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Winter's Tale | ShotOnWhat?

Visual Effects Data Wrangler

Winter's Tale (2014)

Directed by: Akiva Goldsman

Cinematography by: Caleb Deschanel

Edited by: Tim Squyres, Wayne Wahrman

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Secret Life of Walter Mitty | ShotOnWhat?

Visual Effects Data Wrangler

The Secret Life of Walter Mitty (2013)

Directed by: Ben Stiller

Cinematography by: Stuart Dryburgh

Edited by: Greg Hayden

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

G.I. Joe: Retaliation | ShotOnWhat?

Lead Data Wrangler

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Cirque du Soleil: Worlds Away | ShotOnWhat?

Lead Data Wrangler

Cirque du Soleil: Worlds Away (2012)

Directed by: Andrew Adamson

Cinematography by: Brett Turnbull

Edited by: Sim Evan-Jones, Dirk Westervelt

Cameras: Sony HDC-1500 Camera

Men in Black 3 | ShotOnWhat?

Lead Data Wrangler

Men in Black 3 (2012)

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

I Am Number Four | ShotOnWhat?

Lead Data Wrangler: Coordinator

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Warrior | ShotOnWhat?

Video Assist

Warrior (2011)

Directed by: Gavin O'Connor

Cinematography by: Masanobu Takayanagi

Edited by: Sean Albertson, Matt Chesse, John Gilroy, Aaron Marshall

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Editing System: Avid Editing System

She's Out of My League | ShotOnWhat?

Production Assistant

She's Out of My League (2010)

Directed by: Jim Field Smith

Cinematography by: Jim Denault

Edited by: Dan Schalk

Unstoppable | ShotOnWhat?

Video Assist

Unstoppable (2010)

Directed by: Tony Scott

Cinematography by: Ben Seresin

Edited by: Robert Duffy, Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Homecoming | ShotOnWhat?

Production Assistant

Homecoming (2009)

Directed by: Morgan J. Freeman

Cinematography by: John Burdick, Stephen Kazmierski

Edited by: Keith Reamer

Adventureland | ShotOnWhat?

Camera Production Assistant

Adventureland (2009)

Directed by: Greg Mottola

Cinematography by: Terry Stacey

Edited by: Anne McCabe

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