Laura Yanovich

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Pokémon Detective Pikachu | ShotOnWhat?

First Assistant Editor

Pokémon: Detective Pikachu (2019)

Directed by: Rob Letterman

Cinematography by: John Mathieson

Edited by: Mark Sanger, James Thomas

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Star Trek Beyond | ShotOnWhat?

First Assistant Editor

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Furious 7 | ShotOnWhat?

First Assistant Editor

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

Furious 6 | ShotOnWhat?

First Assistant Editor

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Dictator | ShotOnWhat?

Assistant Editor

The Dictator (2012)

Directed by: Larry Charles

Cinematography by: Lawrence Sher

Edited by: Greg Hayden, Eric Kissack

Cameras: ARRI ALEXA Camera, Canon EOS-5D Mark III Camera

Lenses: Panavision Primo Anamorphic Lenses

Wanderlust | ShotOnWhat?

First Assistant Editor

Wanderlust (2012)

Directed by: David Wain

Cinematography by: Michael Bonvillain

Edited by: David Moritz, Robert Nassau

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

In the Land of Blood and Honey | ShotOnWhat?

First Assistant Editor

In the Land of Blood and Honey (2011)

Directed by: Angelina Jolie

Cinematography by: Dean Semler

Edited by: Patricia Rommel

Bridesmaids | ShotOnWhat?

Assistant Editor

Bridesmaids (2011)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: William Kerr, Michael L. Sale

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Get Him to the Greek | ShotOnWhat?

First Assistant Editor

Get Him to the Greek (2010)

Directed by: Nicholas Stoller

Cinematography by: Robert D. Yeoman

Edited by: William Kerr, Michael L. Sale

Cameras: Panavision Cameras

Baby Mama | ShotOnWhat?

First Assistant Editor

Baby Mama (2008)

Directed by: Michael McCullers

Cinematography by: Daryn Okada

Edited by: Bruce Green, Debra Neil-Fisher

Cameras: Panavision Cameras

Four Christmases | ShotOnWhat?

Assistant Editor

Four Christmases (2008)

Directed by: Seth Gordon

Cinematography by: Jeffrey L. Kimball

Edited by: Mark Helfrich, Melissa Kent

Superbad | ShotOnWhat?

Assistant Editor

Superbad (2007)

Directed by: Greg Mottola

Cinematography by: Russ T. Alsobrook

Edited by: William Kerr

Cameras: Phantom HD Camera

Editing System: Avid Editing System

Kicking & Screaming | ShotOnWhat?

Associate Editor

Kicking & Screaming (2005)

Directed by: Jesse Dylan

Cinematography by: Lloyd Ahern II

Edited by: Stuart H. Pappé, Peter Teschner

Along Came Polly | ShotOnWhat?

Associate Editor

Along Came Polly (2004)

Directed by: John Hamburg

Cinematography by: Seamus McGarvey

Edited by: William Kerr, Nick Moore

Red Dragon | ShotOnWhat?

Associate Editor

Red Dragon (2002)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Rush Hour 2 | ShotOnWhat?

First Assistant Editor

Rush Hour 2 (2001)

Directed by: Brett Ratner

Cinematography by: Matthew F. Leonetti

Edited by: Mark Helfrich, Robert K. Lambert

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Family Man | ShotOnWhat?

First Assistant Editor

The Family Man (2000)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Scary Movie | ShotOnWhat?

Assistant Editor

Scary Movie (2000)

Directed by: Keenen Ivory Wayans

Cinematography by: Francis Kenny

Edited by: Mark Helfrich

Never Been Kissed | ShotOnWhat?

First Assistant Editor

Never Been Kissed (1999)

Directed by: Raja Gosnell

Cinematography by: Alex Nepomniaschy

Edited by: Debra Chiate, Marcelo Sansevieri

Dead Man on Campus | ShotOnWhat?

Assistant Editor

Dead Man on Campus (1998)

Directed by: Alan Cohn

Cinematography by: John Thomas

Edited by: Debra Chiate

Rush Hour | ShotOnWhat?

Assistant Editor

Rush Hour (1998)

Directed by: Brett Ratner

Cinematography by: Adam Greenberg

Edited by: Mark Helfrich

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Money Talks | ShotOnWhat?

Assistant Editor

Money Talks (1997)

Directed by: Brett Ratner

Cinematography by: Russell Carpenter, Robert Primes

Edited by: Mark Helfrich

Multiplicity | ShotOnWhat?

Assistant Editor

Multiplicity (1996)

Directed by: Harold Ramis

Cinematography by: László Kovács

Edited by: Craig Herring, Pembroke J. Herring

Braveheart | ShotOnWhat?

Apprentice Film Editor

Braveheart (1995)

Directed by: Mel Gibson

Cinematography by: John Toll

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Sensation | ShotOnWhat?

Apprentice Film Editor

Sensation (1994)

Directed by: Brian Grant

Cinematography by: Ross Berryman

Edited by: John Lafferty

Legends of the Fall | ShotOnWhat?

Post-production Assistant

Legends of the Fall (1994)

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Steven Rosenblum

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