Director Of Photography
A Hidden Life (2019)
Directed by: Terrence Malick
Cinematography by: Jörg Widmer
Cameras: Red Epic Dragon Camera
Camera Operator
The Girl in the Spider's Web (2018)
Directed by: Fede Alvarez
Cinematography by: Pedro Luque
Edited by: Tatiana S. Riegel
Director Of Photography: Second Unit
'Dark' Lies (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Director Of Photography: Second Unit - 10 Episodes, 2017
Dark (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses: Zeiss Ultra Prime Lenses
Director Of Photography: Second Unit
'Dark' Crossroads (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Director Of Photography: Second Unit
'Dark' As You Sow, so You Shall Reap (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Director Of Photography: Second Unit
'Dark' Everything Is Now (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Director Of Photography: Second Unit
'Dark' Alpha and Omega (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Director Of Photography: Second Unit
'Dark' Past and Present (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Director Of Photography: Second Unit
'Dark' Double Lives (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Director Of Photography: Second Unit
'Dark' Truths (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Director Of Photography: Second Unit
'Dark' Sic Mundus Creatus Est (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Director Of Photography: Second Unit
'Dark' Secrets (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Camera Operator
Atomic Blonde (2017)
Directed by: David Leitch
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Lenses: Hawk V-Lite Vintage´74 Lens
Camera Operator: "c" Camera, Germany
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Camera Operator
The Monuments Men (2014)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Camera Operator: Second Unit
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Dailies Operator
The Book Thief (2013)
Directed by: Brian Percival
Cinematography by: Florian Ballhaus
Edited by: John Wilson
Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Camera Operator
To the Wonder (2012)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Camera
Amour (2012)
Directed by: Michael Haneke
Cinematography by: Darius Khondji
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Director Of Photography, Steadicam Operator
Pina (2011)
Directed by: Wim Wenders
Edited by: Toni Froschhammer
Lenses: Zeiss DigiPrime Lenses
Camera Operator
The Tree of Life (2011)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
"a" Camera Operator / Steadicam Operator
Hanna (2011)
Directed by: Joe Wright
Cinematography by: Alwin H. Küchler
Edited by: Paul Tothill
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Editing System: Lightworks Editing System
Steadicam Operator
Poulet aux prunes (2011)
Cinematography by: Christophe Beaucarne
Edited by: Stéphane Roche
Director Of Photography: Splinter Unit
Inglourious Basterds (2009)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Steadicam Operator
The White Ribbon (2009)
Directed by: Michael Haneke
Cinematography by: Christian Berger
Edited by: Monika Willi
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Steadicam Operator / Camera Operator: "b" Camera
The Ruins (2008)
Directed by: Carter Smith
Cinematography by: Darius Khondji
Edited by: Jeff Betancourt
Steadicam Operator
Trilogia II: I skoni tou hronou (2008)
Directed by: Theodoros Angelopoulos
Cinematography by: Andreas Sinanos
Cameras: ARRIFLEX 535 Camera
Steadicam Operator
The Diving Bell and the Butterfly (2007)
Directed by: Julian Schnabel
Cinematography by: Janusz Kaminski
Edited by: Juliette Welfling
Cameras: ARRIFLEX 435 Camera
Steadicam Operator
Perfume: The Story of a Murderer (2006)
Directed by: Tom Tykwer
Cinematography by: Frank Griebe
Edited by: Alexander Berner
Steadicam Operator / Camera Operator
A Good Year (2006)
Directed by: Ridley Scott
Cinematography by: Philippe Le Sourd
Cameras: ARRICAM Lite (LT) Camera
Director Of Photography: Second Unit, Germany
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Additional Camera Operator: Morocco / Steadicam Operator: Morocco, Aerial Cinematographer: Morocco
Babel (2006)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Additional Cinematographer: Second Unit / Camera Operator: "b" Camera
V for Vendetta (2005)
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Director Of Photography: Second Unit , Steadicam Operator / Camera Operator
The New World (2005)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Director Of Photography: Germany , Director Of Photography: Plates, Germany, Steadicam Operator: Germany
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Steadicam Operator
The Pianist (2002)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Steadicam Operator
Taking Sides (2001)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Sylvie Landra
Steadicam Operator
The Piano Teacher (2001)
Directed by: Michael Haneke
Cinematography by: Christian Berger
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses, Cooke Varotal Lenses
Steadicam Operator
Amélie (2001)
Directed by: Jean-Pierre Jeunet
Cinematography by: Bruno Delbonnel
Edited by: Hervé Schneid
Lenses: Zeiss Ultra Prime Lenses
Steadicam Operator
The Princess and the Warrior (2000)
Directed by: Tom Tykwer
Cinematography by: Frank Griebe
Edited by: Mathilde Bonnefoy
Director Of Photography, Steadicam Operator / Director Of Photography: Cuban Crew / Steadicam Operator: Amsterdam Crew / Steadicam Operator: Cuban Crew
Buena Vista Social Club (1999)
Directed by: Wim Wenders
Cinematography by: Jörg Widmer
Edited by: Brian Johnson
Cameras: Sony Betacam (Unknown) Camera
Steadicam Operator
The Ninth Gate (1999)
Directed by: Roman Polanski
Cinematography by: Darius Khondji
Edited by: Hervé de Luze
Steadicam Operator
The Horseman on the Roof (1995)
Directed by: Jean-Paul Rappeneau
Cinematography by: Thierry Arbogast
Edited by: Noëlle Boisson
Steadicam Operator
Kaspar Hauser (1993)
Directed by: Peter Sehr
Cinematography by: Gernot Roll
Edited by: Heidi Handorf
Steadicam Operator
Making Up! (1993)
Directed by: Katja von Garnier
Cinematography by: Torsten Breuer
Edited by: Katja von Garnier
Cameras: ARRIFLEX 16SR3 Camera
