Leica Summilux-C Series Lenses | 46 Titles
Don’t Breathe (2016)
Country | USA
Type | Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Eric L. Beason, Louise Ford, Gardner Gould
Cameras | ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses | Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens, Leica Summilux-C 100 mm T1.4 Lens, Leica Summilux-C 16 mm T1.4 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 21 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens
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Ray Donovan (2013)
Country | USA
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Robert McLachlan, Matthew Jensen, Loren S. Yaconelli, Roy H. Wagner, David Franco, Tim Nagasawa, Dan Stoloff | Editing by | Lynne Willingham, Harvey Rosenstock, John Axness, Peter B. Ellis, Sidney Wolinsky, Tanya M. Swerling, Susan Godfrey, Amy Colla, Garret Donnelly, John Duffy, Miriam Kim
Cameras | ARRI ALEXA Camera
Lenses | Leica Summilux-C Series Lenses
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Finding Carter (2014)
Country | USA
Type | Television Series
Running Time | 42 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Alison Kelly, Bradford Lipson, Karsten Gopinath | Editing by | Jim Towne, John Wesley Whitton, Tad Dennis, Brandon Lott, Tammis Chandler, Robin Katz, Evan Henke
Lenses | Leica Summilux-C Series Lenses
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No Good Deed (2014)
Country | USA
Type | Motion Picture
Running Time | 84 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Miller | Cinematography by | Michael Barrett | Editing by | Randy Bricker, Jim Page
Cameras | Sony CineAlta F65 Camera
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Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)
Country | China, USA
Type | Motion Picture
Running Time | 96 Minutes
Directed by | Woo-Ping Yuen | Cinematography by | Newton Thomas Sigel | Editing by | Jeff Betancourt
Cameras | Red Epic Dragon Camera
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The Boss (2016)
Country | USA
Type | Motion Picture
Running Time | 99 Minutes
Aspect Ratio | 1.85:1
Directed by | Ben Falcone | Cinematography by | Julio Macat | Editing by | Craig Alpert
Cameras | ARRI ALEXA 65 Camera
Lenses | Leica Summilux-C Series Lenses
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X-Men: Apocalypse (2016)
Country | USA
Type | Motion Picture
Running Time | 144 Minutes
Aspect Ratio | 2.39:1
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman
Cameras | Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses | Leica Summilux-C Series Lenses
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London Has Fallen (2016)
Country | UK, Bulgaria, USA
Type | Motion Picture
Running Time | 99 Minutes
Aspect Ratio | 2.39:1
Directed by | Babak Najafi | Cinematography by | Ed Wild | Editing by | Michael J. Duthie, Paul Martin Smith
Cameras | Red Epic Dragon Camera
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The Wedding Ringer (2015)
Country | USA
Type | Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 2.39:1
Directed by | Jeremy Garelick | Cinematography by | Bradford Lipson | Editing by | Jeff Groth, Shelly Westerman, Byron Wong
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
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Fathers and Daughters (2015)
Country | Italy, USA
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 2.39:1
Directed by | Gabriele Muccino | Cinematography by | Shane Hurlbut | Editing by | Alex Rodríguez
Cameras | Canon EOS-C500 Camera, Red Epic Camera
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Allegiant (2016)
Country | USA
Type | Motion Picture
Running Time | 120 Minutes
Aspect Ratio | 2.39:1
Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Stuart Levy
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leica Summilux-C Series Lenses
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The Finest Hours (2016)
Country | USA
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2880x1620 - (1.78:1) Capture Resolution
Directed by | Craig Gillespie | Cinematography by | Javier Aguirresarobe | Editing by | Tatiana S. Riegel
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Leica Summilux-C Series Lenses
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Brooklyn (2015)
Country | UK, Canada, Ireland
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 1.85:1
Directed by | John Crowley | Cinematography by | Yves Bélanger | Editing by | Jake Roberts
Cameras | ARRI ALEXA XT Camera
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The Revenant (2015)
Country | USA, Hong Kong, Taiwan
Type | Motion Picture
Running Time | 156 Minutes
Aspect Ratio | 2.39:1
Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera
Lenses | Leica Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
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Kickstart Theft (2012)
Country | USA
Type | Motion Picture, Short Film
Running Time | 7 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe
Cameras | Sony CineAlta F65 Camera
Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens
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The Book Thief (2013)
Country | USA, Germany
Type | Motion Picture
Running Time | 131 Minutes
Aspect Ratio | 2.39:1
Directed by | Brian Percival | Cinematography by | Florian Ballhaus | Editing by | John Wilson
Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera
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Get Hard (2015)
Country | USA
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 1.85:1
Directed by | Etan Cohen | Cinematography by | Tim Suhrstedt | Editing by | Michael L. Sale
Cameras | ARRI ALEXA XT Plus Camera
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Saint Laurent (2014)
Country | France, Belgium
Type | Motion Picture
Running Time | 150 Minutes
Aspect Ratio | 1.85:1
Directed by | Bertrand Bonello | Cinematography by | Josée Deshaies | Editing by | Stéphane Garnier, Fabrice Rouaud
Cameras | ARRICAM Lite (LT) Camera
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The Chef’s Wife (2014)
Country | France
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 2.39:1
Directed by | Anne Le Ny | Cinematography by | Jérôme Alméras | Editing by | Guerric Catala
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses
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Avant que de tout perdre (2013)
Country | France
Type | Motion Picture, Short Film
Running Time | 29 Minutes
Aspect Ratio | 2.35:1
Directed by | Xavier Legrand | Cinematography by | Nathalie Durand | Editing by | Yorgos Lamprinos
Cameras | ARRI ALEXA Camera
Lenses | Leica Summilux-C Series Lenses
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