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Leica Summilux-C 100 mm T1.4 Lens < 3 >
Leica Summilux-C 16 mm T1.4 Lens < 3 >
Leica Summilux-C 18 mm T1.4 Lens < 4 >
Leica Summilux-C 21 mm T1.4 Lens < 3 >
Leica Summilux-C 25 mm T1.4 Lens < 4 >
Leica Summilux-C 29 mm T1.4 Lens < 4 >
Leica Summilux-C 35 mm T1.4 Lens < 4 >
Leica Summilux-C 40 mm T1.4 Lens < 5 >
Leica Summilux-C 50 mm T1.4 Lens < 4 >
Leica Summilux-C 65 mm T1.4 Lens < 4 >
Leica Summilux-C 75 mm T1.4 Lens < 4 >

Leica Summilux-C Series Lenses | 59 Titles

Leica Summilux-C Series Lenses 3.67/5 3 Votes

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Zack Snyder’s Justice League (2021)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 242 Minutes

Directed by | Zack Snyder | Cinematography by | Fabian Wagner | Editing by | David Brenner, Carlos M. Castillón, Dody Dorn

Starring | Henry Cavill, Ben Affleck, Gal Gadot, Amy Adams

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35mm Cameras, ARRIFLEX 435 Camera

Lenses | Leica Summilux-C Series Lenses

Mank (2020)

Motion Picture | 8K Project | Black & White | 2.20:1 | 131 Minutes

Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter

Starring | Gary Oldman, Amanda Seyfried, Lily Collins, Tom Pelphrey

Cameras | Red Digital Cinema Cameras

Lenses | Leica Summilux-C Series Lenses

Green Book (2018)

Motion Picture | 2D | 2K Project | Color | 2.0:1 | 130 Minutes

Directed by | Peter Farrelly | Cinematography by | Sean Porter | Editing by | Patrick J. Don Vito

Starring | Viggo Mortensen, Mahershala Ali, Linda Cardellini, Sebastian Maniscalco

Cameras | ARRI ALEXA Mini Camera

Lenses | Leica Summilux-C Series Lenses

13 Reasons Why (2017)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9), 2.0:1 | 60 Minutes

| Cinematography by | Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams | Editing by | Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox

Starring | Dylan Minnette, Katherine Langford, Christian Navarro, Alisha Boe

Cameras | Panasonic VariCam 35

Lenses | Hawk V-Lite Vintage´74 Lens, Leica Summilux-C Series Lenses

Wounds (2019)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Babak Anvari | Cinematography by | Kit Fraser | Editing by | Chris Barwell

Starring | Armie Hammer, Zazie Beetz, Karl Glusman, Christin Rankins

Cameras | ARRI ALEXA Mini Camera

Lenses | Leica Summilux-C Series Lenses

Gemini Man (2019)

Motion Picture | 2D, 3D | 4K Project | Color | 1.85:1 | 117 Minutes

Directed by | Ang Lee | Cinematography by | Dion Beebe | Editing by | Tim Squyres

Starring | Mary Elizabeth Winstead, Will Smith, Clive Owen, Douglas Hodge

Cameras | ARRI ALEXA XT M Camera, Phantom Flex4K Camera

Lenses | Leica Summilux-C Series Lenses

Silicon Valley (2014)

Television Series | 2D | Color | 1.78:1 (16x9) | 28 Minutes

| Cinematography by | Tim Suhrstedt, Jim Denault | Editing by | Tim Roche, Brian Merken, Al LeVine, Paul Zucker, Brian Bautista

Starring | Thomas Middleditch, T.J. Miller, Josh Brener, Martin Starr

Cameras | ARRI ALEXA Camera

Lenses | Leica Summilux-C Series Lenses

Stranger Things (2016)

Television Series | 2D | 4K Project | Color | 2.0:1 | 51 Minutes

| Cinematography by | Tim Ives, Tod Campbell, Lachlan Milne, David Franco | Editing by | Kevin D. Ross, Dean Zimmerman, Nat Fuller, Katheryn Naranjo

Starring | Millie Bobby Brown, Finn Wolfhard, Winona Ryder, David Harbour

Cameras | Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses | Leica Summilux-C Series Lenses

Escape Room (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Adam Robitel | Cinematography by | Marc Spicer | Editing by | Steve Mirkovich

Starring | Taylor Russell, Logan Miller, Jay Ellis, Tyler Labine

Cameras | ARRI ALEXA Mini Camera

Lenses | Leica Summilux-C 100 mm T1.4 Lens, Leica Summilux-C 16 mm T1.4 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 21 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens

Whiplash (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Damien Chazelle | Cinematography by | Sharone Meir | Editing by | Tom Cross

Starring | Miles Teller, J.K. Simmons, Melissa Benoist, Paul Reiser

Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Leica Summilux-C Series Lenses

Mindhunter (2017)

Television Series | 2D | 6K Project | Color | 2.20:1 | 60 Minutes

| Cinematography by | Erik Messerschmidt, Christopher Probst | Editing by | Tyler Nelson, Kirk Baxter, Grant Surmi, Byron Smith, Eric Zumbrunnen

Starring | Jonathan Groff, Holt McCallany, Anna Torv, Hannah Gross

Cameras | Red Xenomorph Camera

Lenses | Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens

Into the Badlands (2015)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9) | 42 Minutes

| Cinematography by | Owen McPolin, Shane Hurlbut, Sam McCurdy, Daniel Aranyó, Nigel Willoughby, Denis Crossan, P.J. Dillon, Jean-Philippe Gossart | Editing by | Paul G. Day, Ben Wilkinson, Erin Deck, Jay Prychidny, Bridget Durnford, Ray Daniels III, Vikash Patel, Anthony Pinker, Cedric Nairn-Smith

Starring | Daniel Wu, Orla Brady, Emily Beecham, Aramis Knight

Cameras | Red Epic Dragon Camera

Lenses | Leica Summicron-C Series Lenses, Leica Summilux-C Series Lenses

Avengers: Infinity War (2018)

Motion Picture | 3D | 2K Project | Color | 1.90:1, 2.39:1 | 149 Minutes

Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt

Starring | Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans

Cameras | ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses | Angenieux Lenses, Leica Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Dogs of Berlin (2018)

Television Series | 2D | 4K Project | Color | 2.0:1 | 542 Minutes

| Cinematography by | Christoph Krauss, Frank Lamm | Editing by | Marc Hofmeister, Bobby Good

Starring | Felix Kramer, Fahri Yardim, Samy Abdel Fattah, Mohamed Issa

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 28mm T4.0 Lens, ARRI Rental Prime DNA Lenses, Leica Summilux-C Series Lenses

Don’t Breathe (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 88 Minutes

Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Eric L. Beason, Louise Ford, Gardner Gould

Starring | Stephen Lang, Jane Levy, Dylan Minnette, Daniel Zovatto

Cameras | ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses | Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens, Leica Summilux-C 100 mm T1.4 Lens, Leica Summilux-C 16 mm T1.4 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 21 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens

Ray Donovan (2013)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Robert McLachlan, Matthew Jensen, Loren S. Yaconelli, Roy H. Wagner, David Franco, Tim Nagasawa, Dan Stoloff | Editing by | Lynne Willingham, Harvey Rosenstock, John Axness, Peter B. Ellis, Sidney Wolinsky, Tanya M. Swerling, Susan Godfrey, Amy Colla, Garret Donnelly, John Duffy, Miriam Kim

Starring | Liev Schreiber, Eddie Marsan, Dash Mihok, Katherine Moennig

Cameras | ARRI ALEXA Camera

Lenses | Leica Summilux-C Series Lenses

Finding Carter (2014)

Television Series | 2D | Color | 1.78:1 (16x9) | 42 Minutes

| Cinematography by | Alison Kelly, Bradford Lipson, Karsten Gopinath | Editing by | Jim Towne, John Wesley Whitton, Tad Dennis, Brandon Lott, Tammis Chandler, Robin Katz, Evan Henke

Starring | Kathryn Prescott, Cynthia Watros, Anna Jacoby-Heron, Alex Saxon

Lenses | Leica Summilux-C Series Lenses

No Good Deed (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 84 Minutes

Directed by | Sam Miller | Cinematography by | Michael Barrett | Editing by | Randy Bricker, Jim Page

Starring | Taraji P. Henson, Idris Elba, Leslie Bibb, Kate del Castillo

Cameras | Sony CineAlta F65 Camera

Lenses | Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses

Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)

Motion Picture | 3D | 4K Project | Black & White, Color | 1.90:1, 2.39:1 | 96 Minutes

Directed by | Woo-Ping Yuen | Cinematography by | Newton Thomas Sigel | Editing by | Jeff Betancourt

Starring | Donnie Yen, Michelle Yeoh, Harry Shum Jr., Natasha Liu Bordizzo

Cameras | Red Epic Dragon Camera

Lenses | Leica Summicron-C Series Lenses, Leica Summilux-C Series Lenses

The Boss (2016)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Ben Falcone | Cinematography by | Julio Macat | Editing by | Craig Alpert

Starring | Melissa McCarthy, Kristen Bell, Peter Dinklage, Ella Anderson

Cameras | ARRI ALEXA 65 Camera

Lenses | Leica Summilux-C Series Lenses