Fujinon Cabrio (ZK4.7x19) 19-90 mm T2.9 Lens | 7 Titles
PEN15 (2019)
Country | USA
Type | Television Series
Running Time | 30 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Andy Rydzewski | Editing by | Taichi Erskine, Matt McBrayer, Amelia Allwarden
Cameras | ARRI ALEXA Mini Camera
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Status Update (2018)
Country | Canada, USA, China
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Directed by | Scott Speer | Cinematography by | Russ T. Alsobrook | Editing by | Sean Valla
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Cooke S4/i Lenses, Fujinon Cabrio (ZK4.7x19) 19-90 mm T2.9 Lens, Fujinon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses
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Jurassic World (2015)
Country | USA
Type | Motion Picture
Running Time | 124 Minutes
Aspect Ratio | 2.0:1
Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera
Lenses | Fujinon Cabrio (ZK4.7x19) 19-90 mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses
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Lone Survivor (2013)
Country | USA
Type | Motion Picture
Running Time | 121 Minutes
Aspect Ratio | 2.39:1
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr.
Cameras | Phantom Flex Camera, Red Epic Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90 mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens
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Poison Sky (0)
Country | USA
Type | Direct to Video, Motion Picture
Running Time | 120 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Steve Wargo | Cinematography by | Dustinn Craig, Jay Lee, Steve Wargo | Editing by | Steve Wargo
Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera
Lenses | Fujinon Cabrio (ZK4.7x19) 19-90 mm T2.9 Lens, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses
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The Fifth Estate (2013)
Country | USA, India, Belgium
Type | Motion Picture
Running Time | 128 Minutes
Aspect Ratio | 2.39:1
Directed by | Bill Condon | Cinematography by | Tobias A. Schliessler | Editing by | Virginia Katz
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 45-120mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90 mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Zeiss Master Prime Lenses
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1000 to 1: The Cory Weissman Story (2014)
Country | USA
Type | Direct to Video, Motion Picture
Running Time | 99 Minutes
Aspect Ratio | 1.85:1
Directed by | Michael Levine | Cinematography by | James Mathers | Editing by | Colleen Halsey, Richard Halsey
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 19.5-94mm T2.4 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90 mm T2.9 Lens, Zeiss Lenses
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