Angenieux Optimo 24-290 mm T2.8 Lens | 170 Titles
Faust (2011)
Directed by | Aleksandr Sokurov | Cinematography by | Bruno Delbonnel | Editing by | Jörg Hauschild
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses
Thérèse (2012)
Directed by | Claude Miller | Cinematography by | Gérard de Battista | Editing by | Véronique Lange
Cameras | ARRI ALEXA Camera
Nous York (2012)
Directed by | Hervé Mimran, Géraldine Nakache | Cinematography by | Stéphane Le Parc | Editing by | Benjamin Weill
Cameras | ARRI ALEXA Camera
Mauvaise fille (2012)
Directed by | Patrick Mille | Cinematography by | Jérôme Alméras | Editing by | Yann Dedet
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses, Cooke S4 Lenses
Denis (2013)
Directed by | Lionel Bailliu | Cinematography by | Stéphane Le Parc | Editing by | Vincent Zuffranieri
Cameras | ARRI ALEXA Camera
Un beau dimanche (2013)
Directed by | Nicole Garcia | Cinematography by | Pierre Milon | Editing by | Simon Jacquet
Cameras | ARRI ALEXA Camera
En solitaire (2013)
Directed by | Christophe Offenstein | Cinematography by | Guillaume Schiffman | Editing by | Ruy Diaz, Véronique Lange
Cameras | Red Epic Camera, Red Scarlet Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
À coup sûr (2014)
Directed by | Delphine de Vigan | Cinematography by | Antoine Monod | Editing by | Reynald Bertrand
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Dans la cour (2014)
Directed by | Pierre Salvadori | Cinematography by | Gilles Henry | Editing by | Isabelle Devinck
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Don-eui mat (2012)
Directed by | Sang-soo Im | Cinematography by | Woo-hyung Kim | Editing by | Eun Soo Lee
Cameras | Red One Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Renoir (2012)
Directed by | Gilles Bourdos | Cinematography by | Ping Bin Lee | Editing by | Yannick Kergoat
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses
Bienvenue parmi nous (2012)
Directed by | Jean Becker | Cinematography by | Arthur Cloquet | Editing by | Franck Nakache, Jacques Witta
Cameras | ARRI ALEXA Camera
Bowling (2012)
Directed by | Marie-Castille Mention-Schaar | Cinematography by | Myriam Vinocour | Editing by | Hugues Darmois
Cameras | ARRI ALEXA Camera
Le crocodile du Botswanga (2014)
Directed by | Lionel Steketee, Fabrice Eboué | Cinematography by | Stéphane Le Parc | Editing by | Frédérique Olszak
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Master Anamorphic Lenses, Fujinon Alura Lenses
The Monuments Men (2014)
Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Requiem pour une tueuse (2011)
When Pigs Have Wings (2011)
Directed by | Sylvain Estibal | Cinematography by | Romain Winding | Editing by | Damien Keyeux
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Leila (2010)
Directed by | Audrey Estrougo | Cinematography by | Guillaume Schiffman | Editing by | Sophie Reine
Cameras | ARRIFLEX D-21 Camera
Une nuit (2012)
Directed by | Philippe Lefebvre | Cinematography by | Jérôme Alméras | Editing by | Pascale Fenouillet
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses
Les hommes libres (2011)
Directed by | Ismaël Ferroukhi | Cinematography by | Jérôme Alméras | Editing by | Annette Dutertre
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
