Angenieux Optimo 24-290 mm T2.8 Lens | 170 Titles
24 Days (2014)
Directed by | Alexandre Arcady | Cinematography by | Gilles Henry | Editing by | Manuel De Sousa
Cameras | ARRI ALEXA Camera
Les trois frères, le retour (2014)
Directed by | Didier Bourdon, Bernard Campan, Pascal Légitimus | Cinematography by | Pascal Caubère | Editing by | Jeanne Kef
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
The Chef’s Wife (2014)
Directed by | Anne Le Ny | Cinematography by | Jérôme Alméras | Editing by | Guerric Catala
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses
Ablations (2014)
Directed by | Arnold de Parscau | Cinematography by | François Catonné | Editing by | Pascale Chavance
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Les Homosapiennes (2015)
Directed by | Tony Borden, Brendan Ferrer | Cinematography by | Aaron Wesner | Editing by | Tony Borden, Brendan Ferrer
Les vacances du petit Nicolas (2014)
Directed by | Laurent Tirard | Cinematography by | Denis Rouden | Editing by | Valérie Deseine
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses
Lou! Journal infime (2014)
Directed by | Julien Neel | Cinematography by | Pierre Milon | Editing by | Yannick Kergoat
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses
On a marché sur Bangkok (2014)
Directed by | Olivier Baroux | Cinematography by | Régis Blondeau | Editing by | Christophe Pinel
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera
Cold in July (2014)
Directed by | Jim Mickle | Cinematography by | Ryan Samul | Editing by | John Paul Horstmann, Jim Mickle
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
Les yeux jaunes des crocodiles (2014)
Directed by | Cécile Telerman | Cinematography by | Colin Houben, Pascal Ridao
Cameras | ARRI ALEXA Camera
On voulait tout casser (2015)
Directed by | Philippe Guillard | Cinematography by | Ludovic Colbeau-Justin
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Le dernier loup (2015)
Directed by | Jean-Jacques Annaud | Cinematography by | Jean-Marie Dreujou | Editing by | Reynald Bertrand
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens
Journal d’une femme de chambre (2015)
Directed by | Benoît Jacquot | Cinematography by | Romain Winding | Editing by | Julia Gregory
Cameras | Sony PMW-F55 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
The Homesman (2014)
Directed by | Tommy Lee Jones | Cinematography by | Rodrigo Prieto | Editing by | Roberto Silvi
Cameras | ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses
The Transporter Refueled (2015)
Directed by | Camille Delamarre | Cinematography by | Christophe Collette, Vincent Richard | Editing by | Julien Rey
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
La liste de mes envies (2014)
Directed by | Didier Le Pêcheur | Cinematography by | Myriam Vinocour | Editing by | Christine Lucas Navarro
Cameras | ARRI ALEXA Plus Camera
Supercondriaque (2014)
Directed by | Dany Boon | Cinematography by | Romain Winding | Editing by | Monica Coleman
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Je fais le mort (2013)
La mante religieuse (2012)
Directed by | Natalie Saracco | Cinematography by | Giovanni Fiore Coltellacci | Editing by | Nathalie Langlade
The Price of Desire (2015)
Directed by | Mary McGuckian | Cinematography by | Stefan von Bjorn | Editing by | John O'Connor, Robert O'Connor, Kant Pan
Cameras | Red Epic Dragon Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses
