Since its creation in 1935, the company has preserved its know-how and remains in the forefront of innovation, with the ability to find its customers the best professional optical solutions.
Angenieux Lenses | 860 Titles
Phone: +33 (0)4 77 90 78 30
Contact: Contact: Edith Bertrand
Thales Angenieux’s Optimo series of zooms have become the most sought after lenses all over the world.
Battle Royale (2000)
Directed by | Kinji Fukasaku | Cinematography by | Katsumi Yanagijima | Editing by | Hirohide Abe
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Habemus Papam (2011)
Directed by | Nanni Moretti | Cinematography by | Alessandro Pesci | Editing by | Esmeralda Calabria
Un heureux événement (2011)
Directed by | Rémi Bezançon | Cinematography by | Antoine Monod | Editing by | Sophie Reine
Cameras | ARRICAM Studio (ST) Camera
La pirogue (2012)
Directed by | Moussa Touré | Cinematography by | Thomas Letellier | Editing by | Josie Miljevic
Cameras | Sony SRW-9000PL Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by | Rob Cohen | Cinematography by | Simon Duggan | Editing by | Kelly Matsumoto, Joel Negron
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Good Deeds (2012)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
A Thousand Words (2012)
The Constant Gardener (2005)
Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Claire Simpson
Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Angenieux HR Zoom Lenses
Vampire Effect (2003)
Directed by | Dante Lam | Cinematography by | Man Po Cheung | Editing by | Ki-Hop Chan
Lenses | Angenieux Lenses, Zeiss Lenses
Pirate Radio (2009)
Directed by | Richard Curtis | Cinematography by | Danny Cohen | Editing by | Emma E. Hickox
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
A Lot Like Love (2005)
Directed by | Nigel Cole | Cinematography by | John de Borman | Editing by | Susan Littenberg
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Cheong wong (2000)
Directed by | Chi-Leung Law | Cinematography by | Kwok-Man Keung | Editing by | Chi-Leung Kwong
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Micmacs à tire-larigot (2009)
The GWARnage Campaign (2002)
360 (2011)
Directed by | Fernando Meirelles | Cinematography by | Adriano Goldman | Editing by | Daniel Rezende
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses
Apocalypse and the Beauty Queen (2005)
Directed by | Thomas Smugala | Cinematography by | Jeff Barklage | Editing by | Daniel Hirsh, Michael Matassa, Jack Snyder
Cameras | ARRIFLEX 35 III Camera, Moviecam 3N Camera
Lenses | Angenieux HP Zoom Lenses, Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke Speed Panchro (S1) 32mm f2.0 Lens, Cooke Speed Panchro (S1) 40mm f2.0 Lens, Cooke Speed Panchro (S1) 50mm f2.0 Lens, Cooke Speed Panchro (S1) 75mm f2.0 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens, Cooke Zoom Lenses
The Departed (2006) 
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Underworld: Awakening (2012)
Directed by | Måns Mårlind, Björn Stein | Cinematography by | Scott Kevan | Editing by | Jeff McEvoy
Cameras | Red Epic Camera
TRON (2010)
Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | James Haygood
Cameras | Phantom HD Camera, Sony CineAlta F35 Camera
Prometheus (2012)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia
Cameras | ARRI ALEXA Camera, Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
