Lenses » Angenieux Lenses

Angenieux 24-240 mm f2.6 Zoom Lens : 2Angenieux HEC Zoom Lenses : 3Angenieux HP Zoom Lenses : 8Angenieux HR Zoom Lenses : 68Angenieux Optimo Anamorphic Lenses : 31Angenieux Optimo DP Zoom Lenses : 25Angenieux Optimo Style Lenses : 7Angenieux Optimo Zoom Lenses : 636Angenieux Retrofocus Lenses : 1

Angenieux Lenses | 827 Titles

Angenieux Lenses 4.25/5 8 Votes

Since its creation in 1935, the company has preserved its know-how and remains in the forefront of innovation, with the ability to find its customers the best professional optical solutions.

Thales Angenieux

Phone: +33 (0)4 77 90 78 30

Contact: Contact: Edith Bertrand

[edith.bertrand@fr.thalesgroup.com]

Angenieux Lenses

www.angenieux.com

http://www.angenieux.com

Thales Angenieux’s Optimo series of zooms have become the most sought after lenses all over the world.

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U2 3D (2007)

Motion Picture | 3D | HD Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki

Starring | Bono, Adam Clayton, The Edge, Larry Mullen Jr.

Cameras | Sony HDW-F900 Camera

Lenses | Angenieux Lenses, Fujinon Lenses, Zeiss ZE Prime Lenses

Quantum of Solace (2008)

Motion Picture | 2D | Color | 2.35:1 | 106 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse, Richard Pearson

Starring | Daniel Craig, Olga Kurylenko, Mathieu Amalric, Judi Dench

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Stranger Than Fiction (2006)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Will Ferrell, Emma Thompson, Dustin Hoffman, Queen Latifah

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

War Horse (2011)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 146 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Jeremy Irvine, Emily Watson, David Thewlis, Benedict Cumberbatch

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Margin Call (2011)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 107 Minutes

Directed by | J.C. Chandor | Cinematography by | Frank G. DeMarco | Editing by | Pete Beaudreau

Starring | Zachary Quinto, Stanley Tucci, Kevin Spacey, Paul Bettany

Cameras | ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Red One MX Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Standard Speed Prime Lenses

Friday the 13th (2009)

Motion Picture | 2D | Color | 2.35:1 | 97 Minutes

Friday the 13th | ShotOnWhat?

Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Ken Blackwell

Starring | Jared Padalecki, Amanda Righetti, Derek Mears, Danielle Panabaker

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses

Cemetery Junction (2010)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Ricky Gervais, Stephen Merchant | Cinematography by | Remi Adefarasin | Editing by | Valerio Bonelli

Starring | Christian Cooke, Felicity Jones, Tom Hughes, Jack Doolan

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

New Kids Nitro (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 74 Minutes

Directed by | Steffen Haars, Flip Van der Kuil | Cinematography by | Joris Kerbosch | Editing by | Brian Ent, Flip Van der Kuil

Starring | Huub Smit, Tim Haars, Wesley van Gaalen, Steffen Haars

Cameras | Red One MX Camera

Lenses | Angenieux Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Angenieux Optimo DP Zoom Lenses, Cooke Lenses, Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens, Cooke miniS4/i Lenses

Burn After Reading (2008)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Emmanuel Lubezki | Editing by | Ethan Coen, Joel Coen

Starring | Brad Pitt, Frances McDormand, George Clooney, John Malkovich

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Agent Crush (2008)

Motion Picture | 2D | Color | 2.39:1 | 93 Minutes

Directed by | Sean Robinson | Cinematography by | Peter Field | Editing by | David Freemantle

Starring | Brian Blessed, Neve Campbell, Brian Cox, Jon Culshaw

Cameras | ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Place Beyond the Pines (2012)

Motion Picture | 2D | Color | 2.39:1 | 140 Minutes

Directed by | Derek Cianfrance | Cinematography by | Sean Bobbitt | Editing by | Jim Helton, Ron Patane

Starring | Ryan Gosling, Bradley Cooper, Eva Mendes, Craig Van Hook

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4/i Lenses

London Boulevard (2010)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | William Monahan | Cinematography by | Chris Menges | Editing by | Dody Dorn, Robb Sullivan

Starring | Colin Farrell, Keira Knightley, Ray Winstone, David Thewlis

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Robin Hood (2010)

Motion Picture | 2D | Color | 2.39:1 | 140 Minutes

Robin Hood | ShotOnWhat?

Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia

Starring | Russell Crowe, Cate Blanchett, Matthew Macfadyen, Max von Sydow

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses | Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Atlas Shrugged II: The Strike (2012)

Motion Picture | 2D | Color | 1.78:1 (16x9), 2.39:1 | 111 Minutes

Atlas Shrugged II: The Strike | ShotOnWhat?

Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | John Gilbert

Starring | Samantha Mathis, Jason Beghe, Esai Morales, Patrick Fabian

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Elizabeth: The Golden Age (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 114 Minutes

Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock

Starring | Cate Blanchett, Clive Owen, Geoffrey Rush, Jordi Mollà

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Win Win (2011)

Motion Picture | 2D | 2K Project | Color | 106 Minutes

Directed by | Tom McCarthy | Cinematography by | Oliver Bokelberg | Editing by | Tom McArdle

Starring | Paul Giamatti, Amy Ryan, Jeffrey Tambor, Bobby Cannavale

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Brightness (1987)

Motion Picture | 2D | Color | 1.66:1 | 105 Minutes

Directed by | Souleymane Cissé | Cinematography by | Jean-Noël Ferragut, Jean-Michel Humeau | Editing by | Dounamba Coulibaly, Andrée Davanture, Jenny Frenck, Nathalie Goepfert, Seipati Keita, Marie-Catherine Miqueau, Seipati N'Xumalo

Starring | Issiaka Kane, Aoua Sangare, Niamanto Sanogo, Balla Moussa Keita

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Angenieux HP Zoom Lenses, Zeiss Standard Speed Prime Lenses

Marie Antoinette (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 123 Minutes

Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack

Starring | Kirsten Dunst, Jason Schwartzman, Rip Torn, Judy Davis

Cameras | Aaton 35-III Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Match Point (2005)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Woody Allen | Cinematography by | Remi Adefarasin | Editing by | Alisa Lepselter

Starring | Scarlett Johansson, Jonathan Rhys Meyers, Emily Mortimer, Matthew Goode

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Innkeepers (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Ti West | Cinematography by | Eliot Rockett | Editing by | Ti West

Starring | Sara Paxton, Pat Healy, Kelly McGillis, Alison Bartlett

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

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