Since its creation in 1935, the company has preserved its know-how and remains in the forefront of innovation, with the ability to find its customers the best professional optical solutions.
Angenieux Lenses | 860 Titles
Phone: +33 (0)4 77 90 78 30
Contact: Contact: Edith Bertrand
Thales Angenieux’s Optimo series of zooms have become the most sought after lenses all over the world.
Vie sauvage (2014)
Directed by | Cédric Kahn | Cinematography by | Yves Cape | Editing by | Simon Jacquet
Cameras | Sony PMW-F55 Camera
Get on Up (2014)
Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Michael McCusker
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses
Calvary (2014)
Directed by | John Michael McDonagh | Cinematography by | Larry Smith | Editing by | Chris Gill
Cameras | ARRI ALEXA Series Cameras
RED (2010)
Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Thom Noble
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses
Respire (2014)
Directed by | Mélanie Laurent | Cinematography by | Arnaud Potier | Editing by | Guerric Catala
Cameras | ARRI ALEXA Camera
Les souvenirs (2014)
Directed by | Jean-Paul Rouve | Cinematography by | Christophe Offenstein | Editing by | Christel Dewynter
Cameras | ARRI ALEXA Series Cameras
La belle saison (2015)
Directed by | Catherine Corsini | Cinematography by | Jeanne Lapoirie | Editing by | Frédéric Baillehaiche
Cameras | ARRI ALEXA Series Cameras
L’effet aquatique (2016)
Directed by | Sólveig Anspach, Jean-Luc Gaget | Cinematography by | Isabelle Razavet | Editing by | Anne Riegel
Cameras | ARRI ALEXA Series Cameras
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Et ta soeur (2015)
Directed by | Marion Vernoux | Cinematography by | Nicolas Gaurin | Editing by | Guerric Catala
Cameras | ARRI AMIRA Camera
La dernière leçon (2015)
Directed by | Pascale Pouzadoux | Cinematography by | Nicolas Brunet | Editing by | Sylvie Gadmer
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
Ange et Gabrielle (2015)
Directed by | Anne Giafferi | Cinematography by | Stéphane Cami | Editing by | Christine Lucas Navarro
Cameras | ARRI ALEXA XT Plus Camera
The Transporter Refueled (2015)
Directed by | Camille Delamarre | Cinematography by | Christophe Collette, Vincent Richard | Editing by | Julien Rey
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
World Without End (2012)
| Cinematography by | Denis Crossan | Editing by | István Király, Susan Maggi
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
R.I.S. Police scientifique (2006)
| Cinematography by | Dominique Brenguier, Philippe Lenouvel, Bernard Cassan, Laurent Dhainaut, José Gérel, Bernard Malaisy, Pascal Gennesseaux | Editing by | Emmanuel Douce, Bob Rayers, Ludivine Saes, Fabrice Dautcourt, Patrick Zouzout, Dominique B. Martin, Sophie Fourdrinoy, Yann Hervé, Jean de Garrigues, Virginie Parrot, Sophie Cornu, Aurélien Dupont, Lao Fu, Bénédicte Gellé, Valérie Longeville, Marion Monnier, Valéry-Anne Sarcy, Karine Olivier, Pascal Jauffrès, Renaud Ziegler
Animal Practice (2012)
| Cinematography by | Anghel Decca, Giovani Lampassi | Editing by | Ruthie Aslan, Jeff Hall, Peter B. Ellis
SMS (2014)
Directed by | Gabriel Julien-Laferrière | Cinematography by | Axel Cosnefroy | Editing by | Stephan Couturier
L’Oranais (2014)
La liste de mes envies (2014)
Directed by | Didier Le Pêcheur | Cinematography by | Myriam Vinocour | Editing by | Christine Lucas Navarro
Cameras | ARRI ALEXA Plus Camera
Supercondriaque (2014)
Directed by | Dany Boon | Cinematography by | Romain Winding | Editing by | Monica Coleman
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Je fais le mort (2013)
