Panavision | 1673 Titles
Dead Poets Society (1989)
Directed by | Peter Weir | Cinematography by | John Seale | Editing by | William M. Anderson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Qi ji (1989)
Directed by | Jackie Chan | Cinematography by | Arthur Wong | Editing by | Peter Cheung
Cameras | ARRIFLEX 35 III Camera
Loverboy (2005)
Wonder Boys (2000)
Directed by | Curtis Hanson | Cinematography by | Dante Spinotti | Editing by | Dede Allen
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses
Iron Man (2008)
Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
5 Star Day (2010)
Directed by | Danny Buday | Cinematography by | Jason Oldak | Editing by | Curtis Pierce
Cameras | Moviecam Compact Camera
Reign Over Me (2007)
Directed by | Mike Binder | Cinematography by | Russ T. Alsobrook | Editing by | Steve Edwards, Jeremy Roush
Cameras | Panavision Genesis Camera
Repo! The Genetic Opera (2008)
Directed by | Darren Lynn Bousman | Cinematography by | Joseph White | Editing by | Harvey Rosenstock
Cameras | Panavision Genesis Camera
29th Street (1991)
Directed by | George Gallo | Cinematography by | Steven Fierberg | Editing by | Kaja Fehr
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Wanted (2008)
Directed by | Timur Bekmambetov | Cinematography by | Mitchell Amundsen | Editing by | David Brenner
Australia (2008)
Directed by | Baz Luhrmann | Cinematography by | Mandy Walker | Editing by | Dody Dorn, Michael McCusker
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
Blood Beach (1980)
Directed by | Jeffrey Bloom | Cinematography by | Steven Poster | Editing by | Gary Griffin
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Haunting in Connecticut (2009)
Directed by | Peter Cornwell | Cinematography by | Adam Swica | Editing by | Tom Elkins
Cameras | Moviecam Compact Camera, Panavision Cameras
Lenses | Angenieux Optimo Zoom Lenses
The Sweet Hereafter (1997)
Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton
Cameras | Panavision Panaflex Gold II Camera
Safety Not Guaranteed (2012)
Directed by | Colin Trevorrow | Cinematography by | Benjamin Kasulke | Editing by | Joe Landauer, Franklin Peterson
Cameras | Sony PMW-F3 Camera
Lenses | Panavision Ultra Speed MKII Lenses
Northfork (2003)
Directed by | Michael Polish | Cinematography by | M. David Mullen | Editing by | Leo Trombetta
Lenses | Panavision Primo Anamorphic Lenses
Wyatt Earp (1994)
Walk the Line (2005)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Standard Primes (SP) Lenses
Matilda (1996)
Directed by | Danny DeVito | Cinematography by | Stefan Czapsky | Editing by | Lynzee Klingman, Brent White
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Roseanna’s Grave (1997)
