Lens Manufacturer » Panavision

Panavision  |  1673 Titles

Panavision 3.00/5 3 Votes

Ernest Saves Christmas   (1988)

  |    |  Color  |    |  95 Minutes
Directed by | John R. Cherry III | Cinematography by | Peter Stein | Editing by | Sharyn L. Ross
Cameras |

The Hard Easy   (2006)

  |    |  Color  |    |  105 Minutes
Directed by | Ari Ryan | Cinematography by | Robert Morris | Editing by | Monica Anderson, Gary Trentham
Cameras |

Class   (1983)

  |    |  Color  |    |  98 Minutes

The Holiday   (2006)

  |    |  Color  |    |  138 Minutes

Gunfighter’s Moon   (1995)

  |    |  Color  |  95 Minutes
Directed by | Larry Ferguson | Cinematography by | James L. Carter | Editing by | Jere Huggins
Cameras |

The Big Sleep   (1978)

  |    |  Color  |    |  99 Minutes
Directed by | Michael Winner | Cinematography by | Robert Paynter
Cameras |

Red Dawn   (1984)

  |    |  Color  |    |  114 Minutes
Directed by | John Milius | Cinematography by | Ric Waite | Editing by | Thom Noble
Cameras |

The Capture of Bigfoot   (1979)

  |    |  Color  |    |  92 Minutes

Eraser   (1996)

  |    |  Color  |    |  115 Minutes

Pet Sematary   (1989)

  |    |  Color  |    |  103 Minutes
Directed by | Mary Lambert | Cinematography by | Peter Stein | Editing by | Daniel P. Hanley, Mike Hill
Cameras |

Everybody’s Baby: The Rescue of Jessica McClure   (1989)

  |    |  Color  |    |  100 Minutes
Directed by | Mel Damski | Cinematography by | Shelly Johnson | Editing by | Ron Binkowski
Cameras |

Blackjack   (1998)

  |    |  Color  |    |  112 Minutes
Directed by | John Woo | Cinematography by | Bill Wong | Editing by | Ron Wisman
Cameras |

Ferris Bueller’s Day Off   (1986)

  |    |  Color  |    |  103 Minutes
Directed by | John Hughes | Cinematography by | Tak Fujimoto | Editing by | Paul Hirsch
Cameras |

16 Blocks   (2006)

  |    |  Black and White, Color  |  102 Minutes
Directed by | Richard Donner | Cinematography by | Glen MacPherson | Editing by | Steve Mirkovich
Cameras |

Heaven’s Fire   (1999)

  |    |  Color  |  87 Minutes
Directed by | David Warry-Smith | Cinematography by | Gordon Verheul | Editing by | Grace Yuen
Cameras |

The Ascent   (1994)

  |    |  Color  |    |  96 Minutes
Directed by | Donald Shebib | Cinematography by | David Connell | Editing by | Ron Wisman
Cameras |

Guilty Conscience   (1985)

  |    |  Color  |    |  104 Minutes
Directed by | David Greene | Cinematography by | Stevan Larner | Editing by | Parkie L. Singh
Cameras |

Basic Training   (1985)

  |    |  Color  |    |  88 Minutes
Directed by | Andrew Sugerman | Cinematography by | Stephen W. Gray | Editing by | Larry Bock
Cameras |

Collision Course   (1989)

  |    |  Color  |    |  100 Minutes
Directed by | Lewis Teague | Cinematography by | Donald E. Thorin | Editing by | Gerald B. Greenberg, Sonya Polonsky
Cameras |

The Pirate Movie   (1982)

  |    |  Color  |    |  98 Minutes
Directed by | Ken Annakin | Cinematography by | Robin Copping | Editing by | Ken Zemke
Cameras |