Current products Cooke S4/i, 5/i, miniS4/i, Anamorphic/i, Anamorphic/i SF, Anamorphic/i 35-140mm Zoom, Panchro/i Classic, S7/i Full Frame Plus lenses, Cooke Lens Projector, Multi Mounts for the miniS4/i and Panchro/i Classic lenses for Sony E and Micro 4/3 cameras
Cooke Optics Limited | 451 Titles
Phone: +1 44 (0)116 264 0700 / +1 973 335 4460
Contact: Les Zellan
Introduced: 1998
Cooke Optics Limited is known worldwide for precision, exacting tolerances and superior quality in the design and manufacture of motion picture lenses since 1893.
Jagten (2012)
Directed by | Thomas Vinterberg | Cinematography by | Charlotte Bruus Christensen | Editing by | Janus Billeskov Jansen, Anne Østerud
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Cooke Speed Panchro Lenses, Fujinon Alura Zoom 45-250 mm T2.8 Lens
EvenHand (2002)
Directed by | Joseph Pierson | Cinematography by | Tim Orr | Editing by | Alex Albanese
Cameras | ARRI Cameras
Lenses | Cooke S4 Lenses
Elle s’appelait Sarah (2010)
Directed by | Gilles Paquet-Brenner | Cinematography by | Pascal Ridao | Editing by | Hervé Schneid
Cameras | Red One Camera
Ballistic: Ecks vs. Sever (2002)
Directed by | Wych Kaosayananda | Cinematography by | Julio Macat | Editing by | Jay Cassidy, Caroline Ross
Lenses | Cooke S4 Lenses
Morvern Callar (2002)
Directed by | Lynne Ramsay | Cinematography by | Alwin H. Küchler | Editing by | Lucia Zucchetti
Cameras | Moviecam Compact Camera
Two Lovers (2008)
Directed by | James Gray | Cinematography by | Joaquín Baca-Asay | Editing by | John Axelrad
Lenses | Cooke S4 Lenses
11-11-11 (2011)
Directed by | Darren Lynn Bousman | Cinematography by | Joseph White | Editing by | Martin Hunter, Jeremy Kasten
Cameras | ARRI ALEXA Camera
Return (2011)
Directed by | Liza Johnson | Cinematography by | Anne Etheridge | Editing by | Paul Zucker
Cameras | ARRIFLEX 416 Camera
Lenses | Cooke S4 Lenses
Midnight in Paris (2011)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke 5/i Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses
Hugo (2011)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Camera
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
Friends with Kids (2011)
Directed by | Jennifer Westfeldt | Cinematography by | William Rexer | Editing by | Tara Timpone
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Alvin and the Chipmunks: The Squeakquel (2009)
Directed by | Betty Thomas | Cinematography by | Anthony B. Richmond | Editing by | Matt Friedman
Lenses | Cooke S4 Lenses
Centurion (2010)
Directed by | Neil Marshall | Cinematography by | Sam McCurdy | Editing by | Chris Gill
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Illusionist (2006)
Directed by | Neil Burger | Cinematography by | Dick Pope | Editing by | Naomi Geraghty
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
District 9 (2009)
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke
Cameras | Phantom HD Gold Camera, Red One Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera
Lenses | Angenieux Lenses, Cooke S4 Lenses
Adam Resurrected (2008)
ParaNorman (2012)
Directed by | Chris Butler, Sam Fell | Cinematography by | Tristan Oliver | Editing by | Christopher Murrie
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon Tilt-Shift Lenses, Cooke Varotal Lenses
Lung joi gong woo (1998)
Directed by | Jing Wong | Cinematography by | Siu-Keung Cheng | Editing by | Marco Mak
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux Lenses, Cooke Lenses
The Keep (1983)
Directed by | Michael Mann | Cinematography by | Alex Thomson | Editing by | Dov Hoenig, Tony Palmer
Cameras | ARRIFLEX 35 BL3 Camera
OSS 117: Lost in Rio (2009)
Directed by | Michel Hazanavicius | Cinematography by | Guillaume Schiffman | Editing by | Reynald Bertrand
