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Don Quixote (1973)

Motion Picture | Film Project | Color | 111 Minutes

Don Quixote | ShotOnWhat?

Directed by | Robert Helpmann, Rudolf Nureyev | Cinematography by | Geoffrey Unsworth | Editing by | Anthony Buckley

Starring | Robert Helpmann, Ray Powell, Rudolf Nureyev, Francis Croese

Cameras | Mitchell BNC Camera

Lenses | Angenieux 24-240 mm f2.6 Zoom Lens

Beast (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 94 Minutes

Directed by | Sam McKeith, Tom McKeith | Cinematography by | Michael Steel | Editing by | Paul Murphy

Starring | Garret Dillahunt, Chad McKinney, Angeli Bayani, Will Jaymes

Cameras | ARRI AMIRA Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens

Cat and Mouse (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 90 Minutes

Directed by | Victor Nieuwenhuijs, Maartje Seyferth | Cinematography by | Victor Nieuwenhuijs | Editing by | Vima Kara, Tarek

Starring | Carlijn van Zijtveld, Wilma Bakker, Raymond Thiry, Patrick Linotte

Cameras | Red One Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens

The Hollars (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 88 Minutes

Directed by | John Krasinski | Cinematography by | Eric Alan Edwards | Editing by | Heather Persons

Starring | Sharlto Copley, Charlie Day, Richard Jenkins, Anna Kendrick

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Angenieux HR Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses

Hell or High Water (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Mackenzie | Cinematography by | Giles Nuttgens | Editing by | Jake Roberts

Starring | Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham

Cameras | ARRI ALEXA XT Studio Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Star Trek Beyond (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Starring | Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldaña

Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Jason Bourne (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Matt Damon, Tommy Lee Jones, Alicia Vikander, Vincent Cassel

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Abduction (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | John Singleton | Cinematography by | Peter Menzies Jr. | Editing by | Bruce Cannon

Starring | Taylor Lautner, Lily Collins, Alfred Molina, Jake Andolina

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

House of Lies (2012)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 28 Minutes

| Cinematography by | Peter Levy, Loren S. Yaconelli | Editing by | Tod Feuerman, Tirsa Hackshaw, Justin Bourret, Jonathan Schwartz, Myron Kerstein, John Axness, Aimee Durrant, John Smith, Pietro Cecchini

Starring | Don Cheadle, Kristen Bell, Ben Schwartz, Josh Lawson

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

No Good Deed (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 84 Minutes

Directed by | Sam Miller | Cinematography by | Michael Barrett | Editing by | Randy Bricker, Jim Page

Starring | Taraji P. Henson, Idris Elba, Leslie Bibb, Kate del Castillo

Cameras | Sony CineAlta F65 Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Doctor Strange (2016)

Motion Picture | 3D | Color | 1.78:1 (16x9), 2.39:1 | 115 Minutes

Directed by | Scott Derrickson | Cinematography by | Ben Davis | Editing by | Sabrina Plisco, Wyatt Smith

Starring | Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Legend of Tarzan (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | David Yates | Cinematography by | Henry Braham | Editing by | Mark Day

Starring | Alexander Skarsgård, Rory J. Saper, Christian Stevens, Christoph Waltz

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

The Nice Guys (2016)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Shane Black | Cinematography by | Philippe Rousselot | Editing by | Joel Negron

Starring | Russell Crowe, Ryan Gosling, Angourie Rice, Matt Bomer

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Criminal (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 113 Minutes

Directed by | Ariel Vromen | Cinematography by | Dana Gonzales | Editing by | Danny Rafic

Starring | Kevin Costner, Ryan Reynolds, Gal Gadot, Gary Oldman

Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

London Has Fallen (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Babak Najafi | Cinematography by | Ed Wild | Editing by | Michael J. Duthie, Paul Martin Smith

Starring | Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

The Wedding Ringer (2015)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Jeremy Garelick | Cinematography by | Bradford Lipson | Editing by | Jeff Groth, Shelly Westerman, Byron Wong

Starring | Kevin Hart, Josh Gad, Kaley Cuoco, Affion Crockett

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Camino a La Paz (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 92 Minutes

Directed by | Francisco Varone | Cinematography by | Christian Cottet | Editing by | Federico Peretti, Alberto Ponce

Starring | Rodrigo De la Serna, Ernesto Suarez, Elisa Carricajo, Maria Canale

Cameras | Canon EOS-C500 Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens

Allegiant (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Stuart Levy

Starring | Shailene Woodley, Theo James, Jeff Daniels, Naomi Watts

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Tenemos que hablar (2016)

Motion Picture | 2D | Color | 91 Minutes

Directed by | David Serrano | Cinematography by | Juan Carlos Gómez | Editing by | Alberto de Toro

Starring | Belén Cuesta, Carla Diego, Verónica Forqué, Luis Jaspe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke S4/i Lenses

Taken 3 (2014)

Motion Picture | 2D | 2K Project | Color | 108 Minutes

Directed by | Olivier Megaton | Cinematography by | Eric Kress | Editing by | Audrey Simonaud, Nicolas Trembasiewicz

Starring | Liam Neeson, Forest Whitaker, Maggie Grace, Famke Janssen

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

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