35mm Film Negative Width | 2606 Titles
The Wind That Shakes the Barley (2006)
Directed by | Ken Loach | Cinematography by | Barry Ackroyd | Editing by | Jonathan Morris
Lenses | Zeiss Ultra Prime Lenses
Nim’s Island (2008)
Directed by | Jennifer Flackett, Mark Levin | Cinematography by | Stuart Dryburgh | Editing by | Stuart Levy
Cameras | Panavision Cameras
A torinói ló (2011)
Directed by | Béla Tarr, Ágnes Hranitzky | Cinematography by | Fred Kelemen | Editing by | Ágnes Hranitzky
Cameras | ARRIFLEX 535 B Camera
A Little Bit of Heaven (2011)
Directed by | Nicole Kassell | Cinematography by | Russell Carpenter | Editing by | Stephen A. Rotter
Pan’s Labyrinth (2006)
Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Bernat Vilaplana
Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera
Revolutionary Road (2008)
Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Tariq Anwar
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Minority Report (2002)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Around the World in 80 Days (2004)
Directed by | Frank Coraci | Cinematography by | Phil Meheux | Editing by | Tom Lewis
Cameras | Panavision Panaflex Gold II Camera
Vanilla Sky (2001)
Directed by | Cameron Crowe | Cinematography by | John Toll | Editing by | Joe Hutshing, Mark Livolsi
Cameras | Panavision Panaflex Gold Camera
Love & Other Drugs (2010)
The Chorus (2004)
Directed by | Christophe Barratier | Cinematography by | Jean-Jacques Bouhon, Dominique Gentil, Carlo Varini | Editing by | Yves Deschamps
Lenses | Hawk Anamorphic Lenses
The Hurricane (1999)
Directed by | Norman Jewison | Cinematography by | Roger Deakins | Editing by | Stephen E. Rivkin
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
American Reunion (2012)
Directed by | Jon Hurwitz, Hayden Schlossberg | Cinematography by | Daryn Okada | Editing by | Jeff Betancourt
Cameras | Panavision Panaflex Platinum Camera
Catchfire (1990)
Directed by | Dennis Hopper, Alan Smithee | Cinematography by | Edward Lachman | Editing by | David Rawlins
Cameras | Cinerama Camera, Moviecam Cameras
Lions for Lambs (2007)
Directed by | Robert Redford | Cinematography by | Philippe Rousselot | Editing by | Joe Hutshing
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Children of the Corn (2009)
Directed by | Donald P. Borchers | Cinematography by | Jamie Thompson | Editing by | Danny Saphire
Cameras | ARRIFLEX 235 Camera, Moviecam Cameras
Lenses | Cooke Lenses
Confidences trop intimes (2004)
Directed by | Patrice Leconte | Cinematography by | Eduardo Serra | Editing by | Joëlle Hache
Cameras | Panavision Panaflex Millennium Camera
Master and Commander: The Far Side of the World (2003)
Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | Lee Smith
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
A Dog of Flanders (1999)
Directed by | Kevin Brodie | Cinematography by | Walther van den Ende | Editing by | Annamaria Szanto
Cameras | ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera
Men in Black II (2002)
Directed by | Barry Sonnenfeld | Cinematography by | Greg Gardiner | Editing by | Richard Pearson, Steven Weisberg
