Eastman EXR 200T 5293/7293 Neg. Film | 103 Titles
Last Action Hero (1993)
Directed by | John McTiernan | Cinematography by | Dean Semler | Editing by | Richard A. Harris, John Wright
Cameras | Panavision Panaflex Gold II Camera
Twister (1996)
Directed by | Jan de Bont | Cinematography by | Jack N. Green | Editing by | Michael Kahn
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera
Two Soldiers (2003)
Directed by | Aaron Schneider | Cinematography by | David Boyd | Editing by | Kelly Matsumoto, Aaron Schneider
Cameras | Panavision Panaflex Gold II Camera
The Truman Show (1998)
Directed by | Peter Weir | Cinematography by | Peter Biziou | Editing by | William M. Anderson, Lee Smith
Cameras | Panavision Panaflex Platinum Camera
Phenomenon (1996)
Directed by | Jon Turteltaub | Cinematography by | Phedon Papamichael | Editing by | Bruce Green
Cameras | Panavision Panaflex Platinum Camera
Mousehunt (1997)
Box of Moon Light (1996)
Directed by | Tom DiCillo | Cinematography by | Paul Ryan | Editing by | Camilla Toniolo
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
A Civil Action (1998)
Directed by | Steven Zaillian | Cinematography by | Conrad L. Hall | Editing by | Wayne Wahrman
Cameras | Panavision Panaflex Platinum Camera
Bulworth (1998)
Directed by | Warren Beatty | Cinematography by | Vittorio Storaro | Editing by | Robert C. Jones, Billy Weber
Wild Wild West (1999)
Directed by | Barry Sonnenfeld | Cinematography by | Michael Ballhaus | Editing by | Jim Miller
Lenses | Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens
Passion in the Desert (1997)
The Ghost and the Darkness (1996)
Directed by | Stephen Hopkins | Cinematography by | Vilmos Zsigmond | Editing by | Roger Bondelli, Robert Brown, Steve Mirkovich, Bert Lovitt
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Kill Bill: Vol. 2 (2004)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke
Cameras | Panavision Panaflex Platinum Camera
The Fan (1996)
Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Claire Simpson, Christian Wagner
The Shawshank Redemption (1994)
Directed by | Frank Darabont | Cinematography by | Roger Deakins | Editing by | Richard Francis-Bruce
Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera
Lenses | ARRI / Zeiss Lenses
Dead Presidents (1995)
Directed by | Albert Hughes, Allen Hughes | Cinematography by | Lisa Rinzler | Editing by | Dan Lebental
Cameras | Panavision Panaflex Gold II Camera
The Craft (1996)
Directed by | Andrew Fleming | Cinematography by | Alexander Gruszynski | Editing by | Jeff Freeman
Cameras | Moviecam Compact Camera
Lenses | Zeiss Lenses
Kundun (1997)
Directed by | Martin Scorsese | Cinematography by | Roger Deakins | Editing by | Thelma Schoonmaker
Starring | Tenzin Thuthob Tsarong, Gyurme Tethong, Tulku Jamyang Kunga Tenzin, Tenzin Yeshi Paichang
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke Lenses, Cooke Super Cine Varotal 25-250mm f2.8 Lens, Zeiss Standard Speed Prime Lenses
The Pelican Brief (1993)
Directed by | Alan J. Pakula | Cinematography by | Stephen Goldblatt | Editing by | Tom Rolf, Trudy Ship
The Horse Whisperer (1998)
Directed by | Robert Redford | Cinematography by | Robert Richardson | Editing by | Hank Corwin, Freeman A. Davies, Tom Rolf
Cameras | Panavision Panaflex Platinum Camera