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Eastman EXR 200T 5293/7293 Neg. Film | 103 Titles

Eastman EXR 200T 5293/7293 Neg. Film 4.67/5 3 Votes

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Amistad (1997)

Motion Picture | 2D | Color | 1.85:1 | 155 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Djimon Hounsou, Matthew McConaughey, Anthony Hopkins, Morgan Freeman

Cameras | Panavision Panaflex Platinum Camera

Lenses | Zeiss Super Speed Lenses

From Hell (2001)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

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Directed by | Albert Hughes, Allen Hughes | Cinematography by | Peter Deming | Editing by | George Bowers, Dan Lebental

Starring | Johnny Depp, Heather Graham, Ian Holm, Robbie Coltrane

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Saving Private Ryan (1998)

Motion Picture | 2D | Color | 1.85:1 | 169 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Hanks, Matt Damon, Tom Sizemore, Edward Burns

Cameras | Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

No Escape (1994)

Motion Picture | 2D | Color | 118 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Terry Rawlings

Starring | Ray Liotta, Lance Henriksen, Stuart Wilson, Kevin Dillon

Cameras | ARRIFLEX 35 BL4 Camera

Armageddon (1998)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 151 Minutes

Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Starring | Bruce Willis, Billy Bob Thornton, Ben Affleck, Liv Tyler

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Minority Report (2002)

Motion Picture | 2D | Color | 2.39:1 | 145 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Cruise, Colin Farrell, Samantha Morton, Max von Sydow

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

Vanilla Sky (2001)

Motion Picture | 2D | Color | 1.85:1 | 136 Minutes

Directed by | Cameron Crowe | Cinematography by | John Toll | Editing by | Joe Hutshing, Mark Livolsi

Starring | Tom Cruise, Penélope Cruz, Cameron Diaz, Kurt Russell

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Master and Commander: The Far Side of the World (2003)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | Lee Smith

Starring | Russell Crowe, Paul Bettany, Billy Boyd, James D'Arcy

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Casino (1995)

Motion Picture | 2D | Color | 178 Minutes

Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker

Starring | Robert De Niro, Sharon Stone, Joe Pesci, James Woods

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Aviator (2004)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 170 Minutes

Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Cate Blanchett, Kate Beckinsale, John C. Reilly

Cameras | Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

Se7en (1995)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | David Fincher | Cinematography by | Darius Khondji | Editing by | Richard Francis-Bruce

Starring | Morgan Freeman, Brad Pitt, Kevin Spacey, Andrew Kevin Walker

Cameras | Aaton 35-III Camera, Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Fly Away Home (1996)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Carroll Ballard | Cinematography by | Caleb Deschanel | Editing by | Nicholas C. Smith

Starring | Jeff Daniels, Anna Paquin, Dana Delany, Terry Kinney

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Murder in the First (1995)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 122 Minutes

Directed by | Marc Rocco | Cinematography by | Fred Murphy | Editing by | Russell Livingstone

Starring | Christian Slater, Kevin Bacon, Gary Oldman, Embeth Davidtz

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

French Kiss (1995)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 111 Minutes

Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Joe Hutshing

Starring | Meg Ryan, Kevin Kline, Timothy Hutton, Jean Reno

Cameras | Panavision Panaflex Camera

Lenses | Panavision E Series Anamorphic Lenses

Waterworld (1995)

Motion Picture | 2D | Color | 1.85:1 | 135 Minutes

Directed by | Kevin Reynolds | Cinematography by | Dean Semler | Editing by | Peter Boyle

Starring | Kevin Costner, Jeanne Tripplehorn, Dennis Hopper, Tina Majorino

Cameras | Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses | Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Lost in Space (1998)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Stephen Hopkins | Cinematography by | Peter Levy | Editing by | Ray Lovejoy

Starring | Gary Oldman, William Hurt, Matt LeBlanc, Mimi Rogers

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Fifth Element (1997)

Motion Picture | 2D | Color | 2.39:1 | 126 Minutes

Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra

Starring | Bruce Willis, Milla Jovovich, Gary Oldman, Ian Holm

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses | Zeiss Lenses

What Lies Beneath (2000)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Harrison Ford, Michelle Pfeiffer, Katharine Towne, Miranda Otto

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

Fear and Loathing in Las Vegas (1998)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Terry Gilliam | Cinematography by | Nicola Pecorini | Editing by | Lesley Walker

Starring | Johnny Depp, Benicio Del Toro, Tobey Maguire, Michael Lee Gogin

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Standard Speed Prime Lenses

O Brother, Where Art Thou? (2000)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke

Starring | George Clooney, John Turturro, Tim Blake Nelson, John Goodman

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke S4 Lenses

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