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Eastman Double-X 5222/7222 Neg. Film | 41 Titles

Eastman Double-X 5222/7222 Neg. Film 3.13/5 8 Votes

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Maestro (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1 | 129 Minutes

Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Michelle Tesoro

Starring | Carey Mulligan, Bradley Cooper, Matt Bomer

Cameras | Panavision Panaflex Lightweight II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses

The Iron Claw (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 132 Minutes

Directed by | Sean Durkin | Cinematography by | Mátyás Erdély | Editing by | Matthew Hannam

Starring | Zac Efron, Jeremy Allen White, Harris Dickinson

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Babylon (2022)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 189 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Brad Pitt, Margot Robbie, Jean Smart

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses

Oppenheimer (2023)

Motion Picture | 2D | Film Project | Black & White, Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1 | 180 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | Cillian Murphy, Emily Blunt, Matt Damon

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Killers of the Flower Moon (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 206 Minutes

Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Robert De Niro, Lily Gladstone

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera

Lenses | Angenieux Lenses, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses

Poor Things (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.66:1 | 141 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Emma Stone, Mark Ruffalo, Willem Dafoe

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 765 Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Lenses, Nikon - Nikkor Lenses, Optex Super16 4 mm T2.0 Lens, Zeiss Zoom Lenses

The Blair Witch Project (1999)

Motion Picture | 2D | Black & White, Color | 1.33:1 (4x3) | 81 Minutes

Directed by | Daniel Myrick, Eduardo Sánchez | Cinematography by | Neal Fredericks | Editing by | Daniel Myrick, Eduardo Sánchez

Starring | Heather Donahue, Michael C. Williams, Joshua Leonard

Cameras | Cinema Products CP-16 Camera, Sony DCR-TRV120 Camera

Raging Bull (1980)

Motion Picture | 2D | Film Project | Black & White, Color | 129 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Thelma Schoonmaker

Starring | Robert De Niro, Cathy Moriarty, Joe Pesci

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

Once Upon a Time… in Hollywood (2019)

Motion Picture | 2D | 4K Project | Black & White, Color | 161 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin

Starring | Leonardo DiCaprio, Brad Pitt, Margot Robbie

Cameras | Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

500 Days of Summer (2009)

Motion Picture | 2D | 2K Project | Color | 95 Minutes

Directed by | Marc Webb | Cinematography by | Eric Steelberg | Editing by | Alan Edward Bell

Starring | Zooey Deschanel, Joseph Gordon-Levitt, Geoffrey Arend, Chloë Grace Moretz

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Lenses

The French Dispatch (2021)

Movie | Black & White, Color | 1.37:1, 2.39:1 | 107 Minutes

Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum

Starring | Benicio Del Toro, Adrien Brody, Tilda Swinton

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Cooke S4/i Lenses

On the Battlefield (1972)

Documentary | 2D | Film Project | Black & White | 1.33:1 (4x3) | 90 Minutes

Directed by | Peter Biskind | Cinematography by | Peter Biskind | Editing by | Peter Biskind

Starring | Preston Ewing, Charles Koen, Leon Page

Cameras | Bolex H16 RX4 Camera, Éclair NPR Camera

Lenses | Angenieux Lenses

Bless Their Little Hearts (1983)

Motion Picture | Black & White | 1.33:1 (4x3) | 80 Minutes

Directed by | Billy Woodberry | Cinematography by | Charles Burnett | Editing by | Billy Woodberry

Starring | Nate Hardman, Kaycee Moore, Angela Burnett, Ronald Burnett

Cameras | Éclair NPR Camera

Lenses | Angenieux Lenses

The Lighthouse (2019)

Motion Picture | 2D | Film Project | Black & White | 109 Minutes

Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford

Starring | Robert Pattinson, Willem Dafoe, Valeriia Karaman, Logan Hawkes

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Bausch & Lomb Lenses

Night Train (1999)

Motion Picture | Black & White | 1.33:1 (4x3) | 80 Minutes

Directed by | Les Bernstien | Cinematography by | Patrick Melly | Editing by | George Lockwood

Starring | John Voldstad, Barry Cutler, Nikoletta Skarlatos

Cameras | ARRIFLEX Camera, Bell & Howell Eyemo Camera, Mitchell Standard Camera

Schindler’s List (1993)

Motion Picture | 2D | Film Project | Black & White, Color | 1.85:1 | 195 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Liam Neeson, Ralph Fiennes, Ben Kingsley, Caroline Goodall

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Nixon (1995)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 192 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwin

Starring | Anthony Hopkins, Joan Allen, Powers Boothe, Ed Harris

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

Clerks (1994)

Motion Picture | 2D | Film Project | Black & White | 1.85:1 | 92 Minutes

Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith

Starring | Brian O'Halloran, Jeff Anderson, Marilyn Ghigliotti, Lisa Spoonauer

Cameras | ARRIFLEX 16SR Camera

Bolivia (1999)

Motion Picture | 2D | Black & White | 1.66:1 | 75 Minutes

Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Santiago Ricci, Lucas Scavino

Starring | Freddy Flores, Rosa Sánchez, Oscar Bertea, Enrique Liporace

Cameras | Éclair ACL II Camera

Lenses | Optar Illumina S16 Lenses

American Horror Story (2011)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Michael Goi, Gavin Kelly, John B. Aronson, Tom Houghton, Nelson Cragg, Jesse M. Feldman, Christopher Baffa, Joaquin Sedillo, James Chressanthis, Chris Manley, James M. Sterba | Editing by | Fabienne Bouville, Adam Penn, Ken Ramos, Stewart Schill, Regis Kimble, Justin Krohn, Danielle Wang, Bradley Buecker, Adriaan van Zyl, Sean Aylward, Angela Jackson, Chris A. Peterson, Robert Komatsu, Micky Blythe, Kaja Fehr, Joe Leonard, John Petaja, Lizzy Calhoun, Shelly Westerman

Starring | Lady Gaga, Kathy Bates, Angela Bassett, Sarah Paulson

Cameras | ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Lenses, Panavision Lenses

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