Film Print 35mm Distribution | 2712 Titles
Scream 4 (2011)
Directed by | Wes Craven | Cinematography by | Peter Deming | Editing by | Peter McNulty
Cameras | Panavision Cameras
Acolytes (2008)
Directed by | Jon Hewitt | Cinematography by | Mark Pugh | Editing by | Simon Martin
Cameras | Thomson Viper Camera
The Core (2003)
Directed by | Jon Amiel | Cinematography by | John Lindley | Editing by | Terry Rawlings
Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
83 Hours ‘Til Dawn (1990)
Directed by | Donald Wrye | Cinematography by | Gideon Porath | Editing by | Curtis Freilich
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Mrs Henderson Presents (2005)
Directed by | Stephen Frears | Cinematography by | Andrew Dunn | Editing by | Lucia Zucchetti
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by | Rob Marshall | Cinematography by | Dariusz Wolski | Editing by | David Brenner, Wyatt Smith
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Against the Ropes (2004)
Directed by | Charles S. Dutton | Cinematography by | Jack N. Green | Editing by | Eric L. Beason
Cameras | Panavision Cameras
Lenses | Panavision Lenses
This Means War (2012)
Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Nicolas De Toth
Cameras | Panavision Panaflex Millennium XL Camera
I Love You, Man (2009)
Directed by | John Hamburg | Cinematography by | Lawrence Sher | Editing by | William Kerr
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera
Waking Ned Devine (1998)
Directed by | Kirk Jones | Cinematography by | Henry Braham | Editing by | Alan Strachan
Cameras | Panavision Panaflex Gold II Camera
Halloween II (2009)
Directed by | Rob Zombie | Cinematography by | Brandon Trost | Editing by | Glenn Garland, Joel T. Pashby
Cameras | ARRI Cameras
I’m Not There. (2007)
Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Jay Rabinowitz
Cameras | Aaton LTR Camera, Moviecam Compact Camera
Harry Potter and the Deathly Hallows: Part 1 (2010)
The Avengers (2012)
Directed by | Joss Whedon | Cinematography by | Seamus McGarvey | Editing by | Jeffrey Ford, Lisa Lassek
Lenses | Panavision Frazier Lenses, Panavision Lenses
Angel-A (2005)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Christine Lucas Navarro, Frédéric Thoraval
Sky Captain and the World of Tomorrow (2004)
Directed by | Kerry Conran | Cinematography by | Eric Adkins | Editing by | Sabrina Plisco
Cameras | Sony HDW-F900 Camera
Heat (1995)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Wild Bill (2011)
Directed by | Dexter Fletcher | Cinematography by | George Richmond | Editing by | Stuart Gazzard
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses
Death at a Funeral (2007)
Directed by | Frank Oz | Cinematography by | Oliver Curtis | Editing by | Beverley Mills
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
Pacific Rim (2013)
Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Peter Amundson, John Gilroy
Cameras | Red Epic Camera
