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Hulk (2003)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 138 Minutes

Directed by | Ang Lee | Cinematography by | Frederick Elmes | Editing by | Tim Squyres

Starring | Eric Bana, Jennifer Connelly, Sam Elliott, Josh Lucas

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke Panchro/i Classic Lenses, Cooke S4 Lenses

Crown Vic (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Joel Souza | Cinematography by | Thomas Scott Stanton | Editing by | David Andalman

Starring | Bridget Moynahan, Thomas Jane, David Krumholtz, Luke Kleintank

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens

Sad Hill Unearthed (2017)

Documentary | 2D | 4K Project | Color | 1.78:1 (16x9), 1.85:1 | 86 Minutes

Directed by | Guillermo de Oliveira | Cinematography by | Guillermo de Oliveira | Editing by | Guillermo de Oliveira, Javier Duch

Starring | Ennio Morricone, James Hetfield, Joe Dante, Clint Eastwood

Cameras | Sony α7S II Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens

Georgie the Clown (2012)

Short Film, Web Series | 2D | Color | 10 Minutes

Starring | Marguerite DeFlorin, Mighty Swag

Symphony in Blue (2017)

Motion Picture | 2D | Color | 70 Minutes

Directed by | Samuel Marko | Cinematography by | Davis Moore | Editing by | Samuel Marko

Starring | Samuel Marko, Hilarie Grace, Jack Shefrin, Pete Dickey

Cameras | Panasonic AG-HVX200 Camera

Key of Brown (2013)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 95 Minutes

Directed by | Vaughn Christion | Cinematography by | Oscar Patino | Editing by | Vaughn Christion

Starring | Verina Banks, Struggle E. Stylez, James Lyones, Jacque Dorsey

Cameras | Sony PMW-F3 Camera

Death Note (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 101 Minutes

Directed by | Adam Wingard | Cinematography by | David Tattersall | Editing by | Louis Cioffi

Starring | Nat Wolff, LaKeith Stanfield, Margaret Qualley, Shea Whigham

Cameras | Panasonic VariCam 35, Panasonic VariCam Camera

Lenses | Fujinon Lenses, Fujinon Premier Lenses, P+S Technik Skater Scope T5.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

Dragged Across Concrete (2018)

Motion Picture | 2D | 8K Project | Color | 2.39:1 | 159 Minutes

Directed by | S. Craig Zahler | Cinematography by | Benji Bakshi | Editing by | Greg D'Auria

Starring | Mel Gibson, Vince Vaughn, Tory Kittles, Michael Jai White

Cameras | Red Helium (Weapon) 8K

Lenses | Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 28 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens

El Último Suspiro (2017)

Short Film | 2D | HD Project | Color | 1.85:1, 2.35:1 | 5 Minutes

Directed by | Joan Girbau Xalabarder | Cinematography by | Joan Girbau Xalabarder | Editing by | Xavi Morcillo

Starring | Joaquim Girbau, Mercè Girbau, Clàudia Vicens, Pere Girbau Xalabarder

Cameras | Blackmagic Design Cameras, Canon Cameras

Lenses | Canon Lenses, Leitz Lenses

Toto le héros (1991)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 91 Minutes

Directed by | Jaco Van Dormael | Cinematography by | Walther van den Ende | Editing by | Susana Rossberg

Starring | Michel Bouquet, Mireille Perrier, Jo De Backer, Thomas Godet

Cameras | Aaton Cameras

The Neon Demon (2016)

Motion Picture | 2D | 4K Project, Other Project Resolution | Color | 2.39:1 | 117 Minutes

Directed by | Nicolas Winding Refn | Cinematography by | Natasha Braier | Editing by | Matthew Newman

Starring | Elle Fanning, Christina Hendricks, Keanu Reeves, Karl Glusman

Cameras | ARRI ALEXA Series Cameras, ARRI ALEXA XT Camera, ARRI Cameras

Lenses | Cooke Lenses, Cooke Xtal Express Lenses

Homecoming (2009)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Morgan J. Freeman | Cinematography by | John Burdick, Stephen Kazmierski | Editing by | Keith Reamer

Starring | Mischa Barton, Matt Long, Jessica Stroup, Michael Landes

Good Time (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Benny Safdie, Josh Safdie | Cinematography by | Sean Price Williams | Editing by | Ronald Bronstein, Benny Safdie

Starring | Robert Pattinson, Benny Safdie, Jennifer Jason Leigh, Buddy Duress

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Super Speed Lenses

Three Night Stand (2013)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 86 Minutes

Directed by | Pat Kiely | Cinematography by | Robert Vroom | Editing by | Jared Curtis

Starring | Sam Huntington, Meaghan Rath, Darren Curtis, Robb Jamieson

Cameras | ARRI ALEXA FR Camera

Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens

We Are Your Friends (2015)

Motion Picture | 2D | 2K Project | Color | 96 Minutes

Directed by | Max Joseph | Cinematography by | Brett Pawlak | Editing by | David Diliberto, Terel Gibson

Starring | Zac Efron, Wes Bentley, Emily Ratajkowski, Jonny Weston

Cameras | Red Epic Dragon Camera

The White Princess (2017)

Miniseries | 2D | HD Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Chris Seager | Editing by | St. John O'Rorke, Anne Sopel, Jamie Trevill

Starring | Jodie Comer, Rebecca Benson, Jacob Collins-Levy, Richard Dillane

Cameras | ARRI ALEXA Plus Camera

Boots on the Ground (2017)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 86 Minutes

Directed by | Louis Melville | Cinematography by | Boyd Skinner | Editing by | Lucas Roche

Starring | Ian Virgo, Tom Ainsley, Ryan McParland, Valmike Rampersad

Cameras | GoPro HERO4 Black

Revelator (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 109 Minutes

Directed by | J. Van Auken | Cinematography by | Dan Clarke | Editing by | J. Van Auken

Starring | Lillian Solange Beaudoin, Barrow Davis-Tolot, Shelly DeChristofaro, Joe DeSoto

Cameras | Blackmagic URSA Camera

A Different Set of Cards (2016)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 73 Minutes

Directed by | Falko Jakobs | Cinematography by | Falko Jakobs, Raoul Schmitz | Editing by | Falko Jakobs

Starring | Jutta Dolle, Guido Grollmann, Adrian Linke, Tim-Olrik Stöneberg

Cameras | Canon EOS-C100 Camera

Lenses | Canon EF 24-105 mm f4.0 L IS Lens

Pickings (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 103 Minutes

Directed by | Usher Morgan | Cinematography by | Usher Morgan, Louis Obioha | Editing by | Usher Morgan

Starring | Elyse Price, Michelle Holland, Lily Brooks O'Briant, Giacomo Rocchini

Cameras | Red Epic Camera, Red Epic Dragon Camera, Sony α7S II Camera

Lenses | Cooke Lenses, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses

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