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Lolita (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 137 Minutes

Directed by | Adrian Lyne | Cinematography by | Howard Atherton | Editing by | David Brenner, Julie Monroe

Starring | Jeremy Irons, Dominique Swain, Melanie Griffith, Frank Langella

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

End of Days (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 122 Minutes

Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Jeff Gullo, Steven Kemper

Starring | Arnold Schwarzenegger, Gabriel Byrne, Robin Tunney, Kevin Pollak

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Second Act (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Peter Segal | Cinematography by | Ueli Steiger | Editing by | Jason Gourson

Starring | Jennifer Lopez, Vanessa Hudgens, Leah Remini, Treat Williams

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens

Netherwood (2011)

Motion Picture | 2D | HD Project | Color | 90 Minutes

Directed by | Cristobal Araus Lobos | Editing by | Cristobal Araus Lobos

Starring | Owen Black, Will Hall, Mick Innes, Miriama Smith

Cameras | Canon EOS-7D Camera

Lenses | Canon EF 50 mm f1.2 L Lens, Canon EF 70-200 mm f2.8 L IS II Lens

The Art of Racing in the Rain (2019)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 109 Minutes

Directed by | Simon Curtis | Cinematography by | Ross Emery | Editing by | Adam Recht

Starring | Milo Ventimiglia, Kevin Costner, Amanda Seyfried, Martin Donovan

Cameras | ARRI ALEXA SXT EV Cameras

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk Vantage One 120mm T1 Lens, Hawk Vantage One 17.5mm T1 Lens, Hawk Vantage One 21mm T1 Lens, Hawk Vantage One 25mm T1 Lens, Hawk Vantage One 32mm T1 Lens, Hawk Vantage One 40mm T1 Lens, Hawk Vantage One 50mm T1 Lens, Hawk Vantage One 65mm T1 Lens, Hawk Vantage One 90mm T1 Lens

Superman Returns (2006)

Motion Picture | 2D | HD Project | Color | 2.39:1 | 154 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Elliot Graham, John Ottman

Starring | Brandon Routh, Kevin Spacey, Kate Bosworth, James Marsden

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Primes Spherical Lenses

Sharknado 2: The Second One (2014)

Television Movie | 2D | Color | 1.78:1 (16x9) | 95 Minutes

Directed by | Anthony C. Ferrante | Cinematography by | Ben Demaree | Editing by | Ana Florit, Vashi Nedomansky

Starring | Ian Ziering, Tara Reid, Vivica A. Fox, Mark McGrath

Cameras | Blackmagic Cinema Camera, Red Epic Camera

The Fast and the Furious (2001)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Rob Cohen | Cinematography by | Ericson Core | Editing by | Peter Honess

Starring | Vin Diesel, Paul Walker, Michelle Rodriguez, Jordana Brewster

Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

Measure of a Man (2018)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper

Starring | Judy Greer, Donald Sutherland, Luke Wilson, Liana Liberato

Cameras | ARRI ALEXA Camera

Lenses | Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

The Strangers: Prey at Night (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 85 Minutes

Directed by | Johannes Roberts | Cinematography by | Ryan Samul | Editing by | Martin Brinkler

Starring | Christina Hendricks, Martin Henderson, Bailee Madison, Lewis Pullman

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

Beloved (1998)

Motion Picture | 2D | Color | 1.85:1 | 172 Minutes

Directed by | Jonathan Demme | Cinematography by | Tak Fujimoto | Editing by | Andy Keir, Carol Littleton

Starring | Oprah Winfrey, Danny Glover, Yada Beener, Emil Pinnock

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Van Helsing (2004)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 131 Minutes

Directed by | Stephen Sommers | Cinematography by | Allen Daviau | Editing by | Bob Ducsay, Kelly Matsumoto, Jim May

Starring | Hugh Jackman, Kate Beckinsale, Richard Roxburgh, Shuler Hensley

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Cable Guy (1996)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Ben Stiller | Cinematography by | Robert Brinkmann | Editing by | Steven Weisberg

Starring | Jim Carrey, Matthew Broderick, Leslie Mann, Jack Black

Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses | Zeiss Standard Speed Prime Lenses

Dark (2017)

Television Series | 2D | 4K Project | Color | 2.0:1 | 60 Minutes

| Cinematography by | Nikolaus Summerer | Editing by | Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor

Starring | Karoline Eichhorn, Louis Hofmann, Jördis Triebel, Maja Schöne

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Zeiss Ultra Prime Lenses

Innerself (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Johnny Wu | Cinematography by | Peter Sampson | Editing by | Johnny Wu

Starring | Jason L. Wang, Mikhail Tot, Stephen Haas, Rosy Hong

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | Meike 25mm T2.2, Panasonic Lumix G X Vario 12-35mm f2.8 Lens, Panasonic Lumix G X Vario 35-100mm f2.8 Lens

Tango (1998)

Motion Picture | 2D | Film Project | Color | 2.0:1, 2.39:1 | 115 Minutes

Directed by | Carlos Saura | Cinematography by | Vittorio Storaro | Editing by | Julia Juaniz

Starring | Miguel Ángel Solá, Cecilia Narova, Mía Maestro, Juan Carlos Copes

Cameras | Technovision Cameras

Lenses | Technovision Lenses

Traitor (2008)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 114 Minutes

Directed by | Jeffrey Nachmanoff | Cinematography by | James M. Muro | Editing by | Billy Fox

Starring | Don Cheadle, Guy Pearce, Archie Panjabi, Saïd Taghmaoui

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Vanishing (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Kristoffer Nyholm | Cinematography by | Jørgen Johansson | Editing by | Morten Højbjerg

Starring | Gerard Butler, Peter Mullan, Connor Swindells, Søren Malling

Cameras | ARRI Cameras

Rattlesnake (2019)

Motion Picture | 2D | 4K Project | Color | 2.40:1 |

Directed by | Zak Hilditch | Editing by | Merlin Eden

Starring | Carmen Ejogo, Theo Rossi, Emma Greenwell, David Yow

Cameras | Sony CineAlta VENICE Camera

Lenses | Kowa Cine Prominar Spherical Lenses

Dinosaur (2000)

Motion Picture | 2D | Color | 1.85:1 | 82 Minutes

Directed by | Eric Leighton, Ralph Zondag | Cinematography by | David R. Hardberger, Steven Douglas Smith | Editing by | H. Lee Peterson

Starring | D.B. Sweeney, Julianna Margulies, Samuel E. Wright, Alfre Woodard

Cameras | VistaVision Cameras

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