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24 Hour Party People (2002)

Motion Picture | 2D | Color | 1.85:1 | 117 Minutes

Directed by | Michael Winterbottom | Cinematography by | Robby Müller | Editing by | Trevor Waite, Michael Winterbottom

Starring | Steve Coogan, Lennie James, John Thomson, Paul Popplewell

Cameras | Sony DSR-PD150 Camera

Fantasia (1940)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 125 Minutes

Directed by | James Algar, Samuel Armstrong, Ford Beebe Jr., Norman Ferguson, David Hand, Jim Handley, T. Hee, Wilfred Jackson, Hamilton Luske, Bill Roberts, Paul Satterfield, Ben Sharpsteen | Cinematography by | James Wong Howe

Starring | Leopold Stokowski, Deems Taylor, Corey Burton, Walt Disney

Cameras | Bell & Howell 2709 Camera

Secuestro (2016)

Motion Picture | 2D | Color | 105 Minutes

Directed by | Mar Targarona | Cinematography by | Sergi Bartrolí | Editing by | Joan Manel Vilaseca

Starring | Blanca Portillo, Antonio Dechent, Vicente Romero, Marc Domènech

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Style 25-250 mm T3.5 Lens, Cooke 5/i Lenses

The Window (2008)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Directed by | Carlos Sorin | Cinematography by | Julián Apezteguia | Editing by | Mohamed Rajid

Starring | Antonio Larreta, María del Carmen Jiménez, Emilse Roldán, Roberto Rovira

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Standard Speed Prime Lenses

Beyond the Black Rainbow (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Panos Cosmatos | Cinematography by | Norm Li | Editing by | Nicholas T. Shepard

Starring | Eva Bourne, Michael J Rogers, Scott Hylands, Rondel Reynoldson

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Chronicle of an Escape (2006)

Motion Picture | 2D | Color | 103 Minutes

Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Alberto Ponce

Starring | Rodrigo De la Serna, Pablo Echarri, Nazareno Casero, Lautaro Delgado

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Ultra Prime Lenses

God Wears My Underwear (2005)

Motion Picture | 2D | SD Project | Color | 1.33:1 (4x3) | 45 Minutes

Directed by | Leslie Streit | Cinematography by | Adam Streit | Editing by | Adam Streit

Starring | Joel Bischoff, Frances Bockenfeld, Archie Bryan, Lauren Bryan

Cameras | Canon XL1 Camera

Lenses | Canon Lenses

Afterglow (1997)

Motion Picture | 2D | Color | 1.85:1 | 119 Minutes

Directed by | Alan Rudolph | Cinematography by | Toyomichi Kurita | Editing by | Suzy Elmiger

Starring | Nick Nolte, Julie Christie, Lara Flynn Boyle, Jonny Lee Miller

Cameras | ARRIFLEX Camera

Atomic Blonde (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Charlize Theron, James McAvoy, John Goodman, Eddie Marsan

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses | Hawk V-Lite Vintage´74 Lens

The Curious Case of Benjamin Button (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 166 Minutes

Directed by | David Fincher | Cinematography by | Claudio Miranda | Editing by | Kirk Baxter, Angus Wall

Starring | Brad Pitt, Cate Blanchett, Tilda Swinton, Julia Ormond

Cameras | ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses | Zeiss DigiPrime Lenses

War for the Planet of the Apes (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas

Starring | Andy Serkis, Woody Harrelson, Steve Zahn, Karin Konoval

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

The Girl in the Spider’s Web (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 115 Minutes

Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Tatiana S. Riegel

Starring | Claire Foy, Beau Gadsdon, Sverrir Gudnason, LaKeith Stanfield

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | ARRI Rental Prime DNA Lenses, Zeiss Master Prime Lenses

The Radicalization of Jeff Boyd (2017)

Motion Picture | 2D | HD Project | Black & White, Color | 2.39:1 | 117 Minutes

Directed by | Uwe Schwarzwalder | Cinematography by | Brian Pinkus, Uwe Schwarzwalder | Editing by | Uwe Schwarzwalder

Starring | Uwe Schwarzwalder, Yessica Sanchez, Zarina Tadjibaeva, Jörg Reichlin

Cameras | Blackmagic Pocket Cinema Camera

Hatred of a Minute (2002)

Motion Picture | 2D | 2K Project | Color | 1.66:1, 1.78:1 (16x9) | 83 Minutes

Directed by | Michael Kallio | Cinematography by | George Lieber | Editing by | Paul Hart, Michael Kallio, John W. Walter

Starring | Gunnar Hansen, Michael Kallio, Tracee Newberry, Tim Lovelace

Cameras | ARRI Cameras

Lenses | ARRI Lenses

Dogs of Berlin (2018)

Television Series | 2D | 4K Project | Color | 2.0:1 | 542 Minutes

| Cinematography by | Christoph Krauss, Frank Lamm | Editing by | Marc Hofmeister, Bobby Good

Starring | Felix Kramer, Fahri Yardim, Samy Abdel Fattah, Mohamed Issa

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 28mm T4.0 Lens, ARRI Rental Prime DNA Lenses, Leitz Summilux-C Series Lenses

The Expendables (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb

Starring | Sylvester Stallone, Jason Statham, Jet Li, Dolph Lundgren

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Free Rein (2014)

Television Series | 2D | Color | 24 Minutes

Directed by | Stefan Morel | Cinematography by | Stefan Morel

Lenses | Cooke S4/i Lenses

Queen of the South (2016)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 42 Minutes

The Resident (2018)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | John Brawley, Hilda Mercado, Elliot Davis | Editing by | Timothy A. Good, William Paley, Nicole Vaskell, Greg Babor, Amanda Panella, Emily Mendez, Patrick McMahon

Starring | Matt Czuchry, Emily VanCamp, Manish Dayal, Shaunette Renée Wilson

Cameras | ARRI ALEXA Mini Camera, Blackmagic Micro Cinema Camera, Blackmagic Pocket Cinema 4K Camera, Blackmagic URSA Mini Pro 4.6K G2 Camera, Blackmagic URSA Mini Pro Camera

Lenses | Leitz Summicron-C 135 mm T2.0 Lens, Leitz Summicron-C 18 mm T2.0 Lens, Leitz Summicron-C 21 mm T2.0 Lens, Leitz Summicron-C 25 mm T2.0 Lens, Leitz Summicron-C 29 mm T2.0 Lens, Leitz Summicron-C 35 mm T2.0 Lens, Leitz Summicron-C 40 mm T2.0 Lens, Leitz Summicron-C 50 mm T2.0 Lens, Leitz Summicron-C 75 mm T2.0 Lens, Panavision Primo Primes Spherical Lenses, SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens, Zeiss Lenses

E.T. the Extra-Terrestrial (1982)

Motion Picture | 2D | Film Project | Color | 115 Minutes

Directed by | Steven Spielberg | Cinematography by | Allen Daviau | Editing by | Carol Littleton

Starring | Henry Thomas, Drew Barrymore, Peter Coyote, Dee Wallace

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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