Color | 3927 Titles
Titus (1999)
Directed by | Julie Taymor | Cinematography by | Luciano Tovoli | Editing by | Françoise Bonnot
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
Sons of Anarchy (2008)
| Cinematography by | Paul Maibaum, David Boyd, John C. Flinn III, Jonathan Freeman, Edward J. Pei | Editing by | Paul Fontaine, Lauren Pendergrass, Etienne Des Lauriers, Hunter M. Via, Jordan Goldman, Jacques Gravett, Doc Crotzer, Tamara Luciano, Sidney Wolinsky
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Amores Perros (2000)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda
Cameras | Moviecam Superlight Camera
Hale County This Morning, This Evening (2018)
Better Call Saul (2015)
| Cinematography by | Arthur Albert, Marshall Adams | Editing by | Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Christopher M. Meagher, Joey Reinisch
Cameras | Panasonic Lumix DMC-GH4 Camera, Panasonic VariCam 35, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Sony α7R II Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
This Is Us (2016)
| Cinematography by | Yasu Tanida, Brett Pawlak | Editing by | Bjørn T. Myrholt, Julia Grove, Howard Leder, Brandi Bradburn, Susan Vaill, Nicholas Rucka, David L. Bertman
The Bastard Sword (2018)
La virgen de los sicarios (2000)
Directed by | Barbet Schroeder | Cinematography by | Rodrigo Lalinde | Editing by | Elsa Vásquez
Cameras | Sony HDW-700A Camera
Romeo + Juliet (1996)
Directed by | Baz Luhrmann | Cinematography by | Donald McAlpine | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Gold Camera
Lenses | Panavision Primo Anamorphic Lenses
Silicon Valley (2014)
| Cinematography by | Tim Suhrstedt, Jim Denault | Editing by | Tim Roche, Brian Merken, Al LeVine, Paul Zucker, Brian Bautista
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
I Viceré (2007)
Directed by | Roberto Faenza | Cinematography by | Maurizio Calvesi | Editing by | Massimo Fiocchi
Cameras | Moviecam Compact Camera
Runaway (2003)
The Lord of the Rings: The Two Towers (2002)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton
Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses
The Lord of the Rings: The Return of the King (2003) 
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Das Boot (1981)
Directed by | Wolfgang Petersen | Cinematography by | Jost Vacano | Editing by | Hannes Nikel
Cameras | ARRI Cameras
Green Planet (2003)
Directed by | Tyler Norman | Cinematography by | Tyler Norman | Editing by | Tyler Norman
Cameras | Canon Scoopic 16 / 16M Camera
Jojo Rabbit (2019)
Directed by | Taika Waititi | Cinematography by | Mihai Malaimare Jr. | Editing by | Tom Eagles, Yana Gorskaya
Cameras | ARRI ALEXA SXT Plus Camera
Lenses | Hawk V-Lite Lenses, Hawk Vantage One Lenses
Tetro (2009)
Directed by | Francis Ford Coppola | Cinematography by | Mihai Malaimare Jr. | Editing by | Walter Murch
Cameras | Sony HDW-F900 Camera
Lenses | Zeiss DigiPrime Lenses
Reuniting the Rubins (2010)
Directed by | Yoav Factor | Cinematography by | Miles Cook | Editing by | Ben King, Anthony Stadler
Cameras | ARRICAM Studio (ST) Camera
Lenses | Cooke S4/i Lenses
